Script Formats
Dual Column: PSA, Documentary, Corporate
The visual look is cold, monochromatic blue. |
(MUSIC—increasing tension.) (SFX—The pulse of a racing heart.) |
FADE UP ON … EXT. ALLEY. DAY. (4 seconds) An urban alley in a poor part of town. Garbage and debris litter the ground. |
(Over this sound, we hear a series of DESPERATE VOICES.) |
From a low angle, we look up at a tough, angry thirteen-year-old BOY. A CIGARETTE is jammed into the corner of his mouth. He walks through the alley with anger and attitude, kicking at the trash and smashing his book bag against the wall. |
WOMAN’S VOICE (VO) (angry, frustrated, desperate, rising in pitch, losing control) (slight echo) The school called again. What am I going to do with you?! |
The image in the alley is interrupted by a FLASH CUT (1 second) (Full color.) A happy family PORTRAIT. A single mother and the thirteen-year-old boy. He’s dressed neatly in a tie. A jagged CRACK slices across the glass. |
(SFX—Glass cracking.) (1 second) |
INT. ROOM. NIGHT. (4 seconds) A young BOY, six or seven, huddles against a wall, terror and pain in his eyes. Behind him, we see the SILHOUETTES of a man hitting a woman. |
(SFX—Woman crying. Struggling. Bottle breaking.) FATHER’S VOICE (VO) (angry, drunk, slurred speech) (SFX—SLAP.) Don’t you ever turn away (SLAP) from me when I’m talking! (SLAP) |
Master Scene Script: Feature Film for Cinema and Television
DAISY
(fluttering eyelashes)
I’m late. I’m sure you didn’t mind waiting.
WINTERBOURNE
Not at all.
DAISY
I just didn’t want to go to Chillon by carriage.
I have such a passion for those lake steamers.
They’re so sweet.
They walk out the front door of the hotel.
CUT TO
EXT. LAKE FRONT – DAY
There is a lot of commotion as passengers board a steamer Moored along side. DAISY and WINTERBOURNE in LONG SHOT. She is quite sudden in her movements as she moves up the Gangway. The steamer blows its whistle and prepares to cast off. There is a summer breeze rippling the lake.
EXT. LAKE STEAMER DECK – DAY
WINTERBOURNE feels they are on an adventure as they stroll the deck. DAISY is animated and charming. She is not flustered when she is aware than people are staring at her. People look at her because she is pretty and because of her unconventional manners and apparent liberty with her escort. They find a seat on the deck and WINTERBOURNE looks at her enchanted while she chatters on.
DAISY
I wish we had steamers like this in America.
WINTERBOURNE
Well what about on the Mississippi?
DAISY
I don’t live near the Mississippi.
WINTERBOURNE
Well, we’ve got the trip back to look forward to.
DAISY
What’s your first name, again?
WINTERBOURNE
Frederick!
Scene Script, Version 1: Television Sitcoms and Series
DAISY
(fluttering eyelashes)
I’m late. I’m sure you didn’t mind waiting.
WINTERBOURNE
Not at all!
DAISY
I just don’t want to go to Chillon by carriage.
I have such a passion for those lake steamers.
They’re so sweet.
THEY WALK OUT THE FRONT DOOR OF THE HOTEL.
CUT TO
THERE IS A LOT OF COMMOTION AS PASSENGERS BOARD A STEAMER MOORED ALONG SIDE. DAISY AND WINTER BOURNE IN LONG SHOT. SHE IS QUITE SUDDEN IN HER MOVEMENTS AS SHE MOVES UP THE GANGWAY. THE STEAMER BLOWS ITS WHISTLE AND PREPARES TO CAST OFF. THERE IS A SUMMER BREEZE RIPPLING THE LAKE.
EXT. LAKE STEAMER DECK – DAY
WINTERBOURNE FEELS THEY ARE ON AN ADVENTURE AS THEY STROLL THE DECK. DAISY IS ANIMATED AND CHARMING. SHE IS NOT FLUSTERED WHEN SHE IS AWARE THAN PEOPLE ARE STARING AT HER. PEOPLE LOOK AT HER BECAUSE SHE IS PRETTY AND BECAUSE OF HER UNCONVENTIONAL MANNERS AND APPARENT LIBERTY WITH HER ESCORT. THEY FIND A SEAT ON THE DECK AND WINTERBOURNE LOOKS AT HER ENCHANTED WHILE SHE CHATTERS ON.
