A daily creative project is like a marathon. It’s a ridiculously daunting task, but making an original creation every day gives you an incredible sense of accomplishment. It also forces you to push beyond your mental and physical barriers (especially the ones you’ve erected for yourself). You’ll be amazed at what you produce and what you learn about yourself in the process.
363. Skullusion
When I started on my own year of daily art, making a skull a day, ending up on the Martha Stewart Show was the farthest thing from my mind. Indeed, I was really just looking for a new creative outlet. My year of art was a roller coaster ride that ended with a lot of unexpected outcomes, including winning the Webby People’s Voice Award for Best Personal Website, writing a book, and giving lectures across the country. It also left me with a toolbox full of new skills and creative ideas, which I’ve already used in my professional design work and which I’m sure will come in handy for years to come. Even better, it helped me connect with my existing friends on new levels, as I worked with and learned from them, and even helped me make new friends from around the world. Most important, the project has inspired people to be creative, whether by starting their own daily project or just making one new piece of art.
OK, so “results may vary,” but the reality is that the small, incremental steps I took every day added up to something much bigger than the individual parts. A daily creative project is something anyone can do with a bit of perseverance, regardless of skills or talent. And the suggestions and images in this book are designed to help you push past the things that can snag you along the way and to inspire you to discover what you are capable of.
The only rule is: There are no rules!
The point of this book is to put as many tools and as much inspiration into your hands as possible so that you have no excuse but to get started on your own daily project. Read it front to back, or just skip to the parts that interest you. Don’t feel obliged to follow everything to the letter. If you feel inspired to do something completely different, go for it! A daily project is all about the rules you make for yourself, and there is no punishment for breaking those rules.
The journal part of this book is yours to do with as you please. I’ve written 365 project suggestions, but they are just that: suggestions. Feel free to ignore, rearrange, edit, and/or repeat as you see fit. Perhaps you’ll even design an entire year’s project around just one of them. While some are simpler than others, all of them are meant to be doable by anyone, with any level of previous creative experience.
Since my own daily project was visual, I’ve made suggestions from a visual standpoint. However, most of the suggested ideas can be interpreted for written or audio projects, and in some cases they are specifically designed for them. The blank spaces are for you to jot ideas, sketch plans, note experiences, scrapbook images, document your project, or just doodle in—it’s all up to you.
Most important: Don’t stress out. Remember, this is about taking little steps. When doing your daily project, focus on the current day and don’t think about tomorrow, next week, or next month. Big projects can be incredibly daunting, but you’ll be amazed at what you can do when you break them down into a series of tiny, manageable pieces.
And don’t forget to share what you’re doing! I want to help you do that, so please send an e-mail about what you’re doing to [email protected], and I will post about your project on the 365 blog: www.MakeSomething365.com.
Now get started already!
A yearlong daily project can be overwhelming—that’s a good and a bad thing. The sheer scale of the task can make it seem impossible to accomplish, but it’s that daunting quality that actually creates so many opportunities for incredible and unexpected results. Pushing yourself beyond your assumed limits is what it’s all about.
For some people, just starting at all will be a giant hurdle. Others will dive right in only to discover that they’re in over their heads halfway through. The problem (and also the exciting part) is that you don’t know what you’re getting into when you start a long-term project.
The concept of a daily practice isn’t new. However, with the rise of easy-to-use Internet technology and inexpensive digital cameras, the concept has exploded. Suddenly anyone can easily share a project, gain an audience, and in turn inspire others to try it out as well. So what’s the big deal? Doing something every day can change your life for the better, whether it’s gaining a new level of skill, nurturing latent abilities, or just seeing what dedication and commitment can produce. And no matter what the outcome, you will learn more about yourself and feel a sense of accomplishment that’s rare to find in our normal daily lives.
A daily project is a personal journey that can offer you a rare opportunity for self-discovery and personal growth with tangible results. And who knows? Maybe even a new career, a book deal, an exhibition, an extra source of income, or even fame and fortune.
The key to a successful daily project is deciding on a subject or medium that you will enjoy exploring for a year. Your ideas may come as a flash of inspiration, or it may be something you experiment with and research before settling on. Keep in mind that a simpler idea will go a lot farther than a complicated one, which can bog you down as it becomes increasingly difficult to produce.
If you choose a consistent subject matter (skulls, stars, smiley faces, Chihuahuas, etc.), pick something you already like. You probably have plenty examples of it in your environment to inspire you, and you’ll be less likely to get tired of it before a year is over.
If you pick a consistent medium or technique (oil painting, photography, collage, etc.), this is your chance to take your skill to another level. They say practice makes perfect, and you’ll be getting a lot of practice in the course of your project. Choose something you really want to master.
I enjoyed picking my subject and diving into the project but feel free to test out a few ideas before you commit yourself to an idea. Once you get going, don’t be afraid to allow your subject or medium to morph. Perhaps you start with oil painting, but allow yourself to try other types of painting, or maybe you start with Chihuahuas, but move to other breeds of dogs as well. Let your interests guide you.
