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Narrating Violence in the Postcolonial World
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Introduction: Locating the Mutations of Colonial Violence in the Postcolonial World
1 Ethics, Representation, and the Spectacle of Violence in Marlon James’s Short Fiction and the August Town Fiction of Kei Miller
2 Narrating Jamaican and Cypriot Colonial Legacies: Postcolonial Pathologies of Violence in Alecia McKenzie’s “Satellite City” and Nora Nadjarian’s “Okay, Daisy, Finish”
3 Unscrambling the “Grammar of Violence”: Sexual Assault and Emotional Vulnerability in Chimamanda Ngozi Adichie’s Americanah
4 Violating Virgins: Symbolic Violence in Tiphanie Yanique’s Land of Love and Drowning
Section 2 Violence and War
5 Reading Testimony: Congolese Civil War and the Trauma of Rape in Dramatic Performances and Fiction
6 An Uneasy Alliance: War, Violence, and Masculinity in Contemporary Sri Lankan Theatre
7 Cinematic Representations of South African Gang Violence: Enclosed Spaces and Turf Wars
Section 3 Violence on the Move
8 Abjected Bodies: The Bogus Woman and British New Slaveries in the Context of Postcolonial Studies
9 Violence, Trauma, and the Question of Redemption in Postcolonial Zimbabwe: Petina Gappah’s The Book of Memory
10 Of Systemic Violence, Addressivity, and “the Oil Encounter”: Representing the Gulf’s Indian Diaspora in Benyamin’s Goat Days
11 Environmental Violence in Australia: The Effects of Mining and Its Representation in the Indigenous Australian Film Satellite Boy
Contributors
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