“Our accent and our speech generally show what part of the country we come from and what sort of background we have.”
–Ralph W. Emerson
Despite being a small minority, the speakers of English in India are those individuals who lead India’s economic, industrial, political, professional and social life. English is no longer a second language for them rather it is a medium in which a great number of interactions take place. In recent years, English has gained a lot of importance among the educated class, particularly the youth, who appears to be using it as a mother tongue and not as a foreign or a second language. Young Indians “think of English as an empowering skill, like Windows, and are comfortable mixing it with their mother tongue.” (Gurcharan Das) This has led to the usage of the language such as Hinglish (Hindi + English), Tamlish (Tamil + English), Benglish (Bangla + English), etc. Mixing English with mother tongues has been going on since pre-independence days. In spite of the great stress on good English in higher circles in India, the accent varies greatly from those learning pure English to those learning Indian-language-tinted speech. All native languages of India lack the sound /ʒ/ and substitute it with /dʒ/ or /z/. Subcontinentals do not differentiate between /v/ and /w/ and ‘wine’ is pronounced as ‘vine’. In some parts of the Northern India, people tend to double the consonants whenever they are spelled double like, ‘happy,’ ‘butter,’ ‘little’ and many more. South Indians curl their tongue more on the sounds /l/ and /n/, Biharis substitute /dʒ/ for /z/ and in Bhojpuri, all instances of /ʃ/ are spoken as /s/. The following lines of Kamla Das from her poem “An Introduction” express the way and pattern of English speaking in India:
…. The language I speak
Becomes mine, mine alone. It is half English, half
Indian, funny perhaps, but it is honest,
It is as human as I am human ….
The problem arises when these people face interviews, attend conferences or seek higher jobs in their own country as well as in other countries where use of such language is considered faulty and a sign of incomplete or poor education. The youngsters who get so much used to speaking English with regional pull find themselves at a loss to understand what the correct pronunciation is and how it can be acquired.
The fact is there is nothing like correct pronunciation as the pronunciation of English varies not only in India due to regional languages but also among the English-speaking countries such as America, Australia, Canada, Scotland, Britain and Northern Ireland. One particular accent called ‘Received Pronunciation’ (RP) has been accepted as ‘accepted’ or ‘standard’ pronunciation. ‘Accepted’ or ‘standard’ pronunciation is clearly understood by the people whereas ‘unaccepted’ pronunciation creates ambiguity. For example, those who cannot differentiate between /dʒ / and /z/ will not be able to pronounce ‘Siege’ and ‘Seize’ clearly. To acquire standard English pronunciation, fluency and accent, you should have knowledge of basic phonetics—English sounds, word accent, weak forms and intonation.
Received pronunciation (RP), popularly known as ‘the Queen’s English’ or ‘BBC English,’ is the accent of Standard English in England. The early use of the term can be found in H. C. Wyld’s A Short History of English (1914) and in Daniel Jones’s An Outline of English Phonetics. The word ‘received’ conveys its original meaning of ‘accepted’ or ‘approved.’ Traditionally, ‘RP’ was the everyday speech in the families of Southern England where menfolk were educated at well-known public boarding schools. Received pronunciation is an accent or a form of pronunciation, rather a dialect or a form of vocabulary. Sometimes, it is referred to as ‘Oxford English’ as well. This is not because it was traditionally the common speech of the city of Oxford, but specifically of the Oxford University and the production of dictionaries gave Oxford University prestige in the matters of language. The versions of the Oxford English Dictionary give ‘RP’ guidelines for each word.
A Chart of IPA Symbols
Effective speaking is difficult without the knowledge of basic English sounds. There are 44 sounds in English—20 vowels sounds and 24 consonant sounds. These sounds are represented by International Phonetic Alphabet (IPA) symbols, which are used to transcribe sounds, words and sentences of any language phonetically. The symbols and the transcription of words are conventionally written within the slashes to distinguish them from the rest of the text.
Consonants are produced when the speech organs form an obstruction to the stream of breath. English consonants can be categorized as ‘voiced’—articulated with simultaneous vibration of the vocal cords—/d/, /b/, /g/, /dʒ/, /v/, /ð/, /z/, /ʒ/, /m/, /n/, /ŋ/, /l/, /j/, /w/, /r/ (all vowels are voiced) and ‘voiceless’—articulated without simultaneous vibration of the vocal cords—/p/, /t/, /k/, /tʃ/, /f/, /θ/, /s/, /ʃ/, /h/.
