INDEX
The index that appeared in the print version of this title does not match the pages in your eBook. Please use the search function on your eReading device to search for terms of interest. For your reference, the terms that appear in the print index are listed below.
A&R (artists and repertoire)
A2IM
AAA Rock
ABC
Abrams, Lee
Active Rock
Adelstein, Jonathan
Adorno, Theodor
Adult Contemporary, Christmas music and, crossover and, Dixie Chicks and, Hurban and, payola and
Adult Hits
advertising: branding and, budget for, direct, format and, Full Service radio and, future of the chart and, gatekeepers and, Hurban and, jingles and, local, narrowcasting and, online, payola and, product shots and, social networks and, spot, wall of women and, word-of-mouth
Advertising Age magazine
African Americans
Ahlkvist, Jarl
airplay, assumptions on volume of, breaking singles and, Dixie Chicks and, fame through, format and, future of the chart and, Hurban and, independent radio promoters (IRPs) and, indies and (see also indies); Mediabase and, monitored data on, payola and, pop culture and, reggaetón and, robustness of assumptions on, salient information structures and, spread of songs and, top songs of 2008 and, value of
Album-Oriented Rock (AOR)
alcohol
All-American Rejects (band)
AllMusic
All Music Guide
Alternative
alt.fan.dixie-chicks
Amazon
American Family Association
American Guild of Authors and Composers
American Idol (TV show)
American Journal of Sociology
American Legion
American Society of Composers, Authors, and Publishers (ASCAP)
American Sociological Review
Amos ‘n’ Andy (TV show)
AM radio
anonymity
“Another Brick in the Wall” (Pink Floyd)
antibiotics
Apple: Apple TV, App Store, iCloud, iPad, iPod, iTunes, Jobs and, KeyChest and, Ping and, Pixar and, role of influentials and
appliances
App Store
Arbitron
Arista Records
Armone, Joseph “Piney,”
art: classification and genre and
Art Classification Systems
Asher, Dick
Ashman/Menken Disney films
Associated Press
Association for Information Media and Equipment
Association of American Publishers
AT&T
Atlantic
ATRAC3
Authors Guild
baby names
back-announcing
Bad Religion (band)
Bagdikian, Ben
Bandstand (TV show)
Bareilles, Sara
Barrio Fino (Daddy Yankee)
Bass, Frank M.
Bearman, Peter
beautiful music
Bedingfield, Natasha
Benny, Jack
Berger, Jonah
Berle, Milton
Berry, Chuck
Best Buy
best-seller lists
Betamax
BIA/fn database
Billboard magazine: format and, future of the chart and, Hot 100 chart and, monitored airplay data and, payola and, role of influentials and
Bingenheimer, Rodney
BitTorrent
Black Eyed Peas
Black Flag
blacklists: censorship and, clearance system and, Communists and, Dixie Chicks and, Hollywood and, House Committee on Un-American Activities (HUAC) and, Motion Picture Industry Council (MPIC) and, Paramount decision and, payola and, vertical integration and
block-booking
blogs
blues
Blu-Ray
BMG
“Bomb Texas” slogan
Bookscan
bootstrapping
Boricua Spanish
Boxee Box
boycotts: Dixie Chicks and, indies and
branding
breaking singles: airplay and, Black Eyed Peas and, contagion and, diffusion of pop songs in radio and, distribution of connection and, KROQ and, meaning of term, “My Humps” and, one-hit wonders and, opinion leaders and, promotion and, radio stations and, record labels and, salient information structures and, Semisonic and, tipping point and, Top 40 and, (see also Top 40); two-step flow model and
bribes. See payola
Bridgeport v. Dimension
Broadcast Data Systems
