Index

acceptance

active listening

actors, 2^nd, 3^rd

voices, 2^nd

adaptors

and lying behaviour

affect displays

airports and displacement activities

Allen, Woody

alter-adaptors

anger

and displacement activities

and facial expressions, 2^nd, 3^rd, 4^th

and voice

ankle locks, 2^nd

ANS see autonomic nervous system (ANS )

anxiety, 2^nd

and blinking, 2^nd, 3^rd

and breathing

clusters of behaviour

and displacement activities, 2^nd

self-comforting gestures, 2^nd

and emotional intelligence

hand to neck gestures

and negative leakage, 2^nd

appearance

The Apprentice, 2^nd

arms, 2^nd, 3^rd

crossed, 2^nd

hands behind the back

Asperger’s syndrome

attitudes, 2^nd

autism

autonomic nervous system (ANS )

and facial expressions

and nose touching

backs, hands behind

bad habits

beauty

Beckham, David

Beckham, Victoria

biochemistry, 2^nd

Birdwhistell, Ray, 2^nd

biting of the lip

Blackman, Honor

blank expressions

blinking

and lying behaviour, 2^nd, 3^rd

body movement

boredom

and self-comfort gestures

the brain

and biochemistry, 2^nd

left- and right-brain activity

breathing

anxiety and lung constriction, 2^nd

and lying behaviour

Brown, Gordon, 2^nd, 3^rd, 4^th

Burns, George

business success

and likeability, 2^nd

Cameron, David, 2^nd, 3^rd

Campbell, Alastair

cars

and eye contact

celebrities

and disguised defensivegestures

chairs

locking feet around the legs of

Chaplin, Charlie

Charles, Prince

cheek support

Chesterton, G.K .

chin support, 2^nd, 3^rd

cigarettes, 2^nd

cigars

clasping the hands

Clegg, Nick, 2^nd

Clinton, Bill, 2^nd, 3^rd, 4^th

Clinton, Hillary, 2^nd

closed body language, 2^nd

and proxemics

closed palm position, 2^nd

closed smiles

clothing

clusters of behaviour, 2^nd, 3^rd, 4^th, 5^th

anxious behaviour

displacement activities

eye activity, 2^nd

facial expressions

head position

indicating nervousness

leg crossing

and likeability, 2^nd

lying, 2^nd, 3^rd, 4^th, 5^th

self-comfort gestures, 2^nd

comfort, 2^nd

confidence

and hands behind the back

and ‘steepling’ of hands

conflict

and self-comfort gestures

congruence, 2^nd, 3^rd

and facial expressions, 2^nd

incongruent smiles

open gestures

and voice, 2^nd

Connery, Sean

conscious gestures

context

controlling your body language

conversations

and eye contact

Craig, Daniel

crossed arms, 2^nd

arms gripped

with fists

partial arm-cross

with upward thumbs

crossed legs, 2^nd, 3^rd

crotch-covering stance

cut-off eye activity

Darwin, Charles, 2^nd, 3^rd, 4^th

daydreaming

de Bono, Edward

deception

defensive postures

Dench, Dame Judi, 2^nd

disagreement

disapproval

discomfort, 2^nd

and blinking

and crossed arms

and crossed legs

and eye contact

mind-body links

disguised defensive gestures

disgust, and facial expressions of, 2^nd, 3^rd, 4^th

displacement activities, 2^nd, 3^rd, 4^th, 5^th

clusters indicating nervousness

defining

externally directed

hands

internally directed, 2^nd, 3^rd

and lying behaviour

and negative leakage

nose touching

smoking, 2^nd

dominance

and eye contact

and eye movements

and hand activity, 2^nd

doodling on pads

dress

Duchenne smile, 2^nd

Ekman, Paul, 2^nd, 3^rd, 4^th, 5^th

on lying behaviour, 2^nd, 3^rd

Eliot, George

Elizabeth II, Queen, 2^nd

emblems

emotional intelligence, 2^nd,3^rd

and eye contact

emotions, 2^nd, 3^rd, 4^th

and facial expressions, 2^nd

and hand activity

masking

smiles, 2^nd, 3^rd

and smiling

empathy, 2^nd, 3^rd

and listening, 2^nd, 3^rd

and the lower-lip bite

ESP (empathy, sensitivity and perception)

eye activity, 2^nd, 3^rd

blinking, 2^nd, 3^rd, 4^th

boredom signal

cut-off, 2^nd

hand to eyes

dilated pupils

dips

eye direction, 2^nd

eye shuttle

and facial expressions

lying behaviour, 2^nd

and nervousness

research on

rubbing the eye, 2^nd

and smiling

widening and narrowing

eye contact, 2^nd, 3^rd

and cars

dominant-subordinate encounters

excessive

exercising control through

expression in the eyes, 2^nd

failure to make, 2^nd

and gaze behaviour, 2^nd

intermittent, 2^nd

intimate level of

lack of

and likeability, 2^nd, 3^rd

and listening

and lying behaviour

providing mood and character information through

regulating interaction through

social level of

speeches or presentations

and staring

with strangers

and submission

and trust, 2^nd, 3^rd

where to look

eyebrows

lowering

raising

face touching

hand to face/head

and lying behaviour

mouth, 2^nd, 3^rd

facial expressions, 2^nd, 3^rd, 4^th, 5^th

and congruence, 2^nd

and emotions, 2^nd, 3^rd

and empathy

environmental activity

inner voice activity

and likeability, 2^nd

lips, 2^nd, 3^rd, 4^th

masking

position of the head

pouting

smiling

see also microexpressions

FACS (Facial Action Coding System )