Comparison of /p/ and /b/:
Pill – Bill |
Pulp – Bulb |
Simple – Symbol |
Peach – Beach |
Played – Blade |
Pore – Bore |
Cup – Cub |
Pack – Back |
Patter – Batter |
Rope – Robe |
Lap – Lab |
Pull – Bull |
Pest – Best |
Pin – Bin |
Palm – Balm |
Comparison of /t/ and /d/:
Ton – Don |
Hit – Hid |
Water – Warden |
Built – Build |
Tin – Din |
Bet – Bed |
Ten – Den |
Plot – Plod |
Latter – Ladder |
Let – Led |
Writer – Rider |
Height – Hide |
Metal – Medal |
Petal – Pedal |
Shutter – Shudder |
Tore – door |
Two – Do |
Dose – Toes |
Comparison of /k/ and /g/:
Class – Glass |
Bicker – Bigger |
Rusk – Rug |
Lacked – Lagged |
Crew – Grew |
Came – Game |
Echo – Ego |
Coal – Goal |
Lack – Lag |
Leak – League |
Cot – Got |
Tack – Tag |
Comparison of /tʃ/ and /dʒ/:
Choke – Joke |
Larch – Large |
Batch – Badge |
Lunch – Lunge |
Perches – Purges |
Chest – Jest |
Cheer – Jeer |
Chin – Gin |
Char – Jar |
Comparison of/m/ and /n/:
Maim – Name |
Simmer – Sinner |
Some – Son |
Seem – Scene |
Met – Net |
Mock – Knock |
Melt – Knelt |
Mum – Nun |
Boom – Boon |
Dim – Din |
Same – Sane |
Mere – Near |
Scream – Screen |
Deem – Dean |
Gleam – Glean |
Moon – Noon |
Smack – Snack |
Sum – Sun |
Comparison of /n/ and /ŋ/:
Thin – Thing |
Banner – Banger |
Mountain – Mounting |
Kin – King |
Sin – Sing |
Run – Rung |
Din – Ding |
Ran – Rang |
Pin – Pang |
Ban – Bang |
Clan – Clang |
Comparison of /ŋ/ and /ŋg/:
Longing – Longest |
Singer – Finger |
|
Comparison of /ŋ/ and /ŋk/:
Thing – Think |
Bang – Bank |
Hang – Hank |
Comparison of /f/ and /v/:
Fail – Veil |
Few – View |
Fairy – Vary |
Fear – Veer |
Focal – Vocal |
Fast – Vast |
Surface – Service |
Belief – Believe |
Fine – Vine |
Comparison of /f/ and /p/:
Fat – Pat |
Fail – Pale |
Fast – Past |
Fall – Pall |
Feel – Peel |
Four – Pour |
Fool – Pool |
Fill – Pill |
|
Comparison of / b/ and /v/:
Bat – Vat |
Best – Vest |
Bent – Vent |
Buy – Vie |
Bold – Volt |
Ban – Van |
Bane – Vein |
Beer – Veer |
|
Comparison of /θ/and /ð/:
Thigh – Thy |
Ether – Breather |
Tank – Thank |
Tick – Thick |
Tree – Three |
Trust – Thrust |
Taught – Thought |
|
Comparison of /d/ and /ð/:
Day – They |
Dare – There |
Dose – Those |
Dense – Thence |
Load – Loathe |
Ladder – Leather |
Dine – Thine |
Den – Then |
|
Comparison of /s/ and /z/:
Seal – Zeal |
Cease – Seize |
Niece – Knees |
Once – Ones |
Fancy – Pansy |
Peace – Peas |
False – Falls |
Sip – Zip |
Price – Prize |
Comparison of / dʒ/ and /z/:
Sedge – Says |
Jest – Zest |
Gauge – Gaze |
Jones – Zones |
Junk – Zink |
Budge – Buzz |
Siege – Seize |
Rage – Raise |
|
Comparison of /s/ and /ʃ/:
Sip – Ship |
Ass – Ash |
Suit – Shoot |
Soar – Shore |
Sun – Shun |
Same – Shame |
See – She |
Save – Shave |
Seer – Sheer |
Soap – Shop |
Said – Shade |
Self – Shelf |
Mess – Mesh |
|
|
Comparison of /ʒ/ and /ʃ/:
Pleasure – Pressure |
Vision – Fission |
Comparison of/z/ and /ʒ/:
Bays – Beige |
Caesar – Seizure |
Composer – Composure |
Comparison of / l/ and /r/:
Lush – Rush |
Light – Right |
Lighter – Writer |
Lake – Rake |
Lies – Rise |
Alive – Arrive |
Light – Right |
Late – Rate |
Lice – Rice |
Low – Row |
Lain – Rain |
Load – Road |
Lead – Read |
List – Wrist |
|
Comparison of / w/ and / v/:
Wail – Veil |
West – Vest |
Wet – Vet |
Wine – Vine |
Worse – Verse |
Whim – Vim |
Why – Vie |
|
|
Vowels are produced by the free movement of breath through the mouth. There are two types of vowels in English—pure vowels or monothongs and diphthongs.
