INDEX
A
allegory 256
alterity 24, 211, 213–14, 217, 219–20
ancient novel 9
Apollonian form 81
Aristotelian criticism 58
Augustan Age 109
B
Bakhtin, M. M.
and humanism 2
works:
‘Art and Answerability’ 115
‘Author and Hero in Aesthetic Activity’ 23, 24–5, 45, 115, 211, 219, 222, 243
‘The Bildungsroman and Its Significance in the History of Realism’ 241
‘Discourse in the Novel’ 2, 5, 18, 51, 54–5, 57–8, 59–60, 67, 73–4, 134, 158–9, 203, 209–11, 227–8, 231, 241, 243
‘Epic and Novel’ 56–8, 60, 63, 80, 82, 99–100, 105, 119–20, 129, 133, 135, 209–10, 237, 238, 252
‘Forms of Time and of the Chronotope in the Novel’ 52–4, 58, 119–21, 123, 130, 132–4, 146–7, 149, 151, 153, 156, 159–60, 174–6, 188, 200, 202, 204, 215, 243
‘From Notes Made in 1970–71’ 73, 228, 243
‘From the Prehistory of Novelistic Discourse’ 54, 56, 58, 74, 109, 116, 127, 129, 215, 249
‘The Problem of Content, Material and Form in Verbal Art’ 115
‘The Problem of Speech Genres’ 5–7, 18, 115, 147, 158, 252
‘The Problem of the Text’ 108, 218
Problems of Dostoevsky's Poetics 55–6, 58, 65, 74, 81, 112, 119, 123–4, 129, 131, 133–4, 137, 141, 143–4, 151–2, 159, 173, 174, 180, 192, 194–5, 198–9, 204, 238, 257, 260
Rabelais and His World 3, 7–8, 14–15, 51–5, 58, 72, 79–80, 86, 88, 95, 123, 124, 130–2, 134, 137, 141–53, 158–9, 165–8, 176–8, 180–1, 187–8, 193, 195–7, 202–3, 206
‘Satire’ 7
‘Toward a Methodology for the Human Sciences’ 227–8
Toward a Philosophy of the Act 11–12, 23–4
C
carnival 7, 52, 59, 55, 62, 73, 79–80, 82, 85–6, 95, 102, 120–4, 128–9, 131, 134, 141–2, 144–7, 149–50, 157, 168–9, 174, 176–8, 204, 247–9, 251–2, 257–60
carnivalization
of genres 55
of literature 57, 67, 194, 199, 204
chronotope 8, 104–5, 109, 172, 174–6, 180
comedy and self-reflexivity 66
D
deconstruction 2, 4–7, 217, 222
deixis 45
dialogism 9, 24, 26–7, 30, 34, 36, 43, 53, 71, 80, 88–9, 92, 96, 110, 20–1, 124, 127, 133, 176, 227–9, 235, 237, 240–1, 249, 251, 258, 260; see also monologism
Dionysian disorder 81
E
F
fairy tale 172
feminism 2–4, 165–6, 242; see also ideology, male
focalization 45, 101, 103, 108, 112
folk culture 121
folktale 123
Formalism, Russian 73
G
gender 36, 43, 230, 242; see also feminism; ideology, male
generic interaction 60, 66, 72, 99, 102
genre 10, 47, 100, 103–4, 107, 109, 119, 233, 238, 247–8, 255, 257; see also generic interaction
great time, see historical poetics
grotesque realism 148, 151, 153, 157
H
heterogeneity, stylistic 56–7, 61
heterogeneous linguistic consciousness 53
heteroglossia 57, 60, 67, 72, 99–101, 104, 109–10, 209–10, 214–15, 217–18, 220–1, 225, 227–9, 231–3, 236–7, 239–41, 260
historical poetics 153
I
ideology, male 28; see also feminism; gender
idiolect 54
intertextuality 60, 99, 103, 107, 250, 257
K
L
live-entering 24–5, 29–30, 35–6
M
Medvedev, P. N., The Formal Method in Literary Scholarship 18, 142
Menippean satire 8, 52, 119, 133, 191
Euripidean 27
of Willa Gather 220
monologism 58, 80, 88, 95–6, 99–100, 106–7, 110, 120, 127, 134, 150, 166, 193, 206, 227–8, 239, 249, 252, 255, 257; see also dialogism
N
novelistic discourse 54
novelistic reification 127
novelization 99, 106–9, 238, 243
O
obscenity 57
outsideness, see exotopy
P
paraclausithuron 126
parody 55–6, 61–6, 110, 112, 119–21, 124, 129, 197
Platonic dialogue 81
polyglossia 58, 108, 116, 249, 260
poststructuraiism 2, 4–7, 217, 222
profanation 74
public vs. private 33
R
reader-response theory 211, 217; see also reception theory
realism, see grotesque realism
reception theory 214; see also reader-response theory
reciprocity 24, 29–30, 32, 37, 45–6, 240
S
self-consciousness, literary 63
self-reflcxivity and comedy 66
serio-comic literature 55–6, 119, 205
speech genres 5, 6, 67, 69, 147, 249, 252, 255, 258
T
V
Voloshinov. V. N., Marxism and the Philosophy of Language 2, 18, 142