broadcasting: datasets and, decision-making and, deregulation and, Dixie Chicks boycott and, doctrine of scarcity and, Fairness Doctrine and, fine print disclosures and, fin-syn rule and, format and (see also format); future of the chart and, licenses and, payola and, Republican Party and, size of, syndication and, voice tracking and
Broadcast Music, Inc., (BMI)
Buckley, James
budgets, film, payola and, television and
Bush, George W., deregulation and, Dixie Chicks and
business models: format and, online services and, payola and, piracy and, salient information structures and
cable industry: carriage fees and, centralization and, High School Musical and, Internet video and, nuvoTV and, passive monitoring and, payola and, publicity and, royalties and, set-top box and, Telecommunications Act and, vertical integration and
Calderon, Tego
callout research
Canada
Carey, Mariah
Carsey-Werner
Carson, Fiddlin' John
Cartoon Network v. CSC Holdings
cascades: breaking singles and, diffusion and, future of the chart and, peer influence and
CBS: breaking singles and, corporate radio and, Dixie Chicks and, ethics audit of, format and, future of the chart and, payola and
CDDB
Celtic Rock
censorship (artistic and political): blacklists and, centralization and, corporate, Dixie Chicks and, programming and, record labels and
censorship (statistical): eight degrees of separation and, left, right
centralization, block-booking and, censorship and, Clear Channel Communications and, corporate radio and, decentralization and, decision-making and, future of the chart and, media ownership issues and, record labels and, royalties and, Telecommunications Act and
centrality. See also opinion leaders; social networks
chain letter experiment
Chancellor Media
change agents
Chomsky, Noam
Citadel
Clark, Dick
classification
“Classification in Art” (DiMaggio)
Clear Channel Communications, back-announcing and, capitalist hegemony and, as central actor, Dixie Chicks and, Hurban and, indies and, Jacor merger and, Kiss branding and, Limbaugh and, payola and, Republican Party and, right-wing interests and
Cleves, Mario
Clinton, Hillary
“Closing Time” (Semisonic)
clusters: adoption rates and, firm-level, format and, pop music and, programming and, role of influentials and, test statistics and, web pages and
Columbia Pictures
Columbia Records
Comcast
Commerce Committee
Committee on Legislative Oversight (Kefauver Committee)
common carriage
Communications Act
Communists
competition: cable industry and, FM radio and, format and, future of the chart and, Herfindahl-Hirschman Index and, inhibition of, innovation and, mergers and, payola and, perfect, phone industry and, price fixing and, spatial, strategic alliances and, technology and, television and, vertical integration and
Competition in Radio and Concert Industries Act
computer power
concave curves
confidence intervals
consent decrees
consumers: altercentric uncertainty and, appliances and, cable companies and, cost of songs and, egocentric uncertainty and, format and, future of the chart and, Internet television and, opinion leaders and, payola and, power of television and, production of culture and, publicity and, salient information structures and, surrogate, ultimate
contagion, breaking singles and, cascades and, cohesive models of, early adoption and, future of the chart and, general lessons for, influentials and, innovation and, “My Humps” and, opinion leaders and, peer influence and (see also peer influence); salient information structures and, social networks and, spreading of songs and, threshold models and, traditional forms of, word-of-mouth
Contemporary Christian Music
Contemporary Hits Radio (CHR): crossover and, datasets on, format and, Hurban and, Kiss branding and
Cook, Davey D.