Pure Vowels
Comparison of /I/&:
Hit – Heat |
Fit – Feet |
Bit – Beat |
Dip – Deep |
Lid – Lead |
Pick – Peak |
Sill – Seal |
Chit – Cheat |
Did – Deed |
Lip – Leap |
Chick – Cheek |
Knit – Neat |
Grin – Green |
Nil – Kneel |
Fill – Feel |
Sit – Seat |
Ship – Sheep |
Live – Leave |
Comparison of /e/ &/æ/:
Bet – Bat |
Peck – Pack |
Bed – Bad |
End – And |
Men – Man |
Beg – Bag |
Bend – Band |
Led – Lad |
Lend – Land |
Dead – Dad |
Beck – Back |
Said – Sad |
Pen – Pan |
Pet – Pat |
Vet – Vat |
Kettle – Cattle |
Guess – Gas |
Merry – Marry |
Comparison of /e/, /æ/, /i/ & /iː/:
Comparison of &/u:/
Pull – Pool |
Full – Fool |
Soot – Suit |
Shook – Shoot |
Would – Wooed |
Stood – Stool |
Could – Cool |
Look – Loot |
Good – Goose |
Took – Tool |
Cook – Coolie |
Nook – Noon |
Foot – Food |
Put – Pooh! |
|
Comparison of &:
Put – Pot |
Good – God |
Could – Cod |
Shook – Shock |
Nook – Knock |
|
Comparison of &:
Boon – Born |
Fool – Fall |
Shoe – Shaw |
Shoot – Short |
Pool – Paul |
|
Comparison of &
Cot – Caught |
Not – Naught |
Pot – Port |
Cock – Cork |
Spot – Sport |
Chock – Chalk |
Stock – Stork |
Lost – Lord |
Bomb – Born |
Don – Dawn |
Hock – Hawk |
Rot – Wrough |
Comparison of /ʌ/ &
Hut – Hurt |
Cut – Curt |
Shut – Shirt |
Puck – Perk |
Bud – Bird |
Thud – Third |
Such – Search |
Ton – Turn |
Gull – Girl |
Luck – Lurk |
Bun – Burn |
Thud – Third |
Mutter – Murmur |
Fun – Fern |
|
Comparison of , , &
Diphthongs: A diphthong is a combination of two vowel sounds. Two dots (ː) are never used in diphthongs. The following diphthongs are used in English:
Comparison of sounds – /ei/and /e/:
Taste – Test |
Late – Let |
Gate – Get |
Date – Debt |
Raid – Red |
Mate – Met |
Pate – Pet |
Bait – Bet |
Eight – Ate |
Cane – ken |
Bade – Bed |
Tail – Tell |
Say – Said |
Bale – Bell |
|
/el/ |
||
Tail |
Tile |
Toil |
Fail |
File |
Foil |
Cane |
Kinetic |
Coin |
Lane |
Line |
Loin |
Bale |
Bile |
Boil |
Beer |
Bear |
Boor |
Pierce |
Pears |
Poor |
Dear/Deer |
Dare |
Doer |
Sheer |
Share |
Sure |
Tear (n) |
Tear (v) |
Tour |
Here |
Hair/ Hare |
– |
Fear |
Fare/ Fair |
– |
Spear |
Spare |
– |
Cheer |
Chair |
– |
and |
|
|
Buy – Boy |
Try – Troy |
Ally – Alloy |
Tie – Toy |
Isle – Oil |
Bile – Boil |
Vice – Voice |
|
|
and |
|
|
Goat – Got |
Note – Not |
Own – On |
Wrote – Rot |
Road – Rod |
Hope – Hop |
Soak – Sock |
Coat – Cot |
|
and |
|
|
Now – No |
Bout – Boat |
Howl – Whole |
Gout – Goat |
Out – Oat |
Doubt – Dote |
Foul – Foal |
|
|
and /el/ |
||
Pair – Pay |
There – They |
Dare – Day |
Hair – Hay |
Rare – Ray |
Bare – Bay |
Stare – Stay |
|
|
The word, ‘phonetic’ means ‘using special symbols to represent each different speech sound’ and ‘transcription’ refers to ‘something that is represented in writing.’ International Phonetic Alphabet (IPA) is used to represent the sounds of English language and is often useful in describing pronunciation patterns or transcribing the words phonetically. Phonetic transcription is, thus, a kind of alphabetical writing in which each phonetic alphabet represents each sound. English pronunciation cannot be understood by letters; therefore, knowledge of phonetic symbols along with an ability to transcribe them according to sounds may be very helpful in acquiring correct pronunciation along with understanding it. Every good dictionary contains correct pronunciation together with the spelling of a word. Nowadays, these dictionaries are available on CD ROMs as well as online and a learner can not only read the correct pronunciation of the word but may also have a direct access to the audio.
The purpose of phonetic transcription is to represent the pronunciation of a word, phrase or sentence unambiguously. Most of the dictionaries provide pronunciation of individual words. Phonetic transcription helps in correcting pronunciation and it enables us to compare the sounds of different languages as well as different varieties of the same language.
English pronunciation creates a lot of problems for the non-native speakers. Some of these hurdles can be overcome, if we understand some guiding principles related to correct pronunciation, which will automatically lead to correct phonetic transcription of words as well:
1. b is silent in a word when it is preceded by‘m’ or followed by ‘t’ at the final position:
➙ b is also silent in: subtle/sʌtl/, plumber/plʌmə/, bomber/bɒmə/, redoubtable/ridaʊtəbl/.
