References
Introduction
1 Arnold J. Toynbee, A Study of History, Vol. 5, Oxford University Press (Oxford), 1939, p. 43.
2 Yuval Noah Harari, Sapiens: A Brief History of Humankind, Vintage Books (London), 2014, p. 184.
Chapter 1
1 Isaiah Berlin, ‘The Concept of Scientific History’, History and Theory, Vol. 1, No. 1, 1960, pp. 103–42.
2 Quoted in Tim Blanning, The Romantic Revolution, Weidenfeld & Nicholson (London), 2011), p. 6.
3 Ibid.
4 Ibid, p. 7.
5 Letter to Thomas Poole, October 1797.
6 Caspar David Friedrich, by Helmut Borsch-Supan, published by G Braziller, 1974, pp. 7–8
7 T.S. Eliot, ‘Tradition and the Individual Talent’, The Egoist, September and December 1919.
8 The expression was coined by Le Corbusier in his 1923 manifesto Vers une Architecture: see the English translation by John Goodman as Toward an Architecture, Getty Research Institute (Los Angeles), 2007.
9 Tim Blanning, The Romantic Revolution, Weidenfeld & Nicholson (London), 2011, pp. 185–6.
10 www.state.gov/documents/organization/241377.pdf (accessed 20/10/2016)
11 Gordon Cullen, Townscape, Architectural Press (London), 1961.
12 Peter Hall, Great Planning Disasters, Penguin Books, London, 1981
13 Jane Jacobs, The Death and Life of Great American Cities, Vintage Books (New York), 1963; Rachel Carson, Silent Spring, Houghton Mifflin (New York), 1962; Michael Young and Peter Willmott, Family and Kinship in East London, Routledge and Kegan Paul (London), 1957.
14 Jane Jacobs, The Death and Life of Great American Cities, Vintage Books (New York), 1963, p. 434.
15 See Yuval Noah Harari, Sapiens: A Brief History of Humankind, Vintage Books (London), 2014.
16 Robert Venturi, Complexity and Contradiction in Architecture, Museum of Modern Art (New York), 1966. Ian L McHarg, Design With Nature, John Wiley & Sons (New York), first published 1969, new edition 1995 Paul Davidoff and Thomas A Reiner, ‘A Choice Theory of Planning’, Journal of the American Institute of Planners, Vol. 28, Issue 2, 1962 Professor David Crane taught the Civic Design Program at the University of Pennsylvania in the late 1950s and 1960s.
17 Terry Farrell, ‘Buildings as a resource’, RIBA Journal, May 1976, pp. 172–181.
Chapter 2
1 Frank Lloyd Wright, Frank Lloyd Wright: An Autobiography, Pomegranate Communications (Warwick), 2005, p. 3.
2 Quoted in Geoffrey H Baker, The Architecture of James Stirling and His Partners James Gowan and Michale Wilford, Ashgate (Farnham and Burlington, VT), 2011, p. 5.
3 Robert Venturi, Complexity and Contradiction in Architecture, Museum of Modern Art (New York), 1966.
4 Jane Jacobs, The Death and Life of Great American Cities, Vintage Books (New York), 1963, p. 434.
5 Robert Venturi, Complexity and Contradiction in Architecture, Museum of Modern Art (New York), 1966, second edition 1977, p. 104
6 Charles Jencks, The Story of Post-Modernism, John Wiley & Sons, UK, 2011.
7 Herbert Muschamp, ‘Charles Moore, Innovative Post-Modern Architect, Is Dead at 68’, New York Times, 17 December 1993, http://www.nytimes.com/1993/12/17/obituaries/charles-moore-innovative-post-modern-architect-is-dead-at-68.html (accessed 16 June 2016).
8 Colin Rowe and Fred Koetter, Collage City, MIT Press (Cambridge, MA), 1978, p. 68.
9 Jane Jacobs, The Life and Death of Great American Cities, Vintage Books, New York, 1992, p. 50 (originally published by Random House, New York, 1960).
