One of the world’s most impressive museums, the Louvre contains some 35,000 priceless objects. It was built as a fortress by King Philippe-Auguste in 1190, but Charles V (1364–1380) made it his home. In the 16th century François I replaced it with a Renaissance-style palace and founded the royal art collection with 12 paintings from Italy. Revolutionaries opened the collection to the public in 1793. Shortly after, Napoleon renovated the Louvre as a museum.
Musée du Louvre, 75001 • 01 40 20 53 17 • www.louvre.fr • Open 9am–6pm Mon, Thu, Sat & Sun, 9am–9:45pm Wed & Fri; closed Tue, public hols • Adm $19; free 1st Sun of month (except Apr–Sep); under 18 free; under 26 (EU only) free
The foyer is under the pyramid. Those with tickets are given priority access at the pyramid. Alternatively, buy tickets at the Carrousel du Louvre entrance (99 Rue de Rivoli) or Porte des Lions. The Sully, Denon, and Richelieu wings lead off from the foyer. Painting and sculpture are displayed by country, plus galleries for objets d’art, antiquities, and prints. The Petit Galerie, in the Richelieu wing, is a temporary exhibition area aimed at children.
This iconic statue of Greek goddess Aphrodite—later known as Venus by the ancient Romans—is the highlight of the museum’s Greek antiquities. It dates from the end of the 2nd century BCE and was discovered on the Greek island of Milos in 1820.
Arguably the most famous painting in the world, Leonardo da Vinci’s portrait of a Florentine noblewoman with an enigmatic smile has been beautifully restored. Visit early or late in the day.
Coustou’s famous rearing horses being restrained by horse-tamers were sculpted in 1745 for Louis XIV’s Château de Marly. Replicas stand near the Place de la Concorde.
Michelangelo (1475–1564) sculpted Dying Slave and Rebellious Slave (1513–20) for the tomb of Pope Julius II in Rome. The unfinished figures seem to be emerging from their “prisons” of stone.
The unmistakable glass pyramid, designed by I M Pei, became the Louvre’s new entrance in 1989. Stainless steel tubes make up the 69-ft- (21-m-) high frame.
An excavation in the 1980s uncovered the remains of the medieval fortress. You can see the base of the towers and the drawbridge support under the Cour Carrée.
This Hellenistic treasure (3rd–2nd century BCE) stands atop a stone ship radiating grace and power. It was created to commemorate a naval triumph at Rhodes.
The shipwreck of a French frigate three years earlier inspired this gigantic early Romantic painting by Théodore Géricault (1791–1824) in 1819. The work depicts the moment when the survivors spot a sail on the horizon.
The majestic east façade by Claude Perrault (1613– 88), with its paired Corinthian columns, was part of an extension plan commissioned by Louis XIV.
Jan Vermeer’s (1632–75) masterpiece, painted around 1665, gives a simple but beautiful rendering of everyday life and is the highlight of the Louvre’s Dutch collection.
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