2. d is silent in a word when it is followed by ‘j’ or ‘g’ and in some other words like:
3. p is silent in a word when it is followed by ‘s,’ ‘t’ or ‘n’ at the initial position and in some other words such as:
➙ p is also silent when it is followed by ‘t’ at the final position in the word: receipt/risiːt/.
4. g is silent when it is followed by ‘m’ or ‘n’ in the same syllable:
➙ g is not silent when it is followed by ‘m’ or ‘n’ in different syllables:
5. h is silent when it is preceded by ‘g’ and at the final position:
6. k is silent in a word when it is followed by ‘n’ at the initial position:
7. l is silent in a word when it is followed by ‘k’ or ‘m’ and in some modal auxiliaries:
8. n is silent after ‘m’ when both of them occur in the same syllable:
➙ When combination of ‘n’ and ‘m’ occurs in two different syllables both the letters are pronounced:
9. t is silent when it occurs between‘s’ and ‘l’ and ‘s’ and ‘en’ or followed by ‘en’ in some words :
➙ t is silent before ‘ch’ in most of the words:
➙ t is also silent in many words of French origin:
10. w is silent at the final position. It is also silent at the initial position when it is followed by ‘r’ or sometimes when followed by ‘h’:
11. s is silent before ‘l’:
1. Word endings —s, es, ’s—are pronounced/s/after/p/,/k/,/t/,/f/and/θ/:
➙ -s, -es, ’s—are pronounced/z/ after/s/,/z/,/ʃ/,/Ʒ/,/ʧ/and/ʤ/:
➙ -s, -es, ’s—are pronounced/z/after the rest of the sounds:
2. Word endings—-d, -ed—are pronounced/id/after/t/and/d/:
➙ -d, -ed—are pronounced/t/after/p/,/k/,/f/,/θ/,/ʧ/,/s/,/ʃ/:
➙ -d, -ed—are pronounced/d/after the rest of the sounds:
3. Word endings—-cial, -sial and -tial—are pronounced/ʃl/:
4. Word ending—-cian—is pronounced/ʃn/:
5. Word endings—-cious and—tious—are pronounced/ʃəs/:
6. Word ending—-stion—is pronounced/stʃən/:
7. Word ending—-age—is pronounced/idʒ/:
8. Word ending—-ate—is pronounced/ət/ in adjectives:
➙ However, in verbs—-ate—is pronounced/eit/:
9. Word ending—-tain—is pronounced/tein/in verbs:
➙ -tain—is pronounced/tən/,/tin/or/tn/ elsewhere:
10. Word endings—-ance and -ence are pronounced/əns/whereas endings—-ant and -ent are
11. Word endings—est and -et are pronounced/ist/and/it/, respectively when they occur in an unstressed syllables:
1. ‘ng’:
➙ Spelling sequence ‘ng’ is pronounced as /ŋ/ at the final position:
➙ ‘ng’ is pronounced / ŋ/ at the medial position also if the word has been derived from a verb:
➙ ‘ng’ is pronounced/ ŋ/ only when the plural maker ‘s’ is added to nouns ending in / ŋ/:
➙ ‘ng’ at the medial position are pronounced as /ŋg/if the words are not derived from verbs:
➙ The sound / ŋ/ does not occur at the initial position. It occurs at the final position only after the short vowels: /i/, /e/, , /æ/ and /ʌ/:
2. ‘th’: Spelling ‘th’ is pronounced /θ/ or /ð/ but in English names it is pronounced as /t/:
3. ‘ch’: Spelling ‘ch’ may be pronounced /tʃ/, /k/ or /ʃ/:
4. ‘ss’: Spelling ‘ss’ may be pronounced /s/, /z/ or /ʃ/:
1. ‘r’:
➙ r is silent when it is preceded by a vowel:
➙ r is pronounced when it follows a vowel:
➙ r is also silent at the final position:
➙ r is pronounced at the final position in phrases or compound words when the first element ending with ‘r’ is followed by a word beginning with a vowel sound:
2. ‘g’: ‘g’ may be pronounced/g/,/dʒ/or/ʒ/:
3. ‘t’: ‘t’ may be pronounced as/t/,/tʃ/or/ʃ/:
4. ‘s’: is pronounced as/s/,/z/or/ʃ/:
All double consonants except ‘cc’ are pronounced as single consonant sounds:
‘cc’ may be pronounced as/ks/when followed by ‘e,’ ‘i,’ or ‘y’ or/k/when followed by the rest of the letters:
1. /θ/ and /ð/:
➙ Many words have sound/θ/but with suffixes ‘s/es’ /θ/becomes/ð/:
➙ Some words have/θ/sound but their derivatives have/ð/sound:
2. /j/:
➙ /j/does not occur at the final position and after/dʒ/, /tʃ/and/r/:
➙ /j/does not occur after/l/when it is preceded by a consonant:
➙ /j/is pronounced when/l/is preceded by an accented vowel:
Task
Transcribe the following words using IPA symbols:
Woman, bright , raise, address, deserve, palm, design, indict, twelfth, once, women, flower, waist, grams, fragile, cloud, aim, sheep, like, chalk, acquire, career, hurt, oblige, flake, authority, short, rhyme, record (v), single, thumb, deserve, wives, berth, guide, crowd, savage, mother, young, shoes, coil, long, tomb, title, cyst, relate, scarce, army, apple, home, clear, choice, boat, day, foot, give, saw, tour, good, slapped, bouquet, doubt, murder, gaining, liberate, coffee, pudding, school, applaud, polite, chapter, virtue, bird, family, wealth, hurry, hate, crawl, queen, running, single, wives, savage, export (v), battle, pool, shout.
