The Nikon Z7 has a big, 3.2-inch, 2.1-million pixel, tilting, touch-sensitive, TFT-LCD, rear Monitor, which you can use to examine the images you have taken in great detail. You can zoom in past the 100 percent pixel-peeping level to make sure an image is sharp enough. You can review, delete, rotate, rate, and examine detailed shooting information on each picture. You can even use the Monitor or EVF (electronic viewfinder) to view a slide show, or use the HDMI port to output the slide show to a larger device, such as a television (HDTV).
The Playback Menu has everything you need to control your camera’s image playback and copying functions. You’ll be taking thousands of pictures and will view many of them on the Monitor or in the EVF; therefore, it’s a good idea to learn how to use the Playback Menu well.
This chapter, and the next several chapters, will consider the camera’s menu systems. The Z7 has seven primary menu systems—along with several supplementary menus—with hundreds of configuration options. We’ll examine each setting in each menu, starting with the Playback Menu.
To open the camera’s menu system, press the Menu button on the lower–right back of the camera.
The Playback Menu is first in the list of menus (figure 6.0) and it contains the following functions:
Let’s examine each of these settings in detail, with full explanations on how, why, and when to configure each item.
(User’s Manual: Page 153, Reference Manual: Page 123)
The Delete function allows you to selectively delete individual images from a group of images in a single folder or multiple folders on your camera’s memory card. It also allows you to clear all images in the folders without deleting the folders. This is similar to a card formatting operation that affects only images, and not folders. However, if you have protected images, this function will not delete them.
There are three parts to the Delete menus:
Figure 6.1A shows the menu screens you’ll use to control the Delete function for selected images.
Notice in image 3 of figure 6.1A that there is a list of images, each with a number in its lower-right corner. These numbers run in sequence from 1 to however many images you have in your current image folder or on the entire memory card. The number of images shown will vary according to how you have the Playback folder settings configured. (See the next section of this chapter, Playback Folder.)
If you have Playback folder set to Current (factory default), the camera will show you only the images found in your current Playback folder. If you have Playback folder set to All, the Z7 will display all the images it can find in all the folders on your camera’s memory card.
Here are the steps to delete one or more images:
Settings Recommendation: This function is useful when you are reviewing your images and want to delete multiple images. Simply mark and delete the image(s) you no longer want by using the steps listed above.
There is a simpler and faster way to delete a single image. Simply display the image you no longer want on the camera’s monitor and press the Delete (garbage can) button twice. The image shown in figure 6.1B has been displayed on the monitor and the Delete button has been pressed once, which opens a Delete? screen. Press the Delete button once more, or touch Yes with your fingertip, to finish deleting the unwanted image.
Using the Select date method to delete images is simple. When you preview your images for deletion, you won’t be shown a list of all the images, as with the Delete option. Instead, the Select date screen (figure 6.1C, image 3) will give you a list of dates with a single representative image following each date.
Here are the steps to delete images by Select date:
Settings Recommendation: Be very careful with this function! It could permanently delete hundreds of images all at once. Use the listed steps to carefully review the dated images to make sure you don’t accidentally delete important pictures.
This option is like formatting the memory card, except that it will not delete folders. It will delete only images—except for protected images (figure 6.1D). Using this option is a quick way to format your card while maintaining your favorite folder structure and keeping protected images in them.
Here are the steps to delete all images on the card (or in the current folder):
Being the paranoid type, I tested this thoroughly and found that the Z7 really will not delete protected and hidden images, and it will keep any folders you have created. However, if you are a worrier, maybe you should transfer the images off the card before deleting any images.
Settings Recommendation: I don’t use the Delete > All function often since I usually don’t create special folders for each type of image. If you maintain a series of folders on your memory card(s), you may enjoy using the Delete > All function. Most of the time, I just use Delete > Selected to remove particular images. Any other time I want to clear the card, I use the Format memory card function on the Setup Menu. We’ll discuss formatting the memory card in the chapter titled Setup Menu, under the heading Format Memory Card on page 472.
The Nikon Z7 will allow you to protect images from accidental deletion when you use the Delete function. Using this method will not protect images from deletion when you format the memory card.
