Chapter 7. Z-Pattern, F-Pattern, Visual Hierarchy

It is easy to imagine every user excitedly reading every letter you write and every pixel you make. Get over it, because real users won’t. They scan.

“Scanning” means the user only stops to read when something catches their eye. This lesson is about scanning patterns.

Using a website or an app may feel like a different experience every time, but in fact, the way people look at any design is fairly predictable.

The Z-Pattern

Let’s start with the most boring design I can imagine: an entire newspaper page of solid text. All one story. No headlines. No images. No breaks or pull quotes; just text, in even columns, from corner to corner.

In a design like that—which I hope you never create—users will generally scan it in a pattern something like a “Z,” starting in the upper left and ending in the lower right. Anything in the layout that isn’t near the Z probably won’t be noticed.

Boring! Zzzzzzzz.... (see what I did there?)

The reason I spent so much time teaching you visual design principles is so you would know how you can make this layout better.

Aha!

If we add a bigger headline (visual weight), create one column to follow (line tension), and use smaller sections (repetition), we can get people closer to the famous F-Pattern.

F-Pattern

Similar layouts = similar scanning pattern. Google results make a great F-Pattern if you track the eye movements of users.

The F-Pattern made the founders of the Nielsen Norman Group famous a while back. They still maintain a very good blog and publish many reports worth reading.

The F-Pattern works like this:

  1. Start in the upper-left corner, like the Z-Pattern.

  2. Read/scan the first (head)line of the text.

  3. Scan down the left side of the column until you find something interesting.

  4. Read the interesting thing more carefully.

  5. Continue scanning down.

  6. By repeating that method over and over, the scanning pattern starts to look like an “E” or an “F,” hence the name.

Why Is This Important?

You might notice that some parts of the page get lots of attention “naturally,” whereas other parts of the page are overlooked most of the time. This is what is meant by “strong” and “weak” spots in a layout.

A button in the upper left will get more clicks than a button in the upper right, which will get more clicks than a button in the lower left, which will get more clicks than a button in the lower right. And all of those will get more clicks than something randomly stuck in the middle, unless you do something about it.

It might also be good to know that each “block” of content and each column can have their own F-Pattern. It doesn’t have to be one-F-Pattern-per-page, but that is a more advanced conversation for another day.

Create a Visual Hierarchy

When you consistently use typography to indicate the importance of text, and certain colors to highlight buttons, and when you give more visual weight to things that matter, it creates a visual hierarchy (i.e.,a design that people can scan easily). Our eyes jump from important thing to important thing rather than scanning like a robot.

Some designers think visual hierarchy is good because it looks better, but the truth is that it feels better because it is easier to scan.

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