10 John Outram Associates website, http://www.johnoutram.com/iod.html.
11 Architecture Today, November 1995.
12 Abitare, November 1996.
13 Charles Jencks and Terry Farrell, Designing A House, 1986 AD Editions 55 9/10
14 Deyan Sudjic, ‘The Man Who Took High Tech Out To Play’, Sunday Times Magazine, 16 January 1983, pp. 26–31.
15 Lightweight Classic: Terry Farrell’s Covent Garden Nursery Building, Cheerman (London), 1993, p. 15.
16 Jonathan Glancey, ‘Love Me Do’, Independent, 13 November 1995, http://www.independent.co.uk/arts-entertainment/art/news/love-me-do-1581695.html (accessed 6 February 2017).
17 Blueprint Extra 09, Three Urban Projects, text by Piers Gough ISBN: 1 874235 09 0 published by Wordsearch – quote from back cover.
18 Historic England Advice Report 17th February 2017, Case number: 1431976, page 6 of document.
Chapter 3
1 Alan Kirby, ‘The Death of Postmodernism and Beyond’, Philosophy Now, 58, November/December 2006, https://philosophynow.org/issues/58/The_Death_of_Postmodernism_And_Beyond (accessed 21 June 2016).
2 See http://www.farrellreview.co.uk (accessed 23 June 2016).
3 United Nations Department of Economic and Social Affairs: Population Division, World Urbanization Prospects: The 2007 Revision, New York, 26 February 2008, p 1: http://www.un.org/esa/population/publications/wup2007/2007WUP_ExecSum_web.pdf (accessed 23 June 2016).
4 Daniel C. Dennett, Darwin’s Dangerous Idea: Evolution and the Meanings of Life, Penguin (London, New York, Ringwood, Toronto and Auckland), 1995, p 21.
Chapter 4
1 Heinrich Klotz, The History of Postmodern Architecture, The MIT Press (Cambridge, Massachusetts), 1988, p. 99.
2 See Paolo Portoghesi, ‘Architecture born of Architecture’, in Paolo Portoghesi Projects & Drawings 1949–1979, ed. Francesco Moschini, Rizzoli (New York), 1980, pp. 16.
3 Martino Stierli, ‘In the Academy’s Garden: Robert Venturi, the Grand Tour and the Revision of Modern Architecture’, AA Files, Issue 56, 2007, p. 46.
4 Robert Venturi, Complexity and Contradiction in Architecture, Museum of Modern Art (New York), 1966, p. 16.
5 See Jorge Otero-Pailos, Architecture’s Historical Turn: Phenomenology and the Rise of the Postmodern, University of Minnesota Press (Minneapolis), 2010.
6 Ibid, p. 107.
7 Ibid, p. 118.
Chapter 5
1 Pete Collard, ‘Italy: The New Domestic Landscape’, Disegno No 2, London, 28 November 2013
2 Quoted in Diebold Essen, ‘Bye-Bye, BEST Products: An Architecture Fairy Tale’, Magellan’s Log, https://web.archive.org/web/20060827012947/ http://www.texaschapbookpress.com/magellanslog54/indeterminatefacadeintro.htm (accessed 11 February 2017).
3 Hans Hollein and Walter Pichler, ‘Forms and Designs’, Arts and Architecture, August 1963.
4 Reyner Banham, ‘Who Is This “Pop”?’, Motif, Vol. 10 (1962–3), p. 12.
5 Colin Rowe, The Mathematics of the Ideal Villa and Other Essays, The MIT Press (Cambridge, MA and London), 1976.
6 ‘The Obligation Toward the Difficult Whole’, chapter 10 in Robert Venturi, Complexity and Contradiction in Architecture, Museum of Modern Art (New York), 1966.
