Contents

Foreword

Preface

Acknowledgements

PART ONE    History and Techniques

1  The moving camera

Camera movement: an historical overview

Types of camera movement

The function of camera movements

2  The Steadicam

Invention of the Steadicam

The first-generation Steadicam

Steadicam structure

Basic principles used in the Steadicam

The potential of the Steadicam

The great variety of shots that can be obtained with the Steadicam

Early use of the Steadicam in the movie industry

Using the Steadicam

The Steadicam configuration: high mode and low mode

The mounted Steadicam: hard mount and soft mount

Shooting with the Steadicam

Limitations on use of the Steadicam

Evolution of the Steadicam

New tools developed from the idea of Steadicam

The Steadicam’s accessories

The Steadicam in fields other than cinema

The workshop experience

PART TWO    Semiotics and Narrative

3  The Steadicam as a creator of effects and as a narrator

The camera and points of view

Subjective vision

The quality of movement in a point of view shot

Structural evolution in Steadicam use from the earliest movies to the present

The gaze of the narrative voice

The Steadicam as a narrative voice

The Steadicam and cinematographic space

The Steadicam and real time

The Steadicam and remakes

The beginning and end of a movie

Conclusions

PART THREE    The Steadicam: Different Opinions

4  Open debate and interviews with movie industry professionals

Open debate

Interviews

Garrett Brown

Giuseppe Rotunno

John Carpenter

Mario Orfini

Larry McConkey

Nicola Pecorini

Haskell Wexler

Ed DiGiulio

Vittorio Storaro

Caroline Goodall

Appendix

Introduction to the analysis of a film

Watching a movie

Maps of The Shining

Filmography

Bibliography

Index

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