General Bibliography
Gates, Bill, Business @ the Speed of Thought (New York: Penguin Books, 1999).
Toffler, Alvin, Future Shock (New York: Bantam Books, 1991).
Toffler, Alvin, The Third Wave (New York: Bantam Books, 1999).
General Textbooks on Writing for Media
Hilliard, Robert L., Writing for Television and Radio, 7th ed. (Belmont, CA: Wadsworth, 1999).
Hyde, Stuart, Idea to Script, (Boston: Allyn & Bacon, 2003).
Kauffman, Terry, The Script as Blueprint: Content and Form Working Together, Writing for Radio, TV, Film and Video (New York: McGraw-Hill, 1997).
Mayeux, Peter E., Writing for the Electronic Media, 2nd ed. (Madison, WI: Brown & Benchmark, 1994).
Packard, Vance, The Hidden Persuaders (New York: David McKay Company Inc., 1960).
Ryan, Michael, and Tankard James W. Jr., Writing for Print and Digital Media, (New York: McGraw-Hill, 2005).
Rubenstein, Paul, and Martin Maloney, Writing for the Media: Film, Television, Video, and Radio, 2nd ed. (Englewood Cliffs, NJ: Prentice-Hall, 1988).
History Criticism, and Other References
Bowser, Eileen, “The Transformation of Cinema 1907–1915,” in History of the American Cinema, vol. 2, Charles Harpole (ed.) (New York: Charles Scribner’s Sons, 1990).
Brownlow, Kevin, The Parade’s Gone By (New York: Alfred A. Knopf, 1969).
Campbell, Joseph, The Hero with a Thousand Faces (New York: Pantheon Books, 1949).
Campbell, Joseph, and Bill Moyers, The Power of Myth (New York: Doubleday, 1988).
Connelly, Robert B., The Motion Picture Guide, Silent Film 1910–1936 (Chicago: Cinebooks, 1986).
Elsaesser, Thomas, and Adam Barker (eds.), Early Cinema: Space, Frame, Narrative (London: BFI Publishing, 1990).
Harpole, Charles (ed.), Cinema, vol. 1 (New York: Charles Scribner’s Sons, 1990).
King Hanson, Patricia (ed.), The American Film Institute Catalog of Motion Pictures Produced in the United States 1911–1920 (Berkeley: University of California Press, 1988).
Masser, Charles, “The Emergence of Cinema: The American Screen to 1907,” in History of the American Cinema, vol. 2, Charles Harpole (ed.) (New York: Charles Scribner’s Sons, 1990).
Meyer, Nancy, “The Situation Comedy Script Format: Its Evolution from Radio Comedy and the Traditional Screenplay,” unpublished paper, Broadcast Education Association Panel, April 2000.
Schrader, Paul, and Kevin Jackson (ed.), Schrader on Schrader & Other Writings, Directors on Directors Series (London: Faber & Faber, 1992).
Vogler, Christopher, The Writer’s Journey: Mythic Structure for Writers (Studio City, CA: M. Wiese Productions, 1992).
Early Script Writing Manuals
Ball, Eustace Hale, Photoplay Scenarios: How to Write and Sell Them (New York: Hearst’s International Library Company, 1917).
Beck, Louis J., The Scenario Writers Guide (Brooklyn: Henry Harris, 1915).
Bertsch, Marguerite, How to Write for Moving Pictures: A Manual of Instruction and Information (New York: Duran, 1917).
Bradley, Willar King, Inside Secrets of Photoplay Writing (New York: Funk & Wagnalls, 1926).
Esenwein, J. Berg, and Arthur Leeds, Writing the Photoplay (Springfield, MA: The Home Correspondence School, 1913).
Farquarson, J., Picture Plays and How to Write Them (London: Hodder & Stoughton, 1916).
Fine, Richard, Hollywood and the Profession of Authorship, 1929–1940 (Ann Arbor, MI: UMI Research Press, 1985).
