Chapter 10. Painting and Drawing

A lifetime ago (in computer years, anyway) a little company just south of San Francisco introduced a small beige box with a tiny 9-inch keyhole of a monitor and a mouse resembling a bar of soap. It could display and print only in black and white, was incapable of reproducing even remotely convincing photographic images, and was strictly limited to a resolution of 72 pixels per inch. And yet, graphic artists smiled a collective smile, because bundled in its modest software suite, alongside its stunted little word processor, Apple’s Macintosh gave the world MacPaint.

Painting and drawing programs have jumped by leaps and bounds since taking those first, early baby steps, but one feature remains the same: They’re still so much fun to use!

In this chapter, you’ll learn how to use Photoshop Elements’ built-in drawing and painting tools to create original artwork or to enhance your digital photos—whether you’re filling parts of your image with color, adding a decorative stroked border to a logo or design element, or “painting” a photo with Impressionist-style brushstrokes.

About Bitmap Images and Vector Graphics

Photoshop Elements’ painting and drawing tools render artwork in two fundamentally different ways.

The painting tools, including all the varied fills, gradients, brushes, and erasers, work by making changes to pixels—adding them, removing them, or changing their colors. A bitmap image is composed entirely of tiny pixels; and digital photos, the mainstay of Photoshop Elements, are bitmap images. Although you can apply paintbrushes, color fills, special effects, and filters to bitmaps, they simply don’t resize well. If you try to enlarge a digital photo, for example, you’ll see that its image quality suffers as the pixels get bigger, resulting in a blurry mess.

The drawing tools (shape creation tools, really) form images not by manipulating pixels but by constructing geometric paths based on precise mathematical coordinates, or vectors. Images created with these drawing tools, known as vector graphics, hold one decided advantage over their bitmap cousins: They can be scaled up or down, virtually infinitely, with no loss of detail or resolution . Elements’ scalable fonts, for example, are based on vector shapes, so they can be stretched, warped, and resized to your heart’s content. Vector graphics files also tend to be smaller than comparable bitmap image files, since a path shape requires less information for your computer to process and render than a similar shape constructed of pixels.

A photographic bitmap image is constructed of pixels (top). Any attempt to zoom in on or enlarge a portion of the image can make the pixels more pronounced and the image more pixelated. A vector image (bottom) is drawn with a series of geometric paths rather than pixels. Vector graphics can be enlarged or reduced with no loss of detail or resolution.

Although designed to work with different kinds of graphics, the painting and drawing tools are equally easy to use, and work well together if you want to combine vector and bitmap graphics—such as adding type or custom shapes to a favorite photo.

Filling Areas with Color

You have two primary ways of filling areas with a solid color. With the Fill dialog, you can quickly blanket an entire layer or a selected area of a layer with color. The Paint Bucket tool operates in a more controlled manner, filling only portions of areas based on properties that you set on the options bar. Either method works especially well for those times when you want to cover large, expansive areas with a single color.

To fill a selection or layer with color:

1. Using any of the selection or marquee tools, select the area of your image you want to fill with color.

   If you want to fill an entire layer, it’s not necessary to make a selection.

2. To select a fill color, do one of the following:

   • Click either the current foreground or background color swatch at the bottom of the toolbox to open the Color Picker; then select a color.

   

   Clicking the foreground or background color swatch in the toolbox opens the Color Picker.

   • From the Swatches panel, click any color to select it.

3. From the Edit menu, choose either Fill Selection or Fill Layer to open the Fill Layer dialog .

   

   The Fill Layer dialog offers several options for filling a layer or selection with color.

4. From the Use drop-down menu, choose a source for your fill color .

   

   The Use drop-down menu contains various sources from which to choose a fill color. Choose the Foreground Color option to apply a specific color chosen from the Color Picker or Swatches panel.

   In addition to the foreground and background colors, you can use the Fill command to fill a selection or area with a pattern or with black, white, or 50-percent gray. Or you can choose Color to open the Color Picker and select a different color altogether.