DAISY
I wish we had steamers like this in America.
WINTERBOURNE
Well, what about on the Mississippi?
Scene Script, Version 2: Television Sitcoms and Series
SCENE 33
DAISY
(FLUTTERING EYELASHES)
Am I late? I’m sure you didn’t mind waiting.
WINTERBOURNE
Not at all!
DAISY
I just didn’t want to go to Chillon by carriage.
I have such a passion for those lake steamers.
They’re so sweet.
CUT TO
(THERE IS A LOT OF COMMOTION AS PASSENGERS BOARD A STEAMER MOORED ALONG SIDE. DAISY AND WINTERBOURNE INLONG SHOT. SHE IS QUITE SUDDEN IN HER MOVEMENTS AS SHE MOVES UP THE GANGWAY. THE STEAMER BLOWS ITS WHISTLE AND PREPARES TO CAST OFF. THERE IS A SUMMER BREEZE RIPPLING THE LAKE.)
EXT. LAKE STEAMER DECK – DAY
(WINTERBOURNE FEELS THEY ARE ON AN ADVENTURE AS THEY STROLL THE DECK. DAISY IS ANIMATED AND CHARMING. SHE IS NOT FLUSTERED WHEN SHE IS AWARE THAT PEOPLE ARE STARING AT HER. PEOPLE LOOK AT HER BECAUSE SHE IS PRETTY AND BECAUSE OF HER UNCONVENTIONAL MANNERS AND APPARENT LIBERTY WITH HER ESCORT. THEY FIND A SEAT ON THE DECK AND WINTERBOUNRE LOOKS AT HER ENCHANTED WHILE SHE CHATTERS ON.)
DAISY
I wish we had steamers like this in America.
WINTERBOURNE
Well what about on the Mississippi?
DAISY
I don’t live near the Mississippi
Interactive Game Script (This is one Type of Interactive Script)
(Reproduced with permission of Screenplay Systems Movie Magic Scriptwriter.)
ROCKY COURTYARD
It is a rock-hewn courtyard, old and decaying, but clearly having once been elegant.
To the north is the imposing edifice of a temple, to the west is a gaping chasm, completely impassible.
South of us is a gate, an apple orchard just beyond it.
GO TO GATE (2)
GO TO TEMPLE (3)
GO TO CHASM (4)
ORCHARD GATE
IF YOU TRY TO OPEN THE GATE THEN
IF YOU HAVE THE <KEY TO THE ORCHARD GATE> THEN
The gate creaks open.
GO TO ORCHARD (5)
OTHERWISE
The gates rattle but you can’t get through.
ENDIF
ENDIF
GO TO ROCKY COURTYARD (1)
TEMPLE
The temple is elegant, bas-relief images of strange animals covering the walls.
You can go around the temple to the left or right.
GO TO RIGHT AROUND TEMPLE (7)
GO TO LEFT AROUND TEMPLE (6)
CHASM
An uncrossable chasm at your feet.
IF YOU JUMP THEN
GO TO YOU’RE DEAD (16)
END IF
GO TO ROCKY COURTYARD (1)
ORCHARD
Congratulations! You’re in. Eat an apple while you’re here.
GO TO ORCHARD GATE (2)
LEFT AROUND TEMPLE
Broken columns litter your path as you walk around the temple, finally opening up and leaving you at the inner buildings.
GO TO INNER BUILDINGS (8)
RIGHT AROUND TEMPLE
Broken columns litter your path as you walk around the Temple.
Midway around, you’ll find an open door.
IF YOU ENTER THE DOOR THEN
GO TO TEMPLE ROOM (13)
ENDIF
The Walkway continues around finally opening up and leaving you at the inner building
GO TO INNER BUILDINGS (8)
INNER BUILDINGS
IF <CLOCK IS SET> THEN
GO TO BACK OF TEMPLE (10)
ENDIF
A large ornate door blocks your way, a lion headed knocker on the front door.