“Coolhunt, The” (Gladwell)
coordination: centralization of (see also centralization); corporate radio and, deregulation and, future of the chart and, new genres and, powers behind, release dates and, role of influentials and, social movements and
Copps, Michael
copyright
core strategy
corn
corporate radio: as central actor, Federal Trade Commission and, innovation and, media ownership issues and, payola and, programming decisions and, scale-free distribution of nominations and, “single playlist” hypothesis and, Spitzer investigation and, Top 40 stations and
Cosmo magazine
Country: cowboys and, Dixie Chicks and, format and, ideological connotations of, Texas and
“Courtesy of the Red, White, & Blue (The Angry American)” (Keith)
cowboys
Cox proportional hazards model
crossover: Dixie Chicks and, format and, future of the chart and, hazards and, Hurban and, necessity of, Rihanna and
culture industries, See also gatekeeping
Cumulus
“Cycles in Symbol Production: The Case of Popular Music” (Peterson and Berger)
Daddy Yankee
Dance format
Danger, Mike
Dannen, Fredric
Davis, Clive
decentralization
decision-making, broadcasting industry and, centralization and, delegation and, distribution of, programming and (see also programming); property rights and
Def Jam (record label)
Democratic Party
demographics: format and, future of the chart and, payola and
De Vita, Franco
diffusion, artist's fame and, best-seller lists and, bootstrapping and, business models and, cascades and, chain letter experiment and, clustering patterns and, concave curves and, confidence intervals and, consumer appliances and, contagion and, controlling publicity and, corporate radio and, distribution of connection and, endogenous, exogeneous, external influences and, formats and, future of the chart and, general lessons for, graphs for, hazard and (see also hazard); hybrid corn and, internal influences and, left-censorship and, literature on, multilevel diffusion curve (MDC) analysis and, “My Humps” and, nested names and, opinion leaders and (see also opinion leaders); phone book test and, phoner campaigns and, pop music radio and, power-law distribution and, release dates and, “riding the curve” effect and, risk pool and, role of influentials and, salient information structures and, scale-free distribution of nominations and, s-curves and, six degrees of separation and, snob model and, social networks and (see also social networks); spread of songs and, suppressing payola and, technical terms of, tetracycline and, threshold models and, tipping point and, vertical integration and, viral marketing and, word-of-mouth
Diffusion of Innovations (Rogers)
Digital Rights Management
digital technology
DiMaggio, Paul J.
disco
Disney: Jobs and, KeyChest and, Pixar and, Radio Disney
distribution of connection
Dixie Chicks: airplay and, alt.fan.dixie-chicks and, Associated Press and, audience feedback on, blacklisting of, CBS and, censorship and, Clear Channel Communications and, corporate censorship and, countrynation.com and, crossover success of, Democratic Party and, George W. Bush and, impacts of, Maines and, popularity of, radio boycott of, rec.music.country.western and, Republican Party and, right-wing interests and, Shepherd's Bush Empire and, Shut Up and Sing and, social movements and, Top 40 stations and
DJs (disk jockeys), autonomy of, back-announcing and, breaking singles and, corporate radio and, format and, future of the chart and, payola and, side work and
Dodds, Peter Sheridan
Donahue, Tom
Donnas
“Don't Lie” (Black Eyed Peas)
“Don't Phunk With My Heart” (Black Eyed Peas)
“Don't Stop the Music” (Rihanna)
Douglas, Susan
dramas
Dropkick Murphys (band)
drugs, antibiotics, cocaine, Hendrix and, innovation and, Joplin and, payola and, pharmaceutical companies and, rock music and
Dugas, Gaëten
early adoption
eigenvector centrality measures
eight degrees of separation
80s Hits
Elephunk (Black Eyed Peas)
EMI
Entercom
Espeland, Wendy Nelson
etymology
Europe
external influences. See also concave curves, diffusion
Fairness and Accuracy In Reporting
Falcone, Pasquale
fame
Federal Communications Commission (FCC), audits by, denial of license renewal and, Diversity Index and, Fairness Doctrine and, fin-syn rule and, George W. Bush and, Martin and, payola and, Rules of Engagement and, simulcasting and