The following is the IPA transcription of words which are often mispronounced:
Ability /əbɪlətɪ |
Academic /ækədemɪk/ |
Academician /əkædəmɪfn |
Accept /əksept/ |
Accommodation /əkɒmədeɪIʃn |
Adequate /ædɪkwət/ |
Advantage /ədvɒaːntɪdʒ |
Advantageous /ædvənteɪIdʒəs/ |
Advertise /ædvətɒɪz |
Advertisement /ədvɜ:tɪsmənt/ |
All /əaːl |
Always /əaːlweɪz/ |
Analysis /ənæləsɪs |
Analytical /ænəlɪtɪkl/ |
Apology /əpɒləIdʒɪ |
Apple /æpl/ |
Assistance /əsɪstəns |
Association /əsəʊʃIʃɪeɪIʃn/ |
Balcony /bælkənɪ/ |
|
Bear /beə |
Birthday /bɜaːθdeɪ/ |
Breakfast /brekfəst |
Breath /breθ/ |
Breathe /briaːð |
Bowl /bəʊʃl/ |
Buffalo /bʌfələʊʃ |
Calcium /kælsɪəm/ |
Calendar /kælɪndə |
Call /kəaːl/ |
Captain /kæptɪn |
Career /kərɪə/ |
Carrier /kærɪə |
Cassette /kəset/ |
Celebrity /səlebrətɪ |
Character /kærəktə/ |
Choreography /kɒrɪɒgrəfɪ |
Cigarette /sɪgəret/ |
Clarity /klærətɪ |
Colleague /kɒliaːg/ |
Committee /kəmɪtɪ |
Compare /kəmpeə/ |
Compere /kɒmpeə |
Competition /kɒmpətɪIʃn/ |
Competitive /kəmpetətiv |
Competitor /kəmpetɪtə/ |
Concept /kɒnsept |
Confusion /kənfjuːn/ |
Continue /kəntɪnjuː |
Continuous /kəntɪnjʊʃəs/ |
Correspond /kɒrəspɒnd |
Correspondence /kɒrəspɒndəns/ |
Crèche /kreIʃ |
Cricket /krɪkɪt/ |
Crush /krʌIʃ |
Data /deɪtə/ |
Demonstrate /demənstreɪt |
Determination /dɪtɜːmɪneɪIʃn/ |
Determine /dɪtɜːmɪn |
Develop /dɪveləp/ |
Dialogue /dɒɪəlɒg |
Direction /dərekIʃn/ |
Director /dərektə |
Dramatic /drəmætɪk/ |
Echo /ekəʊʃ |
Embarrass /ɪmbærəs/ |
Enough /ɪnʌf |
Enthusiasm /ɪnθjuːzɪæzəm/ |
Envelop /ɪnveləp |
Envelope /envələʊʃp/ |
Environment /invɒɪrənmənt |
Ethics /eθɪks/ |
Exact /ɪgzækt |
Example /ɪgzɒːmpl/ |
Except /ɪksept |
Expect /ɪkspekt/ |
Executive /ɪgzekjətɪv |
Extempore /ekstempərɪ/ |
Faculty /fækltɪ |
Formality /fəːmælətɪ/ |
Garage /gærɒːʒ |
Gigantic /dʒɒɪgæntɪk/ |
Government /gʌvənmənt |
Guarantee /gærənti:/ |
Guardian /gɒːdɪən |
Hair /heə/ |
Hare /heə |
Heart /hɒːt/ |
Here /hɪə |
Indecisive /ɪndɪsɒɪsɪv/ |
Interrogative /ɪntərɒgətɪv |
Leisure /leʒə/ |
Loose /luːs |
Lose /luːz/ |
Loss /lɒs |
Maroon /məruːn/ |
Measure /meʒə |
Memento /məmentəʊʃ/ |
Memory /memərɪ |
Menace /menəs/ |
Mutual /mjuːtIʃʊʃəl |
Negative /negətɪv/ |
Observe /əbzɜ ːv |
Obvious /ɒbvɪəs/ |
Olympic /əlɪmpɪk |
Omelette /ɒmlət/ |
Onion /ʌnjən |
Opportunities /ɒpətjuːnətɪz/ |
Oven /ʌvn |
Pain /peɪn/ |
Pan /pæn |
Parents /peərənts/ |
Patron /peɪtrən/ |
|
Pen /pen |
People /piːpl/ |
Photograph /fəʊʃtəgrɒːf |
Photographer /fətɒgrəfə/ |
Photography /fətɒgrəfɪ |
Pizza /piːtsə/ |
Plumber /plʌmə |
Police /pəliːs/ |
Political /pəlɪtɪkl |
Pollution /pəluːIʃn/ |
Positive /pɒzətɪv |
Posture /pɒstIʃə/ |
Potential /pətenIʃl |
Precious /preIʃəs/ |
Preference /prefrəns |
Pretty /prɪtɪ/ |
Priority /prɒɪɒrətɪ |
Privacy /prɪvəsɪ/ |
Pronunciation /prənʌnsɪeɪIʃn |
Psychological /sɒɪkəlɒdʒɪkl/ |
Psychologist /sɒɪkɒlədʒɪst |
Psychology /sɒɪkɒlədʒɪ/ |
Quality /kwɒlətɪ |
Question /kwestIʃən/ |
Quiet /kwɒɪət |
Quite /kwɒɪt/ |
Receipt /rIsiːt |
Repetition /repətIIʃn/ |
Resume (n) /rezjumeI |
Resume (V) /rIzuːm/ |
Said /sed |
Saturday /sætədeI/ |
Says /sez |
Secretary /sekrətrI/ |
Sewing machine /səʊʃiŋ məIʃiːn |
Shepherd /Iʃepəd/ |
Shoulder /Iʃəʊʃldə |
Soldier /səʊʃldʒə/ |
Success /səkses |
Suggestion /sədʒestIʃən/ |
Thorough /θʌrə |
Tortoise /təːtəs/ |
Vehicle /viːəkl |
Village /vIlIdʒ/ |
Wallet /wɒlIt |
Want /wɒnt/ |
Wool /wʊʃl |
Wednesday /wenzdeI/ |
“Give me the right word and the right accent and I will move the world.”
–Joseph Conrad. (a personal record)