IF YOU USE THE KNOCKER THEN
It hits the door with a loud booming sound, but no one opens it.
END IF
IF YOU LOOK UP THEN
You will see more carvings and a sign over the door, held up by two clocks.
IF YOU EXAMINE THE SIGN THEN YOU’VE <EXAMINED
SIGN> AND
It says:
When time and place are correct, then the doors to opportunity will open.
END IF
IF YOU HAVE <EXAMINED SIGN> AND YOU CLIMB UP
THEN
You can reach the two clocks.
IF YOU SET THE TWO CLICK HANDS TO BOTH POINT
AT THE DOOR THEN THE <CLOCK IS SET> AND
The door opens silently.
GO TO HALLWAY OF INNER BUILDINGS (9)
GO TO BACK OF TEMPLE (10)
ENDIF
ENDIF
ENDIF
GO TO BACK OF TEMPLE (10)
HALLWAY OF INNER BUILDING
It’s a long hallway, water on the floor.
There is a door to the right of you.
IF YOU TRY AND OPEN DOOR THEN
it creaks open.
GO TO LIBRARY (14)
ENDIF
the hallway extends to an inner courtyard
GO TO INNER COURTYARD (15)
GO TO INNER BUILDINGS (8)
BACK OF TEMPLE
More bas-relief, these even weirder. From here you can go either left or right around the temple.
GO TO INNER BUILDINGS (8)
GO TO RIGHT AROUND TEMPLE II (11)
GO TO LEFT AROUND TEMPLE II (12)
RIGHT AROUND TEMPLE II
Broken columns litter your path as you walk around the Temple, finally opening up and leaving you at the rocky Courtyard.
GO TO ROCKY COURTYARD (1)
LEFT AROUND TEMPLE II
Broken columns litter your path as you walk around the temple. Midway around, you’ll find an open door.
IF YOU ENTER THE DOOR THEN
GO TO TEMPLE ROOM (13)
ENDIF
The walkway continues around finally opening up and leaving you at the rocky courtyard.
GO TO ROCKY COURTYARD (1)
TEMPLE ROOM
A small temple, long pews on either side.
An OLD PRIEST stands with his back to you at the alter, mumbling something in what sounds like Latin.
IF YOU SPEAK TO HIM THEN
PRIEST
(without turning)
Go away!
IF YOU CONTINUE TRYING TO TALK TO HIM THEN
PRIEST (CONT’D)
(still without turning)
If you value your soul, then turn back before it’s too late … go, leave me!
ENDIF
ENDIF
IF YOU WALK UP TO THE PRIEST THEN
He turns, and you see that he’s quite dead, maggots crawling in what’s left of his face … he lunges for you and you quickly join his condition …
GO TO YOU’RE DEAD (16)
ENDIF
GO TO RETURN (0)
LIBRARY
Lots of books and a large key on the table.
IF YOU TAKE KEY THEN YOU HAVE <KEY TO THE
ORCHARD GATE>.
GO TO RETURN (0)
INNER COURTYARD
Lots of cool statues.
GO TO HALLWAY OF INNER BUILDING (9)
YOU’RE DEAD
That’s it!
Video Game Concept for Gods & Monsters
Copyright 2003 International Hobo Ltd., reproduced with permission.
Premise
The story of two brothers, Telamon and Peleus, who were friends of Heracles, voyagers on the Argo and enemies of the goddess Athena. Quest-based gameplay in which the player controls Telamon to fight, but Peleus fights alongside using unique combat mechanics. Together they combine talents to defeat armies and mythic creatures. After playing Telamon and Peleus’ story, more quests become unlocked telling tales of different pairs of heroes (e.g. Heracles, Jason etc.). All heroes can be powered up by an RPG-style mechanic.
Mechanics
Controls
Attacks & Special Attacks
The player’s first three attacks (on the Attack button) come in quick succession; the fourth is more powerful, but much slower. The most efficient way to attack is therefore to get the rhythm of the first three attacks and never trigger the fourth (a standard fighting game mechanic).
