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Book Description

Design is the single most important factor in creating a successful photograph. The ability to see the potential for a strong picture and then organize the graphic elements into an effective, compelling composition has always been one of the key skills in making photographs.

Digital photography has brought a new, exciting aspect to design - first because the instant feedback from a digital camera allows immediate appraisal and improvement; and second because image-editing tools make it possible to alter and enhance the design after the shutter has been pressed. This has had a profound effect on the way digital photographers take pictures.

Now published in sixteen languages, The Photographer's Eye continues to speak to photographers everywhere. Reaching 100,000 copies in print in the US alone, and 300,000+ worldwide, it shows how anyone can develop the ability to see and shoot great digital photographs. The book explores all the traditional approaches to composition and design, but crucially, it also addresses the new digital technique of shooting in the knowledge that a picture will later be edited, manipulated, or montaged to result in a final image that may be very different from the one seen in the viewfinder.

Table of Contents

  1. Cover
  2. Half Title
  3. Full Title
  4. Copyright
  5. Contents
  6. Introduction
  7. CHAPTER 1 THE IMAGE FRAME
    1. Frame dynamics
    2. Frame shape
    3. Stitching and extending
    4. Cropping
    5. Filling the frame
    6. Placement
    7. Dividing the frame
    8. Horizon
    9. Frames within frames
  8. CHAPTER 2 DESIGN BASICS
    1. Contrast
    2. Gestalt perception
    3. Balance
    4. Dynamic tension
    5. Figure and ground
    6. Rhythm
    7. Pattern, texture, many
    8. Perspective and depth
    9. Visual weight
    10. Looking and interest
    11. Content, weak & strong
  9. CHAPTER 3 GRAPHIC & PHOTOGRAPHIC ELEMENTS
    1. A single point
    2. Several points
    3. Horizontal lines
    4. Vertical lines
    5. Diagonal lines
    6. Curves
    7. Eye-lines
    8. Triangles
    9. Circles and rectangles
    10. Vectors
    11. Focus
    12. Motion
    13. Moment
    14. Optics
    15. Exposure
  10. CHAPTER 4 COMPOSING WITH LIGHT AND COLOR
    1. Chiaroscuro and key
    2. Color in composition
    3. Color relationships
    4. Muted colors
    5. Black and white
  11. CHAPTER 5 INTENT
    1. Conventional or challenging
    2. Reactive or planned
    3. Documentary or expressive
    4. Simple or complex
    5. Clear or ambiguous
    6. Delay
    7. Style and fashion
  12. CHAPTER 6 PROCESS
    1. The search for order
    2. Hunting
    3. Case study: Japanese monk
    4. Repertoire
    5. Reaction
    6. Anticipation
    7. Exploration
    8. Return
    9. Construction
    10. Juxtaposition
    11. Photographs together
    12. Post-production
    13. Syntax
  13. Index
  14. Acknowledgments & Bibliography
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