Once you settle on your subject or medium, you may find that you’ll want lots of inspiration to help keep you going (especially after you work through all of the obvious solutions), so I’ve provided a short list of places to start on the following page…
Check out these other yearlong/daily projects when you’re in need of some inspiration. By no means is this an exhaustive list, so keep an eye out for additional sources when you’re online.
365 Letters Carla decided to write a letter every day for the year 2009 and decided to do it again in 2010. www.365lettersblog.blogspot.com
365 Skulls Eric De La Fuente was so enamored with my Skull-A-Day project, he decided to create 365 skulls of his own! www.365-skulls.blogspot.com
Daily Drop Cap Typographer and illustrator Jessica Hische is making a drop cap (oversized letter used at the beginning of written works) every workday until she finishes twelve full alphabets. www.dailydropcap.com
The Doodle Daily Warren created fun, hand-drawn doodle illustrations every day for a year. www.thedoodledaily.com
A Heart A Day Illustrator and designer Thomas Fuchs decided to create a clever interpretation of a heart every day. www.aheartaday.com
The Julie/Julia Project Probably the most well-known daily project of all time. Julie Powell cooked every recipe in Mastering the Art of French Cooking in the course of a year. blogs.salon.com/0001399
Live and Let Livia Performer Livia Scott created and videotaped herself performing as 365 different characters, one a day for a year. www.youtube.com/liveandletlivia
Noah K. Everyday Photographer Noah Kalina has been taking a photograph of himself every day since 2000. www.everyday. noahkalina.com
A Painting a Day Many people have done painting-a-day projects, but artist Duane Keiser, who did his project from 2004 to 2006, is one of the most well known. http://duanekeiser.blogspot.com
Stormtroopers 365 Stéfan from France documented the amusing exploits of two toy Star Wars Stormtroopers every day for a year. http://stormtroopers365.com
WeekMinds Thirteen employees at Reagan Marketing + Design created an image of their choice, each week, for a year. www.weekminds.blogspot.com
It may be tempting to keep your daily project a secret, but having an audience can be an incredibly helpful and rewarding part of the experience. Why should you open your project up to public scrutiny? It may feel easier and safer to do it on your own, like a personal journal. Then there’s no fear of judgment if you give up or something doesn’t work out as you’d hoped.
So what do you gain from having an audience?
ENCOURAGEMENT A daily project is a hard task, and it really helps to have people encouraging you along the way (think of the people who cheer on marathon runners).
INSPIRATION People who followed my project gave me lots of good suggestions for things I could make and materials I could work with (sometimes they even mailed me those items, from as far away as Australia!).
ACCOUNTABILITY It’s much harder to give up on a project when you feel like people actually care that you’re doing it. I knew my readers were excited to see what I would come up with next, and in turn, that kept me excited to keep making new things for them to see.
SURPRISES A daily project can turn into a daily grind if there’s no element of surprise, and an audience can bring things to it that you never imagined. Not only did my audience help shape the direction of my project, making it something much bigger than I ever imagined, they’ve kept it going long after I finished my year. Who knows what an audience will be able to do for you?
So what’s the best way to get your daily project out there?
374. Snow (Day) Skull (with DudeCraft)
Technology is ever-changing, but the Internet is one of the easiest, most inexpensive ways to reach a potentially very large audience. You could choose to go analog and use the bulletin board at a community center or send things to a select group through the mail, but for practical purposes, a web-based project is going to be the best option for most people.
There are plenty of online tools you can use (see “Online Sharing Tools” for a list of resources); the key is not letting technology derail your project. If you’re comfortable with a certain service, don’t add learning new software to your to-do list. If blogging and social media are completely new to you, I recommend one of the free blogging options available, such as Blogger or WordPress. Both are easy to set up and use—just follow the directions on their sites. I created Skull-A-Day in 2007 in Blogger in less than five minutes and have never paid a cent to run the site since.
The nice thing about blogs is that you can always tinker with them later (Skull-A-Day went through three redesigns in its first year alone), so don’t stress about what it looks like at the beginning. Make something simple so that you have a place to point people the moment your project begins. Just as you will acquire new tools and skills to complete your daily projects, you’ll acquire new web tools and skills, too—as you need them.
Technology is always changing, but there are several online tools that have been around for a while and are good bets for meeting your specific needs.
