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THE TECHNIQUE OF FILM AND VIDEO EDITING: HISTORY, THEORY, AND PRACTICE
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THE TECHNIQUE OF FILM AND VIDEO EDITING: HISTORY, THEORY, AND PRACTICE
by Ken Dancyger
The Technique of Film and Video Editing, 4th Edition
Front Cover
Half Title
Title Page
Copyright
Contents
Acknowledgments for the Fourth Edition
Acknowledgments
Introduction to the Fourth Edition
Introduction
I HISTORY OF FILM EDITING
1 The Silent Period
2 The Early Sound Film
3 The Influence of the Documentary
4 The Influence of the Popular Arts
5 Editors Who Became Directors
6 Experiments in Editing: Alfred Hitchcock
7 New Technologies
8 International Advances
9 The Influence of Television and Theatre
10 New Challenges to Filmic Narrative Conventions
11 The MTV Influence on Editing I
12 The MTV Influence on Editing II
13 Changes in Pace
14 The Appropriation of Style I: Imitation and Innovation
15 The Appropriation of Style II: Limitation and Innovation
16 The Appropriation of Style III: Digital Reality
II EDITING FOR THE GENRE
17 Action
18 Dialogue
19 Comedy
20 Documentary
21 Imaginative Documentary
22 Innovations in Documentary I
23 Innovations in Documentary II
24 Ideas and Sound
III PRINCIPLES OF EDITING
25 The Picture Edit and Continuity
26 The Picture Edit and Pace
27 The Sound Edit and Clarity
28 The Sound Edit and Creative Sound
29 Innovations of Sound
30 Nonlinear Editing and Digital Technology I
31 Nonlinear Editing and Digital Technology II
32 Conclusion
Appendix A: Filmography
Glossary
Selected Bibliography
Index
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For the next generation
,
and dedicated to my
contribution to that
generation
,
Emily and Erica
.
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