To mark an image as protected from deletion, you will use the Help/protect button, as shown in figure 6.1E and the upcoming steps.
Use the following steps to protect individual images from accidental deletion (figure 6.1E):
Settings Recommendation: You can either use this photo Quick Menu choice, or you can assign the Protect function to one of the camera’s buttons for faster image protection by configuring the Custom Menu > f controls > f2 Custom control assignment function. Follow the instructions starting on page 423 to choose an appropriate physical button and make the Protect assignment.
You can remove image protection on individual images by following the previous steps again, which will remove the key symbol and protected status.
Recovering Deleted Images
If you accidentally delete an image or a group of images, or even if you format the entire memory card and then realize that you didn’t really mean to, all is not lost. Immediately remove the card from your camera and do not use it until you can run image recovery software on the card. Deleting or formatting doesn’t permanently remove the images from the card. It merely marks the images as deleted and removes the references to them from the memory card’s file allocation table (FAT). The images are still there and can usually be recovered as long as you don’t write any new data to the card before you try to recover them.
It’s wise to have a good image recovery program on your computer at all times. Sooner or later you’ll have a problem with a card and will need to recover images. Many of the better brands of memory cards include recovery software, either on the card itself, or as a downloadable app.
To find recovery software, do a Google search for your card’s brand name followed by “image recovery software.” Sometimes it’s free, other times it costs a few dollars. However, it is best to have the software on hand for emergencies.
(User’s Manual: Page 123, Reference Manual: Page 153)
The Playback folder setting allows your camera to display images during preview and slide shows. You can have the Z7 show you images created by the Z7 only, in all folders; images that were created by the Z7 and any other Nikon cameras, in all folders; or only the images in the current folder.
If you regularly use your memory card in multiple cameras, as I do, and sometimes forget to transfer images, adjusting the Playback folder setting is a good idea. I use a D500, D850, and Z7 on a regular basis. Often, I’ll grab a 64 GB XQD card out of one of the cameras and stick it in another one for a few shots. If I’m not careful, I’ll later transfer the images from one camera and forget that I have folders created by the other camera on the memory card. It’s usually only after I have formatted the card that I remember the other camera’s images on my memory card. The Z7 comes to my rescue with its Playback folder > All function.
With All set, I can see all the images in all folders created by all Nikon cameras on both memory cards.
Let’s look at how the Playback folder function works by first looking at what each selection does, and then examining the steps needed to select the best function for you (figure 6.2).
The three selections are as follows:
Use the following steps to select the folder(s) from which your camera will display images:
Settings Recommendation: Using anything except All makes it possible for you to accidentally lose images. If you don’t have any other Nikon cameras, this may not be a critical issue. However, if you have other Nikon cameras around that use XQD cards, you will likely switch memory cards between them. If there are images on any of your memory cards, don’t you want to see them and know they are there? Until I started using the All setting, I was sometimes formatting cards with forgotten images on them. Use All!
(User’s Manual: Page 123, Reference Manual: Page 153)
The Playback display options selection allows you to customize how the Z7 displays several histogram and data screens for each image. You get to those screens by displaying an image on the camera’s Monitor and scrolling up or down with the Multi selector.
When you want to see a lot of detailed information about each image, you can program your camera to display your preferred data screens. Or, if you would rather take a minimalist approach to viewing image information, simply turn off some of the screens.
If you turn off certain screens, the camera still records the information—such as lens used, shutter speed, and aperture—and adds it to the metadata embedded within each image. However, with no Playback display options selected, you’ll see only one basic file information screen when you view images.
With some or all of the Playback display option screens enabled, you can use the Multi selector to scroll up or down and examine detailed data on any image. In other words, you can scroll through your images by pressing left or right on the Multi selector (or swiping with your finger), and you can also scroll through the data screens for that image by pressing up or down on the Multi selector. You cannot swipe up and down to see any selected Playback display options screens. You must use the Multi selector.
Here are the selections in this menu:
Add info
Additional photo info
Use the following steps to enable or disable any of the seven playback display screens:
Now, let’s look at what each of these selections accomplish (figures 2.3B to 2.4L).
