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Contents

CONTENTS

ACKNOWLEDGMENTS
INTRODUCTION
PART I Fundamentals: Breaking Ground
Chapter 1.STORYTELLING IN GENERAL
Chapter 2.TELLING A STORY IN IMAGES
Chapter 3.USING SOUND TO TELL THE STORY
Chapter 4.DISCOVERING AND EXPLORING A MAIN CHARACTER
Chapter 5.TELLING THE DRAMATIC STORY
Chapter 6.WRITING AN ORIGINAL SHORT SCREENPLAY
Chapter 7.ON REVISION: SUBSTANCE AND STYLE
PART II Moving Forward: Writing Strategies
Chapter 8.THE NEED FOR STORYTELLING
Chapter 9.VISUALIZATION STRATEGIES
Chapter 10.DRAMATIC STRATEGIES
Chapter 11.CHARACTERIZATION STRATEGIES
Chapter 12.MORE ON DIALOGUE STRATEGIES
PART III Genres: Forming the Story
Chapter 13.THE MELODRAMA
Chapter 14.THE DOCUDRAMA
Chapter 15.THE HYPERDRAMA
Chapter 16.THE EXPERIMENTAL NARRATIVE
PART IV New Directions
Chapter 17.THE OPPORTUNITY FOR RENEWAL
APPENDIX A Short Short Screenplays
Vincent, by Gert Embrechts
Sob Story, by Matthew E. Goldenberg and Michael Slavens
Pigeon, by Anthony Green
APPENDIX B Short Screenplays
Another Story, by Lisa Wood Shapiro
The Lady in Waiting, by Christian Taylor
Sleeping Beauties, by Karyn Kusama
The Wounding, by Susan Emerling
Dead Letters Don’t Die, by Anais Granofsky and Michael Swanhaus
INDEX
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