Adorama, 15
albums, 216–217
Aperture Priority mode, 35, 37, 145
aperture settings, 10, 30–31, 131, 163
AsukaBook, 217
Auto setting, 161
available fill, 126
available light, 22, 90, 122, 127, 161
backlighting
techniques for, 112–113
window light, 76–78
backups, 11
bags, camera, 12
band, photos of, 195–196
Bay Photo Lab, 217
B&H camera stores, 15
black-and-white photos, 32, 76, 80, 112, 143
blacks, smashed, 38
blurb.com, 217
blurring
backgrounds, 98
considerations, 26
focal length and, 31
motion blur. See motion blur
wide apertures and, 31
borrowlenses.com, 14
bride photos
details, 147
gown. See wedding gown
place card, 173
portraits, 78–80
bride/groom photos, 136–150
camera settings, 145
candid shots, 147–150
departure of, 197
entering cocktail hour, 174
formals, 136–150
helping couple relax, 146
indoor photos, 138
the kiss, 105, 144, 145, 146, 210
lenses, 142–144
lighting, 139–141
locations, 136–138
overview, 136
posing, 144–146
special moments, 114, 135, 147–150
tips for, 146
bridesmaid photos, 52, 86, 114
cake cutting shots, 189–190
camera
backup, 11
comfort, 8
cost of, 5
durability of, 7
modes, 34–38
professional, 5
size/weight, 7
camera bags, 12
camera bodies, 5–8
camera shake, 26, 27, 109, 127, 131
camera shoots. See shooting photos
candid shots
cocktail hour, 158–160
Cartier-Bresson, Henri, viii
CDs, images on, 213
ceremony, 89–115. See also post-ceremony
portraits
details/decor, 98, 99, 105, 114
etiquette, 94–95
game plan, 96–108
lighting challenges, 108–113
overview, 89–93
reaction shots during, 100–104
rules/restrictions, 57, 58, 95, 109
chair decorations, 173
children
gathering around cake, 198
in group portraits, 118, 119, 133
church
ceremony. See ceremony
dark interiors, 11, 32, 109–110
photos of interior/exterior, 43, 173
cocktail hour/dinner photos, 153–175
candid photos, 158–160
considerations, 161
details/decor, 164–173
dinner. See dinner photos
lenses, 162–163
lighting, 161
overview, 153–155
perspectives, 164
signature drinks, 173
color photos, 80
comfort items, 63
composition, 38–44
framing, 42
overview, 38
patterns, 43–44
rule of thirds, 39–40
symmetry, 43–44
Couture Book, 217
cropped sensors, 6
cropping images, 134
Cypress, 217
dancing shots, 190–196
first dance, 185–188
image sequences, 210–211
overview, 190–191
photos of the band, 195–196
special moments, 198
timing, 194–195
unique angles, 195–196
decor, 164–173
chair decorations, 173
cocktail hour, 164–173
floral arrangements, 73–74, 166, 172
lenses, 170
lighting, 165–169
overview, 164–165
prioritizing shots, 171–173
table settings, 156, 157, 166–168, 172
departure shots, 197
depth of field
aperture and, 35
overview, 30–31
sharpness and, 131
destination weddings, 62
details, 164–173
bride, 147
bride’s place card, 173
during ceremony, 98, 99, 105, 114
chair decorations, 173
church exterior, 173
cocktail hour, 164–173
considerations, 170–171
escort-card table, 171
fill flash and, 112
floral arrangements, 73–74, 166, 172
“getaway car,” 198
lenses, 170
lighting, 165–169
“must-get,” 172–173
overview, 164–165
prioritizing shots, 171–173
signature drinks, 173
table settings, 156, 157, 166–168, 172
wedding gown, 70–72, 99, 147, 150, 187
digital proofs, 213
dinner photos. See also cocktail hour/dinner photos
guests, 180
night photos, 26
table settings, 156, 157, 166–168, 172
editing images, 206–211
emotional reactions. See also reaction shots
black and white photos, 69, 143, 184
during ceremony, 100–104
equipment, 1–16
beginning gear, 12–14
building gear collection, 12–16
camera bags, 12
considerations, 1
dream gear, 16
essential comfort items, 63
essential items, gear, 2–3
features, 4–12
gear checklist, 63
lighting, 11
professional-level gear, 14–15
supplementing, 57–58
used, 15
escort-card table, 171
family photos, 52–54, 57, 158. See also parents
favors, 172
fill, available, 126
fill flash
cocktail hour photos, 161
details and, 112