Word stress is the key to understand spoken English. Native speakers of English use it naturally. When non-native speakers talk to native speakers, both of them find it difficult to understand each other. The situation becomes worse when the inhabitants speak fast, fluent and conversational English. Especially in a multilingual country like India where so many languages are spoken with so much variation in accent, it is very difficult to acquire standard accent. Nevertheless, we cannot ignore the fact that word stress is an important feature of spoken English. Complete and correct pronunciation means both articulating the sounds correctly and placing the stress at the right place.
To understand word accent, we should first know what is a syllable? A sound is the smallest unit of spoken English. The combination of sounds makes a syllable and the combination of syllables makes a word. Each syllable has one vowel sound and may have one or more consonant sounds. A word can have one, two, three or more syllables. Syllabic division is marked by a hyphen (-):
In English, we do not say each syllable with the same force, strength or emphasis. We accentuate on a particular syllable, that is, all the syllables combined into a word are not uttered with the same degree of prominence. We say one syllable very loudly and all the other syllables very softly or quietly. The following points should be kept in mind regarding word stress:
provide |
disdain |
abroad |
merry |
contain |
below |
obtain |
sentence |
Use of word stress reveals grammatical relationship between words. There are many words in English like ‘absent,’ ‘present’ and ‘rebel’ which may be used as noun/adjectives as well as verbs. In these words stress is placed on the first syllable when the word is used as a noun or an adjective and on the second syllable when the word is used as a verb. For example:
Noun/Adjective | Verb |
′absent |
ab′sent |
′addict |
ad′dict |
′conduct |
con′duct |
′contrast |
con′trast |
′decrease |
de′crease |
′desert |
de′sert |
′export |
ex′port |
′import |
im′port |
′object |
ob′ject |
′permit |
per′mit |
′present |
pre′sent |
′record |
re′cord |
Weak prefixes—a-, de-, be-, dis-, mis-, re-, il-, im-, in-, ir-, pre-, un-—are not stressed in a word. Words with these prefixes are stressed on the root word:
a-: a′ghast, a′rise, a′lone, a′far
de-: de′mand, de′fuse, de′clare, de′generate
be-: be′neath, be′low, be′cause, be′come
dis-: dis′miss, dis′able, dis′own, dis′colour
mis-: mis′shapen, mis′lead, mis′conduct, mis′deed
re-: re′gain, re′call, re′new, re′vise
il-: il′legal, il′lerate, il′logical, il′legitimate
im-: im′movable, impo′lite, im′perfect, imma′ture
in-: in′active, in′accurate, in′capable, in′discipline
ir-: ir′rational, ir′radiate, ir′regular, irre′coverable
pre-: pre′caution, pre′pare, pre-′book, pre′amble
un-: un′sound, un′do, un′comfortable, un′like
1. Compound words ending in ‘-ever,’ ‘-self ’ or ‘-selves’ take primary stress on the second element:
him′self |
how′ever |
her′self |
what′ever |
my′self |
who′ever |
your′self |
when′ever |
them′selves |
which′ever |
2. Compound words with two nouns take stress on the first element:
3. Compound words with an adjective plus a noun take stress on the second element:
4. Compound adjectives with a numeral plus a noun take stress on the second element:
1. Word endings—ette, -ee, -eer, -ier, -aire, -ean, -een, -oo, -ese, -ique, -esque, -eum, -eur, -ental, -illa, -iety, -escent,—carry stress on them:
2. Words ending in suffixes—ial, -ian, -ion, -ious,- eous, -uous, -ic, -ics, -ive, -graphy, -grapher, -logy, -meter, -metry, -sophy, -cricy,- cracy, -gamy,- nomy, -phony, -pathy, -tomy, -logist, -sopher, -sophist, -scopy,- nomer, -nomist, -ical, -ially , -ically, -itive, -iative,-utive, -ative, -atory—are stressed on the syllable preceding the suffix:
