Book Description
Collecting David Harvey's finest work on Paris during the second empire, Paris, Capital of Modernity offers brilliant insights ranging from the birth of consumerist spectacle on the Parisian boulevards, the creative visions of Balzac, Baudelaire and Zola, and the reactionary cultural politics of the bombastic Sacre Couer. The book is heavily illustrated and includes a number drawings, portraits and cartoons by Daumier, one of the greatest political caricaturists of the nineteenth century.
Table of Contents
- Cover
- Half Title
- Full Title
- Copyright
- Contents
- Illustrations
- Tables
- Introduction: Modernity as Break
- PART 1. Representations: Paris 1830–1848
- 1. The Myths of Modernity: Balzac’s Paris
- 2. Dreaming the Body Politic: Revolutionary Politics and Utopian Schemes, 1830–1848
- PART 2. Materializations: Paris 1848–1870
- 3. Prologue
- 4. The Organization of Space Relations
- 5. Money, Credit, and Finance
- 6. Rent and the Propertied Interest
- 7. The State
- 8. Abstract and Concrete Labor
- 9. The Buying and Selling of Labor Power
- 10. The Condition of Women
- 11. The Reproduction of Labor Power
- 12. Consumerism, Spectacle, and Leisure
- 13. Community and Class
- 14. Natural Relations
- 15. Science and Sentiment, Modernity and Tradition
- 16. Rhetoric and Representation
- 17. The Geopolitics of Urban Transformation
- PART 3. Coda
- 18. The Building of the Basilica of Sacré-Coeur
- Notes
- Bibliography
- Acknowledgments and Credits for Illustrations
- Index