Blogger A free blogging tool that allows users to quickly and easily create blog-based websites. The site also provides a large amount of free storage for images as well as tools for helping to share your blog through its large community. www.blogger.com
Facebook A very popular social networking site. While not specifically designed for sharing projects, the site has plenty of tools that can be used to that end. Try making a public page (like a fan page) to get your project out to a larger audience. www.facebook.com
Flickr Allows for free storage, organization, and sharing of a number of images and/or videos (a paid subscription allows for unlimited storage). Visitors can easily comment on and share your work through the site’s simple interface. www.flickr.com
Posterous and Tumblr Two super-minimalist blogging tools. They offer few bells and whistles and are meant for posting simple images/text. www.tumblr.com, www.posterous.com
Twitter A social networking tool that only allows for messages of 140 characters or fewer to be shared with a network that you build yourself. While images can’t be stored on the site, links to photos stored elsewhere are easy to add. www.twitter.com
YouTube A free video-sharing tool. If you have a project that features moving images or audio, this is one of the most popular sites to use. It allows for easy sharing and commenting by visitors, and users can even create a custom homepage to promote all of their uploads. www.youtube.com
WordPress Another popular free blogging tool. Allows quick and easy professional-looking blog creation. If you’re looking to do long-term blogging, it’s worth investigating both WordPress and Blogger to see which is best for you. www.wordpress.com
Daily projects can be ephemeral or concrete, but having a decent record of the results is a must, both for yourself and your audience. If you’re working visually, one of the best ways to do that is with photographs. For many projects, this will simply mean photographing the completed piece, but if your daily project involves actions or creating temporary work, then documentation becomes even more important.
If you’re doing a text- or audio-based project, you may think that you don’t need photography at all. However, the Internet is still a primarily visual medium, and it helps to have images to grab viewers’ eyes and keep them engaged with your posts. Why not take photos of your process or scan any notes you’ve made as part of creating your piece? Your audience will appreciate the glimpse into what it takes to get your work done.
You don’t have to be a professional photographer to get a good shot. Most often, you’ll want a straightforward image, and most basic digital cameras have auto settings that make a decent-looking picture. Keep in mind that shooting outdoors in daylight will make brighter, sharper images. If you need to shoot indoors, try using a flash or working near a window. Interior lights are generally dim and may need to be supplemented if you don’t want to use a flash and don’t want a long exposure (and a potentially blurry shot). You may find it worthwhile to invest in an inexpensive tripod to shoot small objects or things that are not well lit.
So why bother taking a good photo?
First, it’s more appealing for an audience to look at well-shot images. Keep in mind that they weren’t with you to experience the process, so this is their only way of seeing the results.
Second, you may end up using these pictures in other ways. Not only did I use my images in a book, but I’ve made T-shirts, prints, and other items. With the range of digital printing services available today, you can make some of these items on your own.
A few other things to consider when photographing your work:
• Shoot more pictures than you need. You can always edit down to the right shot, and you may discover that you need a different angle or version later.
• Review your pictures before moving on. You’ll be much happier if you discover right away that you didn’t quite get the photo you need and have a chance to reshoot.
• Take pictures of your process. It can be fun to share how things got done; taking pictures can even to help you remember the details later.
• Consider keeping work that may change over time, and photograph it as it changes; sometimes things look better later.
• And don’t forget to periodically have someone take your own picture in the midst of your project. You never know when it’ll come in handy!
While photos are generally the most useful tool for documenting your work, you can try other things as well. A video camera can let you show your process or a project in motion. Audio recordings can document your thoughts as you work or even be the point of your project (how about a song a day?). Flatbed scanners can be used to document two- and three-dimensional work, and you can even create temporary work directly on the bed then save it as a scan. Have fun and experiment!
Can I tell you a secret? I didn’t end up making something every day the first time I tried doing a daily project. I attempted to make a haiku a day for a year back in 2001. This was before blogging and social networking for me, so I ended up just sharing the work monthly on a website with a small group of friends. While I didn’t stop partway through the year, I definitely had some lean months by the end. Regardless, I ended up with a huge amount of writing that I used for several years afterward: I created song lyrics for bands I was in and made a set of haiku postcards to promote my design firm that still turn up in stores and books periodically.
The funny thing is, I was well into the Skull-A-Day project before I remembered I hadn’t been able to finish the haiku project. I credit opening up the Skull-A-Day project to a wider audience, and the support and encouragement that brought, with the fact that I never missed a day of skull making.
Not everyone finishes a yearlong daily project. Don’t feel guilty if you want to give up—and don’t be afraid to change the rules! So what do you do if you’ve started your project and find that it is getting too big for you to handle? First, you should congratulate yourself on getting started at all. Next, you have to make a choice about moving the finish line, whether by changing the rules, adjusting the time frame, or doing a combination of both.
If you find that the rules you set up at the start of your project are getting in the way or stressing you out, change them. Really, it’s that simple. It’s your project, and you set the parameters. Maybe you do something every other day instead of every day, scale back the size of what you’re making, or even switch to a new subject matter or medium. See what elements are making it hard for you and adjust them to a comfortable fit.
If it’s not a matter of the details, but a problem with the time commitment, then why not scale back to a shorter time frame? Perhaps six months, or one month, or even one week will make it more feasible for you. You may end up doing a series of shorter projects that add up to a year. Some people choose to make 365 pieces total, but at a pace that is more comfortable for them, with any number of days between pieces.
Regardless of how you adjust, you’ll still be learning and growing along the way. Even if you just decide to stop altogether, don’t discount the work you’ve done so far. You may be surprised when you look back and see how much you’ve already gained.
One final note on the subject: If you haven’t begun your daily project yet, don’t let the prospect of not finishing stop you from starting at all. Too often, people think and talk about all the things they could be doing, but never take action. Just trying something new can do wonders for your perspective on the world and on yourself.
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