Various industry groups have approached reuse by investigating the opportunities offered by particular materials – examining how to establish circular infrastructures and construction systems for those materials. This chapter describes four very different initiatives that researched how circular systems for reuse could be established at the material/component level.
The Nordic Built Component Reuse projecta set out to explore new practices for reuse of dismantled building components and materials, resulting in visions of new ways to organize, tender, trade and build with them. The aim was to devise and prototype new systems from discarded building materials that: are beautiful, apply reversible construction principles, are marketable and are possible to manufacture through processes that are effective in cost and energy. By establishing a strong architectural identity as well as a viable business model for reused and upcycled components, the intention was to move the boundary between waste and value, and inspire and assist the development of the circular economy in the Nordic countries.
Demolition practices in Nordic countries today are efficient in terms of separating construction debris and minimizing landfill. However, the project partners felt the Nordic construction industry was poorly prepared for conversion towards a more effective and careful use of these waste resources to capture their potential value. They observed a widespread reluctance of industry professionals as well as building users to incorporate second use materials. The challenge was to find new ways to access this value and find industry acceptance.
The transformational journey from waste materials to valuable new components was investigated through a variety of aspects: technical/practical, environmental, commercial and cultural. Using the Scandinavian SfB building component classification system, a matrix was used as a generator for possible transformations between the original, first generation function of a component and its potential second generation function. In total, twenty different prototypes for construction systems were studied and five key prototypes were developed and analysed in detail. A variety of product stages were considered, including sourcing materials, rehabilitation and processing, design integration, construction and marketing.
A variety of investigative tools were used: full size mock-ups were created to explore details, renderings and design explorations were used to illustrate aesthetic potential, extensive workflow charts assessed practical implementation and life cycle assessment (LCA) was carried out to quantify environmental benefits.
The five key prototypes focused on the following: concrete, clay, metal, wood and windows. These were chosen based on interviews with industry experts and the following criteria:
The five key prototypes are shown in below:
Cutting larger concrete units into smaller modular paving and façade elements displays the aesthetics of weathering and exposing concrete aggregate (Figure 4.1). The complexity, energy intensity and cost of cutting concrete meant that the environmental and business case for this prototype was weak (Figure 4.2).
Old roof pantiles were used to create a new façade system designed for disassembly and with a customized mounting system (Figure 4.3). Though the process is time consuming and availability of pantiles is currently inconsistent, the tiles do weather beautifully like brickwork, which adds to the cultural value and acceptability of the concept, and the environmental analysis is positive (Figure 4.4).
A new façade system was proposed using rolled metal ventilation tubes and an existing mounting system for slate (Figure 4.5). The aesthetics of the metal surface appears culturally well known and the concept has a strong story – two parameters that add to a strong assessment of the concept. Furthermore, the alteration of tubes to sheets is simple, which results in a positive LCA (Figure 4.6).
This system creates a façade screen with reused glazed windows supported by metal profiles (Figure 4.7). It is possible to adapt window elements to a metal support system and to adjust their size by cutting the wooden frame. By using simple wedges to fasten the frames to the metal profile, the new façade screen is fully reversible with beautiful detailing and a positive LCA (Figure 4.8).
The new ‘Nordic Wall’ is a double-sided, stackable building block for interior partitions and decorative panels. The sandwich components fit together with a tongue and a groove; they have a core of standard fire doors and cladding in a variety of wooden surfaces from old floors or façades. The LCA shows positive environmental benefit.
The overall findings of the project suggested the following problems, failures, risks and shortcomings:
The concept of StoryWoodb (proposed by the Delta Institute) is interesting in the context of urban mining. StoryWood is wood from urban sources, with a ‘compelling history and unique provenance that sets it apart from other building materials’1. It is timber material that has been mined from reclaimed wood and trees harvested in urban areas that has a history.
StoryWood highlights the fact that such materials have a unique and interesting past and a story to tell. The value of the wood component depends on how its story is expressed through its end use. So rather than trying to make such materials mimic mainstream, new materials, designers should understand these stories, feature them and make them transparent. In this way the richness of the wood's story gives a competitive advantage and can add value to projects.
In order to tell the story of any material, the supply chain needs to be transparent and understandable. Stories about any forest product start with the origins of that wood: the tree from which it was sawn and how that tree was harvested or the building from which the wood was reclaimed. The stories of mass-produced products are not told, because their supply chains are not transparent. When a material's supply chain is transparent or documented, designers can evaluate whether the material meets their priorities based on its extraction and production, sustainability, support of local workers, or interesting story.1
A transparent supply chain reveals the three variables that give a material the potential to tell a story: its source, the proximity of where it came from and its sustainable stewardship. Woods from different sources and different species have different stories to tell; the benefits and challenges associated with each type vary. Use of StoryWood can also support social and economic sustainability goals, including job creation, local business and community cohesion.
The Delta Institute has created a Toolkit for Using StoryWood to help architects, designers and developers understand the value of this concept. The toolkit aims to help designers navigate the universe of unique wood products and ‘identify, evaluate and share the most interesting parts of a certain type of wood’s back story, and, more specifically, it will help to align material choices to achieve LEED certification'.1
The StoryMaterial concept can be applied to other materials, such as bricks coming from urban mining and even industrial steel, encouraging designers to think of these materials in a different way to new materials from primary sources. The value of the material's story depends on how its history is captured and expressed through its end use. The uniqueness of each story gives a competitive advantage, which has led designers, such as Reclaim Detroit, Cleveland's Rustbelt Reclamation and Chicago-based groups Rebuilding Exchange and Icon Modern, to build StoryWood into their brands. However, the concept is more relevant to featured components in buildings and less so for residential scale structural framing that is usually hidden within the building.