5. From the Blending area of the dialog, select a blending mode and opacity for your fill. (For more information on blending modes, see “About Opacity and Blending Modes” in Chapter 8.)
6. Click the Preserve Transparency checkbox if you want to preserve a layer’s transparency when you apply the fill.
7. Click OK to close the dialog.

   The selection or layer is filled with the color and properties you specified .

   

   In this example, an area of the Background layer is selected (left), then filled with a color using the Fill dialog (right).

To apply fill color with the Paint Bucket tool:

1. Select the Paint Bucket tool from the toolbox (or press K) .

   

   The Paint Bucket tool.

2. Select a foreground color from either the Color Picker or the Swatches panel.
3. On the options bar, select a blending mode and opacity setting, if desired .

   

   The Paint Bucket tool takes advantage of all of Photoshop Elements’ blending modes and opacity options.

4. Still on the options bar, set a Tolerance value; then specify whether you want the colored fill to be anti-aliased, to fill only contiguous pixels, or to affect all layers .

   

   The options bar contains several settings that fine-tune the Paint Bucket’s fill properties.

   For more information on these options, see the sidebar “How Does that Paint Bucket Tool Work, Anyway?” on the next page.

5. Click the area of your image where you want to apply the colored fill.

   The selected color is painted into your image .

   

   The Paint Bucket tool fills areas based on their tonal values. Here it automatically selects and fills just the light-colored background area.

Filling Areas with a Gradient

The Gradient tool fills any selection or layer with smooth transitions of color, one blending gradually into the next. It can be rendered as an opaque fill or seamlessly incorporated into a layered project using any of Elements’ blending modes and opacity settings. Use a gradient to create an effective background image for a photo; to screen back a portion of an image; to create an area on which to place type; or apply it to any shape or object to simulate the surface texture of metal or glass.

To apply a gradient fill:

1. Using any of the selection or marquee tools, select the area of your image where you want to apply the gradient.

   If you want to fill an entire layer, you don’t need to make a selection.

2. Select the Gradient tool from the toolbox (or press G) .

   

   The Gradient tool.

3. On the options bar, click to open the gradient picker .

   

   Open the gradient picker to select from sets of gradient thumbnails.

4. Click to choose from the list of default gradients, or if you want to view additional gradient sets, click the More button (the triangles to the right of the thumbnail images) to open the gradient picker menu .

   

   The gradient picker’s menu offers several picker display options plus access to a variety of gradient sets.

   Gradient sets are located in the bottommost section of the menu. When you select a new gradient set, it replaces the set displayed in the gradient picker.

5. On the options bar, click to choose a gradient style .

   

   Click a gradient style button on the options bar to draw one of five gradient styles.

   Choose from five gradient styles: Linear, Radial, Angle, Reflected, and Diamond.

6. In the image window, click and drag in the area where you want to apply the gradient .

   

   Drag from the center to the edge to create a halo effect with the Radial gradient.

   The selection or layer is filled with the gradient.

Adding a Stroke to a Selection or Layer

Photoshop Elements’ Stroke command adds a colored rule or border around any selected object or layer. With the Stroke command, you can easily trace around almost anything, from simple rectangle or ellipse selections to complex typographic characters. Because you can control both the stroke’s thickness and where the stroke is drawn in relation to a selection (inside, outside, or centered), you can create everything from delicate, single-ruled outlines to decorative, multiple-stroked borders and frames.

To apply a stroke:

1. Using any of the selection or marquee tools, select the area of your image to which you want to add a stroke.

   If you’re adding a stroke to an object on its own transparent layer, there’s no need to make a selection. Instead, just check that the layer is active on the Layers panel.

2. From the Edit menu, choose Stroke (Outline) Selection to open the Stroke dialog .

   

   Draw lines around selections using the Stroke dialog.

3. In the Width text field, enter the stroke width, in pixels.

   There’s no need to enter the pixel abbreviation (px) following the number value.

