Chapter 7: Working with the Live View and Video Modes

Live View and high-definition (HD) video are standard on all of Nikon’s current dSLRs. When the D5000 was introduced, the video settings were pretty much fully automatic, except for the autofocus, which was fully manual and video was only 720p. When the D5100 was released, its video capabilities were upgraded to a full 1080p HD, and it also gained autofocus, but the most important part was still missing — manual settings to control video recording.

Enter the D5200. Finally, Nikon has added a Manual video mode (), which previously was only available on higher-end cameras. Nikon has also added a built-in stereo microphone (something even the flagship D4 doesn’t have), which is a first for all of its dSLRs. As a result, the D5200 is much more viable for use as a dedicated HD video camera than any of its predecessors.

Using Live View mode, especially with the D5200 Vari-angle LCD monitor, you can get creative when composing angles.

Live View Mode

Live View mode () is simply a live feed of what is being projected through the lens and onto the sensor. This live feed can also be used to produce a video. To enter Live View mode (), flip the Live View switch () to activate it. The Live View switch () is located next to the Mode dial. To shoot still photos simply half-press the shutter-release button as you normally would to focus when using the viewfinder and fully press the button to take the picture. To record video, press the movie-record button, which is located just behind and to the left of the shutter-release button.

When you use Live View mode (), shooting stills and videos is very similar. Although each feature has some options that the other doesn’t, I’m first going to cover the options they have in common.

Focus modes

The D5200 offers three focus modes when using Live View mode (). These modes are a bit different, although similar in some ways to those you find when using the traditional, through-the-viewfinder shooting method. When in Live View mode (), you change the focus mode by pressing the Info Edit button () to enter the Info edit menu. If the camera is on, but asleep, press the Info Edit button () twice to get to the Info edit menu. Use the multi-selector to navigate to the Focus mode option, and then press the OK button (). There are three modes: Single Servo AF (), Full-time Servo AF (), and Manual focus (). You can also slide the focus mode switch on the lens to Manual (if the lens features one).

Single Servo AF

This mode is the same as using Single Servo AF () when shooting stills traditionally with the viewfinder method. Press the multi-selector up (), down (), right (), or left () to move the focus point to your subject, and then press the shutter-release button halfway to focus. Fully press the shutter-release button when the scene is in focus and ready to shoot. Note that the D5200 takes a still photo in Single Servo AF mode () even if the scene is out of focus when the shutter-release button is fully pressed.

You follow the same procedure for video, except that you press the movie-record button located just behind and to the left of the shutter-release button to start recording video. You can focus first, and then start recording; or you can start recording out of focus, and then press the shutter-release button halfway to focus in for a cinematic pull focus effect (this technique works a lot better in manual focus, however). Once the camera locks focus, it stays focused at that distance unless you press the shutter-release button again.

For still photography, I recommend using Single Servo AF mode () for stationary subjects like portraits, still life, products, and landscapes. For video, you need to be sure that your subject isn’t moving backward or forward by a large margin, especially if you’re using a wide aperture for shallow depth of field. Even the slightest change in distance can cause the subject to go out of focus. This setting is good for doing interviews or shooting scenes where there is not much subject movement.

Full-time Servo AF

Full-time Servo AF mode () allows the camera to focus continuously, similar to when the shutter-release button is pressed halfway in Continuous Servo AF mode ().

When using Full-time Servo AF mode () while recording video, you should be aware that the camera often hunts for focus, especially if you are moving or panning the camera. This can cause the video to go in and out of focus during your filming, which can cause your videos to look unprofessional (although some mockumentary videos use this for effect).

The Autofocus modes, and the Single Servo AF () and Full-time Servo AF () modes, operate in conjunction with the AF-area modes, which are covered in the next section.

AF-area modes

To make the Live View mode () focusing quicker and easier, Nikon gives you different options for AF-area modes. The AF-area modes are different from the traditional through-the-viewfinder shooting AF-area modes. When in Live View mode (), you change the focus modes by pressing the Info Edit button () to enter the Info edit menu. If the camera is on, but asleep, press the Info Edit button again to enter the Info Edit menu. Use the multi-selector to navigate to the AF-area mode option, and then press the OK button ().

