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Dedication
by Christina Z. Anderson
Salted Paper Printing
Cover
Half Title
Title Page
Copyright Page
Dedication
Table of Contents
Preface
Introduction to Salted Paper
Chapter 1 A Brief History of Salted Paper
Part One Salted Paper Step-by-Step
Chapter 2 Setting Up the Salted Paper Dimroom
“Simple salt” chemistry
Chemistry for the salt enthusiast
Salting/sizing chemistry
Sensitizer chemistry
Processing chemistry
Toning chemistry
Gum chemistry
Handcoloring supplies
Varnishing supplies, if desired
Safety first!
Essential big(ger) equipment
Nonessential bigger equipment
Essential smaller equipment and supplies
Essential consumables
Paper
Chapter 3 Digital Negatives for Salted Paper
Curve preparation
Curves step by step
Image preparation for all negatives
Monochrome salted paper negative
Printer settings
Understanding curves
Pizza wheels
Concluding remarks
Chapter 4 Talbot’s Photogenic Drawing Process
Supplies
Unsalted paper/hot water fix
Unsalted paper/salted water fix
Unsalted paper/ammonia fix
Salted paper/salted water fix
Salted paper/potassium iodide fix
Salted paper/potassium bromide fix
Chapter 5 Creating Your First Salted Paper Print
Supplies
Processing solutions
Silver nitrate solution
1% gold chloride solution
Paper salting solution
5% salted water wash
Gold sodium carbonate toner
Alkaline fixer
Hypoclear
Salting the paper*
Sensitizing the paper*
Exposing, processing, and toning
Chapter 6 Salting and Sensitizing the Paper
Supplies for salting and sensitizing
About salts
About sizes
About water
About brushes
Salting and salt-size formulas
Sodium chloride salting solution
Sodium chloride/citric acid/rochelle salts
Ammonium Chloride/Sodium Citrate
Ammonium chloride/sodium citrate/gelatin
Clark’s arrowroot salt size I
Clark’s arrowroot salt size II
Casein salt size
Carrageenan salt size
Silver nitrate sensitizer
15% silver nitrate
Silver nitrate/citric acid
Sensitizing the paper
Chapter 7 Exposing and Processing Salted Paper
Determining exposure with an OHP strip
Determining exposure by inspection
Exposure tips
Processing solutions
5% salted water wash
5% salted water wash formula
Alkaline fixer
Ammonium thiosulfate rapid fix
Hypoclear
Processing the exposed paper
Processing steps
Chapter 8 Toning Salted Paper
Gold toning
Amount of in the formula
Alkalinity of the formula
1% gold chloride solution
Gold sodium bicarbonate toner
Gold sodium carbonate toner
Gold borax toner
Gold sodium acetate toner
Gold ammonium benzoate toner
Gold sodium phosphate toner
Gold aluminum toner
Gold sodium tungstate toner
Gold thiocyanate toner
Gold iodide-thiocyanate toner
Gold iodide-thiocyanate toner II
Gold thiourea toner
Gold thiourea toner II
Sel d’or toner
Platinum and palladium toning
Platinum or palladium toner
Selenium toning
Selenium toner
Copper toning
Ferguson’s copper toner
Cassell’s copper toner
Photo Miniature copper toner
Iron blue toning
Iron blue toner
Toning tips
Chapter 9 Advanced Techniques for Salted Paper
Taming an unsuitable paper
Universal salting recipe
Casein salt size I
Casein salt size II
Agar agar salt sizing
Cupric chloride as a contrast agent
Silver nitrate/citric acid
Ammonium sulfate
Ammonium Sulfate Salting
Chapter 10 Troubleshooting Salted Paper
Problems addressed, in this order
Occurrence of problems, in this order
The print has faded and/or yellowed
The print has stains, splotches, spots
The print has dark streaks in it
The print has white streaks in it
The print has yellowed in the highlights
The print is fogged
The print is blotchy and mottled
The print looks like it has the measles
The print has toning issues
The print is too low contrast and dull
The print is high contrast and harsh
The print is too light
The print is too dark
The print has bronzed (too much)
The color is inconsistent
The silver nitrate solution is brown
There are silver stains on clothes, etc.
Chapter 11 Printing Gum Over Salted Paper
Essential supplies
Duotone (warm/cool) negatives
Tricolor (RGB) negatives
Quadcolor (CMYK) negatives
Sizing
Dichromate preparation
Pigment choice, in a nutshell
Preparing stock solutions
Preparing working strength solutions
Registering gum
Coating gum
Exposing gum
Developing gum
Using the salt negative for gum
Using duotone negatives
Using tricolor (RGB) negatives
Using CMYK negatives
Troubleshooting gum
Chapter 12 Handcoloring and Other Creative Ideas
Watercolor pencils
Supplies
Photo oils
Supplies
Printing salt over cyanotype
Cyanotype formula
Printing salted paper on fabric
Printing salted paper on wood
Creative bleaching
Printing on colored salted paper
The watercolor sandwich
Salted paper “orotone”
Other creative ideas
Chapter 13 Finishing, Framing, and Storing Salted Paper
Preserving a digital copy
To varnish, or not to varnish
How to best store the print
Matting and framing
Part Two Contemporary Salted Paper Artists
Chapter 14 Contemporary Salted Paper Artists
Kimberly Anderson
Darryl Baird
Matthew Brandt
Daniel W. Coburn
Megan Crawford
Dan Estabrook
Adam Finkelston
Brittonie Fletcher
Luther D. Gerlach
Keith Gerling
Brenton Hamilton
Suzanne Izzo
Ken Keen
Rebecca Sexton Larson
Marek Matusz
Leanne McPhee
Dave Molnar
France Scully Osterman
Mark Osterman
Jessica Christine Owen
Carol Panaro-Smith and James Hajicek
Ron Reeder
Dianna Rust
Karel Van Gerven
Alan Vlach
Sam Wang
Wynn White
DM Witman
Ellie Young
Appendix Including Historical Salting Formulas
Historical salting formula charts
The guerrilla fix
Determining exposure with a step wedge
Weights and measures
Sources for supplies
Bibliography
Index
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Copyright Page
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Salted Paper Printing
Dedicated to
Marek Matusz,
fellow traveler
on this shared
salted paper journey
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