4. Change the stroke color by clicking the Color box and opening the Color Picker.
5. Select the location of the stroke. The location determines where the stroke is drawn: inside, outside, or centered directly on the selection .

   

   Once an object is selected, you can stroke it either inside, centered on, or outside of the selection.

6. Ignore the Blending portion of the dialog for now.
7. Click OK to apply the stroke to your selection or layer .

   

   Select an object (left), and then choose the Stroke command to apply a stroke (right).

To create a decorative border:

1. Make a selection, either by using one of the selection or marquee tools, or by selecting an object on a transparent layer as described in the “Creating a Stroke Layer” sidebar.
2. Create a new layer; then apply a wide stroke to the selection .

   

   The first step in creating a multiruled border is to create a thick stroke. Here, I used a stroke of 15 pixels.

   In this example, I used a stroke of 15 pixels.

3. With the selection still active, create a new layer above the first.
4. Apply a stroke narrower than the first and in a contrasting color or value .

   

   Placing a narrow stroke of a different color over the broad first stroke creates an attractive three-ruled border.

5. Continue to add stroke layers until you achieve the desired result.

Using the Brush Tool

The Brush tool is a near limitless reservoir of hundreds of different and unique brushes. You can apply painted brushstrokes directly to the surface of any photograph, or open a new file to serve as a blank canvas upon which you can create an original work of fine art. The dozen preset brush libraries offer selections as varied as Calligraphic, Wet Media, and Special Effect, and any brush can be resized from 1 pixel to a staggering 2500 pixels in diameter. You can paint using any of Photoshop Elements’ blending modes and opacity settings, and you can turn any brush into an airbrush with a single click of a button. So whether you’re a budding Van Gogh, would like to add a color-tint effect to an antique black-and-white photograph, or just enjoy doodling while talking on the phone, Photoshop Elements’ brushes can help to bring out your inner artist.

To paint with the Brush tool:

1. To select a paint color, do one of the following:

   • Click the current foreground color swatch at the bottom of the toolbox to open the Color Picker.

   • Choose a color from the Swatches panel.

2. Select the Brush tool in the toolbox (or press B) .

   

   The Brush tool.

3. On the options bar, click to open the Brush Presets panel .

   

   Open the Brush Presets panel to select from sets of different brushes.

4. Click to choose from the list of default brushes, or select a different brush set from the Brushes drop-down menu .

   

   The Brushes drop-down menu gives you access to a variety of brush sets.

   Once you’ve selected a brush, you can use it at its predefined size, or you can resize it using the brush Size slider on the options bar .

   

   Use the brush Size slider to resize your brush.

5. Again on the options bar, select a blend mode and opacity setting.
6. In the image window, drag to paint a brushstroke .

   

   Create realistic brush effects simply by dragging through the image window.

Creating and Saving Custom Brushes

With so many different brushes and brush sets at your disposal, you may be surprised to discover you can change not only the size of brushes, but other characteristics such as flow, shape, and color. Photoshop Elements provides you with all the tools you need to modify existing brushes and create your own from photographs or scanned objects, such as leaves or flower petals. Once you’ve created a new brush, you can store it temporarily in an existing brush set or save and organize it into a new brush set of your own. Any new brush sets you create are then accessed and loaded from the Brushes drop-down menu on the Brush Presets panel.

To create a custom brush:

1. Select the Brush tool from the toolbox (or press B).
2. From the list of preset brushes on the options bar, click to select a brush you want to customize .

   

   To create a new brush, select an existing brush and customize its properties.

3. On the options bar, click the More Options button to open the Brush Dynamics panel .

   

   The Brush Dynamics panel contains sliders to modify a brush shape.

4. Use the sliders on the panel to modify the Fade, Hue Jitter, Scatter, Spacing, and Hardness properties of the brush.

   For more information on these slider controls, see the “Understanding the Brush Dynamics Panel” sidebar later in this chapter.

5. You can also adjust the angle and roundness of the brush .

   

   The lower portion of the Brush Dynamics panel offers controls for angle and roundness.