The following options are found here:

• Face-priority AF mode (). Use this mode for shooting portraits or snapshots of the family. You can choose the focus point, but the camera uses face recognition to focus on the face rather than something in the foreground or background. This can really be an asset when shooting in a busy environment, such as when a lot of distracting elements are in the background. When the camera detects a face in the frame, a double yellow border is displayed around the autofocus area. If the D5200 detects more than one face (the camera can read up to 35 faces), then it chooses the closest face as the focus point. You can use the multi-selector to choose a different face if you desire. When you use Face-priority AF mode () to shoot group shots, I suggest using an aperture of f/5.6 or smaller to ensure greater depth of field to get all the faces in focus.

• Wide-area AF mode (). This mode makes the area where the camera determines focus from about four times the size of the Normal-area AF mode (). This is good when you don’t need to be very critical about the point of focus in your image. For example, when shooting a far-off landscape, you really only need to focus on the horizon line. This is a good general mode for everyday use. You can move the autofocus area anywhere within the image frame.

TIP  When using the Face-priority AF (), Normal-area AF (), or Wide-area AF () modes in Live View mode (), press the OK button () to quickly return the autofocus area to the center of the frame.

• Normal-area AF mode (). This mode has a smaller autofocus point than Wide-area AF mode (), and you use it when you need to achieve focus on a very specific or precise area within the frame. This is the preferred mode when shooting with a tripod, or when shooting macros, still life, or portraits that require a more precise focus than Face-priority AF mode () provides (generally, portraits are focused on the eye closest to the camera).

• Subject-tracking AF (). This is an interesting feature, especially when used in conjunction with video. Use the multi-selector to position the autofocus area over the top of the main subject in the image. Focus on the subject, and then press the OK button () to start tracking the subject. The autofocus area follows the subject as it moves around within the frame. Be aware, however, that this feature works best with slow to moderately paced subjects that stand out from the background. When using Subject-tracking AF mode () with very fast-moving subjects, the camera tends to lose the subject and lock onto something of a similar color and brightness within the frame. This mode also becomes less effective as the amount of light decreases. To disable subject tracking, simply press the OK button (). This resets the autofocus area to the center. To reactivate Subject-tracking AF mode (), press the OK button () again.

NOTE  All AF-area modes are disabled when you set the camera or lens to Manual focus (), or when you attach a manual focus or non AF-S lens to the D5200.

Using Live View mode

As you may already know, the image from the lens is projected to the viewfinder via a mirror that is in front of the sensor. There’s a semitransparent area in the mirror that acts as a beam splitter, which the camera uses for its normal phase-detection autofocus. For Live View mode () to work, the mirror must be flipped up, which makes phase-detection autofocus unusable, so the camera uses contrast detection directly from the sensor to determine focus. This makes focusing in Live View mode () a bit slower than focusing normally. In addition, when you’re shooting stills, the mirror must flip down and back up, which takes some extra time. This makes Live View mode () a more challenging option to use when shooting moving subjects or events such as sports, where timing is the key element in capturing an image successfully.

That being said, Live View mode () is ideal when shooting in a controlled environment or studio setting, especially when using a tripod. You can move the focus area anywhere within the frame; you’re not limited to the tightly packed 39-point autofocus array. Using Live View mode () also allows you to achieve sharper images when doing long exposures because the mirror is already raised, eliminating any chance of mirror slap, which can sometimes cause images to blur slightly when shooting exposures longer than 1/2 second.

TIP  Keep in mind that if you hold the camera at arm’s length when it’s in Live View mode (), you increase the risk of blurry images due to added camera shake. Keep your elbows close to your sides for added stability.

Shooting still photographs in Live View mode () is very simple. Simply pull the Live View Selector switch to activate Live View mode () and you’re ready to shoot. Use the multi-selector up (), down (), right (), or left () to position the focus point. When in Single Servo AF mode (), press the shutter-release button halfway to focus; in Full-time Servo AF mode (), wait until the camera achieves focus, and then fully press the shutter-release button to take the picture. To shoot video, follow the same procedure, except when you want to start filming, press the Movie record button.

