Contents
Introduction
How to use this book
Acknowledgements
What is a production diary?
Why do we need one?
What’s in it?
How do we organize it?
An outline of our production
Pre production
The request for a programme – by phone
The request for a programme – by letter
Aims
Objectives
Target audience
The reply
Client meeting – preparation
Pre meeting planning
Client meeting – the meeting
Budgets – overview
Phone calls and letters
The treatment
Client budget
Negotiations and costs
Client meeting – negotiations
Production meetings
A business caveat
Production planning
More phone calls
The storyboard
Budgets – draft
The audio script
Health and safety
The recce (1)
Supplier meetings
The recce (2)
The final budget
More meetings and phone calls
Schedules and deadlines
Contracts
Copyright
Permissions
Insurance
Production
Confidentiality clauses
Second production meeting
Working with a PA
Camera scripts
Studio camera cards
Floor plans
Location shooting script
Camera logs
Call sheets
The day before the shoot
Equipment checks
Rehearsals
Production briefing – 21st Sept.
The shoot – day 1
The shooting logs
The shoot – day 2
Re-shoots
Final production meeting
Post production
Editing overview
Off line edit
Client review
On line edit
The audio dub
Budget reconciliation
Hand-over and invoicing
Post mortem
Glossary
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