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by Michael Diechtierow
Mastering the Fuji X100
Cover Page
Title Page
Copyright Page
Contents
FOREWORD
WHO NEEDS A HANDBOOK?
WHAT YOU’LL FIND IN THIS HANDBOOK, AND WHAT YOU WON’T
IS A HANDBOOK ABSOLUTELY NECESSARY?
WHY ME?
1 THE BASICS
OVERVIEW OF THE CONTROLS
COLOR CODE OF THE LED
NAVIGATING THE MENUS
THE CAMERA’S MENUS
“SELECTED” MENU OPTIONS
FIRMWARE
SD CARDS
BATTERY
FIGURES
IMAGES
SHOOTING MENU
PLAYBACK MENU
SETUP MENU
2 SHOOTING WITH THE X100
2.1 A FEW TIPS TO GET STARTED
2.2 THE LCD MONITOR AND THE HYBRID VIEWFINDER
THE OPTICAL VIEWFINDER
THE DIGITAL VIEWFINDER
THE LCD MONITOR
IMAGE PLAYBACK
2.3 EXPOSURE: THE PLAY OF APERTURE AND TIME
APERTURE-PRIORITY AE
SHUTTER-PRIORITY AE
PROGRAM AE
MANUAL EXPOSURE
COLOR CODES
Aperture-Priority AE
Shutter-Priority AE
Program AE
Manual Exposure
LIGHT METERING
MULTI METERING
SPOT METERING
AVERAGE METERING
EXPOSURE COMPENSATION
CORRECT EXPOSURE WITH THE LIVE HISTOGRAM AND EXPOSURE COMPENSATION
2.4 SHARP IMAGES: FOCUSING WITH THE X100
MANUAL FOCUS (MF)
SINGLE AUTOFOCUS (AF-S)
CONTINUOUS AUTOFOCUS (AF-C)
FOCUSING IN THE DARK
AFL/AEL BUTTON
2.5 ISO, SENSITIVITY, AND NOISE BEHAVIOR
JPEG, default setting
ISO AUTO CONTROL
NOISE REDUCTION
2.6 IMAGE QUALITY: CONVENIENCE OR FLEXIBILITY?
RAW FORMAT
JPEG FORMAT
JPEG AND RAW
FINE OR NORMAL
IMAGE SIZE
RAW BUTTON
2.7 SHOOTING WITH NEUTRAL COLORS, OR HOW TO SET YOUR WHITE BALANCE PROPERLY
AUTOMATIC RECOGNITION
PRESETTINGS
CUSTOM SETTING
WB SHIFT
2.8 THE RIGHT JPEG SETTINGS
FILM SIMULATION
COLOR FILMS
BLACK-AND-WHITE OPTIONS
SEPIA
COLOR
SHARPNESS
CONTRAST
HIGHLIGHT TONE
SHADOW TONE
PROFILE
A PROFILE FOR A RAW SHOOTER
COLOR SPACE
2.9 ACCOMMODATING A LARGE DYNAMIC RANGE
DYNAMIC RANGE WITH JPEGS
When should you use DYNAMIC RANGE?
Wouldn’t it be better, then, to always leave DR200 or DR400 activated?
What are the weaknesses of AUTO DR?
ISO SPEED AND THE DYNAMIC RANGE FUNCTION
DYNAMIC RANGE WITH RAW FILES
Should I use the DR function when I’m shooting RAW images?
So is it never advisable to use AUTO DR when shooting in RAW format?
Why can’t I manually underexpose images when I’m taking JPEGs? Why do I need the DR function at all?
EXPOSE TO THE RIGHT—A QUICK ASIDE
USING THE DR FUNCTION
2.10 SERIES, BRACKETING, PANORAMAS, AND MOVIES
SINGLE EXPOSURE
CONTINUOUS SHOOTING
AUTO EXPOSURE BRACKETING
ISO BKT
FILM SIMULATION BRACKETING
DYNAMIC RANGE BRACKETING
MOTION PANORAMA
MOVIE
2.11 MACRO PHOTOGRAPHY
2.12 USING FLASH WITH THE X100
AUTOMATIC FLASH
FORCED FLASH
SUPPRESSED FLASH
SLOW SYNCHRO FLASH
USING THE FLASH CREATIVELY WITH THE X100
Why is it noteworthy and why does it matter that I can use the flash for short exposure times?
SETTING THE FLASH
EXTERNAL FLASHES
2.13 LAST BUT NOT LEAST
ND FILTER
SELF-TIMER
Fn BUTTON
QUICK START MODE
OVF POWER SAVE MODE
IMAGE EDITING WITH THE X100
3 ACCESSORIES
LC-X100 LEATHER CASE
LENS HOOD LH-X100
EXTERNAL FLASHES
EF-20
EF-42
ACCESSORIES FROM OTHER MANUFACTURERS
INDEX
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Mastering the Fuji X100
Michael Diechtierow
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