7 See Nadia Watson, ‘The Whites vs the Grays: Re-examining the 1970s Avant-Garde’, Fabrications, Vol. 15, Issue 1, 2005.
8 Rem Koolhaas, Delirious New York: A Retroactive Manifesto for Manhattan, Monacelli Press (New York), p. 237.
9 Charles Jencks, ‘La Strada Novissima: The 1980 Venice Biennale’, Domus, Issue 610, October 1980.
10 Léa-Catherine Szacka, ‘Historicism Versus Communication: The Basic Debate of the 1980 Biennale’, Architectural Design, Vol. 81, Issue 5 (September/October 2011), pp. 98–105.
11 Barbara Radice, Memphis: Research, Experiences, Results, Failures and Successes of New Design, 1982, quoted on http://text-bin.blogspot.fr/2011/07/material-colour-in-memphis.html (accessed 12 February 2017).
12 Ibid.
13 Charles Jencks, The New Paradigm in Architecture: The Language of Post-Modernism, Yale University Press (New Haven, Connecticut and London), p. 131.
14 Ibid.
15 Herbert Muschamp, ‘Review/Architecture; Isozaki Postwar World’, New York Times, 17 December 1993, http://www.nytimes.com/1993/12/17/arts/review-architecture-isozaki-s-designs-for-an-insecure-postwar-world.html (accessed 12 February 2017).
16 Jonathan Glancey and Peter Cook, ‘December 1982: Stirling and Hollein’, Architectural Review, 12 May 2014, http://www.architectural-review.com/archive/december-1982-stirling-and-hollein/8662468.fullarticle (accessed 12 February 2017).
17 Denise Scott Brown, ‘Our Postmodernism’, in Postmodernism: Style and Subversion, exh. cat., Victoria and Albert Museum, London, 2011, pp. 106–12.
18 Paul Goldberger, ‘Futurist State Office Building Dazzles Chicago’, New York Times, 22 July 1985, http://www.nytimes.com/1985/07/22/arts/futuristic-state-office-building-dazzles-chicago.html?pagewanted=all (accessed 12 February 2017).
19 Ibid.
20 Michael Graves, ‘A Case for Figurative Architecture’, in Vincent Scully (ed.), Michael Graves, Buildings and Projects, 1966–1981, Random House (New York), pp. 11–17.
21 Adelyn Perez, ‘AD Classics: Walt Disney World Swan and Dolphin Resort / Michael Graves’, 14 June 2010, http://www.archdaily.com/64270/ad-classics-walt-disney-world-swan-and-dolphin-resort-michael-graves (accessed 12 February 2017).
22 Quoted in Patricia Leigh Brown, ‘Disney Deco’, New York 8 April 1990, http://www.nytimes.com/1990/04/08/magazine/disney-deco.html?pagewanted=all (accessed 12 February 2017).
Chapter 6
1 Charles Jencks, The New Paradigm in Architecture: The Language of Post-Modernism, Yale University Press (New Haven, Connecticut and London), p. 9.
2 Vladimir Gintoff, ‘The Curious Case of Poland’s Communist-Era Church Boom’, Metropolis, 10 March 2016, http://www.metropolismag.com/Point-of-View/March-2016/The-Curious-Case-of-Polands-Communist-Era-Church-Boom/ (accessed 12 February 2017).
3 Rem Koolhaas, Delirious New York: A Retroactive Manifesto for Manhattan, Monacelli Press (New York), pp. 29–80.
4 Elisabetta Andreoli, ‘Party Halls in El Alto, Bolivia by Freddy Mamani Silvestre’, Architectural Review, 13 July 2015, https://www.architectural-review.com/today/we-have-money-and-can-build-in-a-way-that-represents-us/8682724.article (accessed 12 February 2017).
5 Alejandro Zaera-Polo, ‘The Hokusai Wave’, Perspecta, Vol. 37: Famous, 2005, p. 80.
6 Soeters Van Eldonk website, http://www.soetersvaneldonk.nl/en/visie/visie.html (accessed 12 February 2017).
7 Joseph Rykwert, ‘Postmodernism Post-Mortem’, Architects Journal, 6 October 2011, https://www.architectsjournal.co.uk/postmodernism-post-mortem/8620814.article (accessed 12 February 2017).