softening shadows with, 111, 124, 125
film photography, 32
Finao, 217
flash
backlighting and, 112
bouncing, 192
considerations, 11
dark interiors, 109
essentials, 3
fill. See fill flash
indoor group shots, 127, 129–130
at reception, 191–193
rules preventing use of, 109
shutter speed and, 112
softening shadows with, 111, 124, 125
using off-camera, 193
flash sync cords, 193
flash sync speed, 112
Flickr group, ix
floral arrangements, 73–74, 166, 172
flower photos, 73–74, 166, 172
formal photos. See also portraits
bride/groom, 136–150
considerations, 52, 117–119, 125
groups, 122–135
lenses, 132–134
shot list, 52–54
special moments, 134–135
framing, 42
f-stops, 30
full-frame sensors, 6
gear. See equipment
“getting ready” photos, 67–87
groom/bride photos. See bride/groom photos
groom/groomsmen photos, 52, 81–82
group portraits, 122–135
aperture settings, 131
bouquets and, 133
children in, 133
considerations, 122
formals, 122–135
indoor lighting, 127–131
outdoor lighting, 122–126
posing groups, 132–134
shot list, 52–54
shutter speed, 131
special moments, 134–135
very large groups, 133
guest photos
arriving at ceremony site, 83–84
bride/groom departure, 197
cake cutting, 190
before ceremony, 85
cocktail hour, 158–160, 162, 174
dinner, 180
guests in motion, 209
reaction shots, 101, 104, 108, 190, 197
recessional, 92–93
special moments, 174
guestbook, 171
handheld light meter, 76
hard copy proofs, 214–215
highlights, 24, 25, 38, 49, 121
highlights category, 208
histograms, 38
images. See photos
indoor lighting, 127–131
jackets, 133
JPEG format, 34
kids. See children
Leather Craftsmen, 217
lenses
bride/groom photos, 142–144
cocktail hour photos, 162–163
details/decor, 170
essential, 2–3
flagging, 125
formal portraits, 132–134
length of, 30–31
purchase of, 8–11
reception photos, 194
researching, 8
speed, 10
vibration reduction, 109
wide angle. See wide angle lenses
zoom. See zoom lenses
lighting, 139–141
available light, 22, 90, 122, 127, 161
backlighting. See backlighting
basics, 22–24
bride/groom photos, 139–141
during ceremony, 108–113
challenges, 108–113
cocktail hour photos, 161
controlling amount of light, 24–33
dark interiors, 109–110
details/decor, 165–169
harsh, 161
indoor, 127–131
ISO settings, 32–33
overhead, 141
strobe lights, 130
sunlight. See sunlight
tripods and, 141, 168, 170, 180
uplighting, 141
video light, 141, 169, 188–189
window light, 76–78, 127, 157, 165–167
lighting equipment, 11
locations
bride/groom photos, 136–138
considerations, 48, 122, 166, 167
Manual mode, 35
megapixels, 5
menus, 172
Michael Chinn Albums and Boxes, 217
motion, panning, 24–29
motion blur. See also blurring
panning and, 28
shutter speed and, 24–29, 107, 178, 186
mpix.com, 217
natural reflectors, 126
night photos, 26, 32, 141, 197
online proofs, 212–213
organizing images, 203–211
categorizing images, 207–208
choosing between similar images, 206
editing images, 206–211
fine-tuning selections, 208–211
importance of, 203
outdoor lighting, 113, 122–126
panning, 28–29
parents, 52, 83, 101, 132, 198
patterns, 43–44
photo albums, 216–217
photo shoots. See shooting photos
photographer
discretion, 94
essential comfort items, 63
professionalism, 95
providing leadership, 132
staying calm, 94–95
basics, 19–45
black-and-white, 32, 76, 80, 112, 143
film vs. digital, 32
photos
albums, 216–217
black-and-white, 32, 76, 80, 112, 143
bride. See bride photos
bride/groom. See bride/groom photos
categorizing, 207–208
on CDs, 213
children. See children
choosing between similar, 206
church. See church
close-ups of ring, 72
cocktail hour. See cocktail hour/dinner photos
color, 80
critical events, 55–57
cropping, 134
dancing. See dancing shots
decor. See decor
departure of bride/groom, 197
details. See details
dinner. See dinner photos
editing, 206–211
film vs. digital, 32
fine-tuning selections, 208–211
formals. See formal photos
“getting ready,” 67–87
groom/groomsmen, 81–82