Federal Trade Commission
Feingold, Russ
Fergie
fin-syn rule
First Amendment
first sale doctrine
FM radio, breaking singles and, commercial development of, competition and, corporate radio and, Dixie chicks and, format and, future of the chart and, importance of, listening rates and, payola and, popular culture and, simulcasting and
folk music
Fonda, Jane
Ford, Henry
format: AAA, Active Rock, Adult Contemporary, Adult Hits, advertising and, airplay and, Alternative, beautiful music, Billboard magazine and, Christian, competition and, consumers and, Contemporary Hits Radio (CHR), as core strategy, Country, crossover, Dance, defined, demographics and, diffusion and, Disco, Full Service, 80s Hits, as fundamental definition of a radio station, Hot AC, Hurban, ideological connotations and, imitation and, innovation in, intellectual property law and, Latin, listener feedback and, mainstream, Mexican Regional, new genres and, peer influence and, Polka, programming and, promotion and, Rhythmic, Rock, schemas for, specialization and, talk shows, target audience and, Top 40 and (see also Top 40); trends in differentiation of, Tropical, Underground, Urban, youth-oriented, See also genre
Fortune
Fox
Franz Ferdinand
Freed, Alan
Free Republic
friending
Full Service programming
Future of Music Coalition (FMC)
future of the chart: advertising and, airplay and, Billboard magazine and, broadcasting industry and, centralization and, competition and, consumers and, contagion and, controlling publicity and, coordination and, crossover and, demographics and, diffusion and, distribution of decision-making and, emerging pop culture industries and, general diffusion lessons and, genre and, innovation and, opinion leaders and, programming and, promotion and, record labels and, regulation and, salient information structures and, social networks and, streaming media and, Top 40 stations and
Future of the Mass Audience (Neuman)
Gambino family
Garofalo, Janeane
gatekeeping, accumulation of fame and, algorithmic, best-seller lists and, controlling publicity and, genre and, Hirsch model of, pop music and, salient information structures and
Gay and Lesbian Alliance Against Defamation
GE
Genius algorithm
genre art and, classification and, clusters and, folk, hip-hop (see also Rhythmic, Urban); ideological connotations of; old timey, reggaetón (see also Hurban); new wave; punk (see also Active Rock, Alternative); R&B; rock; soul. See also format
German Ideology, The (Marx)
“Get Retarded” (Black Eyed Peas)
gifts
Giuliani, Rudy
Gladwell, Malcolm
Glee (TV show)
Good Girl Gone Bad (Rihanna)
Goodman, Howard
Google, bombing and, Books, PageRank and, Google +, Google TV, Scientology and, search engine optimization and
Gotti, John
Gould, William W.
Grand Upright v. Warner
Guardian, The (newspaper)
Guiding Light (TV show)
Guns N' Roses
Gutierrez, Roberto G.
Harris hearings
“Hate That I Love You” (Rihanna)
“Have You Forgotten” (Worley)
hazard: baseline, constant, corporate radio and, Cox proportional hazards model and, crossover and, endogenous, exogenous, exponential growth and; holdouts and; “My Humps” and, opinion leaders and, over time, prior adoptions and, record release dates and, risk pool and; role of influentials and, use of term
HDTV
Hedström, Peter
Hendrix, Jimi
Herfindahl-Hirschman Index
Herman, Edward
“Hey Mama” (Black Eyed Peas)
High Noon (film)
High School Musical (record album)
hillbillies
hip-hop, breaking singles and, centralization and, crossover and, format trends and, genre and; Mexican Americans and, reggaetón and
Hirsch, Paul
HIV
holdouts, early adopters and, innovation and, property rights and, transaction costs and
Home (Dixie Chicks)
Horkheimer, Max
Horowitz, David
Hot 100 chart
Hot AC
House Committee on Un-American Activities (HUAC)
Hubbard, L. Ron
Hulu
Hurban, advertising and, airplay for; centralization and; Clear Channel Communications and, crossover and; genre and; growing Latino population and, KXOL and; market niche of; Mexican Regional and; reggaetón and; Spanish language and
iCloud
ideal types
