Appendix I
Truck Diagrams

A series of television production truck diagrams are included to show the variety of trucks and the types of equipment available in each truck.

IMS Productions

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Video Production

  • 2 tier production room
  • 5 position 1st bench
  • 3 position 2nd and 3rd benches
  • 162 wide monitor wall
  • Grass Valley Kayenne K-Frame HD Switcher
  • 172 Inputs
  • 56 Dual Outputs, 24 additional Outputs
  • 7 ME’s
  • 30 Keyers
  • 30 2D DPM’s
  • 12 3D iDPM’s
  • 4 3D eDPM’s
  • 32 Gig Image Store
  • 4 channel clip player
  • Flexikey, Double Take
  • Programmable Clean Feed
  • Kurl, Defocus, Glow

Graphics

  • 2 Chyron Mosaic XL
  • Leitch efx outputs boards
  • Lyric Pro 8.6
  • FingerWorks Telestrator

Replay

  • 3 3-position benches
  • 1 Sony HDW-D1800 HDCam
  • 1 Sony SRW-HDCam
  • 1 Panasonic 1800 DVCPro
  • 2 Sony PDWHD 1500 XDCam
  • 2 Blu-ray/DVD recorders
  • 2 8-Channel EVS XT-3 LSM’s
  • 4 8-Channel EVS XT-3 RO’s, licensed for Slo-Mo
  • 1 6-Channel EVS XT-3 SpotBox
  • 1 EVS X-File 2 with XT Access
  • 1 EVS IP Director
  • Available Codecs: MJPEG; MPEG 2 INTRA; VC-3HD; Avid DNxHD; Apple ProRes 422 & ProRes LT; DVCPro HD; AVC-Intra 100

Cameras/Lenses

  • 14 Sony HDC2400 with dual filter wheel
  • 4 Sony HDC2500
  • All cameras with SMPTE Side Panels, 12 Digital Triax Side Panels available
  • 12 HDLA-B Sleds with OLED Outdoor Viewfinders
  • 6 Canon 100×9.3 lenses with Image Stabilization
  • 6 Canon 95×8.6 lenses with Image Stabilization
  • 8 2” Viewfinders
  • 8 Canon 22× HH Lenses
  • 12 Matthews MT-1 Tripods
  • 12 Vinten Vector 750 Panheads
  • 6 Vinten Vision 100 ENG Tripods
  • 20 Telecast SHEDS and HDX boxes

Audio

  • Calrec Apollo with 160×160 analog, 64×64 AES, and 20×20 Madi
  • 144 Motorized Faders
  • 48 Aux Busses
  • 48 Groups
  • 96 MultiTracks
  • 16 Mains
  • 1 CD Player
  • 2 DigiCarts—SD Card Only!
  • 1 ENCO DAD digital audio playback device
  • DaySequerra Package consisting of: 2 downmix encoders
  • 2 upmix decoders
  • 1 4-channel mono-to-stereo synthesizer
  • 1 Loudness meter
  • 8 Dual Talkback boxes
  • 8 HMD-26 announcer headsets
  • 6 Sennheiser MKH-816 shotgun microphones
  • 6 Sennheiser MKH-416 shotgun microphones
  • 6 Sennheiser ME-66 shotgun microphones
  • 4 Audio Technica AT-4029 stereo shotgun microphones
  • 12 Sennheiser MD-46 microphones
  • 2 Shure VP-88 stereo microphones
  • 2 ElectroVoice RE50 microphones
  • 8 Sony ECM-77 lavalier microphones

Communications

  • RTS Adam System
  • 112×112 analog
  • 96×96 Madi
  • 32×32 RVON
  • 32×32 Omneo
  • 26 KP 32 Intercom Panels
  • 3 KP 12 Intercom Panels
  • 12 Channels of Powered PL
  • SAP 1626
  • 16 Channels of Powered IFB
  • 21 BP 325 Beltpacks
  • 16 IFB 4030 Beltpacks
  • 8 TIFF 4000
  • 8 QKT’s
  • 16 line telephone
  • 3 Radio Base stations integrated w/Intercom
  • Evertz EQX Video Router
  • 540×540 3G/HD/SD EQX Router of which 160×160 support audio embedding/de-embedding
  • 23 X-Link Outputs feeding 22 VIP32 Duo MultiViewer cards and 1 VIP16 Duo MultiViewer card
  • Evertz EMR Audio Router
  • 96×96 Analog Audio
  • 192×192 AES Audio
  • 34×34 Madi Audio

Video Processing

  • 48 Frame Sync/Up-Down-Cross converters
  • 48 Downconverting DA’s
  • 6 Color Correctors
  • 12 Analog-Digital Converters

Field Cable

  • Varying lengths of Triax and SMPTE fiber

Asbury University Productions

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Specifications

  • 40 foot triple axle gooseneck High-Definition Production Unit

Video Production and Effects

  • Grass Valley Group HD Kayak 250C Production switcher
  • 48 inputs
  • 24 outputs
  • 2.5 Mix Effect Busses
  • 6 Channels of Ram Recorders (stills or motion)
  • 4 Channels of available Match Def Scalar for frame sync or POV cameras
  • 4 Channels of available Match Def Scalar for Graphics
  • 2 channels of chroma Key

Graphics

  • Compix Media CynerG PLUS 2 channel Graphic System with SDI output

Cameras

  • 4 Panasonic AJ-HDX900 Cameras with Fuji 17×7.6 lenses (2 with 2× extenders)

VTR and EVS

  • EVS 4 channel HD-XT
  • 2 Panasonic AJ-HD1400 DVCPRO HD
  • 2 Panasonic AJ-HPM100 P2 Mobile units

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Audio

  • Yamaha DM-1000 cascade (32 mic/line preamps, 24 line inputs, 40 outputs)
  • 2 Evertz 7721AE-A4-HD 4 Channel embedders (normally redundant; can cascade w/out redundancy)

Communications

  • RTS 4 Channel IFB System
  • RTS 3 Channel Intercom system with RTS SAP1626 Source Assignment Panel

Monitoring

  • Evertz 7767VIPA16-DUO-HS Multi-image system
  • 16 input, DUAL output, distributed to 5 screens

Terminal Equipment

  • Evertz Downconverters and Distribution amplifyers
  • Evertz Master Clock with GPS
  • Leader LV5750 Multi-SDI monitor

Power Requirements

  • 208 volt, 200 Amp Three phase, or 240 volt, 200Amp Single Phase

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