NOTE  When using Full-time Servo AF mode (), pressing the shutter-release button causes the camera to refocus before actually taking the photo.

CAUTION  When filming video, fully depressing the shutter-release button ends video recording and causes the D5200 to shoot a still frame.

When in Live View mode (), the following buttons on top of the camera behave a little differently than they do when in the default viewfinder shooting mode:

• Live View mode switch (). A quick pull of this switch, located next to the mode dial, flips up the mirror and activates Live View mode ().

• Exposure compensation ()/Aperture () button. Press this button and rotate the Command dial to adjust the aperture setting when in Manual mode (). It adjusts the exposure compensation when in the Programmed auto (), Shutter-priority auto (), or Aperture-priority auto () modes.

• Movie record button. This button’s only function is to start recording video when it’s pressed and to stop when it’s pressed a second time. Simple. It’s located just behind and to the left of the shutter-release button.

• Info button (). Pressing this button cycles through a number of options for viewing the information laid over the Live View feed on the LCD monitor. These are the Live View/Movie Recording Display options, and they are:

• Show photo indicators. As the name suggests, this is the information you need to see when using Live View mode () to shoot still photos (see Figure 7.3).

• Show movie indicators. This information display, shown in Figure 7.4, shows settings relevant to filming video. This viewing option also has the 16:9 aspect ratio in clear view with the rest of the frame grayed out so you can accurately frame your videos to the correct aspect before you press the Movie record button.

NOTE  When the camera is set to record video at 640 × 424, the grayed-out crop area isn’t shown as the aspect ratio is 3:2 like a standard photo.

NOTE  When the camera is set to record at 60 fps, it uses a smaller central crop area of the sensor.

• Hide indicators. This option hides all of the extraneous settings indicators in the frame and gives you a clear view so you can frame your shot without distractions. The shooting info is still displayed on the bottom. There are small brackets visible for use in lining up the shot to a 16:9 aspect ratio.

• Framing grid. This is similar to the Hide indicators option with the addition of a grid, which is helpful for keeping lines or horizons straight in your compositions, or helping to compose with the Rule of Thirds.

Although you can shoot stills or video when the camera is in any of the Live View/Movie Recording Display options, I recommend setting the display option for your intended recording. For example, set it to Show photo indicators for shooting stills and set it to Show movie indicators for filming video. This may seem like a no-brainer, but it’s definitely a good habit to get into.

The buttons on the back of the camera also have some features when using Live View mode (). Here are the options:

• Playback button (). Press this button to review your images or videos. Press it again to return to Live View mode ().

• Menu button (). Press this button to access the menu system. Not all options are available. Press the Menu button () again to return to Live View mode ().

• Zoom in button (). Press this button to zoom in on your focus point to check focus.

• Thumbnail/Zoom out button (). Press this button to zoom out when you’re back to the standard framing; the shooting info bar reappears at the bottom of the screen.

• Info edit button (). A single press of this button brings up the Info edit menu. Press the Info edit button (∞oredit2) again to return to Live View mode ().

• AE-L/AF-L button (). This button functions as assigned in Custom Setting menu () f2 when you press it.

Shooting and Editing Video

Using the video feature on the D5200 is quite simple: pull the Live View mode switch (), focus, and then press the Movie record button. Okay, hold your horses there, Scorsese. Before you hit that Record button, you need to set up the camera.

First, press the Menu button () to enter the menu system. Use the multi-selector to navigate to the Shooting menu (), press the OK button (), and then navigate down to the Movie settings option. This is the very last menu item. Press the OK button () and you’re faced with the following options:

• Frame size/frame rate. Choose the image size based on your intended output and preferred frame rate (covered later in this chapter). You have the following choices:

• 1920 × 1080; 60i ()

• 1920 × 1080; 30p ()

• 1920 × 1080; 24p ()

• 1280 × 720; 60p ()

• 640 × 424; 30p ()

• Movie quality. You have two choices: High and Normal. The difference comes down to bit rate. At higher bit rates, more information is being recorded, resulting in better color rendition and dynamic range; of course, higher bit rates also mean more data and larger file sizes. Keep in mind that High-quality movie clips are limited to 20 minutes and Normal quality clips can be up to 29 minutes and 59 seconds. Again, your choice comes down to your intended output. For the web, Normal quality is fine; for viewing on HDTVs, stick with High-quality. Notice that when the quality is set to High, a small star appears in the Frame size/frame rate icon.

