CREATING ANIMAL TEXTURES

SMOOTH SCALES

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To depict smooth scales, first draw ovals of various sizes; then shade between them. Because scales overlap, be sure to partially cover each scale with the next layer.

ROUGH SCALES

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For rough scales, create irregular shapes that follow a slightly curved alignment. Shade darkly between the shapes; then shade over them with light, parallel strokes.

FINE FEATHERS

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For light, downy feathers, apply thin, parallel lines along the feather stems, forming a series of V shapes. Avoid crisp outlines, which would take away from the softness.

HEAVY FEATHERS

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To create thicker, more defined feathers, use heavier parallel strokes and blend with a tortillion. Apply the most graphite to the shadowed areas between the feathers.

HIDE

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To create a shiny, short-haired hide, apply short, straight strokes with the broad side of the pencil. For subtle wrinkles, add a few horizontal strips that are lighter in value.

WAVY HAIR

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For layers of soft curls, stroke in S-shaped lines that end in tighter curves. Leave the highlights free of graphite and stroke with more pressure as you move to the shadows.

ROUGH COAT

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For a subtle striped pattern, apply short strokes in the direction of fur growth. Then apply darker strokes in irregular horizontal bands. Pull out highlights with an eraser.

SMOOTH COAT

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For a smooth, silky coat, use sweeping parallel pencil strokes, leaving the highlighted areas free of graphite. Alternate between the pencil tip and the broad side for variation.

CURLY HAIR

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Curly, wooly coats can be drawn with overlapping circular strokes of varying values. For realism, draw curls of differing shapes and sizes and blend for softness.

LONG HAIR

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To render long hair—whether it’s the whole coat or just a mane or tail—use longer, sweeping strokes that curve slightly, and taper the hairs to a point at the ends.

WHISKERS

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To suggest whiskers, first apply rows of dots on the animal’s cheek. Fill in the fur as you have elsewhere; then, with the tip of a kneaded eraser, lift out thin, curving lines.

NOSE

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Most animal noses have a bumpy texture that can be achieved with a very light scale pattern. Add a shadow beneath the nose; then pull out highlights with a kneaded eraser.

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