   As you move the sliders, or enter angle and roundness values, refer to the brush presets preview on the options bar to see the effects of your changes. All but the Hue Jitter property will be reflected in the preview on the options bar .

   

   The Brush Presets preview area here shows an original brush (top) and the same brush customized on the Brush Dynamics panel (bottom).

6. If you have a pressure-sensitive digital tablet connected to your computer, you can control how the pen’s pressure will affect your brush settings.

   On the options bar, click the Tablet Options button, then check the boxes for the brush settings you want the pen pressure to control .

   

   Tablet options give you control over how pen pressure affects certain brush settings.

7. When you’re satisfied with your changes, click anywhere on the options bar to close the panel.
8. On the options bar, use the brush Size slider to size your brush.
9. Still on the options bar, open the Brush Presets panel; then select Save Brush from the panel options menu .

   

   Save your customized brushes on the Brush Presets panel menu.

   The Brush Name dialog opens.

10. Type a name for your new brush and click OK.

    Your new brush appears at the bottom of the current brush presets list on the Brush Presets panel .

    

    The new brush appears at the bottom of the panel list.

To create a brush from a photographic object:

1. Open an image that contains an object or area from which you want to create a new brush.
2. To select an object from the image, do one of the following:

   • Using one of the selection tools, select the object or portion of a photograph you want to make into a brush. The Selection Brush and Magnetic Lasso tools both work well for this kind of selection .

   

   A custom brush can be made out of virtually any selected object. In this example, I’ve selected a large flower.

   • If you already have an object on its own transparent layer, hold down Ctrl and click on the layer thumbnail in the Layers panel.

3. From the Edit menu, choose Define Brush from Selection. The Brush Name dialog opens with a representation of your new brush in its preview box .

   

   The selection appears in the brush preview of the Brush Name dialog.

4. Enter a name for the brush and click OK to close the dialog.
5. Select the Brush tool from the toolbox; then from the options bar, open the Brush Presets panel. Your new brush appears at the bottom of the current brush presets list .

   

   Once saved, your new brush appears in the brush presets list.

6. Click to select the new brush; then on the options bar, click the More Options button to open the Brush Dynamics panel.
7. Use the sliders on the panel to modify the brush attributes; then click anywhere on the options bar to close the panel.

Managing brush sets

Managing brushes is no different than managing other presets (such as gradients and patterns). When you create a new brush, it’s saved in the presets file. But once you reset the brushes on the Brush Presets panel or select a different brush set, any new brushes you’ve created will be lost. Use the Preset Manager to create and save new brush sets.

To create a new brush set:

1. Create as many new brushes as you like, as described in the previous procedures.
2. From the Brush Presets panel menu, choose Preset Manager.

   The Preset Manager dialog opens to the current brush set displayed on the Brush Presets panel .

   

   The Brushes Preset Manager.

3. Scroll through the thumbnail views until you find the brushes you want to include in your new set.
4. In the thumbnail area, Ctrl-click to select all of the brushes you want to include .

   

   Select brushes you want included in your new brush set.

   If you select a brush by mistake, you can deselect it by holding down Ctrl and clicking the thumbnail a second time.

5. Click the Save Set button to open the Save dialog.
6. In the File name text field, enter a new name to describe your brush set and click Save . Your brush set is saved with the brushes you selected in step 4, but it won’t appear on either the More menu in the Preset Manager or the Brushes drop-down menu on the Brush Presets panel until after you quit and then restart Photoshop Elements.

   

   Name your new brush set in the Save dialog.

Creating Special Painting Effects

The Impressionist Brush tool adds a painterly look to any photographic image. Although similar in effect to some of the Artistic and Brush Stroke filters, the Impressionist Brush tool allows you to be much more selective about which areas of an image it’s applied to. That’s because it uses the same scaleable, editable brushes as the Brush tool. You can use the Impressionist Brush to create compelling works of art from even the most mundane of photographs.

To paint with the Impressionist Brush tool:

1. Open the image to which you want to apply the Impressionist Brush effect.
2. Select the Impressionist Brush tool from beneath the Brush tool in the toolbox .

