14. Lighting, Rendering, and a Little Bit of Compositing
by Enrico Valenza, Pierre-Armand Nicq, Romain Caudron
Blender 3D: Designing Objects
- Blender 3D: Designing Objects
- Table of Contents
- Blender 3D: Designing Objects
- Blender 3D: Designing Objects
- Credits
- Preface
- 1. Module 1
- 1. Straight into Blender!
- 2. Robot Toy – Modeling of an Object
- Let's start the modeling of our robot toy
- Using the basic modeling tools
- Modeling the head
- Modeling the antenna
- An introduction to the Subdivision Surface modifier
- Modeling the thunderbolts
- Modeling the eyes
- Modeling the chest
- Modeling the neck
- Modeling the torso
- Modeling the buttons
- Modeling the fork
- Modeling the main wheel
- Modeling the arm
- Using Blender Internal to render our Robot Toy
- Summary
- 3. Alien Character – Base Mesh Creation and Sculpting
- 4. Alien Character – Creating a Proper Topology and Transferring the Sculpt Details
- 5. Haunted House – Modeling of the Scene
- 6. Haunted House – Putting Colors on It
- 7. Haunted House – Adding Materials and Lights in Cycles
- 8. Rat Cowboy – Learning To Rig a Character for Animation
- 9. Rat Cowboy – Animate a Full Sequence
- 10. Rat Cowboy – Rendering, Compositing, and Editing
- 2. Module 2
- 1. Modeling the Character's Base Mesh
- 2. Sculpting the Character's Base Mesh
- 3. Polygonal Modeling of the Character's Accessories
- 4. Re-topology of the High Resolution Sculpted Character's Mesh
- 5. Unwrapping the Low Resolution Mesh
- 6. Rigging the Low Resolution Mesh
- Introduction
- Building the character's Armature from scratch
- Perfecting the Armature to also function as a rig for the Armor
- Building the character's Armature through the Human Meta-Rig
- Building the animation controls and the Inverse Kinematic
- Generating the character's Armature by using the Rigify add-on
- 7. Skinning the Low Resolution Mesh
- 8. Finalizing the Model
- 9. Animating the Character
- 10. Creating the Textures
- Introduction
- Making a tileable scales image in Blender Internal
- Preparing the model to use the UDIM UV tiles
- Baking the tileable scales texture into the UV tiles
- Painting to fix the seams and to modify the baked scales image maps
- Painting the color maps in Blender Internal
- Painting the color maps in Cycles
- 11. Refining the Textures
- 12. Creating the Materials in Cycles
- 13. Creating the Materials in Blender Internal
- 14. Lighting, Rendering, and a Little Bit of Compositing
- 3. Module 3
- 1. Overview of Materials in Cycles
- 2. Managing Cycles Materials
- 3. Creating Natural Materials in Cycles
- Introduction
- Creating a rock material using image maps
- Creating a rock material using procedural textures
- Creating a sand material using procedural textures
- Creating a simple ground material using procedural textures
- Creating a snow material using procedural textures
- Creating an ice material using procedural textures
- 4. Creating Man-made Materials in Cycles
- Introduction
- Creating a generic plastic material
- Creating a Bakelite material
- Creating an expanded polystyrene material
- Creating a clear (glassy) polystyrene material
- Creating a rubber material
- Creating an antique bronze material with procedurals
- Creating a multipurpose metal node group
- Creating a rusty metal material with procedurals
- Creating a wood material with procedurals
- 5. Creating Complex Natural Materials in Cycles
- 6. Creating More Complex Man-made Materials
- 7. Subsurface Scattering in Cycles
- Introduction
- Using the Subsurface Scattering shader node
- Simulating Subsurface Scattering in Cycles using the Translucent shader
- Simulating Subsurface Scattering in Cycles using the Vertex Color tool
- Simulating Subsurface Scattering in Cycles using the Ray Length output in the Light Path node
- Creating a fake Subsurface Scattering node group
- 8. Creating Organic Materials
- Introduction
- Creating an organic-looking shader with procedurals
- Creating a wasp-like chitin material with procedural textures
- Creating a beetle-like chitin material with procedural textures
- Creating tree shaders – the bark
- Creating tree shaders – the leaves
- Creating a layered human skin material in Cycles
- Creating fur and hair
- Creating a gray alien skin material with procedurals
- 9. Special Materials
- Bibliography
- Index
In this chapter, we will cover the following recipes:
- Setting the library and the 3D scene layout
- Setting image based lighting (IBL)
- Setting a three-point lighting rig in Blender Internal
- Rendering an OpenGL playblast of the animation
- Obtaining a noise-free and faster rendering in Cycles
- Compositing the render layers
In this last chapter, we are going to see recipes about the more common stages needed to render the complete final animation: lighting techniques in both the render engines, fast rendering previews, rendering settings, and the integrated compositing.
But first, let's see the necessary preparation of the 3D scene layout.
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