ideologies: artistic creativity and, centralization and; Country and; cowboys and; distortions of; Fairness Doctrine and; future of the chart and, Marxism and, Texas and
indies (independent radio promoters (IRPs)), boycotts of, Clear Channel Communications and, meaning of term, paper adding and, payola and, phoner compaigns and, selling playlists and
influentials: contagion and, endogenous diffusion and, peer influence and, promotion and, social networks and
innovation, adoption mechanisms and, baseline hazard and, business models and, competition and, computing power and, contagion and, corporate radio and, Cox proportional hazards model and, custom and, diffusion of (see also diffusion), disruptive, early adopters and, established business model and, external influences and, fin-syn rule and, formats and, future of the chart and, general lessons for, holdouts and, impacts of, Moore's Law and, opinion leaders and, popularity and, risk pool and, salient information structures and, search engine optimization and, semiparametric survival models and, sorts of, vertical integration and
instruments
intellectual property rights: Bridgeport v. Dimension and, copyright and, decision-making and, Digital Rights Management and, first sale doctrine and; format and, Google Books and, Grand Upright v. Warner and, holdout rights and, imitation and, Napster and, payola and, peer-to-peer file sharing and, piracy and, publicity and, sampling and, streaming media and (see also streaming media), UCLA and, Video Furnace and
internal influences. See also contagion, diffusion, peer influence, and s-curves
Internet Relay Chat (IRC)
iPad
iPod
Irish Americans
Irish folk
Isgro, Joe
Island (record label)
iTunes
Ivy Queen
Jacks, Kelso
Jackson, Michael
Jacor
Jamaican dancehall music
Jay Z
jingles
Jobs, Steve
John, Elton
Joplin, Janis
jukeboxes
KDKA
KDWB
Kefauver Committee
Keith, Toby
KeyChest
Keys, Alicia
KHKS
KIIS
Kiss branding
Klezmer
KMEL
KMPX
Kovacs, Ernie
KOWH
Kronos Effect
KROQ
Krugman, Paul
KXOL
Lane, Burton
Latina magazine
Latin radio: growing Latino population and, Hurban and, reggaetón and
left-wing politics
licenses
Lieberson, Stan
Limbaugh, Rush
linguistics
listener feedback
Live Nation
localism
Local People Meter locals
Lohan, Lindsay
Lomax, Alan
Los Angeles Police Department
Loverboy (band)
“Love Song” (Bareilles)
Luckmann, Thomas
Ludacris
McClusky, Jeff
Machete (record label)
Madonna
mafia, Gambino family and; the Network and; racketeering and
mail fraud
Maines, Natalie
mainstream formats
“Man Down” (Rihanna)
markets, alternative media for, best-seller lists and; BIA/fn database and; branding and, budgets and, business models and; controlling publicity and; emerging pop culture industries and; first sale doctrine and, growing Latino population and Herfindahl-Hirschman Index (HHI) and; Hurban and; Latin; mergers and; monopolies and; music videos and; payola and; pharmaceutical industry and; product shots and; reggaetón and; salient information structures and; strategic alliances and; surrogate consumers; television and; viral marketing and
Martin, Kevin
Marxism
mass society thesis
Matter of Taste, A (Lieberson)
“Maybellene” (Berry)
MCI
Mediabase
MediaGuide
Media Matters
median voter theorem
media ownership: boycotts and broadcasting spectrum and centralization and corporate radio and payola and politics and
Media Research Center
meme See also innovation
mergers
Metropolitan Statistical Areas (MSAs)
Mexican Americans: hip-hop and Hurban and reggaetón and
Mexican Regional
Miami Herald v. Tornillo
Microsoft
MiniDisc
Modern Rock
Monkey Business (Black Eyed Peas)
monopolies
Moore's Law
Motion Picture Industry Council (MPIC)
“Move Along” (All-American Rejects)
MP3 media
MTV
multilevel diffusion curve (MDC) analysis
Murdoch, Rupert
musicals
Music Genome Project
Music Publishers Protective Association
music videos
My Chemical Romance
“My Humps” (Black Eyed Peas): breaking singles and diffusion and hazards and
Napoli, Phil
Napster
narrowcasting
nationalism
National Public Radio (NPR)
Nazism
NBA
NBC
Negus, Keith
N.E.R.D.
Netflix
net neutrality
Network (cartel)
Neuman, Russell W.
New Media Monopoly (Bagdikian)
news
Newscorp
newspapers
New Wave
New York Attorney General
New York Times
Nielsen's Broadcast Data Systems
Nina Sky
“No One” (Keys)
N.O.R.E.
