Notes:
Terms such as ‘arts’, ‘entertainment’, ‘tourism’, ‘theatre’ and ‘heritage’ occur continually throughout the book. Most individual festivals, musicals, hotel companies, tourist boards, tour operators and travel agents are not listed separately but can be found under these general headings as are individual performers at festivals.
A&B (ex ABSA), 25
Accommodation, 38-9, 95, 126, see
also Hotels
Activity place, 128
Additional holidays, 34, 62, 68
Adelaide Festival, 89, 112, 118, 121,
158, 159, 160, 173, 176, 216–19
Ambassador theatre group, 206
Amenities, 125
Apollo group, 21
Arts:
absence of, 121, 148
and entertainment, 13–15
and tourism, 67–8
as an industry, 165–7
avoiding the tourism connection,
187–8
‘high’, 13
Arts Tourism Marketing Handbook, 130,
187
Arts-core, 2, 55–60, 63, 106, 107,
118–19, 127, 143, 145, 148, 182,
183, 186, 194–6, 199
Arts-peripheral, 3, 7, 55–60, 63, 83,
104, 107, 109, 127, 143, 145, 148,
182, 183, 186, 194–6, 199
Arts-related tourism, 2, 7, 58, 172
classification, 54–60
classification of product, 75–8
elements of product, 78–81
further research, 184–6
influences on, 61–6
Atlantic City, 1, 207, 208, 213–14
ATLAS, 50, 57, 113, 116, 118, 139
Atmosphere, 128
Attributes, 185
Audiences: by type of production,
114–15
composition, 110–14
core, 100, 163
development, 156
tourists and non-tourists, 115 -16
Australia, 16, 22, 23, 34, 43, 55, 58,
136, 137, 139, 141, 144, 217, 225
Ayckbourn, Alan, 133
Baltimore, 168
Barbican, 205
Barker, Howard, 218
Bath, 81
Beamish museum, 80
Beatles, 160
Berkoff, Stephen, 205
Bjork, 92
‘Black-face’ minstrels, 209
Blackpool, 135, 136, 138, 142, 148,
211–13
Bournemouth, 210
Break-even point, 100
British Arts Festival Association, 108
British Tourist Authority, 23, 43, 107,
130, 131, 142
Broadway, 100, 111, 115, 118, 147, 157,
158, 176, 201–4, see also New
York
Buxton, 219–21
Festival, 94, 219–21
Opera House, 94, 220–1
Canada, 22, 55, 58, 137, 145, 187, 193,
202
Chichester, 134
Cities, 41, 45, 61, 64, 69, 76, 88, 108,
118, 128, 138, 167, 169
Classes: middle, working, service, etc.,
18, 19, 65, 66, 82, 170, 209
Colonial Williamsburg, 80
Combinations of reasons and factors,
120, 147
Commercialization, 64
Commodification, 64
Creativity, 13
Cultural industries, 27, 64, 171
Cultural policies, 88, 168–70, 171,
197–8
Cultural tourism, 4, 5, 7, 52–3, 55, 63,
66, 69, 129, 145, 182, 183, 193,
199, 200
definitions, 51–4
history, 49–50, 81–2
studies (problems with), 5–7
Cultural tourists, 57, 58, 118, 142, 144,
145, 161
Culture, 5, 14–15, 52, 54, 108, 141,
142, 167, 184, 199
Culture-peripheral, 2, 7, 58, 61
Culture-related tourism, 61, 63, 69, 172
Day-trippers/visitors, 3, 31, 32
Department for Culture, Media and
Sport, 23, 42
Development of Tourism Act 1969, 43
Dionysius, 81
Donmar Warehouse, 205
Drawing power, 77–8, 120, 145
arts perspective, 116–19
of festivals, 91–3
tourism perspective, 140–4
Edinburgh Festivals, 1, 89, 93, 113,
118, 121, 160, 173, 176, 177
Employment, 154, 172, 178, see also
Multiplier
English National Opera, 21
English Tourist Board; English Tourist
Council, 44, 130, 151, 156, 161,
166, 168, 187
English Tourist Board Working Party,
86, 88
Entertainment, 13–15, see also Arts
decline in seaside resorts, 83–6
significance of early, 82–3
Evening activities, 126
Expenditure, 33, 121, 131, 136–7, 172,
173, see also Multiplier
deadweight and time-switching, 93,
94, 174
injection and non-injection, 93, 94
Facilities (venues): problems of new,
94–5, 171–2
Festival of Arts and Culture (1995),
108, 131
Festival Visitors (Adelaide), 218–19
Festivals, 76, 77, 78, 81, 89–95, 101,
138, 142, 166, 187, see also
Glastonbury, Buxton, Edinburgh,
Adelaide Festivals
aims, 89–91
Flagship schemes, 170
Flamenco, 164
France, 33
Friends and relatives, 3, 31, 38, 55, 114
Fulfilment, 159
Gaze (tourist), 68
Government, see also Local
government
support for arts, 21–5
support for tourism, 42–5
Greenwich Village, 170
Ground handlers, 40
Halle Orchestra, 210
Hare, David, 203
Herbal Bed, the, 206
Heritage: industry, 64
centres, 64, 69, 161
connection with arts, 140, 147, 163
vs the arts, 69–71
Holiday, 31, 34–7, 59, 145, 187, 189,