fear

and facial expressions, 2^nd, 3^rd

feelings, 2^nd, 3^rd

see also emotions

feet

locked feet and ankles, 2^nd

and lying behaviour, 2^nd

foot movement

pointing towards or away, 2^nd

tapping

55, 38 and 7 model, 2^nd, 3^rd, 4^th

fingers

covering the mouth, 2^nd

finger points

finger tapping

interlaced

putting in the mouth

first impressions, 2^nd, 3^rd

and likeability, 2^nd, 3^rd

fists

covering the mouth

crossed arms with

hand-to-face gestures, 2^nd

flirting

and eye contact

and head position

and likeability, 2^nd, 3^rd

freeze fight-flight symptoms

Freud, Sigmund

Friends

Friesen, Wallace, 2^nd, 3^rd, 4^th

Frostrup, Mariella

Gambon, Michael

gaze behaviour

and lying

gestures, 2^nd, 3^rd

clusters of

defining

and empathy

kinesic model of

and likeability

see also hand activity

habits, 2^nd

hair touching, 2^nd, 3^rd

Hall, Edward

hand activity, 2^nd

displacement habits

fingers

covering the mouth, 2^nd

finger points

finger tapping

interlaced

putting in the mouth

fists

covering the mouth

crossed arms with

hand-to-face gestures, 2^nd

hand to eyes

hand to neck

hiding the hands, 2^nd

lying behaviour

mouth cover, 2^nd

open-handed gestures

palm gestures

patting on the back

self-comfort gestures

hand clasp

hand to face/head

hands behind the back

steepling of hands

and speech, 2^nd

status, hierarchy and dominance

handshakes

happiness, 2^nd

head movements

head shake

and likeability

nodding, 2^nd, 3^rd

and direction of gaze

speed of

types of

head position, 2^nd

lowered, 2^nd

tilted, 2^nd, 3^rd

head scratching

hearing and listening

hierarchy

and hand activity

Hitchcock, Alfred

Hitler, Adolf

ID 10T errors, 2^nd, 3^rd, 4^th, 5^th, 6^th, 7^th

illustrators

incongruent smiles

intention movements, 2^nd, 3^rd, 4^th

interest

interlaced fingers

interpretation of body language

interviews

and hand steepling

and the lower body

and negative leakage

intimate level of eye contact

intuition, 2^nd, 3^rd, 4^th

and facial expressions

involuntary movements

Irons, Jeremy

jaw support, 2^nd

jaw tension

Kennedy, John F .