• Microphone. The three microphone settings are Auto sensitivity, Manual sensitivity, and Microphone off. Auto works for most general filming, but for a more consistent sound in a controlled environment, you can set the microphone sensitivity manually. You can monitor the levels when filming. When recording sound to an external source, you may want to turn the microphone off. Most professional filmmakers prefer to record the audio to a separate file using a dedicated sound recording system for higher audio quality. The video and sound files are later synced up in postproduction.

• Manual movie settings. When this option is set to the default (which is Off) the camera completely controls the shutter speed and ISO setting, no matter what the settings say in the info display. Set this to On if you want to set the shutter speed and ISO manually when in Manual exposure mode ().

CAUTION  When you set the Manual movie settings to On, it disables Auto ISO () for video.

Now that the Movie settings are taken care of, you should set the following options:

• Picture Control. As it does with your still images, the D5200 applies Picture Control settings to your movie. You can also create and use Custom Picture Controls that fit your specific application.

One of my favorites is a Custom Picture Control that I created called Raging Bull; it uses the Monochrome Picture Control () with added contrast and the yellow filter option. This gives me a black-and-white scene that’s reminiscent of the Martin Scorsese film of the same name. Before you start recording your video, decide which Picture Control you want to use for your movie.

• Exposure mode. If you set the Manual movie settings to On, this is a very important setting. The exposure mode you select determines whether you or the camera will be choosing the settings. Select one of the following options:

• Programmed auto () and Shutter-priority auto () modes. These modes let the camera make all the exposure choices for you. When you press the Live View button (), the camera sets the shutter speed, aperture, and ISO sensitivity. While you’re filming, if the lighting changes, the camera adjusts the exposure by adjusting the ISO sensitivity. If the scene becomes too bright, the shutter speed is raised to keep a good exposure unless you lock the exposure by pressing the AE-L/AF-L button (). The only control you have over the exposure is that you can adjust the Exposure compensation ().

• Aperture-priority auto mode (). This mode allows you a little more control. You can set the aperture to control the depth of field, but the camera automatically controls the shutter speed and the ISO sensitivity. You can also use Exposure compensation () to brighten or darken the image.

• Manual mode (). If you’re serious about video, you should be using this exposure mode. This mode lets you control the exposure by adjusting the aperture, shutter speed, and ISO setting yourself. It takes a little more time to set up, but this allows you to control not only the depth of field but also the amount of noise and the shutter speed effect if you want.

CAUTION  When shooting using Manual exposure (), the aperture must be set before Live View mode () is activated.

TIP  When shooting in Manual exposure mode (), set the Function button () to ISO so you can adjust the ISO settings quickly.

Frame size and frame rate

The D5200 offers a few different options for recording video. There are two size settings for HD video with three frame rate options, and one option for shooting smaller videos that are destined directly for the web or e-mail. The high definition (HD) video sizes are 1920 × 1080 and 1280 × 720. The small size is 640 × 424. When discussing video frame size, it is usually referred to by the height number (1080 or 720) because of the way the image is progressively recorded (from top to bottom), but more on that later.

The 1080 video size has more resolution and therefore holds more detail and has less noise in low light. Most professionals prefer to shoot in 1080 and downsize later if necessary. There are, however, some reasons for shooting in 720. For example, the file sizes are smaller and, if you’re only shooting videos to post to YouTube or Vimeo or some other online source, you don’t really need the higher resolution. If you plan to make DVDs to show on an HDTV, then the extra resolution of 1080p is going to make quite a difference in quality. So, it boils down to your intended output. If you’re just planning on e-mailing to friends or just want to shoot a small-size file to be viewed on a laptop or mobile phone you can use the smallest option of 640 × 424.