“November Rain” (Guns N' Roses)
nuvoTV
old timey music
oligopolies
Omar, Don
one-hit-wonders
opinion leaders algorithmic identification of Black Eyed Peas and breaking singles and chain letter experiment and change agents and consumers and diffusion of pop songs in radio and distribution of connection and early adopters and endogenous diffusion and future of the chart and hazards and innovation and pop songs and promotion and “riding the curve” effect and role of salient information structures and Top 40 and (see also Top 40); two-step flow model and voters and
organizational theory
Oxford Handbook of Analytical Sociology (Hedström and Bearman)
“Oye Mi Canto” (N.O.R.E.)
pacifists
PageRank
Panama
Pandora Radio
paper adding
parent companies
Parents Television Council
passive monitoring
pastoralism
payola advertising and airplay and alcohol and Arista Records and Asher and back-announcing and beneficiaries of Billboard magazine and blacklists and broadcasting industry and budgets and capitalized CBS and Clark and Clear Channel Communications and closing credits and Columbia Records and competition and Competition in Radio and Concert Industries Act and Congress and consent decrees and consumers and Davis and disk jockeys and Drugola scandal and Federal Trade Commission and Gambino family and gifts and Giuliani and gray zone of Harris hearings and historical perspective on independent radio promoters (IRPs) and indies and Isgro and Kevauver Committee and Lane letter and legitimate promotion and mafia and Martin and Music Publishers Protective Association and NBC report and the Network and on-air disclosure and paper adding and phoner campaigns and product shots and professionalized programming and promotion and property rights and prostitutes and quid pro quo and Recording Industry Association of America and record labels and regulation and revenue targets and rise of rock and roll and robust logic of royalties and Rules of Engagement and sex and showola and side work and Smathers and Smith and Spitzer investigation and subpoenas and suppressing Tashjian and tip sheets and Top 40 stations and tour support and trading patterns and Tri State Promotions & Marketing and US Code 47 and Wynshaw and
Pearl Jam
Peer, Ralph
peer influence: cascades and classification of art and consumer dynamics and diffusion of pop songs and distribution of connection and format and imitation and opinion leaders and peer adoption and peer nominations and radio stations and role of influentials and
peer-to-peer file sharing
Pennywise (band)
People en Español magazine
performativity
Persian Americans
Peterson, Richard A.
Pfizer
phone book test
phone industry
phoner campaigns
Ping
Pink Floyd
piracy
Pixar
Pixies (band)
“Pocket Full of Sunshine”(Bedingfield)
Podolny, Joel M.
Pogues (band)
point-to-point communication technology
politics: conservative talk shows and cowboys and Democratic Party and Dixie Chicks and folk music and George W. Bush and growing Latino population and House Committee on Un-American Activities (HUAC) and left-wing interests and Marxism and media ownership issues and nationalism and pacifists and Republican Party and right-wing interests and
Polka
pop music airplay and (see also airplay); breaking singles and (see also breaking singles); diffusion lessons for format and (see also format); market familiarity and payola and production of culture tradition and promotion and salient information structures and as semi-genre sequential gatekeeping and streaming media and television and
popular culture airplay and FM radio and future of industries of pan-Latino production of surrogate consumers and
Portable People Meter
power-law distribution
Presley, Elvis
price fixing
“Processing Fads and Fashions: An Organization-Set Analysis of Cultural Industry Systems” (Hirsch)
producers
production of culture
product shots
programming as auction blacklists and censorship and centralization and (see also centralization); clustered consolidation point and controlling publicity and corporate radio and developing ear for music and dramas and format differentiation and Full Service future of the chart and increased narrowing of large stations and localism and magazines and news and payola and plurality shareholding and pre-screening and prime time as professional issue radio ownership issues and reality record labels and salient information structures and sitcoms and social networks and Spanish language and specialization and sports and synergistic television and
promotion Blu-Ray and cost of demo CDs and FCC and format and future of the chart and gifts and independent radio promoters (IRPs) and indies and live performances and New York subpoenas and opinion leaders and payola and politics and pop music and radio and record labels and promotion (continued); role of influentials and; showola and; singles and; spillover and; sponsors and; television and
prostitutes
public airwaves
publicity: controlling; stunts for
Puerto Rico
“Pump It” (Black Eyed Peas)
Punk
quid pro quo
R&B
race records
racketeering
radio; beginning of; decline of; growth of; maritime use of; military use of; transistor technology and; user demographics for
