SUBJECT INDEX

 

 

 

 

 

acoustic dimension of film 82–84

act 63, 68

actio 105

actor 58–59, 62, 65–73, 78, 107

actor training 70

advertising 4, 22, 112

aesthetics of reception 116

affective fallacy 109, 116

African American 22–23, 69–70, 76, 91, 97, 120

agent 108

alienation effect 107

allegory 12

alliteration 54–55

alphabet 1–2, 47, 55, 104

amphitheater 67

anapest 53

Ancient Greek literature 2, 36, 86, 88, 98

Anglo-Saxon 38, 54–55, 87

Anglo-Saxon period 87

Anglophone literature 97

anthology 128, 136, 145, 147, 151

anthropology 112

APA style 149, 151

archetypal criticism 108–109

architecture 66, 112, 121

Aristotle's unities 61, 63, 69

art history 105, 112

Arthurian romance 10, 88

article 5, 6, 127, 133–138, 144, 146–149

aside 63, 107

assonance 54

audience 19, 58–59, 62–73, 83, 88, 102–103, 107

audio-literature 2

Augustan age 91

“auteur” theory 130–131

authorial narrative situation 26

author-oriented approaches 114–116

autobiography 29, 96, 107

 

ballad 37, 41

bard 2

Baroque 10, 47–48, 61, 67, 89–91

bibliography 6, 135–138, 145–151

Bildungsroman 13

biographical criticism 102, 114

biography 102–103, 107, 114

blank 107, 117–118

blank verse 54

Blu-ray 74

book review 5, 6, 127, 129, 135, 148

bourgeois tragedy 61, 92

breeches role 72

 

caesura 55

camera angle 73, 77–79

camera movement 75–76, 78

canon 4, 45, 100, 115, 122–123, 128

canon revision 122

carmen figuratum 47

carnivalesque 125

catharsis 59

CD-ROM 104, 147, 151

censorship 60

change of narrative perspective 32–33

character 10–12, 16, 18, 21–34, 44, 46, 62, 67, 69–72, 77–82, 84, 107–108, 110, 112, 115

characterization 22–25, 35–36, 64

character presentation 4, 11, 21–25, 31, 41, 80–81

character typology 21–25, 107–108

charm 37–38, 87–88

chiasmus 50–51

Chicago style 148–149, 152

Chicano, Chicana 97

Chinese 46–47, 97

choir 71

chorus 67, 71

chronotopos 125

cinema 3, 15, 25, 73–76, 79–83, 131

citation management software 149

class 12, 16, 23, 103, 120

classical antiquity 36, 40, 47, 59, 63, 86, 106, 128

climax 11, 17–19, 59, 63–64, 89

close reading 110

close-up shot 77

closet drama 61

collage 94

collection (of essays) 5, 19, 135

colonial age 90–91

colonial literature 91, 120

color movie 76

comedy 59–60, 68, 71, 108

comedy of manners 60

Commonwealth 60, 89, 97

Commonwealth literature 97

comparative literature 124–126

complication 18, 63–64

computer 3, 78, 104, 131, 137–138, 149

concluding paragraph 143

concordance 104

concrete poetry 47, 51, 90

conflict 18

context-oriented approaches 101, 119–127

conventional symbol 42

couplet 56–57

covert narrator 32

crisis 18

critical apparatus 6–7, 139, 144–145, 149

cubism 36, 94

cultural studies 102, 121

cut 79, 81, 129

 

dactyl 53

database 133–135, 137, 148–149

date of publication 146

deconstruction 103, 111–114, 118, 120–121, 123, 126, 131

deep structure 108–109

defamiliarization 79, 82, 106–107

denouement 18, 63–64

depth psychology 108

detective novel 14–15

dialogism 125

dialogue 24–25, 61–62, 66–67, 69, 71, 75–76, 82, 107, 130–131

diegetic score 92

dimeter 54

directing 65

director 65–67, 70–71, 74–82, 129–130

discontinuous narrative 81

discourse 2–5, 9, 18, 21, 24–25, 37, 54, 58–75, 84, 86, 88–90, 92, 94–95, 98, 104, 106–107, 115, 128–129

dispositio 105

dissertation 5, 135, 137

documentation of sources 5, 144–146

drama 1–4, 9, 14–16, 19, 27, 38, 41–55, 62, 65, 68, 77, 86, 96, 103–104

dramatic characterization 24–25

dramatis personae 71

drawing-room comedy 68

dream 20, 75, 80, 83, 99–100

dress 72

DVD 74, 147–148

 

