- Cover
- Half Title
- Title Page
- Copyright Page
- Table of Contents
- Preface
- Acknowledgement
- CHAPTER 1 INTRODUCTION TO THE TOURING CONCERT
- CHAPTER 2 THE TOURING PRODUCTION MANAGER
- CHAPTER 3 THE PROMOTER’S PRODUCTION MANAGER
- CHAPTER 4 GEETING THE SHOW ON THE ROAD
- CHAPTER 5 ADVANCING VENUES
- CHAPTER 6 DAILY SCHEDULE
- APPENDIX 1 PERFORMANCE CONTRACT
- APPENDIX 2 CONTRACT RIDER
- Staging
- Mixing Positions
- Spotlights
- Forklifts
- Power Requirements
- Piano Tuner
- Rigging
- Loading Dock
- Work Lights
- Crew
- General Security
- Barricades
- Hall Security
- Backstage Security
- Equipment Security
- Catering
- Dressing Rooms
- Sound and Light Rehearsals
- Parking and Loading
- Medical
- Local Transport
- Cost Amendment Form
- Insurance
- General Restrictions
- Applicable Law and Warranties
- APPENDIX 3 PRODUCRION CHECKLISTS AND FORMS
- APPENDIX 4 TECHNICAL SPECIFICATIONS
- APPENDIX 5 VENDOR CONTRACT
- APPENDIX 6 VENUE CONTRACT
- Hiring Agreement
- Table of Contents
- Hiring Agreement
- 1. Definitions and Interpretation
- 2. Hiring of the Center
- 3. Fees and Payments
- 4. General Conditions of Use of Center
- 5. Tickets
- 6. Indemnities and Limitation of Liability
- 7. Damage to the Center
- 8. Termination of License
- 9. Licenser s Undertakings
- 10. Assignment
- 11. Notices
- 12. Miscellaneous Provisions
- Indemnity (Attachment to Hiring Agreement)
- Schedule 1
- Schedule 2
- Schedule 3
- Schedule 4
- Schedule 5
- Schedule 6
- Schedule 7
- APPENDIX 7 TRANSLATINONS of COMMON TERMS
- Glossary
CONCERT TOUR PRODUCTION MANAGEMENT
HOW TO TAKE YOUR SHOW ON THE ROAD
JOHN VASEY
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