   

   The Impressionist Brush tool.

   Alternatively, you can press B to select the Brush tool and then press B again to toggle to the Impressionist Brush tool.

3. On the options bar, select a brush from the Brush Presets panel.

   You can, of course, use any brush with the Impressionist Brush tool, but the round, soft-sided brush that Photoshop Elements picks as the default works especially well.

4. Again on the options bar, select a size with the brush Size slider .

   

   The brush size can have quite an impact on the way the Impressionist Brush tool affects your photograph. In the top photo, I painted with a brushstroke of 10 pixels. In the bottom photo, I changed the brushstroke to 20 pixels.

   You can also select a mode and an opacity option, although in most cases the defaults of Normal and 100 percent are fine.

5. Still on the options bar, click the More Options button to open the Impressionist Brush Options panel .

   

   The Impressionist Brush Options panel has controls for different brush styles and the amount of image area they affect with each brushstroke.

6. From the Style drop-down menu, select a brush style .

   

   Brush styles vary from subtle (Dab) to extravagant (Loose Curl Long).

   I tend not to stray much beyond the top three Styles (Tight Short, Medium, and Long), although the Dab style also creates some pretty effects.

7. In the Area text field, enter a value, in pixels, for the amount of area you want to affect with each stroke of the brush.

   For example, say you start with a brush that makes a single brush mark 10 pixels wide, and then select an Area value of 80 pixels. As you move the brush through the image—and depending on the brush style you chose—it will swoosh around an area of 80 x 80 pixels, distributing the paint in 10-pixel dollops.

8. If desired, select a Tolerance setting to determine the range of pixels affected.

   You may want to keep the Tolerance slider set at 0 percent and leave it alone. In use with the Impressionist brush, this setting seems wildly erratic and not worth the trouble.

9. In the image window, drag the brush through your image. The image takes on a painterly look wherever the brush is drawn through it .

   

   Simply drag the brush through your photo to create a work of art.

Erasing with Customizable Brush Shapes

The images or brushstrokes you choose to remove from a photograph are often as important as those you decide to add or leave behind. The basic Eraser feature is a powerful tool for cleaning up and fine-tuning your images, taking full advantage of every brush style and size that Elements has to offer. Not only can you perform routine erasing tasks such as rubbing away stray pixels, you can also customize an eraser’s brush and opacity settings to create unique texture, color, and pattern effects.

To use the Eraser tool:

1. Select the Eraser tool from the toolbox (or press E) .

   

   The Eraser tool.

2. On the options bar, select a brush from the Brush Presets panel .

   

   The same brush presets are available for the Eraser tool as for the Brush tool.

3. Again on the options bar, select a size using the brush Size slider.
4. From the Mode drop-down menu, select one of the three eraser modes (Brush, Pencil, or Block).

   If you select a soft, anti-aliased brush and then choose Pencil from the mode menu, the eraser will become coarse and aliased .

   

   An eraser in Brush mode (left) and in Pencil mode (right).

5. Still on the options bar, select an opacity using the Opacity slider.
6. In the image window, drag the eraser through your image.

   The image is erased according to the attributes you’ve applied to the eraser.

Understanding Shapes

In Photoshop Elements, you create shapes not by rendering them with pixels, but by constructing them from vector paths, which are actually vector masks. I’ll use some simple circle and square shapes to illustrate what that means.

Each time you draw a shape with one of the shape tools, Photoshop Elements is performing a little behind-the-scenes sleight of hand. Although it may appear that you’re drawing a solid, filled circle, for instance, what you’re really creating is a new layer containing both a colored fill and a mask with a circle-shaped cutout . When you move, reshape, or resize a shape, you’re actually just moving or reshaping the cutout and revealing a different area of the colored fill below it . When you add to or subtract from a shape by drawing additional shapes, you’re simply revealing or hiding more of the same colored layer .

When you draw a shape, you’re actually drawing a shape mask.