early modern English 14, 89

écriture feminine 123

editing 73, 75, 79

edition 7, 88, 102–104, 127, 135–136, 148

editor 5, 7, 88, 128, 134–135, 145, 147

Egypt 86

eighteenth century 87, 90–92, 98, 119

elegy 40, 42, 51

Elizabethan age 90, 119

Elizabethan theater 63, 67, 71–72

elocutio 105

emblem 48–50, 90

encyclopedia 1, 113–114

endnote 6

EndNote 149

end rhyme 55

English sonnet 56–57

Enlightenment 61, 91–92

epic 2–4, 9–14, 22–23, 27–28, 41, 86–89

epic poetry 3, 9, 11, 43, 86, 99

episode 10, 35, 59, 78, 80–81, 84

epistolary novel 13, 91

essay 5–7, 16, 89–93, 131, 135–136, 139, 145–150

etymology 36

evaluation 24–25, 101, 127–129

exegesis 100–101

experimental poetry 37, 51, 58

exposition 18, 63–64, 107

expressionism 69, 96

expressionist theater 61, 66, 69

external focalization 32

external method 70

extradiegetic score 82–83

eye rhyme 54–56

 

fairy tale 15

fast motion 73, 79

feminist film studies 73, 131

feminist literary theory 23, 122–124

Festschrift 5–6, 135

fiction 4–5, 9–36, 58, 71–75, 86, 90

figural narrative situation 11, 26, 28–29, 32–33, 41

figure 17, 19, 22–32, 35–37, 60, 71, 75

figure of speech 43

film 3, 9, 14, 17–21, 72–84, 112, 121, 129–131, 147–148

film music 3, 82

film narratology 130

film semiotics 130

film stock 73, 76–77

film studies 73, 81, 129–131

film theory 73, 116, 129–131

first-person narration 13, 19, 27–28, 32–33

first-person narrative situation 26–28, 32, 41

first-person narrator 19

flashback 19, 74, 76, 79

flat character 10, 21, 71

focalization 26, 32

focalizer 32

foot 53

footnote 6–7, 98, 146, 149

foreshadowing 19, 74, 79

formalism 103, 105–109

frame narrative 15, 41

framing 77

free indirect discourse 30

French feminism 122

 

gender 23, 71–72, 97, 103, 117, 119–124, 127, 131

gender difference 122–124

gender theory 122–124

genre 3–4, 9

Globe Theatre 67

Golden Age 90

Gothic novel 14, 34

grammar 104

Greek theater 67, 71

 

haiku 46–47

Harvard style 148

hermeneutics 101

heroic drama 61

heterodiegetic narrator 31–32

historical novel 13

history 2, 10, 38, 60, 85, 119–120

history of motifs 109

history of reception 109, 118

history play 60

Hollywood 75, 131

homodiegetic narrator 31–32

humanities 101, 121

Humanism 88

 

iambus 53

iconoclasm 2

illustration 2

image 24, 40–47, 49–51, 79–80, 108

imagery 40, 44, 47, 51

images of women criticism 122

imagism 46

imago 40

implied reader 117–118

index 6–7, 135–136, 148

individualism 12

individualization 11, 23, 25

individualized character 23, 25

initial situation 18, 64

in medias res 17

intentional fallacy 109

interior monologue 30–31, 82

interlibrary loan 138

interliterary comparison 125

internal focalization 32

internal method 70–71

internal rhyme 54

interpretation 5–7, 24–25, 36, 66, 99–101, 104, 110, 113, 116–118, 127–128

intrinsic approach 106

introductory paragraph 139–141

inventio 105

irony 108, 110

Italian neorealist film 75

Italian sonnet 56

 

Jacobean age 89

Jesuit drama 90

journal 5, 127, 133–136, 145, 147–148

 