If you are curious about how the autofocus (AF) points are focused on your subject (the focus mode), and where the points are focused (the AF-area mode) during an exposure, use this mode to easily find out.
These are the six AF-area modes that you can use to decide where on your subject is the most important area for autofocus:
When you are using the first five AF-area modes, you’ll see a single red AF indicator that varies in size with each mode, showing where the camera was focused when you took the picture (figure 6.3B, images 2–5).
The pattern of focus points for Auto-area AF, shown in red in figure 6.3B, image 6, will vary in number and location, as the camera examines the entire frame to seek likely focus points.
We will discuss the use of the AF-area modes (where the image focuses), in the chapter titled Photo Shooting Menu, under the heading AF-Area Mode, on page 264. We also touched on using the AF-area modes in the chapter titled Camera Control Screens, on page 23.
Exposure info provides a simple screen that, in addition to displaying your subject, shows the image number, exposure mode, shutter speed, aperture, exposure compensation, and ISO sensitivity (figure 6.3C, image 2).
The gray bar along the bottom of the screen in figure 6.3C, image 2 shows the Exposure info (e.g., 1/50, F8, ISO 400). Here is a list of the items seen in the gray bar and what they mean:
Settings Recommendation: I like this simple screen, which shows only the important exposure information, and its uncluttered look does not distract from viewing my latest image.
If you decide to use the Highlights selection, as shown in figure 6.3D, you will use what I call the “blink mode” screen. When any area of the image is overexposed, that area will blink white and black repeatedly.
This is to warn you that the areas of the image that blink white and black are overexposed and have lost detail. You will need to use exposure compensation or manually control the camera to contain the exposure within the dynamic range of the camera’s sensor.
Look at the white area behind the blocks in figure 6.3D, screens 2 and 3. Notice how it is white (blown out) in image 2 and mostly black in image 3. The blinking area of the image is completely blank from overexposure and has lost all detail.
If you examine the RGB histogram (see next subheading, figure 6.3E) for an overexposed (blown-out) image, you’ll see that it’s cut off, or clipped, on the right side. Current software can’t recover much, if any, image data from the blown-out areas. The exposure has exceeded the recording capacity of the sensor. We discussed how to deal with images that have light ranges that exceed the sensor’s recording capacity in the chapter Metering, Exposure Modes, and Histogram on page 67.
Highlights mode conveniently warns you when the exposure has surpassed what the sensor can capture in a JPEG image (a RAW image may have a little more detail), and lets you know that portions of the image may be overexposed. Generally, for best results, adjust the exposure until the blinking goes away (or almost goes away).
A histogram is a digital readout that shows the range of light and color in an image. If there is too much contrast, the histogram display will be cut off. We’ll examine the histogram in more detail later. For now, let’s see how to turn the display on and off.
I like this feature because it allows me to view not just a basic luminance (brightness) histogram as some cameras do, but also all three color (chrominance) histograms—red, green, and blue—on one screen (figure 6.3E, image 2). The Z7 stacks the four histograms on the right side of the screen, with luminance on top (white histogram) and the RGB color histograms below.
It is quite useful to see each color channel in its own histogram because it is possible to overexpose or underexpose one color channel only. The white luminance histogram usually looks similar to the green channel histogram because green is the most common color and the luminance histogram is weighted toward green. We discussed the luminance histogram, and the three RGB channel histograms, in the chapter titled Metering, Exposure Modes, and Histogram on page 67.
This setting gives you four additional image shooting data screens to scroll through (figure 6.3F).
The Shooting data screens insert a transparent, black rectangle over the image they represent; therefore, you will see the same picture beneath the five overlays. The data on these screens includes the following information.
Shooting data, screen 1 (figure 6.3G)
Shooting data, screen 2 (figure 6.3H)
Shooting data, screen 3 (figure 6.3I)
Shooting data, screen 4 (figure 6.3J)
This screen provides an overview of the image detail for each picture (figure 6.3K). It is packed with information on each image, all in one convenient place.
With this screen and the always-available File information screen (figure 6.3M), you will have enough information to determine the most important details about a particular image. Whether you select any other screens is entirely up to you and is determined by how much information you want for each image you have taken.