Gaudreault, André, “Detours in Film Narrative, The Development of Cross-Cutting,” in Early Cinema: Space, Frame, Narrative, Thomas Elsaesser and Adam Barker (eds.) (London: BFI Publishing, 1990).
Palmer, Frederick, and Eric Howard, Photoplay Plot Encyclopedia: An Analysis of the Use in Photoplays of the Thirty-Six Dramatic Situations and Their Subdivisions (Los Angeles: Palmer Photoplay Corporation, 1920).
Parsons, Louella O., How to Write for the “Movies,” (Chicago: A. C. McClurg & Company, 1915).
Patterson, Frances Taylor, Cinema Craftsmanship: A Book for Photo Playwrights, 2nd ed. (New York: Harcourt, Brace & Company, 1921).
Film and Television Writing
Armer, Alan A., Writing the Screenplay: TV and Film, 2nd ed. (Belmont, CA: Wadsworth, 1993).
Bernard, Sheila, Documentary Storytelling for Video and Filmmakers (Boston: Focal Press, 2004).
Bluestone, George, Novels into Film (Los Angeles: University of California Press, 1961).
Blum, Richard A., Television and Screen Writing: From Concept to Contract, 3rd ed. (Boston: Focal Press, 1995).
Dancyger, Ken, and Jeff Rush, Alternative Scriptwriting, 2nd ed. (Boston: Focal Press, 1995).
Elbert, Lorian Tamara (ed.), Why We Write: Personal Statements and Photographic Portraits of 25 Top Screenwriters (Los Angeles: Silman-James Press, 1999).
Goldman, William, Adventures in the Screen Trade (New York: Warner Books, 1983).
Grove, Elliot, Raindance Writers’ Lab: write + sell the hot screenplay, (Boston: Focal Press, 2001).
Hamp, Barry, Making Documentary Films and Reality Videos (New York: Henry Holt & Company, 1997).
Hunter, Lew, Screenwriting 434, (New York: The Berkley Publishing Group, 1994).
Paice, Eric, The Way to Write for Television (London: Hamish Hamilton, 1981).
Portnoy, Kenneth, Screen Adaptation: A Scriptwriting Handbook, 2nd ed. (Boston: Focal Press, 1998).
Rouveral, Jean, Writing for the Soaps (Cincinnati: Writer’s Digest Books, 1984).
Swain, Dwight V., Film Scriptwriting: A Practical Manual (Boston: Focal Press, 1982).
Taylor, Thom, The Big Deal: Hollywood’s Million Dollar Spec Script Market (New York: William Morrow, 1999).
Thompson, Kristin, Story Telling in the New Hollywood: Understanding Classical Narrative Technique (Cambridge, MA: Harvard University Press, 1999).
Vale, Eugene, Vale’s Technique of Screen and Television Writing (Boston: Focal Press, 1998).
Whiteside, Rich, The Screen Writing Life: The Dream, the Job, and the Reality (New York: Berkeley Boulevard Books, 1998).
Screenplays and Novels
Barnett, Murray, and Joan Alison, Casablanca, (http://www.geocities.com/classicmoviescripts/).
Campion, Jane, The Piano Lesson, (http://www.imsdb.com/scripts/Piano,-The.html).
Friedmann, Anthony, Bartleby, unpublished script, Museum of Modern Art, New York.
Goldman, William, Butch Cassidy and the Sundance Kid in Adventures in the Screen Trade (New York: Warner Books, 1983).
Hecht, Ben, A Farewell to Arms, (private copy).
Hemingway, Ernest, A Farewell to Arms (New York: Charles Scribner’s Sons, 1962).
Melville, Herman, Bartleby, The Scrivener: a story of Wall street, (Putnam’s Magazine, December, 1853), pp. 546–615.
Schrader, Paul, Taxi Driver (London: Faber and Faber, 1990).
Sorkin, Aaron, The West Wing Script Book (New York: New Market Press, 2002).
Vincent, Howard P. (ed.), Bartleby, the Scrivener: The Melville Annual (The Kent State University Press, 1966).
Welland, Colin, Chariots of Fire, The Script Shop (private copy).
