- Cover
- Half Title
- Title Page
- Copyright Page
- Dedication
- Table of Contents
- Preface
- Part I Prep and Production
- Chapter 1 Producing Media
- Chapter 2 Script Breakdown and Scheduling
- Scheduling a Film: A Step-by-Step Overview
- The Script Breakdown
- What are the Elements?
- Speaking Cast (Underline in Red)
- Extras/Atmosphere (Underline in Green)
- Silent Bits (Underline in Yellow)
- Props (Underline in Lime) and Set Dressing (Underline in Purple)
- Wardrobe (Circle the Item)
- Makeup (Mark with an Asterisk)
- Stunts (Underline in Orange)
- Special Effects (Underline in Blue)
- Sound Effects (Underline in Brown)
- Special Equipment (Draw a Box around the Action)
- Vehicles and Animals/Livestock (Underline in Pink)
- Music (Underline in Aqua)
- Other Categories
- A Note on Continuity
- Breaking the Script into “Eighths”
- The Breakdown Sheet
- The Strip or Production Board
- Creating a Schedule
- Scheduling Parameters
- Putting the Schedule Together
- Schedules to Print
- Updating Your Schedule
- Summary
- Chapter 3 The Budget
- Chapter 4 The Production Team and Staff
- Unit Production Manager
- Production Office Coordinator
- Local Production Coordinator
- Assistant Production Office Coordinator
- Travel/Movement
- Office Production Assistants
- Receptionist
- Head Accountant
- First Assistant Accountant, Second Assistant Accountant, and Accounting Apprentice
- Technical Advisor
- Script Supervisor
- Safety Officer/Manager
- Product Placement
- Summary
- Chapter 5 The Production office
- The Production Office
- Blocks of Rooms
- Ample Office Space
- Proximity to Restaurants and Shops
- Proximity to Airport
- Room Service
- Nicer Rooms for Stars
- Refrigerators
- Parking
- Proximity to Locations
- Laundry Service
- Setting up the Office
- Running the Production Office
- The Meet-and-Greet
- The Wrap Party
- Wrapping Out the Production Office
- Production Lists
- Summary
- Chapter 6 The Director's Team & 2nd Unit
- Director
- First Assistant Director
- The First Assistant Director-Director Relationship
- Production Meetings
- Second Assistant Director
- Walkie-Talkie Etiquette
- Second Second Assistant Director and/or DGA Trainee
- Set Production Assistants
- Director's Assistant
- Choreographer
- Dialogue Coach/Dialect Coach
- Storyboard Artist
- Set Operations
- Closed Set
- Set Protocol
- The Set Box
- AD Paperwork
- 2nd Unit
- Director
- Unit Production Manager or Production Office Coordinator
- First Assistant Director
- Locations
- Camera
- Sound
- Other Units
- Operations
- Equipment
- Paperwork
- Summary
- Chapter 7 Casting, Actors, Extras, and Stunt People
- Casting Department
- Casting Director
- Local Casting Director
- Extras Casting
- Casting Assistants
- How to Run a Casting Session
- Screen Tests
- Rehearsals and Training
- Fittings
- Working with Minors
- Working with Animals
- The Taft–Hartley
- Categories of Actors
- Day Players Versus Weekly Players
- Stunts
- Stunt Coordinator
- Stunt Person
- How a Stunt Could Work: A Car Roll
- Summary
- Chapter 8 The Art Department
- Production Designer
- Art Director
- Set Decorator
- Lead Man and Swing Gang
- Art Department Coordinator
- Set Designer
- Set Dresser
- Props
- Illustrator
- Draftsperson
- Assistant Props
- Art Department Production Assistants
- Assistant to Production Designer and Art Director
- Construction Coordinator
- Construction Foreman
- Construction Laborers
- Standby Painter
- Standby Greensperson
- Operations
- Summary
- Chapter 9 The Camera Department
- Chapter 10 Grip and Electric
- Chapter 11 The Sound Department
- Chapter 12 Special Effects and Visual Effects
- Chapter 13 The Wardrobe Department
- Chapter 14 Makeup and Hair
- Chapter 15 Locations
- Chapter 16 The Transportation Department
- Part II Post-Production
- Chapter 17 Editing Picture and Sound
- Chapter 18 Music
- Part III The Rest of the Story
- Chapter 19 Contractuals & Other Matters
- Chapter 20 Miscellaneous
- Craft Services
- The Craft Service Person
- Catering
- Set First AID
- Set Massage Therapist
- Production Etiquette
- Unions, Guilds, and Associations
- American Society of Composers, Authors, and Publishers (ASCAP)—www.ascap.com
- International Alliance of Theatrical Stage Employees (IATSE)—www.iatse-intl.org/home.html
- International Brotherhood of Electrical Workers (IBEW)—www.ibew.org
- National Association of Broadcast Employees and Technicians—www.nabetcwa.org
- Casting Society of America (CSA)—www.castingsociety.com
- Actors' Equity Association (AEA) —Error! Hyperlink reference not valid.
- American Federation of Television and Radio Artists (AFTRA)—www.aftra.org
- International Documentary Association (IDA)—www.documentary.org
- Directors Guild of America (DGA)—www.dga.org
- Writers Guild of America (WGA)—www.wga.org
- Screen Actors Guild (SAG)—www.sag.org
- Academy of Motion Picture Arts and Sciences (AMPAS)— www.oscars.org
- Academy of Television Arts and Sciences (ATAS)—www.emmys.tv
- Producers Guild of America (PGA)—www.producersguild.org
- American Federation of Musicians (AFM)—www.afm.org
- The Film Foundation—www.film-foundation.org
- National Association of Broadcasters (NAB)—www.nab.org
- American Film Marketing Association (AFMA)—www.afma.com
- Motion Picture Association of America (MPAA)—www.mpaa.org
- Summary
- Appendix
- Glossary
- Index
The Complete Guide
to Film and Digital
Production
The People and the Process
Second Edition
LORENE M. WALES
Regent University
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