APPENDIX I:
Truck Diagrams

A series of television production truck diagrams are included to show the variety of trucks and the types of equipment available in each truck.

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Control:

•  Sony 7350 36-input, 3-M/E switcher

•  Sony DME-7000 DVE (dual channel) and single channel Abekas A-53D

•  5-rack monitor wall with 40 – 9” black & white monitors, 8 – 9” color monitors and 3 – 13” color monitors.

•  Chyron Infinit

•  060 processor, 128 MB Expanded Memory, third channel mix. Transform, 1.1GB hard drive, 230 MB Bernoulli drive, 2 GB Jaz drive, 250 Mb Zip drive, Intelligent Interface and video capture

•  Dual channel Abekas A42 still store (600 fields)

Cameras:

•  Sony chip cameras

•  Hard cameras (BVP-375) 50/55:8.5 lenses

•  Handheld cameras (BVP-90) 18x 8.5 lenses

•  Up to 10 total cameras available on request

•  2 clock cameras

Tape:

•  Up to 6 BVW 75 VCRs available on request (with slo-mo controllers)

•  BVW-65 playback only VCR

•  EVS 4–channel slow-motion disk recorder (available on request)

•  1 BVH-3100 1” VTR

•  2 VHS VCRs

•  Master time code generator

Audio:

•  Soundcraft Europa audio mixer 40+8/8/2

•  Digicart II with 220 keyboard, Sony Minidisc, CD player, audio cassette

•  11 DBX compressor/Iimiters, 2 Telos and 2 QKT telephone interfaces

•  Microphones: 5 Senneheiser ME-66s, 2 – SI6s 8 Sony lavalieres, 5 RE 50s, 5 EV 635s, 4 Sportscaster headsets and 3 talk-back boxes

Communications:

•  RTS communications system, 12 channel system, 802 master stations, all dual listen

•  RTS 4000 series IFB system (12 channels)

•  6 camera ISO system, 20 RTS belt packs, 9 RTS ÍEB boxes

•  8–Line Panasonic telephone system

Engineering, Cable and Miscellaneous:

•  32 × 32 DataTek router – breakaway

•  Redundant sync generators, w/auto changeover

•  GVG processing amp (patchable), external tallies

•  2 frame synchronizers (more available on request)

•  4,000 feet of triax, 2,000 feet of coax, 1,500 feet of DT-12 audio mults, 2,500 feet of 4 pair audio mults (More cable available on request)

•  2 – 13” portable color monitors, 7 – 9” portable color monitors

•  1 lighting kit

•  Power: 208VAC, single-phase, 150 amps

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Control:

•  GVG 3000 52–input, 3–ME switcher, 6 aux bus, frame store

•  DVEous (Dual Twin)

•  6–rack monitor wall with 48 – 9” black & white monitors, 8 – 9” color monitors and 3 – 13” color monitors.

•  Chyron Infinit

•  060 Processor, 128 MB extended memory, third channel mix. Transform II, 4.5 GB hard drive, 230 MB Bernoulli drive, 2 GB Jaz drive, 250 Mb Zip drive, Intelligent Interface and video capture.

•  Leitch Still File with streamer

Cameras:

•  Sony chip cameras

•  Hard cameras (BVP -500s and BVP-375s)

•  Canon lenses 70:8.5 and 55:8.5

•  Handheld cameras: BVP-550swith 20:8.5 lenses, and BVP-90s with 18: 8.5 lenses

•  Up to 12 triaxed cameras available on request

•  2 clock cameras

Tape:

•  Up to 10 BVW-75 VCRs available on request (with slow-motion controllers)

•  EVS 4–channel slow-motion disk recorder (available on request)

•  2 VHS VCRs

•  Master time code generator

Audio:

•  Soundcraft Europa audio mixer 40+8/8/2

•  2 Digicart IIs with 220 keyboard, CD player, audio cassette

•  11 DBX compressor/1 imiters, 2 Telos and 2 QKT telephone interfaces

•  Microphones: 4 Senneheiser 416s, 4 ATI Shotguns, 4 RE 50s, 4 EV 635s, 8 Sony lavalieres, 4 Sportscaster headsets, 4 talk-back boxes