Moving a shape really means moving the cutout portion of the mask.

Adding a shape to a layer masks off another portion of the colored fill below it, in this case giving the illusion that the circle has a square hole in its center.

Every time you create a new shape, a new shape layer is added to the Layers panel. A shape layer is represented in the panel thumbnails by a gray background (the mask) and a white shape (the mask cutout, or path). Since a shape’s outline isn’t always visible in the image window—if you deselect it, for instance—the Layers panel provides a handy, visual reference for every shape in your project . And as with any other layered image, you can use the Layers panel to hide a shape’s visibility and even change its opacity and its blending mode.

Shapes appear on their own layers.

Drawing Basic Shapes

In Photoshop Elements, you can draw five basic geometric shapes (a shape selection tool and a tool for creating custom shapes are discussed in detail later in this chapter). Shapes can be drawn freely by clicking and dragging, or they can be constrained according to your specification of size, proportion, and special characteristics. You can use the shape tools to create logos or geometric designs; or, because a new layer is created with every shape you draw, you can draw shapes directly over any photo or scanned image without fear of damaging the image.

To draw a shape:

1. Select a shape tool from the toolbox (or press U) .

   

   The Ellipse shape tool.

   To cycle through the shape tools, press U again until you arrive at the shape you want.

2. To select a shape color, do one of the following:

   • Click the current foreground color swatch at the bottom of the toolbox, or click the color box on the options bar to open the Color Picker.

   • Choose a color from the Swatches panel.

3. If they’re available for the tool you’ve selected, you can set special properties for your shape before you draw. On the options bar, enter values specific to the shape you’ve chosen .

   

   Some shape tools, such as the Polygon tool, have properties you can set on the options bar.

   For the Rounded Rectangle tool, you can enter a corner radius. For the Polygon tool, you can enter the number of sides. For the Line tool, you can enter a pixel weight.

4. On the options bar, click the arrow next to the shape buttons to open the Geometry Options panel .

   

   Every shape tool has its own particular set of geometry options.

   In the Geometry Options panel, select from the available options for that particular shape or leave the options set to the default of Unconstrained.

5. In the image window, click and drag to draw the shape .

   

   Drawing a shape is as simple as clicking and dragging.

   If you like, you can add a style to your shape from the Shape tool’s built-in style picker.

6. On the options bar, click the icon or arrow to open the style picker .

   

   When any of the shape tools are selected, the shape tool style picker appears on the options bar.

7. Choose from the list of available styles or click the arrows to the right of the thumbnail images to open the Style panel menu. The style picker displays the new style set.
8. Click a style in the style picker to apply it to your shape .

   

   A simple circle drawn with the ellipse shape tool (left) is transformed into a glossy button (right) using a style from the style picker.

9. To deselect the shape and hide the path outline, press Enter.

Transforming Shapes

You’re not limited to just creating shapes in Photoshop Elements. You can also scale (resize), rotate, and distort them to your liking. Shapes can be altered either numerically, by entering specific values on the options bar, or manually, by dragging their control handles in the image window. Constrain options, such as proportional scaling, are available for most transformations, and a set of keyboard shortcuts helps to simplify the process of adding distortion and perspective.

To scale a shape:

1. Select the Shape Selection tool by doing any of the following:

   • Choose the Shape Selection tool from beneath the current shape tool in the toolbox .

   

   The Shape Selection tool.

   • Press U to select any shape tool and then press U again until you toggle to the Shape Selection tool.

   • Select any shape tool in the toolbox, and then choose the Shape Selection tool from the options bar (it looks like an arrow).

2. In the image window, select the shape with the Shape Selection tool.
3. From the Image menu, choose Transform Shape > Free Transform Shape, or press Ctrl+T.

   The options bar changes to show the scale and rotation text fields, and the reference point locator .

   

   Precise scale and rotation values can be entered for any shape.

4. On the options bar, click to set a reference point location. The reference point determines what point your shape will be scaled to: toward the center, toward a corner, and so on .