194, 196, 199, see also Tourism
Holiday camp, 211
Hotels, 38, 105, 133, 196
and entertainment, 85, 135–6
Identity, 18, 34, 36, 65, 67, 68
Impact, 45–6, 172
adverse, 162–7
arts on tourism, 157–62
economic, 172–9, 203–4, 218–19,
226
of festivals, 93–5
regeneration, 167–72
tourism on the arts, 152–7
Inclusive tours, see Package holidays
Income, 16, 18, 34, 61, 172, 202, see
also Multiplier and Revenue
Inner cities, 168
Instrumental (journeys), 35, 59
Lake Poets, 50
Leakages, 174
Leisure time, 62
Local government, 23, 131–2, 198, 212
and entertainment, 85, 87–9
and festivals, 90–1
and the arts, 23–4
and tourism, 44
Local residents, 88, 91, 93, 155, 172,
173
London, 77, 95, 113, 114, 121, 133,
139, 142, 144, 146, 184, 192, 203,
see also West End
London Theatre Guide, 115
Lowell, 168
McDisneyized, 164
Mackintosh, Cameron, 206
Mail shots, 106
Manchester, 108
Market, 4, 39, 63, 101, 102, 103, 129,
132, 159, 164–5, 205
segments, 60, 63, 188, 193, 195
Market failure, 22
Marketing, 43–4, 45, 70, 103–10, 129,
131, 132
Masks, 225
Mean Fiddler, 222
Mendes, Sam, 203
Monte Carlo, 83
Motivation, 184
arts, 17–18
holidays, 34–7
Musicals, 13, 15, 16, 21, 70, 108,
114–15, 139, 141, 142, 165, 200,
202, 204–6, 213
National Parks, 41
National Trust, 41
New York, 25, 43, 70, 77, 78, 100, 116,
146, 152, 154, 160, 163, 164, 202,
213, 225, see also Broadway
New York-New Jersey, 34, 58, 112,
114, 117, 119, 139, 140–1, 143,
144, 151, 159, 169, 176, 177, 178
Non-holiday, 59, 77, 145, 187, 189,
194, 196, 199, 221
Non-instrumental (journeys), 35, 59, 81
Non-participation (arts), 18–19
Notting Hill Carnival, 89
Overseas Visitor Survey, 142, 145, 148
Package holiday, 2, 33, 38, 39–40, 61,
63, 106–7, 132–4, 135, 194, 196
Performing arts, 2, 4, 5, 53, 61, 66, 68,
117, 138, 142, 146, 148, 183, 184,
199 200
Poland, 51
Policy Studies Institute, 54, 144, 152,
158, 166
Pontins, 211
Postmodern, 15
Promotion, 190
in destination, 104–5, 194–5
of destination, 109–10, 194–5
outside destination, 106–7, 194
Public relations, 160
Qualitative approaches, 186
Regeneration (urban), 69, 89, see also
Impact
Repertory company, 21
Resort (seaside), see Seaside resort
Revenue, 102, 153–4, 158–9, 190
Reviews, 106
Ring Cycle (Wagner), 1, 2, 112, 174
Rio de Janeiro, 225
Roman Empire, 49
Romanticism, 49
Rousseau, 50
Royal Ballet, 23
Royal Court (theatre), 205
Royal National Theatre, 23, 205
Royal Shakespeare Company, 23, 134,
205
San Francisco, 170
Golden Gate Bridge, 41
Saratoga Springs (USA), 79, 81
Seaside resorts, 2, 23, 40, 44, 78, 82,
83, 86, 88, 113, 131, 143, 152,
183, 185, 189, 195–6, 198, 199, 209–11
Shakespeare, 155
Society of London Theatre, 192, 204
Society of West End Theatre, 204
Special interest tourism, 60, 63, 200
Spoleto, 171
Sponsors, 20, 21, 25, 102, 156, 191,
197, 219
Standards, 156
Sting, 133
Strauss, Johann, 51
Supply, 69, 174
the arts, 19–21
tourism, 37–9
Surveys, 184–6, 188, 191, 192, 199,
221
arts, 110, 111–19
problems with, 119–22, 145–9
tourism, 111, 136–44
Sustainable tourism, 161
Sydney, 112, 225–6
Harbour Bridge, 41
Opera House, 41, 80
Television, 13, 14, 19, 67, 82, 84–5,
153, 165
Theatre Royal (Drury Lane), 79
Theatre Trust, 26
Theme park (theatrical), 164
‘Time problem’, 104
Tour operators, 39–40, 132–4, 135,
158, 196
Tourism, 3, 49–50, 63, see also
Holidays, Arts-related tourism,
Cultural tourism
as an industry, 32
definitions, 31–2
involvement with arts, 129–36
pattern, 33–4
reasons for involvement with arts,
129
Tourist art, 164
Tourist boards, 2, 4, 43, 44, 108, 110,
129–31, 191, 192, 196
Tourist Information Centres, 105, 106,
131
Tourist resources:
and the arts-related tourist, 127
classification, 125–9
Trade fair, 107
Travel clubs, 134
Travel: to see performances, 55–6
Travel trade, 107
Tunbridge Wells, 81
Turner, Tina, 133
UK, 33, 51, 138, 139, 141–2, 162, 170,
184, 202, 207, 217
USA, 22, 31, 32, 33, 34, 43, 84, 115,
133, 139, 141, 170
Variety shows, 5, 13, 75, 82, 86, 138,
155, 189, 212
West End, 16, 20, 76, 100, 107, 112,
114, 115–16, 118, 119, 147, 152,
154, 157, 158, 162, 163, 164, 165,
176, 177, 178, 200, 204–6, see
also London
Wordsworth, 50
Zeus, 81