3. Disyllabic verbs ending in—ate—are stressed on the last syllable while verbs with three or more syllables take stress on the third syllable from the end:
➙ Adjectives and nouns ending in ‘ate’ with more than two syllables are stressed on the third syllable from the end:
4. Disyllabic verbs ending in ‘-ise’ or ‘-ize’ are stressed on the last syllable; verbs with three or four syllables are stressed on the third syllable from the end, whereas the verbs with five or six syllables are stressed on the fourth syllable from the end:
5. Words ending in suffixes—ity, -fy, -icy and -crat—are stressed on the third syllable from the end:
1. Stress shifts from the first syllable to the second, the third, the fourth syllable as the longer words are derived from the shorter ones:
2. The inflexional suffixes—-d, -ed, -s, -es, -ing—and derivational suffixes—-age, ance, -en, -er, -ess, -ful, -hood, -ice, -ish, -ive, -less, -ly, -ment, -ness, -or, -ship, -ter, -ure, -zen, -y—do not affect the stress:
re′late – re′lated |
′fade – ′ faded |
′pass – ′passed |
sub′mit – sub′mitted |
com′pose – com′poses |
di′sease – di′seases |
′mass – ′masses |
′edge – ′edges |
′write – ′writing |
′ask – ′asking |
′take – ′taking |
′think – thinking |
′Carry – ′carriage |
′marry – ′marriage |
ap′pear – ap′pearance |
at′tend – at′tendance |
′fast – ′fasten |
′dark – ′darken |
′work – ′worker |
′suffer –′sufferer |
′waiter – ′waitress |
′host – ′hostess |
′beauty – ′beautiful |
′duty – ′dutiful |
′father – ′fatherhood |
′brother – ′brotherhood |
′coward – ′cowardice |
′three – ′thrice |
′fever – ′feverish |
′white – ′whitish |
sug′gest – sug′gestive |
a′buse – a′busive |
′home – ′homeless |
′job – ′jobless |
′certain – ′certainly |
′former – ′formerly |
ar′range – ar′rangement |
a′chieve – a′chievement |
′dark – ′darkness |
′good – ′goodness |
col′lect – col′lector |
′elevate –′elevator |
′friend – ′friendship |
′citizen – ′citizenship |
′laugh – ′laughter |
′gang – ′gangster |
e′xpose – e′xposure |
′city – ′citizen |
′greed – ′greedy |
wealth – ′wealthy |
Task
Mark primary stress in the following words:
limit(v), waiter, stupidity, rational, courteous, donation, fortunate, professional, management, repent, monkey, trouble, dissolve, minimum, parliament, grandmother, reason, seldom, fluently, precious, familiar, article, office, philosophy, romantic, translate, marginal, subtle, agree, prism, journey, surprise, digest, register, object, (n), perfect, behaviour, umbrella, admirable, inflation, postpone, angular, geographic, produce, equality, supplement, logical, official, rainbow, explanation, horizontal, annual, resonant, appropriate, vicinity, self-study, outcry, record (n), sentence, familiar, article, understand, transport, argument, contrast, frustrate, basement, tomato, factory, invention, popular, product, engineering, terrorists, allow, capacity, velocity, digital, artistic, fortunate, academician, career, record, contemplate, matches, anxious, politician, collect, disclose, than, severe, veteran, placard, haggard, lagoon, ransack.
Sound is the smallest unit of spoken English. The combination of sounds makes syllables; some of them are stressed while some are unstressed. Similarly, in connected speech some words are stressed while some are not. Sometimes choice of the syllables receiving primary accent depends upon the message the speaker wants to convey. In English language prominent syllables occur at regular breaks in spite of the weak syllables occurring between them. This arrangement of weak and strong syllables imparts rhythm in speech.