This setting is designed to give you a somewhat larger view of the current image, using all of the available screen space to show the image (figure 6.3L, image 2). There are no text overlays—the image is shown by itself.
This is a good selection for when you want to zoom in on the image to look at details. Since only the image is displayed, it is easier to scroll around within it for deep looks when using the camera’s two zoom buttons (zoom in and out), or stretch-and-pinch gestures on the monitor. You can zoom all the way in to 32× the normal image view. There is a tremendous level of detail buried inside each 45.7-megapixel image. You have an easy way to view it with None (image only).
This File information screen is not selectable under the Playback display options for the simple reason that it is always turned on and available for each image (figure 6.3M).
You cannot turn it off, although if you have Playback display options > Focus point enabled, the Focus point and File information screens will be combined into just one screen. File information includes a large, clear view of the picture with only basic image information.
This screen provides the following information: image number in folder (22), total images in current folder (217), folder name (100NCZ_7), image file name (DSC_0027.jpg), JPEG compression level and/or RAW size (e.g., FINE, RAW L, RAW L+FINE), date (10/09/2018), time (12:40:42), Image area (FX, DX, 5:4, 1:1, 16:9), Image size (L, M, S), and image pixel count (8256 × 5504).
If you take a picture with a GPS unit attached and active on your Z7, you’ll have an additional screen available (figure 6.3N)—even if you don’t have Shooting data selected.
The GPS screen will not show up unless a GPS unit was attached to the camera when you took the picture, or you inserted GPS data into the image from your smartphone.
There are a lot of screens to scroll through, but they provide a great deal of information about the image. Look how far we’ve come since the days when cameras wrote date information on the lower-right portion of an image (permanently marking it) or between the frames on pro-level cameras.
Settings Recommendation: The screens I use frequently on my Z7 are as follows: Exposure info (figure 6.3C), Highlights (figure 6.3D), RGB histogram (figure 6.3E), Overview (figure 6.3K), and None (image only) as seen in figure 6.3L.
The Exposure info screen gives me just the basics when I need to see what exposure settings I’ve used on an image.
The Highlights screen is useful because I can see at a glance where I have overexposed an image and can take corrective action. The black-and-white blinking areas grab my attention, and I can change my settings and then retake the shot for an immediate improvement.
The RGB histogram is also important to me because it allows me to see all the color channels, just in case one of them is being clipped off on the light or dark sides (no detail). It also allows me to see if I am keeping my exposure balanced for light and dark.
The Overview screen gives me, at a glance, most of the important information I need to know about the image, along with a larger luminance histogram. If I had only one screen, I’d want it to be the Overview screen.
I like None (image only) because I love to drill down into my images to see what detail I’ve been able to capture. Due to the absence of an optical low pass filter (OLPF; also known as an AA or blur filter) on the sensor, the Z7 gives me deeply detailed images. I enjoy this setting because it lets me examine the image without text overlays. And it’s also nice to view the composition of the image with no distractions.
The Shooting data and Focus point screens are not very important to me, unless I need that metadata for a special purpose. Also, if I have the Shooting data screens enabled, I’ll have to scroll through four more screens to get to the screens I like to use. However, those are my personal preferences. If you want to examine a large amount of extra image data, then you should enable the other screens, too. Nikon gives us very thorough picture detail screens. Use what you like best.
(User’s Manual: Page 123, Reference Manual: Page 154)
Image review displays an image you’ve just taken on your camera’s Monitor or in the EVF (electronic viewfinder). With this function set to On, you will see each picture just after you take it. You can review the image for quality and usefulness.
With Image review set to Off, you won’t see each picture unless you press the Playback button afterward. This saves battery life, which can be important for a camera using Live view all the time. If you prefer to review every image after you take it, then you’ll need to set this feature to On.
You can control how long each image is displayed on the Monitor before it shuts off by adjusting Custom Setting Menu > c Timers/AE lock > c3 Power off delay > Image review. This custom image review time can be adjusted to display pictures from 2 seconds to 10 minutes. We’ll discuss the image review timeout setting in more detail under Image Review on page 395. There are three Image review settings. Let’s examine each of them:
Here are the steps to choose an Image review setting:
Note: The current setting you have selected with the Monitor mode button (page xi), on the left side of the Viewfinder bump, will affect how Image review works, as follows:
Settings Recommendation: Mirrorless cameras use more battery power than DSLRs, especially when using the rear Monitor. Therefore, you should consider carefully if you really need to review every image after you take it. With Image review set to Off, the only way to view an image after taking it is to press the Playback button.