Kerr, Jean

kinesics

King, Larry

leakage, 2^nd, 3^rd, 4^th

anxiety and negative leakage, 2^nd

and biochemistry, 2^nd

changes in mind and body

and displacement activities

hand activity

and lying behaviour

microexpressions, 2^nd, 3^rd

mind-body link

and poker

and speeches/presentations

summary of

legs, 2^nd

crossed, 2^nd, 3^rd

leg twine

and lying behaviour

and whole-body behaviour

Leonardo da Vinci, 2^nd

and the Mona Lisa, 2^nd

likeability, 2^nd, 3^rd

actors

advantages of

appearance

expression in the eyes

and eye contact, 2^nd, 3^rd

first impressions, 2^nd, 3^rd

flirting and dating, 2^nd

interviews

listening

posture and gestures

smile

speeches or presentations

and voice

limbs

arms, 2^nd, 3^rd, 4^th, 5^th

feet

hands, 2^nd

legs

lips

biting

pursed

and smiling, 2^nd

stiff upper-lip, 2^nd

tight lips

listening

active

body language, 2^nd

eye contact

head nods, 2^nd, 3^rd

mirroring, 2^nd

and empathy, 2^nd

and hearing

and likeability, 2^nd

poor listening

visual and vocal cues

whole-body, 2^nd, 3^rd

see also paralanguage; voice

Lloyd Webber, Andrew

locked ankles, 2^nd

looking

eye activity, 2^nd, 3^rd

eye contact, 2^nd, 3^rd

facial expressions, 2^nd, 3^rd, 4^th, 5^th

and likeability

lower-lip bite

lowered hand steeple

lowered head, 2^nd

lying behaviour, 2^nd

baseline, 2^nd, 3^rd, 4^th, 5^th

eye activity, 2^nd

hand activity

legs and feet, 2^nd

microexpressions of

mouth touching, 2^nd, 3^rd, 4^th

nose touching, 2^nd, 3^rd

paralanguage, 2^nd, 3^rd

and perception

public apologies

and smiling

social lying, 2^nd

types of deceit

‘magic’ of body reading

Marx Brothers

masking smiles, 2^nd, 3^rd

Mehrabian, Albert

memory

memories and the senses

and neurotransmitter blocking

men

crossed legs, 2^nd

and likeability, 2^nd, 3^rd

microexpressions, 2^nd, 3^rd

of lying

mind-body link

mind-reading, 2^nd, 3^rd

mirroring body language, 2^nd, 3^rd

misinterpretation of body language

mixed messages

Mona Lisa, 2^nd

Monroe, Marilyn, 2^nd

Morris, Desmond, 2^nd, 3^rd, 4^th

mouth touching

covering with hand/fingers, 2^nd

and lying behaviour, 2^nd, 3^rd, 4^th

putting fingers in the mouth

Murray, Andy

Nadal, Rafael, 2^nd

narrowing of the eyes

neck

hand to neck gestures, 2^nd

negative body language

facial expressions

mirroring

and miscommunication

see also leakage

nervousness see anxiety

neurotransmitter blocking

nose touching, 2^nd, 3^rd

object-adaptors

observation skills

open body language, 2^nd, 3^rd, 4^th, 5^th

and arms

and likeability

open palm position, 2^nd

open smiles

open-handed gestures, 2^nd

palms of the hands

palms down, 2^nd

palms up, 2^nd

paralanguage, 2^nd, 3^rd, 4^th, 5^th, 6^th

and likeability, 2^nd, 3^rd

and lying behaviour, 2^nd, 3^rd

see also voice

Parkinson chat show

partial arm-cross

perception and lying

perceptivity

personal space

physical attractiveness

Pinocchio effect

pitch of voice, 2^nd, 3^rd

poker

positive body language

positive thinking

posture, 2^nd, 3^rd, 4^th

and likeability

pouting

presentations, body language during

proxemics

public apologies

pursed lips

railway stations

displacement activities at

raised hand steeple

rapid head nods

rapport building

and eye contact

mirroring body language, 2^nd

Reagan, Ronald

receivers of non-verbal language

receptor cells

regulators

rejection

rhythm of the voice, 2^nd

Rickman, Alan

Royal Family

sadness

and facial expressions, 2^nd, 3^rd, 4^th

scowling, 2^nd

self-adaptors

self-analysis

self-awareness, 2^nd, 3^rd

lack of

self-comfort gestures, 2^nd, 3^rd, 4^th, 5^th

crossed arms

hand clasp

hand to face/head

hands behind the back

steepling of hands

senders of non-verbal language

the senses, 2^nd

sensitivity, 2^nd, 3^rd

Shakespeare, William, 2^nd

shoulders, slumped, 2^nd

‘silent’ films

the silent language

sitting behaviour

legs and feet, 2^nd

seating at interviews

slow head nods

smiling, 2^nd

closed smiles

Duchenne smile, 2^nd

effects of, 2^nd

and emotions

and happiness

incongruent smiles

and likeability, 2^nd

and the lips, 2^nd

lop-sided smiles, 2^nd

and lying behaviour

masking smiles, 2^nd, 3^rd

and microexpressions

open smiles

social smiles, 2^nd, 3^rd

true (felt) smiles

smoking

displacement activities, 2^nd

social level of eye contact

social lying, 2^nd

social smiles, 2^nd, 3^rd

Sommer, Robert

spatial distance

speech see paralanguage; voice

speeches, body language during

sporting personalities

standing behaviour, 2^nd

staring, 2^nd

state anxiety

status

and hand activity

‘steepling’ of hands

stiff upper-lip, 2^nd

strangers

eye contact with

stress see anxiety

subconscious gestures

submissive gestures

eye contact

head tilts

palms of the hands

surprise, 2^nd

synchronising body language

temple support (head )

tennis players

Thatcher, Margaret

thought-reading

3 Cs, 2^nd

throat clearing

thumbs

crossed arms with upward thumbs

supporting the chin

‘thumbs up’ gestures

tight lips

tilted head

touch

trait anxiety

transmission of body language

trust

and eye contact, 2^nd, 3^rd

truth

Twain, Mark

visual body language, 2^nd, 3^rd

visual cues

voice, 2^nd, 3^rd, 4^th

errors or hesitancy

formula for a perfect voice

and hand movements, 2^nd

and likeability, 2^nd

loudness, 2^nd, 3^rd

and lying behaviour

mirroring, 2^nd

pitch, 2^nd, 3^rd, 4^th

silence or pauses

tempo (rate of speaking ), 2^nd, 3^rd, 4^th

vocal cues, 2^nd

see also paralanguage

voluntary movements

whole-body behaviour

whole-body listening, 2^nd, 3^rd

Widdecombe, Anne

women

and crossed legs

and facial expressions

hand to neck gestures

and head position

and likeability, 2^nd, 3^rd, 4^th, 5^th

and self-comfort gestures

Wood, Victoria

Woods, Tiger

words, 2^nd, 2^nd, 3^rd

wrist

gripping behind the back

zones of personal space