- Copyright
- About the Author
- Credits
- Author's Acknowledgments
- 1. Tap the Power of Every Shutter Speed
- 1.1. 1/8000 Second—the shutter speed of NASA
- 1.2. 1/4000 Second—the shutter speed of NASCAR
- 1.3. 1/2000 Second—the optimal fast shutter speed
- 1.4. 1/1000 Second—a former record holder
- 1.5. 1/500 Second—a nostalgic favorite
- 1.6. 1/250 Second—the all-purpose shutter speed
- 1.7. 1/125 Second—for the scenic shooter
- 1.8. 1/60 Second—when the light dims it shines
- 1.9. 1/30 Second—the optimal slow shutter speed
- 1.10. 1/15 Second—where subjects blur themselves
- 1.11. 1/8 Second—the blessing of the blur
- 1.12. 1/4 Second—the poet laureate of motion pictures
- 1.13. 1/2 Second—where writing with light becomes reality
- 1.14. 1 Second—breaking the time barrier
- 1.15. 1 Minute—reenact exposures of the "ancients"
- 1.16. 8 Hours—put your camera on the "C" shift
- 1.17. Nano Time—the hidden world of ultra-speed electronic flash
- 2. Understanding Shutter Speed and Exposure
- 2.1. How the shutter works
- 2.2. About exposure
- 2.3. Camera controls for regulating exposure
- 2.4. From good to great exposure
- 2.5. Anatomy of a good exposure
- 2.6. Anatomy of a bad exposure
- 2.7. ISO setting—your secret weapon
- 2.8. Determining the correct exposure
- 2.9. Matching metering modes to scenes
- 2.10. Evaluating pictures as you take them
- 2.11. Evaluating technical exposure with the histogram
- 2.12. Balancing shutter speed and depth of field
- 2.13. Equivalent exposure values
- 2.14. Finding a way to get the shutter speed you want
- 2.15. White balance
- 2.16. Exposure rules of thumb
- 2.17. Adjusting exposure for light type
- 2.18. Adjusting exposure for tricky lighting conditions
- 3. How I Took These Pictures
- 3.1. County Fairs—Mania on the Midway
- 3.2. Curtains Lifted by a Summer Breeze
- 3.3. Swimmers—Half-Triathlon
- 3.4. Stunt Rider at the State Fair
- 3.5. Perfect Timing for the Perfect Pose
- 3.6. The Planned Picture
- 3.7. Boredom—The Great Creation Motivator
- 3.8. Luck, Not Skill
- 3.9. Everyday Life—in Peru
- 3.10. Balloons Away
- 3.11. Review Without Prejudice
- 4. Tools and Controls to Exploit Shutter Speed
- 4.1. The camera you need is a dSLR
- 4.2. But let a snapshot camera tag along
- 4.3. Controls that put you in the right mode
- 4.4. Exposure modes
- 4.5. ISO control
- 4.6. Exposure Compensation
- 4.7. Bracketing mode
- 4.8. Focus controls
- 4.9. Rapid picture-taking
- 4.10. File format
- 4.11. Mirror lockup and exposure delay
- 4.12. Accessories for motion techniques
- 4.13. Lenses
- 4.14. Sport lenses
- 4.15. Image-stabilized lenses
- 4.16. Neutral density filters
- 4.17. Polarizing filters
- 4.18. Memory cards
- 4.19. Monopods and tripods
- 4.20. Shutter release devices
- 4.21. Electronic flash
- 4.22. Image-adjustment software
- 5. Stopping the Action
- 5.1. Everyday shutter speeds
- 5.2. Fast shutter speeds
- 5.3. Timing your shots
- 5.4. Determining a stop-action shutter speed
- 5.5. Action sequences—the art of static action
- 5.6. Taking pictures from moving vehicles
- 5.7. Shutter speeds for sharp pictures while handholding the camera
- 5.8. How to find your personal steadiness shutter speed
- 5.9. Taking sharp pictures at questionable shutter speeds
- 6. Shake, Rattle, and Roll Your Camera
- 6.1. Pantastic panning
- 6.2. The background of blur
- 6.3. Rev up the blur for expressionistic panning
- 6.4. A gallery of panning
- 6.5. Zooming
- 6.6. Camera and subject are still—everything else moves
- 6.7. Camera held still—subject in motion
- 6.8. Running, jumping, spinning, and twisting with the camera
- 6.9. Shooting blur shots from the car
- 6.10. Camera tossers—only centerfielders need apply
- 6.11. Composition on the fly
- 6.12. Improving composition when the action picks up
- 6.13. Low angle versus high angle
- 6.14. Composition—positioning the subject in the frame
- 6.15. Composition—sizing the subject
- 6.16. Composition and subject direction
- Glossary
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