Welles, Orson, and Herman J. Manckiewicz, Citizen Kane (1946) (http://www.geocities.com/classicmoviescripts/script/citizenkane_script.txt).
Broadcast Writing
Carroll, Victoria McCullough, Writing News for Television: Style and Format (Iowa City: Iowa State University Press, 1997).
Mayeux, Peter E., Writing for the Electronic Media, 2nd ed, Brown & Benchmark, 1994.
McCullough, Victoria Carroll, Writing News for Television, Style and Format (Iowa City: Iowa State University Press, 1997).
Meeske, Milan D., Copywriting for the Electronic Media: A Practical Guide, 5th ed. (Belmont: Thomson Wadsworth, 2006).
Orlik, Peter B., Broadcast Cable Copywriting (Boston: Allyn & Bacon, 1998).
Wulfemeyer, K. Tim, Beginning Broadcast Newswriting: A Self-Instructional Learning Experience, 3rd ed. (Iowa City: Iowa State University Press, 1993).
Wulfemeyer, K. Tim, Radio-TV Newswriting: A Workbook (Iowa City: Iowa State University Press, 1995).
DiZazzo, Ray, Corporate Media Production (Boston: Focal Press, 2000).
DiZazzo, Ray, Corporate Scriptwriting: A Professional’s Guide (Boston: Focal Press, 1992).
Matrazzo, Donna, The Corporate Scriptwriting Book (Philadelphia: Media Concepts Press, 1980).
VanNostran, William J., The Media Writer’s Guide, Writing for Business and Education (Boston: Focal Press, 1999).
Van Nostran, William J., The Scriptwriter’s Workbook: A Media Writer’s Companion (Boston: Focal Press, 1996).
Van Nostran, William J., The Scriptwriter’s Handbook: Corporate and Educational Media Writing (Boston: Focal Press, 1996).
Interactive Multimedia
Elin, Larry, Designing and Developing Multimedia (Boston: Allyn & Bacon, 2001).
Garrand, Timothy, Writing for Multimedia and the Web, 2nd Edition (Boston: Focal Press, 2001).
Gross, Phil, Director 7 and Lingo Authorized (Berkeley: Macromedia Press, 1999).
IGDA’s Guide to Writing for Games, Game Writers’ Special Interest Group, 2003 (http://www.igda.org/writing/index.html).
Iuppa, Nicholas V., Interactive Design for New Media and the Web (Boston: Focal Press, 2001).
Maciuba-Koppel, Darlene, The Web Writer’s Guide: Tips and Tools (Boston: Focal Press, 2002).
Miller, Carolyn Handler, Digital Storytelling, a Creator’s Guide to Interactive Entertainment (Boston: Focal Press, 2004).
Ryan, Michael , and James W. Tankard Jr., Writing for Print and Digital Media, (New York: McGraw-Hill, 2005).
Siegel, David, Creating Killer Web Sites (Indianapolis: Hayden Books, 1996).
Varchal, Douglas J., The Multimedia Scriptwriting Workshop (Subex Inc., 1996).
Wimberly, Darryl, and Jon Samsel, Interactive Writer’s Handbook, 2nd ed. (San Francisco: Carronade Group, 1996).
Scriptwriting Software
Final Draft, Final Draft Inc., 1600 Ventura Boulevard, Suite 800, Encino, CA 91436 (http://www.finaldraft.com).
Inspiration, Inspiration Software, Inc., 7412 SW Beaverton Hillsdale Highway, Suite 102, Portland, OR 97225-2167 (http://www.inspiration.com).
Movie Magic Screenwriter, Movie Magic Dramatica, Screenplay Systems, Inc., 150 E. Olive Avenue, Suite 203, Burbank, CA 91502 (http://www.screenplay.com).
Street, Ridgewood, NJ 07450, e-mail: [email protected].
Scriptware, Cinovation Inc. 1750 30th Street, Suite 360, Boulder CO 80301-1005 (http://www.scriptware.com).
StoryBoard Artist (http://www.powerproduction.com/).