Communications:

•  RTS ADAM communications system plus 9 powered 2–wire channels

•  RTS 4000 series IEB system (12 channels)

•  Camera ISO system, 20 RTS belt packs, 9 RTS IFB boxes

•  8–Line Panasonic telephone system

Engineering, Cable and Miscellaneous:

•  64 × 64 DataTek router (32 x 32 audio)

•  Redundant sync generators, w/auto changeover

•  GVG processing amp (patchable), external tallies

•  2 frame synchronizers (more available on request)

•  4,000 feet of triax, 2,000 feet of coax, 1,500 feet of DT-I2 audio mults, 2,000 feet of 4 pair audio mults (more cable available on request)

•  6 – 13” portable color monitors, 8– 9” portable color monitors

•  2 lighting kits

•  Power: 208VAC, single-phase, 150 amps

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VEHICLE

•  VAN HOOL T 927 – 2 level coach, super hi-end finishing

•  Special custom made body with 5 areas

•  length over all: 13,7 m, width after extension 4,50 m, height 4 m

•  2 levels, ca 68m2 workspace in total!

•  complete with 6 separate air conditioning units, air suspension, automatic leveling system, mains transformer, power stabilisers,…

•  460 HP MAN motor

•  OB10-11HD can operate in 3x170V, 3x190V, 3x380V (63A) in 50hz or 60hz

VIDEO

•  FULL DIGITAL 16:9–4:3 switchable

•  FULL HDTV 1080/50i or 60i switchable up to 30 cameras

•  Serial Digital Production Switcher PHILIPS DD 35

•  SDI mainframe 62 inputs – 3ME+PP

•  HDTV mainfram SERAPH 32 inputs – PP

•  4 mixing panels in this truck (absolutely UNIQUE)

•  -35/3 with 24 access on 3 MES on main desk

•  -24/2 with 24 access on 2 MES on second desk

•  -extended satelite panel 16 access on desk where wanted

•  -small satelite panel on desk where wanted

•  built in FX panel permits

•  -4x8 sec RAM recording of clips

•  -2 channel built in DVE

SDI Mode

•  up to 30 SDI – cameras BTS LDK 100–200 with 8x to 86x lenses

•  6 cameras on FRAME STORES (f.i. steadycam or unlocked)

•  6 SUPERSLOMO cameras BTS LDK 23 available

•  10 LSMs: 4/2–3/1–2/2 and superslomo LSMs (cabled for 10)

•  15 VTR capacity

•  different legs and heads (HAWK, VARIPEDS, CRANES, HEAVYLEGS,…)

•  editor BVE 2000

•  SDI matrix 96x224

•  over 150 viewing monitors:

•  BARCO ADVM14, BARCO l-studio multisplitters 5 PLASMAWALLS, 10 BARCO

•  CBM 5049 with 10 Vivaldi quadsplits, 6 hi-end computer LCDs with quadsplits…

HDTV Mode

•  up to 30 cameras BTS LDK 6000 with 8x to 86x lenses (today Alphacam owns 48 cameras)

•  integration of any NON-HDTV signal is possible

•  at present all slomos through Panasonic D5HDTV recorders

•  15 VTR capacity

•  different legs and heads (HAWK, VARIPEDS, CRANES, HEAVYLEGS,…)

•  over 20 viewing monitors in HDTV

•  in HDTV MODE, OB10-11 can work in both 50 fields-60 fields, this means that all HD sources are in this cases available in rest. PAL-SDI/50 and 1080Í/50 or in NTSC-SDI/60 and 1080Í/60

Digital Surround Audio

•  Audio desk SOUNDTRACKS DPCII – 80 faders -112 inputs FULL DIGITAL surround 5.1 audio desk

•  CD, DAT, …

•  many different audio effects

•  Matrix Plus III intercom system 72–72

Optical Video and Audio

•  different coders, decoders (PAL, SDI, audio…) on OPTICAL cables

•  AUDIO frame with 56 sources can be set inside the venue and connected optically on 1 optical MADI-FIBREI!

Control

•  All crucial equipment is dedoubled on many different computers, and worked out redundantly

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