Radio and Records magazine
Radio Disney
radio stations: airplay and (see also airplay); black-oriented; breaking singles and; callout research and; controlling publicity and; corporate (see also corporate radio); cost cutting by; cultural role of; deregulation and; diffusion of songs on (see also diffusion); distribution of connection and; Dixie Chicks boycott and; doctrine of scarcity and; fine print disclosures and; format and (see also format); future of the chart and; licenses and; listening rates and; parent companies and; payola and; peer influence and; phoner campaigns and; production of culture and; promotion and; record release dates and; Telecommunications Act and; Top (see also Top 40); US Code 47 and
ratings; Arbitron; Nielsen; PageRank; phoner campaigns and; sock-puppeting and
RCA
Real McKenzies (band)
rec.music.country.western
Recording Industry Association of America (RIAA)
record labels; Billboard chart and; breaking singles and; censorship and; centralization and; controlling publicity and; crossover and; as cultural distributors; future of the chart and; as gatekeepers; independent; influence over airplay by; large; licensing rates and; locals and; payola and; promotion and; role of influentials and; salient information structures and; simulcasting and; small; Spotify and; synergistic programming and; talent scouts and; youth-oriented formats and
Red Lion v. FCC
Reformation
reggae
reggaetón; airplay for; Boricua Spanish and; centralization and; crossover and; Daddy Yankee and; dance beat of; description of style of; growing Latino population and; hip-hop and; Hurban and; increased popularity of; Jamaican influence on; KXOL and; Latin radio and; Panamanian influence on; Puerto Rican influence on;
Spanglish and; Spanish language and
regulation: block-booking and; closing credits and; Competition in Radio and Concert Industries Act and; Congress and; corporate censorship and; deregulation and; doctrine of scarcity and; Fairness Doctrine and; FCC and (see also Federal Communications Commission (FCC); Federal Trade Commission and; fine print disclosures and; fin-syn rule and; future of the chart and; Kevauver Committee and; payola and; regulatory capture and; Rules of Engagement and; Telecommunications Act and; US Code 47 and
Reingold, Russ
release dates
Reno 911 (TV show)
Republican Party
resolution
Rhythmic: format and; Hurban and; reggaetón and
riding the curve
right-wing politics
Rihanna: breaking singles and; crossover and; diffusion of songs of; “Don't Stop the Music” and; Good Girl Gone Bad and; Good Girl Gone Bad: Reloaded and; “Hate That I Love You” and; Jay Z and; “Man Down” and; “Shut Up and Drive” and; “Umbrella” and; YouTube and
riots
risk pool
Roadrunner Records
Rock; AAA; Active; Album-Oriented (AOR); Alternative; breaking singles and; Celtic; Classic; drugs and; format and; future of the chart and; KROQ and; Modern; opposition to; payola and; rise of; soft
Rogers, Everett M.
Roku
Rolling Stone magazine
“Rompe” (Daddy Yankee)
Royal Canadian Mounted Police (RCMP)
royalties: cable industry and; centralization and; intellectual property rights and (see also intellectual property rights); payola and; recoupable debt and
Rudnick, Marvin
Safire, William
salient information structures; best-seller lists and; Billboard and; collaborative filtering algorithms and; consumers and; contagion and; eigenvector centrality measures and; gatekeeping and; pop music and; radio stations and; recent activity feeds and; social networks and; Soundscan revolution and
sampling
Saturday Night Live (TV show)
scarcity doctrine
Scientology
s-curves. See also diffusion
search engine optimization
Second Annual Radio Programming Seminar and Pop Music Disk Jockey Festival
semiparametric survival models
Semisonic
sex; Fergie and; HIV and; payola and
Sex Pistols
Shazam app
Shepherd's Bush Empire
showcase programs
showola
“Shut Up and Drive” (Rihanna)
Shut Up and Sing (documentary)
side work
simulcasting
“single playlist” hypothesis
sitcoms
six degrees of separation
Skype
Slate magazine
Slichter, Jacob
smart phones
Smathers, George
Smith, David Michael
snob model
social movements: Dixie Chicks and; media reform and
social networks; advertising and; censorship and; chain letter experiment and; cliques and; contagion and; corporate radio and; customized information and; distribution of connection and; endogenous diffusion and; Facebook; friending and; future of the chart and; Google +; opinion leaders and; Ping; role of influentials and; salient information structures and; scale-free distribution of nominations and; sociometric stars and; survey of; technologically mediated;Top 40 stations and; Twitter; word-of-mouth and
sociometric stars
sock-puppeting
song mixers
songwriters
Sony
soul music
Soundscan
Spanglish
Spanish Adult Contemporary
Spanish CHR
Spanish language
Spanish reggae
Spanish Tropical
Spanish Urban
spillover
Spitzer, Eliot: consent decrees and; payola investigation and; reputation of
sponsors
sports
Spotify
“State of Massachusetts, The” (Dropkick Murphys)
Stefani, Gwen
Stern, Howard
Stevens, Mitchell L.