Special attacks can be pressed by using the Power button after a different number of Attacks (A = attack button, P = power button, + = ‘then press…’):
These different combinations are simple to enter, and hence ‘button mashing’ still produces useful actions.
Holding the Left trigger locks on to an opponent in the front arc. In this mode, the player can use all of the attacks they can use when unlocked, plus they can press Shoot to fire an arrow at their opponent.
Partner Trigger
When the Right trigger is pressed, the player’s hero calls out to their partner for help. The partner switches between three contexts:
Which context the partners goes into depends upon the circumstances, using a highly intuitive system which can easily be learned experientially:
Final Context |
||
Current Context |
If no enemy locked |
If enemy locked on (L-trigger held) |
Open |
→ Guard |
If enemies in rear arc, |
→ Guard Else, → Co-op |
||
Guard |
→ Open |
→ Co-op |
Co-op |
If enemies in rear arc, |
If enemies in rear arc, |
→ Guard Else, → Open |
→ Guard Else, → Open |
Informally, when unlocked, pressing Partner trigger switches between Open and Guard. When locked on, pressing Partner trigger switches between Open and Co-op.
If the player is being attacked from behind, pressing Partner trigger instead switches to Guard.
Armour
To help build atmosphere, the player’s state of health is shown visually, by their armour. As they take damage, they lose items of armour. First, they lose their shoulder plate (75% Armour), then their breastplate (50% Armour), then finally their helmet (25% Armour). From 24 to 1% armour they are down to just a loincloth. At 0%, they are dead.
Their partner also has armour, but cannot be killed. Instead, when their armour runs out they automatically go into Guard position (the safest position).
The Legends
Initially, only Telamon & Peleus can be played, but the other legends unlock progressively:
Telamon & Peleus: the two brothers travel on the Argo, until Heracles leaves the voyage, and ultimately face off against the daughters of Medusa. | |
Atalanta & Jason: the first half of the story of the Argonauts, told from the perspective of Greece’s legendary female warrior, Atalanta, who is partnered here with Jason. | |
Jason & Medea: the second half of the story of the Argonauts, as Jason returns to Greece with the Golden Fleece, partnered with his new wife, the sorceress Medea. | |
Peleus & Heracles: the tale of five of the twelve labours of Hercules (Heracles), told from the perspective of his friend Peleus, who helped him on several labours. | |
Theseus & Telamon: the legendary story of Theseus and the Minotaur, with Telamon partnering Theseus. | |
Medea & Atlanta: as Jason betrays Medea, she seeks revenge upon him, and partners with Atalanta for her own legend. | |
Heracles & Theseus: the story of mighty Heracles is concluded, with him partnered with his cousin and admirer, Theseus. Ultimately, Heracles ascends to Olympus as a god. |
The Quests
As well as the seven story-driven Legends above, the player can also complete seven quests – one for every hero. This is carried out in Quest Mode, in which the player can take any pair of heroes into any of the game levels. Each hero can acquire a mythic item (the Silver Bow of Artemis, Zeus’ Thunderbolt, the Helm of Hades, the Winged Sandels of Hermes etc.) by completing a series of challenges which are ‘hidden’ in the levels, but marked with the seal of the hero’s patron god. The hero then uses the item to complete a final challenge.
For example, Medea’s quest begins when her patron deity, Hecate, orders her to acquire the head of one of the daughters of Medusa. To do this, she must find where the Adamantium Sickle is held (the only weapon strong enough to cut off the head), and also acquire the Kibisis Pouch (which can hold the head safely). Only when she has found, and defeated the guardians of, these items, can she go to the daughters of the Medusa and get a Gorgon’s head. Then, Hecate sends her into the Underworld to ‘rescue’ Persephone from Hades, using the Gorgon’s head to turn her enemies to stone.
These quests provide a reuse of resources at very little cost, and provide an extended play window, extending the value of word-of-mouth and other consumer-lead market effects. Additionally, the player receives a letter grade (Epsilon, Delta, Gamma, Beta, Alpha or Omega) for each level in Quest Mode, allowing hardcore players to strive to get Omega on every level.
Gameplay Example
This is set in the first Legend, Telamon & Peleus, during the part of the voyage of the Argo when these two heroes were aboard. The player is Telamon; Peleus is their partner.