An important part of video capture is frame rate. This is the rate at which the still images are recorded, and it is expressed in terms of frames per second (fps). At the end of the resolution number (1080 or 720), there is another number in subscript (24, 25, 30, 50, or 60). This subscript number is the frame rate. Video capture involves recording still images, linking them together, and then playing them back one after another in sequence. This allows the still images to appear as if they’re moving. Most video cameras capture video at 30 or 60 fps. A rate of 30 fps is generally considered the best for smooth-looking video. Shooting at 24 fps is the minimum rate required to fool the human eye into seeing seamless motion. This is the frame rate that film-based motion pictures use, so 24 fps gives HD video a cinema-like quality.

The frame rate you select is dependent on a few different factors. Most seasoned videographers prefer 30 fps for the smooth video look and the way that it portrays motion more naturally. Some videographers like to use 60 fps as well. This frame rate is generally used when shooting fast action or doing many quick pans as the faster minimum shutter speed allows the camera to eliminate artifacts, such as skew, which can occur when doing a fast pan. When shooting fast action, such as sports, most videographers recommend 60 fps. Shooting at 60 fps is also a way in which videographers can create smooth slow motion by slowing the 60 fps footage down to 30 fps and using it with the regular footage that was shot at 30 fps.

Some filmmakers who started out using film and have recently transitioned to HDSLR video prefer the 24 fps film look. This is also the preferred frame rate if the footage is going to be intercut with footage that was digitized from actual film stock.

You may also have noticed a little subscript p or i near the icon. If you’re familiar with HD, you’ve probably heard the terms progressive and interlaced. Your D5200 has an HDMI (High-Definition Multimedia Interface) output setting, which you can find in the Setup menu (). Here, you can choose between progressive and interlaced resolutions. Interlaced video scans every other line that makes up the picture, although the picture appears as if it is being displayed all at once. Progressive scanning displays single lines of the image from top to bottom. As with interlaced technology, all of this happens too fast for the human eye to detect the separate changes, and so everything appears to happen all at once.

You may be wondering why all of the options are 1080p, 720p, or 424p except for one — the1080i at 60 fps. This option creates manageable file sizes that are roughly the same as 1080p. Because the camera records every other line, it only records a real 30 fps.

In-camera video editing

You can make simple edits to your videos in-camera. However, for more serious edits, you should consider third-party software, such as iMovie for Mac, or Adobe Premiere Elements for Mac or PC. These are affordable, entry-level editing programs. As you progress, though, you may need to step up to more powerful programs, such as Final Cut Pro from Apple or Adobe Premiere Pro. In-camera, you have three options: choose the Start frame, choose the End frame, and grab a still image from the video. Each edit you make is saved as a new file, so there’s no need to worry about making any permanent changes to your original file. To edit a video, follow these steps:

1. Press the Menu button () and use the multi-selector to select the Retouch menu (). You can also press the Playback button (), select the video, and then press the Retouch button ().

2. Select Edit Movie, and then press the OK button () or the multi-selector right () to view the menu options. You can also press the Retouch button () from the Playback screen to display the options.

3. Choose the type of edit that you want to make, and then press the OK button () or the multi-selector right (). The options are Choose start point, Choose end point, or Save selected frame. A menu appears with all videos that are saved to the current memory card (when the movie is selected directly from the Playback screen, this option doesn’t appear).

4. Use the multi-selector to scroll through the available videos until the one you want is highlighted in yellow, and then press the OK button ().

5. Press the OK button () to begin playback, and then press the multi-selector up () at the point in the video where you want to make the edit. You can press the multi-selector down () to stop playback, and multi-selector left () or right () to go back or forward in the video clip.

6. Press the multi-selector up () to make the edit. I prefer to pause the movie by pressing the multi-selector down () so I can be absolutely sure it is where I want the edit to be. I then make the edit and the movie saves automatically.

TIP  When playing back a movie file, you can use the Command dial to jump ahead in 10-second increments. If the clip is less than 10 seconds long, it jumps to the end of the clip.