I am an unashamed image chimper (see sidebar Are You a Chimper, Too?) and if there’s time and I have extra batteries, I examine every image. My main style of shooting (landscapes) often allows me time to examine each image. However, shooting weddings, graduations, and other events often does not allow one time to admire each image between shots. If you are shooting a sports event and blasting through hundreds of shots per hour, there certainly isn’t time to view each image.
It all boils down to how you shoot. If you aren’t inclined to view your images as you take them, then it may be a good idea to set Image review to Off—merely to save battery life.
Are You a Chimper, Too?
“Chimping” means reviewing images on the Monitor or EVF after each shot. I guess people think you look like a monkey if you review each image. Well, I do it anyway! Sometimes I even make monkey noises when I’m chimping my images. Try saying, “Ooh, Ooh, Ooh, Ah, Ah, Ah” when you’re looking at an image and are happy with it. That’s chimping with style, and it’s the reason the word was coined.
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If you delete an image during playback (Image review), another of your other images will be displayed on the camera’s Monitor. The After delete function lets you select which image is displayed after you delete an image. The camera can display the next image or the previous image, or it can detect which direction you were scrolling—forward or backward—and let that determine which image appears after you have deleted one. The three selections on the After delete menu are:
Use the following steps to choose an After delete setting:
Settings Recommendation: When I delete an image, I’m not overly concerned about which image shows next—most of the time. However, this functionality is handy for certain styles of shooting and when I am deleting rejects.
For instance, some sports or wildlife shooters might like to move backward through a long sequence of images, starting with the last image taken. They can then delete the images that are not usable in the sequence, and the camera will immediately show the previous image for review. When they reach the first image in the sequence, the entire series is clean and ready to use.
I set my camera to Continue as before because, after I delete an image, it will resume the direction in which I had been scrolling.
(User’s Manual: Page 124, Reference Manual: Page 155)
The After burst, show function will work only if you have Image review (page 150) turned off. When you are taking pictures in one of the burst modes using Continuous L (low), Continuous H (high), or Continuous H* (high extended) Release mode (page 97), you can use this function to choose whether the camera displays the first or last photo in the series of images on the camera’s Monitor or EVF for review.
Since Image review must be turned off, the camera will not display an image at all until you press the Playback button. When you press Playback, the camera will display the first or last image in the burst series, according to how you have this function configured.
Use the following steps to choose an After burst, show setting:
Settings Recommendation: After testing this function, I chose the First image in burst setting so that I could easily scroll forward through all the images in the series. If you prefer to see the last image for validation, choose the other option.
I don’t generally use this function because I prefer the Image review function’s way of doing things. If Image review and the camera’s Monitor are both enabled, and you quickly look at the Monitor after a long burst series, you will see individual images in the series scroll by on the Monitor as the camera writes the images to the memory card. The number of images you actually see is affected by the speed of the memory card.
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When you shoot a portrait-oriented (vertical) image with the camera rotated sideways, the image can later be viewed as a horizontal image lying on its side or as a smaller, upright (tall) image on the camera’s horizontal (wide) Monitor.
If you view the image immediately after taking it, the camera’s software assumes you are still holding the camera in the rotated position and the image will be displayed correctly for that angle. Later, if you are reviewing the image with the camera’s playback functionality and have Rotate tall set to On, the image will be displayed as an upright, vertical image that is smaller so it will fit on the horizontal Monitor. You can zoom in to see sharpness detail if needed.
If you would rather have the camera leave the image lying on its side while in a horizontal view, you’ll need to choose Off. The following two settings are available.
Use these steps to choose a Rotate tall setting:
Besides this Rotate tall function, the camera evidently has built-in auto image rotation, which causes the Z7 to record the angle at which you are holding the camera body as part of the image’s metadata. This is important so that an image will report how it should be displayed on the camera’s Monitor and later on your computer and smart devices. Who wants to manually rotate images later to look at them on your computer monitor or smart device screen? The built-in auto image rotation prevents that.
