- Cover
- Half Title
- Title Page
- Copyright
- Dedication
- Contents
- Acknowledgments
- Part I: What the Director Does
- Chapter 1. Introduction
- Chapter 2. The Director’s Idea
- Chapter 3. The Competent Director
- Chapter 4. The Good Director
- Chapter 5. The Great Director
- Chapter 6. Text Interpretation
- Chapter 7. The Camera
- Chapter 8. The Actor
- Part II: The Case Studies of Directing
- Chapter 9. Sergei Eisenstein: The Historical Dialectic
- Chapter 10. John Ford: Poetry and Heroism
- Chapter 11. George Stevens: The American Character—Desire and Conscience
- Chapter 12. Billy Wilder: Existence at Stake
- Chapter 13. Ernst Lubitsch: The Life Force of Romance
- Chapter 14. Elia Kazan: Drama as Life
- Chapter 15. François Truffaut: Celebrate the Child
- Chapter 16. Roman Polanski: The Aloneness of Existence
- Chapter 17. Stanley Kubrick: The Darkness of Modern Life
- Chapter 18. Steven Spielberg: Childhood Forever
- Chapter 19. Margarethe Von Trotta: Historical Life and Personal Life Intersect
- Chapter 20. Lukas Moodysson: Empathy and Its Limits
- Chapter 21. Catherine Breillat: The Warfare of Sexuality
- Chapter 22. Mary Harron: Celebrity and Banality
- Chapter 23. Conclusion
- Appendix: Finding the Director’s Idea
- Index
The Path to Great
Directing
Ken Dancyger
New York University
Tisch School of the Arts
New York, New York
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