Table of Contents for
Media Architecture

Media Architecture by Heinrich Hussmann, Alexander Wiethoff Media Architecture

Cover
Title Page
Copyright
Editor’s Preface
Contents
Introduction
Media Architecture and the Smart City
Using Media as Construction Material: Prototypes and Case Studies
Designing Media Architecture: Technology, Tools and Processes
About the Authors

Search in book...
Toggle Font Controls
Create new playlist

Name your new playlist

Playlist description (optional)
Sign In

Email address

Password

Forgot Password?

or

Continue with Facebook

Continue with Google
Sign Up

Full Name

Email address

Confirm Email Address

Password

or

Continue with Facebook

Continue with Google

Endnotes

I will continue using the ‘poietic’ as an adjective for ‘poiesis’ as Maturana and Varela used this form of spelling in their publication in 1973, Langheinrich et al. on the other hand used the adjective ‘poiesis’ in their writing.

I am using ‘typology’ in favour of the term ‘type’ as the typology of i.e. transport it would include types such as bus stops, train stations, etc., who all respond the same, as Wilson and Moore (2014) noticed, “changing social, ecological, and economical conditions”.

Latin for “within the living”, thus within the public transport environment.

Latin for “out of the living”, thus outside the public transport environment.

In a related but slightly different vein, Marianne van den Boomen (2009) has pointed out how digital interface – via the Graphical User Interface, or GUI – are often operated by means of, what she calls, material metaphors. Her examples are on-screen icons of, for example, mailboxes with which we use to operate email software on our computers with. She calls these sign-tools. The image of the mailbox, then, is between a Peircian sign (icon) and a Heideggerian operating tool.

See his website at http://www.asif-khan.com/project/sochi-winter-olympics-2014/.

This is the deictic nature of dialogue. In film theory, the linguistic concept of deixis – or the relative positing of speaker (the “I”), addressee (the “you”) and the third instance, of which is spoken (he, she or it) – has played an important role in describing filmic enunciation and spectatorial address. As I have argued, this deictic essence is also at the heart of interactive installations and mobile screens for navigation (Verhoeff 2012a). For a discussion of deixis in film theory, see also (Hesselberth, 2014).

For a presentation and description of his project see the artist on video on https://vimeo.com/118602716.

From the announcement of Ars Electronica’s Future Lab, 2015, available at http://www.aec.at/futurelab/en/residency-network/connectingcities/. See also http://www.aec.at/postcity/en/deep-city/ for a video impression of the project.

http://www.connectingcities.net/city-vision/visible-city-2015.

Thanks to Karin van Es for suggesting the importance of this specification of “acting on” data, as well as some other helpful suggestions for improving this text.

https://en.wikipedia.org/wiki/The_Block_(Australian_TV_series)

https://vimeo.com/126311878

http://ambientdevices.com/about/consumer-devices

http://www.dielight.com/portfolio/ambient-display/

http://www.news.com.au/technology/parramatta-to-be-australias-first-digital-city/story-e6frfro0-1225936913058

http://digital.cityofchicago.org/index.php/open-data-applications/

http://www.streetpong.info/

http://www.ic-meter.com/

http://www.mvg-live.de/

klima.au.dk/dk/forside/konferencebeyondkyotoconferen

http://medialab-prado.es

http://www.mueller-ahlhorn.com/en/mylar/

http://www.illuminatingyork.org

- Add Highlight
No Comment

..................Content has been hidden....................

You can't read the all page of ebook, please click here login for view all page.

Table of Contents for Media Architecture

Create new playlist

Sign In

Sign Up

Table of Contents for
Media Architecture