CREDITS

Photo Credits

The authors and publisher would like to thank the following for providing images for use in this book. In all cases, every effort has been made to credit the copyright holders, but should there be any omissions or errors the publisher would be pleased to insert the appropriate acknowledgment in any subsequent edition of this book.

(t=top, b=bottom, c=center, l=left, r=right) Photography of student work throughout: Melanie Bowles, Rebecca Earley and Kenny Taylor; 4–5: Temitope Tijani; 6: Beatrice Moys; 8–9: Courtesy of Basso & Brooke; 10 t: Dorte Agergaard/Photo by Mathilde Schmidt, Denmark; 10 c: Designer/ Creator: Mark Van Gennip/MRRK/www.mrrk.nl / Photography: Cath Hermans/www.cathhermans.nl / Model – Annabel; 10 b: TRUST FUN! Money Bag, 2010/TRUST FUN! is Jonathan Zawada, Annie Zawada, and Shane Sakkeus; 11 t, b: Corbis/©WWD/Conde Nast; 11 r, l: Catwalking; 12 t: Corbis/©WWD/Conde Nast; 12 c, b: Catwalking; 13: Corbis/©WWD/Conde Nast; 14 tl: Paul Smith © firstVIEW; 14 tr: Nicolette Brunklaus; 14 b: Showroom Dummies courtesy of the designer; 15 l: Ceri Isaac; 15 r: Ceri Isaac and Hitoshi Ujiie; 16 tl, tr: Catwalking; 16 bl: Art Direction: Stefan Sagmeister. Design: Stefan Sagmeister, Joris Laarman, Paul Fung, Mark Pernice, Joe Shouldice, Ben Bryant. Photography: Johannes vam Assem for Droog; 16 br: Designer and Maker Lucinda Abell, Photography by Vivien Fettke, Make up by Immani, Model Rachael Sylvester (Fusion Models); 17 tl: Jula Reindell; 17 tr: Dorte Agergaard/Photo by Mathilde Schmidt, Denmark; 17 b: Imogen Houldsworth; 18 t: Joan Truckenbrod; 18 b: Dill Wallpaper by Michael Angove; 19 l: Hussein Chalayan © firstVIEW; 19 r: Corbis/©WWD/Conde Nast; 20 tl: Wexla; 20 bl: Cloth; 20 tr: Ceri Isaac; 20 br: Avatar software by Opitex; 21: Hussein Chalayan courtesy of the designer; 22–3: Nicola Scofield; 24 t: Jemima Gregson; 24 c: Shift Dress, Marie O’Connor. Moire digital print on cotton. In collaboration with Daniel Mair; 24 b: Rowenna Wilcox; 25: Claire Thorpe; 26 t: Kitty Joseph; 26 b: Beatrice Moys; 27 t: Anjali D’Souza; 27 b: Catherine Frere-Smith; 28: Melanie Bowles; 29: Kitty Joseph; 30: Hana Kitazaki. Photographer Hanako Whiteway; 31 tl, tr: Rosie MacCurrach; 31 b: Victoria Purver; 32 tl, tr: Deborah Vesey; 32 b: Rowenna Wilcox; 33 t: Brian Barrett; 33 b: Henry Muller; 34–35 c, 35 b: Melanie Bowles; 35 t: Melanie Bowles; 36 t: Melanie Bowles and Kathryn Round; 36 b: Alexa Ball; 37: Nada Herceg; 38: Emma Stone; 39 tl: Temitope Tijani; 39 bl: Jemima Gregson; 39 r: Deja Abati; 40: Melanie Bowles; 44: Emamoke Ukeleghe; 48: Melanie Bowles; 52: Claire Thorpe; 56: Jemima Gregson; 62; Katie Irving Jones; 66, 69: Daisy Butler; 70: Hong Yeon Yun; 76: Claire Turner; 80: Andrea Patterson; 81 t: Westside Story © Getty Images; 86–7: Rachel de Joode for Soon Salon; 89: Vicki Murdoch; 90, 94, 100, 104, 106 t, 112 t: Design by Melanie Bowles; 92, 96: Design based on Victoria Purver’s Ophilia; 108 br: Daisy Butler; 116 t: Design by Kenny Taylor; 120–1, 123: Chae Young Kim; 124 t: Amy Isla Breckton; 124 b: Jennis Li Cheng Tien; 125 tl, tr: Holly Holmes; 125 b: Pauline Fernandez; 126 l: Melanie Bowles; 126 r: Photo: Melanie Bowles/Model: Maya Dolman-Bowles; 130 t: Katie Hoppe; 136 l: Melanie Bowles; 136 r: Photo: Melanie Bowles/Model: Ashleigh Lyon; 140–1: Melanie Bowles; 142 t, c: Clara Vuletich;142 b, 143 tl: Claire Canning; 143 tc: Melanie Bowles and Sarah Dennis; 143 tr: Shelly Goldsmith; 143 b; 144 bl, br:

Dominique Devaux; 144 t: Zoe Barker; 145: Emamoke Ukeleghe; 146–7: Louisa-Claire Fernandes; 148 t: Amelia Mullins; 148 b: Charlotte Arnold; 149 tl: Emily House; 149 tr: Matthew Williamson © firstVIEW; 149 b: Georgina Papandreou; 150–1: Richard Weston; 152: Photo of Stacey Wickens by Melanie Bowles; 153 tr: Melanie Bowles; 153 l, br: Joanna Fowles; 154: Emma Rampton; 155 tl, tr: Dominique Devaux; 155 cl: Katie Irving Jones; 155 bl: Andrea Patterson; 155 br: Photini Anastasi; 156–7: Helen Amy Murray; 158 l: Melanie Bowles; 158 tl, bl: Nicky Gearing and Debbie Stack; 159 l: Andrea Patterson; 159 r, b: Catherine Frere-Smith; 160 t: Zoe Barker; 160 c, b: Alice Potter; 161 tl, bl: Shelly Goldsmith: 161 tr: Sara Lamusias; 162 t: Taina Lehtinen; 162 c, b: Chetna Prajapati; 163 t: Victoria Collins; 163 b: Temitope Tijani; 165: Rebecca Earley; 166–7: Melanie Bowles; 168: Joyce Clissold courtesy the Museum and Contemporary Collection, Central Saint Martins; 169 t: “Toile de Jouy” print courtesy V&A Museum; 169 bl, br: Melanie Bowles; 170 t: Flatbed screen printer courtesy Magnoprint; 170 ct: Rotary screen printer courtesy Stork Prints BV; 170 b: Paul Smith courtesy of the designer; 171: “Hobie” shirt courtesy Benny’s Aloha Shirts, CA; 172 l: Illustration by Advanced Illustration Ltd; 172 tr: Courtesy Robustelli; 172 br: Courtesy RA Smart; 173 t: Jemima Gregson; 173 c: Petra Boase; 173 b: Photini Anastasi; 174–5 t, c: Melanie Bowles; 175 b: Daisy Butler; 178: ISIS printer courtesy OSIRIS Digital Prints BV; 179: Hitoshi Ujiie; 180–1, 183 c, 183 br: Images courtesy AVA; 183 t: Ceri Isaac; 183 bl: Courtesy Nick Cicconi at John Kaldor UK Ltd; 184: Images courtesy of Ratti SpA; 185: First2Print, New York; 186 t: Courtesy Universal Display Corporation; 186 c: Hussein Chalayan © catwalking.com; 186 b: Courtesy Philips.

Publisher’s Acknowledgments

The publisher would like to thank the following: Anita Racine, Department of Textiles and Apparel, Cornell University; Edward J. Herczyk, School of Engineering and Textiles, Philadelphia University; Philippa Brock, School of Fashion and Textiles, CSM, University of the Arts, London; and Marcy L. Koontz, Department of Clothing, Textiles, and Interior Design, University of Alabama.

Authors’ Acknowledgments

We would like to thank all the designers, students, organizations, and individuals whose contributions and support have made this book possible. Their shared enthusiasm for the subject matter has been a revelation. Special thanks are due to Hitoshi Ujiie, Amanda Briggs, Ashleigh Lyon, Betty Borthwick, AVA, and our editors at Laurence King Publishing. Thanks also to Eleanor Ridsdale for her wonderful book design. Invaluable support was given by the research departments, staff, and students at Chelsea College of Art and Design as well as the London College of Fashion. The project was aided by funding from the University of the Arts, London, and CLIP/CETL (Creative Learning in Practice Centre for Excellence in Teaching and Learning). We are also most grateful to Kenny Taylor, Kathryn Round, Jemima Gregson, Claire Thorpe, Andrea Patterson, Emamoke Ukeleghe, Katie Irving Jones, Hong Yeon Yun, Chae Young Kim, Daisy Butler, Katie Hoppe, Jane Walker, and Alex Madjitey, who generously assisted in the development of the design tutorials.

Last but not least, heartfelt thanks belong to Philip Dolman; Ben, Eve, and Maya Dolman-Bowles; Barbara Isaac; and all our friends and family who have lent their encouragement along the way.