group shots. See group portraits
guests. See guest photos
highlights, 208
organizing. See organizing images
parents, 52, 83, 101, 132, 198
pinning of boutonnieres, 81, 86
planning for. See planning/preparation stage
presentation of. See presentation
prioritizing, 171–173
providing proofs, 212–215
reactions. See reaction shots
reception. See reception photos
sequences of, 210–211
shot list, 52–54
special moments. See special moments
“sweet moments,” 74–75
transitional, 208–209
wedding gown. See wedding gown
wedding highlights, 208
PickPic service, 212
place cards, 173
planning process, 50–57
planning/preparation stage, 47–64
ceremony game plan, 96–108
creating shot list, 52–54
essential comfort items, 63
gear checklist, 63
goals of the couple, 50–52
improvising, 62
reviewing schedule, 55–57
scouting locations, 57–62
setting expectations, 52
portraits
bride, 78–80
formal. See formal photos
group. See group portraits
post-ceremony. See post-ceremony portraits
scouting locations for, 59
posing
bride/groom photos, 144–146
cocktail hour photos, 174
groups, 132–134
post-ceremony portraits, 117–151. See also
ceremony
formal group shots, 122–135
overview, 117–121
presentation
albums, 216–217
digital proofs, 213
hard copy proofs, 212, 214–215
importance of, 203
online proofs, 212–213
overview, 212
proof prints, 214–215
proofs on CD, 213
Priscilla Foster Handmade Books, 217
professionalism, 95
proofs, 212–215. See also presentation
prosumer cameras, 5
Queensberry, 217
RAW format, 34
reaction shots. See also emotional reactions
after ceremony, 108
bride/groom departure, 197
during ceremony, 100–104
guests, 101, 104, 108, 190, 197
reception photos, 177–200
cake cutting, 189–190
dancing. See dancing shots
departure shots, 197
flash, 191–193
“getaway car,” 198
lenses, 194
overview, 177–179
signs of the party, 199
special moments, 198–199
timing, 194–195
unique angles, 195–196
RedCart service, 212
rehearsals, 62
rental shops, 14
renting equipment, 8, 14, 57–58
ring close-ups, 72
rule of thirds, 39–40
schedule, 55–57
shadow detail, 24
shadows, 25, 49, 111, 124, 129
sharpness, 131
shooting photos
basics, 19–45
goals of couple, 50–52
importance of flexibility, 62
planning for. See planning/preparation stage
schedule, 55–57
setting expectations, 52
shot lists, 52–54
shutter, 24
shutter speed
bride/groom photos, 145
flash and, 112
group portraits, 131
motion blur and, 24–29, 107, 178, 186
people talking/moving, 163
using tripods, 131
Simply Color Lab, 217
site visit checklist, 60
smashed blacks, 38
special moments
bride/groom, 114, 135, 147–150
cocktail hour/dinner, 174, 198–199
dancing, 198
departure, 197
first dance, 185–188
group portraits, 134–135
guests, 174
reactions. See reaction shots
reception, 198–199
strobe lights, 130
sunlight
bride/groom photos, 139
full sun/dappled light, 111–112
lens flare, 125
using flash, 24
symmetry, 43–44
table settings, 156, 157, 166–168, 172
telephoto lenses, 22, 142, 143, 194
thank-you notes/photos, 217
tonal ranges, 38
transitional images, 208–209
tripods
low lighting and, 141, 168, 178, 180
reducing camera shake, 127, 131
TTL settings, 129
umbrella setups, 130
used equipment, 15
vendors, wedding, 74, 95, 165, 217
vibration reduction (VR) lenses, 109
video light, 141, 169, 188–189
wedding blogs, 165
wedding ceremony. See ceremony
wedding gown
details, 70–72, 99, 147, 150, 187
wedding magazines, 165
wedding officiant, 95
wedding party, 52, 83, 96, 172
wedding photographer. See photographer
wedding photography, viii, 1, 38. See also photography
wedding vendors, 74, 95, 165, 217
weddings
destination, 62
highlights, 208
importance of photos, viii
nighttime, 32
White House Custom Color, 217
wide angle lenses
cocktail hour photos, 162, 163
window light, 76–78, 127, 157, 165–167
Zenfolio service, 212
zoom lenses
cocktail hour photos, 162
considerations, 12, 15, 142, 143
toasts, 182
18.191.208.203