Stitcher
Storz, Todd
strategic alliances streaming media: Apple TV and; BitTorrent and; Digital Rights Management and; first sale doctrine and; future of the chart and; genre and; Google TV and; increased reliance on; Napster and; Netflix and; pop music and; resolution and; Spotify and; Vevo and; Video Furnace; viral marketing and; YouTube and
Streisand, Barbra
subpoenas
Super Audio CD
surrogate consumers
syndication
synergistic programming
talent agents
talent scouts
talk shows
target audience
Tashjian, Ralph
teeny boppers
Telecommunications Act
Telemundo
television; American Idol and; Apple TV and; Boxee Box and; budgets and; cable; censorship and; centralization and; closing credits and; competition and; consumers and; doctrine of scarcity and; format and; Full Service programming and; Glee and; Google TV and; high-definition (HDTV); High School Musical and; Internet video and; introduction of; Latin; marketing music and; music videos and; nuvoTV and; online; payola and; power of; promotion and; rapid growth of; reality; as richer medium; Roku and; Spanish; Telemundo and; TiVo and
tetracycline
Texas
threshold models
time buy
Time Warner
Tin Pan Alley
tipping point. See also diffusion, s-curves
Tipping Point, The (Gladwell)
tip sheets
TiVo
Top; Adult Contemporary and; analysis methodology for; corporate radio and; crossover and; distribution of connection and; Dixie Chicks and; future of the chart and; Hurban and; invention of format of; “My Humps” and; opinion leaders and; payola and; professionalism of; reggaetón and; role of influentials and; wall of women and. See also Contemporary Hits Radio (CHR)
Top 40 Mainstream chart
Total Request Live (MTV show)
tour support
transistor radios
“Travelin' Soldier” (Dixie Chicks)
Tri State Promotions & Marketing
Tropical music
21 (game show)
two-step flow model
Ultraviolet
“Umbrella” (Rihanna): corporate radio and; diffusion of; record release dates and; YouTube and
Underground format
Universal, Dave
Universal Music Group
University of California, Los Angeles (UCLA)
University of Michigan
Urban
U.S. Congress; boycotts and; Harris hearings and; House Committee on Un-American Activities (HUAC) and; Kevauver Committee and; payola and
U.S. Navy
U.S. Supreme Court
US v. Paramount
van Doren, Charles
Venegas, Julieta
vertical integration
Vevo
VH1
Victorian Era
Video Furnace
Video Music Awards
video-on-demand
video player standards
vinyl
viral marketing
Virgin
vocal coaches
voice tracking
voters
wall of women
Wall Street Journal
WalMart
Warner
WARQ
washing machines
Watts, Duncan J.
WBLI
WEAF
Weatherly, Kevin
Weavers, The (musical group)
Westinghouse
WFLZ
Who, The
WHTZ
Wild Orchid (band)
Wisin y Yandel
WKDF
WKFS
WKSE
WKTU
WLUP
WNCI
word-of-mouth diffusion
Wordpress
Worley, Darryl
WSTW
Wu, Shaomei
WVOZ
Wynshaw, David
WZNE
WZYP
X (punk band)
YouTube: cultural diffusion on; disclosure and; external influence and; future of the chart and; internal influence and; music videos and; sponsors and
Zeno's paradox. See also concave curves