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by Des Lyver
Basics of Video Sound, 2nd Edition
Cover
Half Title
Title Page
Copyright Page
Table of Contents
Introduction to the second edition
Introduction to the first edition
How to use this book
Acknowledgements
1 Sound and video
The sound teams
- The studio sound team
- The location sound team
What is sound?
Sound outdoors
- Sync problems
Sound indoors
- Reverberation
- Absorption
Sound measurements
How we hear
The ear
- Frequency and loudness
2 Microphones
What is a microphone
Working principles
- The moving coil principle
- Advantages and disadvantages
- The electrostatic principle
- Advantages and disadvantages
Same principle - different name
- The ribbon microphone
- The electret microphone
- The RF capacitor microphone
Impedance
Phase
Polar response
- Omni-directional
- Bi-directional
- Uni-directional
- The ‘other’ cardioids
Specialist microphones
- Highly directional microphones
- Boundary microphones
- Radio microphones
- Underwater microphones
3 Audio connectors and connecting
Audio connectors
Balanced lines
Phantom power
4 Recording the sounds
Magnetic recording
Analogue recording
Digital recording
Video recorder formats
5 Location recording
Outdoors
- The problems
Back to the sound cupboard
The one person shoot
- No power
- The interview
- Small-scale drama
Indoors
- Limited power
- The office scene
- Small-scale drama
- Power
6 Audio post-production
Tape-based editing
The logging suite
The off-line suite
The on-line suite
Audio editing
- The simple option
- The more complex option
- The ideal solution
Non-linear editing
Hybrid editing
7 Studio recording
Studio sound equipment
- The sound mixer
- Setting up the mixer
- The reverberation unit
- The compressor
- The noise gate
The recording
- The interview
- The discussion
- The drama
- The pop group
Glossary
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