The Argo has set ashore on the Arcton penisula, en route to the Black Sea and Colchis (where the Golden Fleece is held). Desperately short of food, all the Argonauts are told to go out seeking supplies. Telamon briefly talks to Heracles, whom both he and Peleus have befriended. He tells them that the Arcton peninsula is notoriously home to certain Earth-born giants with a bad reputation. Heracles asks the two heroes to take care, and heads off on his own.
Telamon and Peleus talk amongst themselves as they head out into the peninsula – their conversation is ended by unintelligible talking from a ridge nearby. A short engine cut shows the group of six-armed nine-feet tall giants on the other side of the ridge.
The heroes engage. At first, Telamon wades into open combat (Peleus picks his own targets), but the enemy is strong. Soon, Telamon is surrounded. He tries a wide-arc attack to throw them off, then hits his trigger to call to Peleus (“I need some help here!”). Because there are enemies in Telamon’s rear arc, Peleus rushes to fight back to back, guarding Telamon’s back.
They cut the group down to just two opponents, but another giant arrives. This one is twelve feet tall, and is dressed in black armour – the leader of this group. Telamon hits his trigger to free up Peleus (“Go get them…”), and then locks onto the leader of the group. He starts hitting, but the giant’s defence is too strong, and it keeps using a shield to block.
Telamon decides to take out the grunts first, then deal with the leader. Still locked, he hits his trigger to assign Peleus to that target (“Keep the leader busy for me!”), putting Peleus in Co-op mode, then releases the lock trigger (Peleus continues attacking the leader).
Locking onto a distant foe that Peleus has already reduced to just a helm, Telamon hits his arrow button repeatedly and the giant falls down dead – but as he does the other giant hits him and sends him flying. He loses his breastplate – he’s down to 50% Armour. He’s scored a 3-hit combo at the moment from the arrows, and Peleus hits the giant leader 4 times, extending this combo to 7 while the player while gets their bearings.
Quickly locking onto the last grunt before the combo fades, he starts hitting it just in time to continue the combo. Because a second opponent has been added to the combo, a x2 appears by the combo count, and after 8 hits (15 hits total) the giant falls.
The player locks back onto the leader (combo x3), but as he does, Peleus’ last piece of armour is removed – Peleus falls into Guard (“I can’t hold him any longer”). Telamon will have to defeat the giant on his own. After another 4 hits, the player is knocked back and with Peleus in Guard mode, the combo is broken at 19 × 3 = 57. The player’s helm is knocked off – they only have 25% Armour left.
Falling back a safe distance, the player locks on and lets loose with arrows. Although Peleus is in Guard, Telamon hits trigger to toggle Peleus into Co-op … since Peleus cannot leave the Guard position without getting some armour, this causes Peleus to shoot arrows to defend Telamon – so the two unleash a rain of arrows together. The giant leader falls, and the highest combo score of the battle (57) is used to upgrade the loot – which includes full armour and a big plus to Attack.
The two carry on, and come to a flock of sheep. Perfect food for the voyage! Telamon tries to grab one, but they run away too fast. Flipping into Co-op (“Help me corner one of these damn sheep!”), the two co-operate to bring down the sheep. They round up the last few with arrows, leaving a dead flock and mutton for all.
The camera pans back to a nearby ridge. From behind it can be see a smooth mound, which rises upwards … then higher … and higher … until a huge thirty foot tall Cyclops shepherd can be seen towering angrily above it’s now slaughtered flock!
Telamon locks on, and triggers Peleus into Co-op (“Try and hit its skullcap!”). Peleus begins hitting the Cyclops’ skullcap (a context-specified behaviour in this case), which partly covers the single eye. When he does, the shepherd stops briefly to readjust its position. Telamon times his shot perfectly and an arrow pierces the Cyclops’ eye, blinding it! The giant comes falls to its hands and knees and begins groping after the two heroes in a blind panic. The adventure continues …
Notes
How does the game emotionally involve the player?
How does the game function as wish-fulfillment?
How does the game appeal to the hardcore gamer?
How does the game appeal to the casual gamer?
Market notes
18.117.156.113