English is very different in refinement and style as it has special, reduced ‘weak’ forms for many ‘function’ words, such as pronouns, prepositions, conjunctions, articles and auxiliary verbs. ‘Weak forms’ are the reduced pattern of their ‘strong forms.’ As the words indicate ‘strong forms’ are pronounced strongly with emphasis in such a way that they stand out of the rest while the weak forms are uttered weakly or neutrally in a flow. Most of the words, in English, have at least one stressed syllable; hence, they have no separate strong or weak forms. All words, which do have distinct strong and weak forms, are monosyllables and are usually function words. The main words with weak forms in ‘RP’ are: a, am, an, and, are, as, at, be, been, but, can, could, do, does, for, from, had, has, have, he, her, him, his, me, must, of, shall, she, should, some, than, that, the, them, there, to, us, was, we, were, who, would, you.
‘Weak’ forms are used in various styles of speech in most of the cases. First, their use adds to the general fluency of a speaker’s English. However, it cannot be ignored that ‘weak’ forms are one of the major reasons for the non-native speakers to have difficulty in understanding conversational English spoken fluently by the native speakers. A good knowledge of the use of ‘weak’ forms, can be extremely helpful in understanding listening comprehensions, conversations and interactions and attaining fluency in spoken English. All these factors finally lead to the overall development of communication skills.
These ‘function’ words are used in strong forms only in exceptional circumstances:
From the above-cited examples, it may be clearly observed that there is a pattern in changing the function words into weak forms. All the words which begin with the sound /h/—her, his, he, has, have, had, who—retain /h/ only at the initial position in a sentence, otherwise ‘/h/’ is not pronounced. In the words ending in ‘r’—were, are, her, for, sir, there—/r/ is pronounced when the word following them begins with a vowel sound. Moreover, long sounds /i:/ and /u:/ change into /I/ and /Ʊ—/, respectively and the sounds – /æ/, /e/, /3:/, /^/, /a:/, /eI/, /e∂/ and /Ʊ/ – are replaced by /∂/.
Task
Transcribe the following underlined words in weak forms using IPA symbols:
Intonation is the ‘music’ of a language, and is perhaps the most important element of a correct accent. When we speak, our vocal cords vibrate and the frequency of vibration decides the pitch of the voice. Sometimes, the pitch rises and sometimes it falls or remains level. The way the pitch of the voice varies forms intonation of a language. In other words, intonation is the word used for some pattern in speech which is related to rise and fall of the voice in speaking, affecting the meaning of what is being said.
Broadly speaking variation in tone may be of four types:
The degree of change in the pitch depends upon the intention of the speaker or on the message to be communicated. Intonation is marked on the syllable on which the pitch rises or falls through the above-mentioned symbols.
Intonation is used with a purpose to convey the moods or the attitudes of the speaker to the listener. It indicates some grammatical forms such as interrogative sentences, orders or statements. The correct use of intonation keeps the speaker as well as the listener in tune with each other while the wrong use of intonation affects such harmony. The following moods and attitudes are generally conveyed by the use of the four intonations:
The falling tone conveys the mood of casualness, aloofness, lack of interest and indifference. Sentences, which are uttered with this tone, are:
I ’don’t ’feel ’like doing it.
The ’book is ’not interesting.
’When did you do it?
’Why are you calling him?
’Shut the door.
’Don’t for’get to take it from him.
Come ’over for a cup of coffee.
Why ’don’t you ’come and stay with us?
What a ’beautiful scene!
’How nice of you!
You’ll do it, won’t you?
It ’isn’t wrong, is it?
Good morning.
Good day.
The rising tone conveys interest, concern, politeness, courtesy, surprise and encouragement. The following tone groups are generally used in rising tone:
Has he come?
Are you ’ready for the show?
He ’isn’t doing it?
You ’don’t ’want to help him?
’Pass me the’ book, please.
’Please ’come and help me.
’Close the door.
’Don’t ’call me at late ,hours.
’Do ’come in and sit down.
’How is your son?
’What will you do now?
What did I ,say?
(It costs two thousand rupees.) How ,much?
After you, ’ma’am.
’Do come in ’sir.
That’s O.K.
’Don’t lose heart.
You’re coming with me. Aren’t you?
He’ll ’finish it to day. Won’t he?
Good evening.
Good bye.
The falling–rising tone conveys doubt, reservation on the part of the speaker and polite inquiries. The following tone groups are generally used in falling–rising tone:
If you ’don’tˇ finish it…
If he ’doesn’t beˇhave…
He ’teaches ’French. ˇGerman.
He ’can’t ’speak ’Englishˇ fluently.
ˇCareful.
You should have ’shared it with yourˇ brother.
He isˇ good. (but no one likes him.)
I’ll ’do it toˇmorrow. (not today)
The rising–falling tone conveys enthusiastic agreement, wonder, appreciation or sarcasm. The following tone groups are generally used in rising–falling tone:
It was ter^rific.
Of ^course.
’Will you be ’able to ^do it?
’What is he ^doing?
’How ^ clever of you!
Oh, ^ really.
Good ^morning.
’Go and ’break your ^ head.
’Come and ’see the ^ result.
Task
Mark intonation in the following sentences:
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