In Nikon DSLRs released before the Z7, Auto image rotation was a Playback menu function that could be enabled or disabled. However, in the Z7 (firmware C1.0) the function appears to be an automatic function that cannot be disabled. There are no function listings for Auto image rotation in the User’s Manual or Reference Guide. However, auto image rotation is mentioned as being a Playback operation, in the User’s Manual on page 206, and in the Reference Manual on page 431.
Basically, Rotate tall and the camera’s built-in auto image rotation work together to display your image in the correct orientation. Rotate tall gives you the choice of how the image is viewed based on the orientation information it finds in the image’s metadata. Auto image rotation causes the camera to store how the image was taken so it will know whether the image has a vertical or horizontal composition. It can then report this information to the Rotate tall function.
Settings Recommendation: I leave Rotate tall set to On. That way, I can view a portrait-oriented image in its natural, vertical orientation without turning my camera. Be sure you understand the relationship between this function and auto image rotation, which stores orientation data with the picture.
(User’s Manual: Page 124, Reference Manual: Page 156)
Slide show allows you to display an automatic, sequenced show of images and movies on your camera’s Monitor. With the Z7’s big 3.2-inch, high-resolution Monitor, it should be a satisfying viewing experience for one or two people.
If the camera Monitor is not large enough, you can connect the camera to a high-definition television (HDTV) and do a slide show for an even larger group. Connecting to an HDTV requires the separate purchase of an HDMI (type A) to mini-HDMI (type C) cable.
When you are ready for your show, you can control how long each image is displayed with the Frame interval setting. First, let’s see how to start a Slide show (following the Z7’s menu order), and then we’ll see how to change the Image type for display and the Frame interval timing.
You can start the Slide show immediately, and it will commence with a default display time (Frame interval) of two seconds (2s) per image, displaying the images and movies it finds on your camera’s memory card(s).
Use the following steps to start a Slide show immediately:
You can easily change the way the camera chooses which Image type to display during the Slide show. The next subsection shows how.
As you will notice in figure 6.8B, image 2, you can set the camera to display Still images and movies, Still images only, Movies only, or By rating (page 159).
Use the following steps to change the Image type for display:
Note: If Movies only is grayed out and unavailable, it simply means you have no movies on the memory cards inserted in the camera.
Now let’s consider how to change the amount of time before the camera changes to the next image or movie in the slide show.
If you want to allow a little more time for each Still image to display, or between each Movie, you’ll need to change the Frame interval (display time). Your Frame interval choices are as follows.
Use these steps to change the Slide show’s Frame interval:
To start the Slide show after you change the Frame interval, repeat the steps shown in the previous subsection, Starting a Slide Show (page 156). The Slide show will now run at the speed you chose.
Settings Recommendation: I usually set the Frame interval to 3 s. If the images are especially beautiful, I might set it to 5 s. I’ve found that 2 s is not quite enough, and 5 s or 10 s may be too long. I wish there were a four-second setting, but 3 s seems to work well most of the time.
Several options affect how the images are displayed during a slide show. None of these options are in the camera menus; they are available through the camera’s physical controls. Your options are as follows:
Note: When a video is playing on the monitor, you can press the Zoom in button—to the left of the Menu button—to raise the movie’s volume, or press the Zoom out button to lower the volume.
(User’s Manual: Page 124, Reference Manual: Page 157)
The Rating system in the Z7 allows you to add your own personal one- to five-star rating to a displayed image (figure 6.9).
Use the following steps to add a star () rating to an image:
Note: You can also assign the Rating system option to one of the camera’s programmable buttons, using Custom Setting Menu > f Controls > f2 Custom control assignment (see page 423).
We have configured all aspects of the camera’s image Playback system. By now you should be pretty well informed on how to use the Playback functions to view your images on the camera Monitor or a smart device (smartphone or tablet).
Let’s move on to the next menu system in the camera, the Photo Shooting Menu. This is one of the most important menus for photographers because it affects how the camera is configured to shoot still pictures.
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