- Cover
- Halftitle
- Title
- Copyright
- Contents
- Introduction
- Preface: Quick-Start Guide to Common Problems
- Chapter 1. Seeing and Hearing
- Chapter 2. Uncompressed Video and Audio: Sampling and Quantization
- Chapter 3. Fundamentals of Compression
- Chapter 4. The Digital Video Workflow
- Chapter 5. Production, Acquisition, and Post Production
- Chapter 6. Preprocessing
- Chapter 7. Using Video Codecs
- Chapter 8. Using Audio Codecs
- Chapter 9. MPEG 1 and 2
- Chapter 10. MP3
- Chapter 11. MPEG-4
- Chapter 12. MPEG-4 part 2 Video Codec
- Chapter 13. Advanced Audio Coding (AAC) and M4A
- Chapter 14. H.264
- Why H.264?
- Why Not H.264?
- What’s Unique About H.264?
- 4 × 4 blocks
- Strong In-Loop Deblocking
- Variable Block-Size Motion Compensation
- Quarter-Pixel Motion Precision
- Multiple Reference Frames
- Pyramid B-Frames
- Weighted Prediction
- Logarithmic Quantization Scale
- Flexible Interlaced Coding
- CABAC Entropy Coding
- Differential Quantization
- Quantization Weighting Matricies
- Modes Beyond 8-bit 4:2:0
- H.264 Profiles
- Where H.264 Is Used
- Settings for H.264 Encoding
- H.264 Encoders
- H.265 and Next – Generation Video Codec
- Chapter 15. FLV
- Chapter 16. Windows Media
- Chapter 17. VC-1
- Chapter 18. Windows Media Audio
- Chapter 19. Ogg
- Chapter 20. RealMedia
- Chapter 21. Bink
- Chapter 22. Web Video
- Chapter 23. Optical Disc: DVD, Blu-Ray, and ROM
- Chapter 24. Phones and Devices
- Chapter 25. Flash
- Chapter 26. Silverlight
- Chapter 27. Media on Windows
- Chapter 28. QuickTime and Mac OS
- Introduction to Mac
- History of the Mac as a Media Platform
- Birth of the Mac
- Macintosh II
- Formation of Avid, Digidesign, and Radius
- Macromind Director
- System 7
- QuickTime 1.0
- The Multimedia Mac
- QuickTime 2
- PowerPC Switch
- The Birth and Death of Mac Clones
- QuickTime 2.5 and QuickTime Media Layer
- QuickTime v3
- QuickTime Enters the Streaming Wars
- Mac OS X Begins and Steve Jobs Returns
- The G3 Era and the PC Convergence
- QuickTime 4: Streaming and The Phantom Menace
- Final Cut Pro
- QuickTime 5
- The G4 Era
- QuickTime 6 and MPEG-4
- Mac OS X, Finally for Real
- Introduction to QuickTime
- The QuickTime Format
- QuickTime Tracks
- Delivering Files in QuickTime
- The Standard QuickTime Compression Dialog
- QuickTime Alternate Movies
- QuickTime Delivery Codecs
- QuickTime Authoring Codecs
- QuickTime Audio Codecs
- QuickTime Import/Export Components
- QuickTime Authoring Tools
- Index
- Compression Tools
-
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