A Eurofer survey of European Union member states in 2012 estimated that construction steel has a 96% recovery rate; 91% is recycled but only 5% is reused.2 There is significant potential for energy and financial savings if steel building components are reused rather than melted down and recycled. The Building Research Establishment (BRE) in the United Kingdom has calculated that reused steel typically has only 4% of the carbon emissions of new steel.3 It is estimated that reusing just 10% would reduce UK emissions by 77 000 tCO2e (Table 4.1). Furthermore, the reuse supply chain will demand new skills and create new employment opportunities. Overcoming the barriers to this could kick-start a market worth of 25 000 tonnes/year, 10% of current UK scrap, with a potential value of £12.5 million. There are also potential macro-economic benefits, as currently around 70% of UK steel scrap is exported whereas a larger reuse market would retain greater economic value within the UK.
Table 4.1 Embodied carbon comparison for 1 kg of steel.4
New steel, kg CO2e | 1.53 |
Recycled steel, kg CO2e | 0.4 kg CO2e |
Reused steel, kg CO2e | 0.03 |
Two recent Innovate UK projects aim to explore the sustainability benefits offered by steel reuse and identify pathways to overcome barriers:
The research indicates that, although technically viable, there are significant barriers both on the demand and supply side to wider reuse of steel. Three types of successful and cost-effective scenarios of steel reuse were reported:
A radical rethink is necessary around the design and delivery process, as well as a shift in culture necessitating new and effective communication lines. Central to the challenge of making reuse more common is the need to share information about steel reuse between the demand side (the client and its design team) and the supplier side (the demolition contractor). For instance, architects and demolition experts may need to work together and develop a common language. A series of online surveys and semi-structured interviews with UK construction industry members indicated that barriers to reuse are largely systemic and need to be dealt with first to increase reuse rates.6 This requires a coordinated approach across the construction supply chain. The following barriers were identified:
Four mechanisms to overcome these practical barriers are proposed:
A Reusable Buildings Network (RUBN) has been created by the partners to collaborate on overcoming barriers. The network is developing rules of thumb for reuse in new construction and refurbishment and simple check lists for designing for deconstruction and reuse.
Manufacturing bricks requires large amounts of energy and material resources, and currently at the end of their first use bricks are typically crushed to become waste to landfill or are downcycled to site fill. This happens despite the fact that many types of bricks can easily last for several centuries. One of the problems with the way we currently use bricks is the strength of the cement-based mortars that make it difficult to deconstruct brick walls without damage to the bricks. Developing an automated way of cleaning bricks for reuse can significantly contribute to resource efficiency. The REBRICK project was a European collaboration to address this by:
The project demonstrated a new approach to what was previously demolition waste, potentially saving energy and resources (Figure 4.15). Danish companies Gamle Mursten (meaning Old Brick) and Scan-Vibro in collaboration with D'Appolonia SpA from Italy developed a new patented technology that consists of an automated process for sorting of demolition waste, a vibration-based system that both sorts the demolition waste and cleans mortar from old bricks without using water or chemicals, thus constituting a very environmentally friendly process. The technology exploits the reuse potential of used bricks, maintaining a higher value use for the material than just crushed aggregate. The Danish Environmental Protection Agency estimates that each reused brick saves 0.5 kg of carbon dioxide emissions compared to typical new bricks. The bricks are more expensive than the cheapest bricks on the market but cost competitive with good quality bricks, and are particularly sought by designers who want a less machined appearance.
Since there is no harmonized European standard for reused bricks, the REBRICKS have been approved for CE marking based on a European Technical Assessment (ETA), which is a voluntary process, providing information declaring the essential characteristics of a construction product where the product is not covered by any harmonized European Standard.
The process starts with mechanical separation of the brick from other demolition materials. At local recycling centres bricks now have their own dedicated containers. When a container is full, it is taken to the Gamle Mursten factory, where whole bricks are then separated from damaged bricks by an automated system. Whole bricks are cleaned by a vibration-based rasping technology process and then sorted manually after visual inspection of characteristics, quality and colour. Cleaned bricks are placed on a conveyer system and an automated system stacks and wraps them ready for transport to a new construction project (Figure 4.16).
In addition to developing the patented technology, the REBRICK project aimed to demonstrate commercial scale application for various European markets. Initially, full-scale demonstration was implemented for the greater Copenhagen area with a capacity of 4000 bricks/hour to demonstrate the technical ability to produce reusable bricks within market specifications. Bricks from the agricultural University in Copenhagen and from the former Carlsberg plant were the first to be processed. The facility now receives brick waste mainly from Copenhagen and Zealand (Figures 4.17 and 4.18). By 2017 three factories were in operation in Denmark processing 4.5 million bricks/year, selling to northern Europe. The old bricks typically originate from buildings from 1900 to 1955 that are being demolished.
The production can be customized to different regional requirements within Europe with differences in labour costs, brick weight and mortar types. Bricks with a low-to-modest cement content in the mortar can be processed. Furthermore, the machine can be disassembled and the entire production facility can be moved to another location in a matter of weeks. Hence, it is technically possible to temporarily locate the facility close to large demolition projects.
Figures 4.1, 4.3, 4.5, 4.7 & 4.9 by Kristine Autzen, courtesy of Vandkunsten; figures 4.2, 4.4, 4.6, 4.8 & 4.10 Courtesy of Vandkunsten; figures 4.11, 4.13 & 4.14 By Author; figure 4.12 Courtesy of Juan Luis Martínez Nahuel; figures 4.15, 4.16, 4.17, 4.18 Courtesy of Gamle Mursten
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