   

   These squares are both being reduced in size by about half. The one on the left is scaled toward its upper-left corner, and the one on the right is scaled toward its center.

5. If you want to scale your shape proportionately, click the Constrain Proportions checkbox.
6. Enter a value in either the height or width text field. The shape is scaled accordingly.
7. Click the Commit Transform button , or press Enter.

   

   The Commit Transform button scales the shape to the size you define.

To rotate a shape:

1. Select the Shape Selection tool from the toolbox or options bar.
2. In the image window, select the shape with the Shape Selection tool.
3. From the Image menu, choose Rotate > Free Rotate Layer .

   

   You can apply any of the layer rotation menu commands to your shapes.

   The options bar changes to show the scale and rotation text fields, and the reference point locator.

4. On the options bar, click to set a reference point location.

   The reference point determines the point around which your shape will be rotated .

   

   These squares are both being rotated about 20 degrees. The one on the left is rotated around its upper-left corner, and the one on the right is rotated around its center.

5. Enter a value in the rotate text field.

   The shape will rotate accordingly.

6. Click the Commit Transform button, or press Enter.

To distort a shape:

1. Select the Shape Selection tool from the toolbox.
2. In the image window, select the shape with the Shape Selection tool.
3. From the Image menu, choose Transform Shape; then choose Skew, Distort, or Perspective .

   

   Choose one of the three specific transformation commands.

4. On the options bar, check that the reference point location is set to the center.

   The reference point can, of course, be set to any location, but the center seems to work best when applying any of the three distortions.

5. Drag any of the shape’s control handles to distort the shape.

   Dragging the control handles will yield different results depending on the distort option you choose .

   

   The same square shape transformed using Skew (left), Distort (center), and Perspective (right).

6. Click the Commit Transform button, or press Enter.

Creating Custom Shapes

Once you’ve gained a basic understanding of working with Elements’ geometric shapes, you can begin combining those shapes together to create even more interesting and intricate shapes. Shape option buttons allow you to perform a little vector path magic by creating brand-new shapes out of the intersections and overlapping portions of the rectangle, ellipse, and polygon shapes.

The Custom Shape tool is in a world unto itself, working from a library of nearly 400 complex vector graphics grouped into categories as diverse as ornaments, music, fruit, symbols, and nature—far beyond the relatively simple icons and graphics you can build with the basic geometric shape tools.

To add a shape to an existing shape:

1. Follow steps 1 through 5 in the task “To draw a shape,” earlier in this chapter.

   Make sure that this first shape’s path remains selected . This technique will only work when both shapes are being drawn to the same layer.

   

   When a shape is selected, its path outline is visible (left). The path disappears when the shape is deselected (right).

2. From the toolbox, select the shape tool for the next shape you want to add.

   You can use the same shape more than once, if you wish.

3. On the options bar, set color, value, and geometry options as desired.
4. Still on the options bar, click to select one of the shape area options .

   

   The shape area options define how one shape reacts with another.

5. In the image window, click and drag to draw the new shape .

   

   As the new shape is drawn, only its outline is visible (left). When the new shape is completed, it’s filled according to the preset shape area option (right). In this case, the option was set to Intersect Shape.

6. To deselect the shapes and hide their path outlines, press Enter.

To combine multiple shapes:

1. Select the Shape Selection tool from the toolbox.
2. In the image window, click to select the first shape; then Shift-click to select the additional shapes you want to group .

   

   Shift-click to select the shapes you want to combine.

3. On the options bar, click the Combine button . The shapes are combined into one complex shape.

   

   The Combine button groups multiple shapes.

To draw a custom shape:

1. Select the Custom Shape tool by doing one of the following:

   • Select the Custom Shape tool from beneath the current shape tool in the toolbox.

   • Press U to select any shape tool; then press U again to toggle to the Custom Shape tool.

2. To select a shape color, do one of the following:

   • Click the current foreground color swatch at the bottom of the toolbox, or click the color box on the options bar to open the Color Picker.

   • Choose a color from the Swatches panel.