Latin 1, 40, 47, 86–87, 90

legal text 100–101, 104

length of film 80, 84

letter 1, 50–51, 55, 90, 111–112

lexis 105

lighting 50, 67, 77

linear plot 11, 19, 21, 63

linguafranca 87

linguistics 4, 89, 104, 135

list of works cited 6, 148–149

literariness 103, 106

literary award 127–128

literary criticism 3, 5–6, 9, 72–73, 96, 99–131

literary history 3, 9, 36, 85, 89, 91–93, 96, 118–119, 122, 128

literary theory 9, 14, 23, 44, 58, 61, 73, 84, 91, 101, 105, 111, 116, 119–120, 122–124

literature 1–7

long shot 77–78

lyra 36

lyric poetry 37, 39, 87

 

magazine 16, 22, 91, 118

magic 37–38, 99–100

main character 10–11, 23, 25, 27–29

makeup 58, 65, 69, 72, 80, 130

manifesto 46

manuscript 2, 102, 127

Marxist literary theory 119–120

mask 67, 69, 71

media studies 84

memoria 105

Mesopotamia 19, 86, 103

metafiction 107

metaphor 43–44, 46, 57, 79

meter 37, 52–58, 100, 104–106, 110

Middle Ages 2, 6, 10, 12, 15, 22, 36, 39, 47, 59, 86–88, 101

Middle English 10, 16, 38, 54, 87–88

Middle English period 87–88

mind-tricking narrative/film 64, 81

minor character 27–28

“minority” literatures 96

miracle play 59, 88

mise-en-scène 77, 130

MLA Handbook 145–146, 148

MLA style sheet 145, 148–149, 152

Modern Language Association (MLA) 135–138, 145–152

modernism 31, 94–98

modes of presentation 23, 25, 61, 69, 73

monograph 6, 133, 135

monologue 30–31, 62, 66, 82

monometer 54

montage 73, 79, 81, 129–130

morphology 106

music 2–3, 36, 38–40, 75, 82–84, 121, 125, 130

mystery play 59, 88

myth 10, 15, 64, 86, 108–109, 112

myth criticism 108

 

narration 26–33

narrative film 74–75

narrative perspective 4, 17, 26–33, 35, 41

narrative poetry 37

narrative situation 10–11, 17–18, 26–34, 44

narrative structure 10, 19, 21, 104, 107, 122–123

narrative voice 26

narratology 82, 130

narrator 17, 19, 23–34, 41, 79, 81, 93, 130

national literature 38, 87–88, 91, 124

natural sciences 5, 125

Naturalism 61, 93–94

neoclassical age 91

Neo-Latin tragedy 90

new criticism 103, 105, 109–111, 116, 118, 120

new German cinema 76

new historicism 120–121, 127

newspaper 1, 16, 80, 91, 118, 127

note 5

novel 9–18

novella, novelette 17

 

ode 40, 46

off-Broadway 70

Old English 2, 37–38, 40, 54–55, 87

Old English period 38, 40, 87

Old High German 88

omniscient point of view 29, 32

online 84, 133–138, 147–149

onomatopoeia 38–39

oracle 64, 99–100

oral poetry 2

orchestra 67

overt narrator 32

 

painting 1, 3, 46, 66, 70, 73, 95, 124

paradox 110

paragraph 139–145

paraphrase 5, 86, 110, 145

parenthetical citation 145, 149

parody 12, 61, 68, 107, 128

pentameter 54, 56

performance 24, 58–74, 107

performing arts 58, 72–73

periods 85–98

Petrarchan sonnet 56, 88

phenomenological approach 115

philology 103–104, 135

philosophy 101, 122

picaresque novel 13, 15

pictographic writing 2

picture poem 47, 50

place of publication 136, 145–147

play within the play 68

plot 18–21

plot time 80

poem 36–58

poetic language 37, 40–31, 51

poetics 3

poetry 2–5, 9–11, 36–58

point of view 11, 25–33, 36, 41, 74, 79, 82, 94–95, 104, 106, 114, 116, 130

popular culture 112, 121

postcolonial literature 97, 120

postcolonial theory 121

postcolonial studies 120

postmodernism 96–98, 114

poststructuralism 105, 110, 112, 120–121

Prague school of structuralism 103, 105

primary source 4–7, 101

printing 2, 12, 103, 119

private symbol 42–43

production 65–67, 70–72, 75, 77, 83, 113

projection 36, 72, 74

properties, props 58, 65–70

proscenium stage 68, 70, 75, 79

prose 4, 9–18, 26, 30, 33–37, 59, 69, 86, 89–90, 95, 99, 114

prose poem 37, 57

protagonist 26–33

psychoanalytic literary criticism 115–116

psychological film theory 129

psychology 108

publisher 127–128, 136, 145–147, 152

pun 110

Puritan age 60, 89

Puritan interregnum; Puritan Commonwealth 60, 89

Puritan Literature 90

 

quatrain 56

quotation 5, 145

 