3. On the options bar, click the arrow next to the Custom Shape button to open the Custom Shape Options panel . Select from the available options or leave the options set to Unconstrained.

   

   The Custom Shape tool offers geometry options similar to those for the Ellipse and Rectangle tools.

4. Still on the options bar, click to open the custom shape picker .

   

   Open the custom shape picker to select from sets of complex shape thumbnails.

5. Click to choose from the list of default shapes, or select a different shape set from the Custom Shapes drop-down menu.
6. In the image window, click and drag to draw the selected shape .

   

   You draw a custom shape just as you would any other shape: simply by clicking and dragging. Here, I clicked to apply the butterfly shape (left) and then dragged with the mouse to enlarge it (right).

7. Press Enter to deselect the shape.

If you ever want to paint on a shape or apply any filter effects to it, you’ll first need to convert the shape from a vector path to a bitmap.

To convert a vector shape to a bitmap:

1. To open the Layers panel, do one of the following:

   • From the Window menu, choose Layers.

   • Click the arrow on the Layers panel tab in the panel bin.

2. On the Layers panel, click to select the layer containing the shape (or shapes) you want to convert to bitmaps .

   

   Use the Layers panel to select a custom shape’s layer.

3. From the More menu on the Layers panel, select Simplify Layer .

   

   The Simplify Layer command converts a custom shape’s vector path to a bitmap graphic.

   The vector shape is converted to a bitmap, and instead of showing the shape’s path, the layer thumbnail displays the shape’s image on a transparent background .

   

   The vector path layer thumbnail (left) and the converted bitmap thumbnail (right).

Using the Cookie Cutter Tool

The Cookie Cutter tool isn’t exactly a painting or drawing tool, although right up to the moment you press the Commit Transform button, it behaves in exactly the same way as the Custom Shape tool. The Cookie Cutter tool uses the Custom Shape tool’s libraries of shapes to create distinctive masked versions of image layers. The difference between the two (and it’s a biggie) is that whereas the Custom Shape tool creates vector shapes, the Cookie Cutter tool creates a raster image. So, although you can initially scale, rotate, and otherwise distort a Cookie Cutter shape just like a vector graphic, once you commit the shape to your image, the final result is still a raster (or bitmap) image layer. Once you understand the Cookie Cutter’s limitations, it can still be a fun and useful tool.

To mask an image with the Cookie Cutter tool:

1. From the toolbox, click to select the Cookie Cutter tool, or press Q .

   

   The Cookie Cutter tool.

2. On the options bar, click the Shape Options button to open the Cookie Cutter Options panel.

   Select from the available options or leave the options set to Unconstrained.

3. Still on the options bar, click to open the Cookie Cutter shape picker .

   

   The Cookie Cutter tool uses the same shape libraries as the Custom Shape tool.

4. Click to choose from the list of default shapes, or select a different shape set from the Custom Shapes drop-down menu.
5. In the image window, click and drag over an image layer to draw the selected shape.

   The image now appears only within the Cookie Cutter shape, leaving the rest of the layer transparent .

   

   When you draw a shape with the Cookie Cutter tool, any underlying images are visible only within the shape.

   If you apply the Cookie Cutter tool to a flattened, background layer, it automatically converts the layer to a working layer with transparency.

6. To reposition the shape in the image window, place the cursor anywhere inside the shape bounding box, and then click and drag.

   Notice that as you drag the shape, different areas of the original image are revealed, as if you were moving a window around on a solid wall .

   

   You can position, scale, rotate, and otherwise transform a Cookie Cutter shape right up to the moment you commit the shape to the image layer.

7. To scale, rotate, or otherwise transform the shape, refer to the section “Transforming Shapes,” earlier in this chapter.
8. When you’re satisfied with the size and position of your masked shape, click the Commit Transform button, or press Enter .

   

   Once you commit the shape, its bounding box disappears.

   Once you commit the shape to the image layer, you can apply blending modes, opacity changes, and filters just as you would on any other raster image layer.