race 23, 103, 120

radio 2, 81–82

reader 5, 19–20, 24–28, 32–33, 42, 73, 95, 101, 107, 109, 116–118, 122, 124, 126, 128, 131, 139

reader-oriented approaches 116–118

reader-response theory 116

realism 11–12, 16, 61, 65, 68, 73, 93–94

realism movement 69, 130

reception 1, 17, 61, 73, 102–103, 109, 116–119, 122, 124, 129

reception aesthetics 73, 116–117

reception history 109, 118

reception theory 116, 118, 129

reflector 32

religion 10, 15, 60, 90, 99–100, 103, 109

Renaissance 40, 56, 60–61, 67–68, 88–89, 98, 103–104, 121, 126

representation 22–23, 28, 58, 73, 94, 111, 130

resolution 18, 63

Restoration comedy 60, 89

review article 6, 167

rhetoric 88, 103

rhetorical figures 37, 43–44, 79, 104–105, 110, 114

rhyme 37, 52, 54–57, 99–100, 105–106, 110

rhythm 51, 54, 57, 82, 105–106

rhythmic-acoustic dimension of poetry 51–58

riddle 37–38, 87–88

“road map” 140–142

romance 10–12, 15, 23, 37, 41, 86–89, 91, 98, 108

Roman literature 86, 98

romanticism 40, 92–93, 98

round character 21, 23, 25, 71

running time 80

Russian formalism 103, 105–107

Russian montage theory 79, 129–130

 

scansion 52

scene 63

scenery 58, 66–70, 74

science fiction 14, 75

screen 74, 80, 130

script 24–25, 63, 66, 72

secondary source 4–7, 127, 133, 135, 137, 147, 149

semiotics 14, 103, 111–114, 118, 121, 130–131

sensitivity of film material 77

setting 13, 16–18, 20–21, 23, 26, 31, 33–36, 62–63, 67, 69, 74, 77, 79, 94

Shakespearean sonnet 56

short story 4, 15–17, 23, 41

showing 232–235, 71

siglo de oro 90

sign 1–2, 57, 111–114

sign system 111–114

signified 111–114

signifier 111–114, 123

silent movie 75, 82, 130

simile 43–44, 79

singer 2, 40

skene 67

slow motion 79

soliloquy 63

song 2, 38–40, 86, 92

sonnet 40, 56–57, 88

sound 2–3, 38, 51–58, 72–73, 75–76, 82–83, 106, 130

sound effect 82–83

source 4–7, 91, 101, 109, 127, 133–138, 144–152

Spanish golden age 90

spatial art 21

spatial dimension of film 76–79

speaker 41

Spenserian sonnet 56

spondee 53

stage 3, 58–75, 77, 79, 81

stanza 40, 44–46, 48, 51, 56–58

stock character 21, 71

stream-of-consciousness technique 30

structuralism 103, 105–109

structural organization 139

Sturm und Drang 92

style 7, 17–18, 24, 66, 90, 95, 98, 102, 104–105, 114, 122, 127, 130

style sheet 145, 148–149, 152

stylistics 103–105

subject index 135–136

suspense 17–19, 64, 83

syllable 47, 52–56

symbol 22, 42–45, 110

symbolism 12, 59

syntax 4, 104–105

 

talkies 130

telephoto lens 78

telling 23, 25

temporal art 21

temporal dimension of film 79–81, 83

tenor 44

tension 23, 29, 56, 92

tercet 56

tetrameter 54

text 1–7

text-oriented approaches 101–114, 116, 120–121, 123, 130

text type 3–7

textual criticism 3, 103–104

theater of the absurd 61, 63–64, 66, 69, 96

theology 100, 104

thesis 5, 137

thesis statement 139–144

third-person narration 26

three unities 61, 63, 69

topic sentence 141–142

tragedy 58, 60–61, 92, 108

transcendentalism 93–94, 98

transformation 62, 65–70, 72

transliterary comparison 125

trimeter 54

trochee 53

turning point 18

TV series 83

typification 22, 25

typified character 21–23, 25

typology 107–108

 

unity 17, 40, 52, 57–58, 63, 110

utopian novel 14

 

vehicle 44

verbal dimension of poetry 41–47, 57

verbal icon 44

visual dimension of poetry 47–51

voice 41

voice-over 19, 82

volume 82

 

Western 75, 78, 80

wide-angle lens 78

women's literature 96–97

WorldCat 137, 148

writing 1–4

 

zero focalization 32

Zotero 149