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Borcoman, James. Magicians of Light: Photographs from the Collection of the National Gallery of Canada. Ottawa: National Gallery of Canada, 1993.

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Coke, Van Deren, with Diana C. Du Pont. Photography: A Facet of Modernism. New York: Hudson Hills Press, 1986.

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Crimp, Douglas, with photographs by Louise Lawler. On the Museum’s Ruins. Cambridge, MA: The MIT Press, 1995.

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Easter, Eric, and Dudley M. Brooks, eds. Songs of My People: African-Americans, A Self-Portrait. Boston: Little, Brown and Company, 1992.

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Eskind, Andrew H., and Greg Drake, eds. Index to American Photographic Collections. 3rd edition. New York: G.K. Hall and Co., 1996.

Evans, Jessica, ed. The Camerawork Essays: Context and Meaning in Photography. New York: New York University Press, 1997.

Ewing, William A.The Body: Photographs of the Human Form. San Francisco: Chronicle Books, 1994.

Experimental Vision: The Evolution of the Photogram Since 1919. Denver: Roberts Rinehart, Denver Art Museum, 1994.

Fiedler, Jeannine, ed. Photography at the Bauhaus. Cambridge, MA: The MIT Press, 1990.

Fleming, Paula Richardson, and Judith Lynn Luskey. Grand Endeavors of American Indian Photography. London: L. King, 1996.

Flukinger, Roy. The Formative Decades: Photography in Great Britain, 1839–1920. Austin: University of Texas Press, 1985.

Flukinger, Roy. The Gernsheim Collection. Austin: University of Texas Press, Austin Harry Ransom Center, 2010.

Foresta, Merry A. At First Sight: Photography and the Smithsonian. Washington, D.C.: Smithsonian Books, 2003.

Foresta, Merry A. and John Wood. Secrets of the Dark Chamber: The Art of the American Daguerreotype. Washington, DC: Smithsonian Books, 1995.

Foster, Sheila, Manfred Heiting, and Rachel Stuhlman, eds. Imagining Paradise: The Richard and Ronay Menschel Library at The George Eastman House, Rochester. Göttingen, Germany and London: Steidl, 2007.

The Founding and Development of Modern Photography in Japan. Tokyo: Tokyo Metropolitan Museum of Photography, 1995.

Frampton, Hollis. Circles of Confusion: Film, Photography, Video: Texts 1968–1980. Rochester, NY: Visual Studies Workshop Press, 1983.

Freidus, Marc, James Lingwood, and Rod Slemmons. Typologies: Nine Contemporary Photographers. Newport Beach, CA: Newport Harbor Art Museum, 1991.

Freund, Gisèle. Photography and Society. Boston: David R. Godine, 1980.

Friedman, Joseph S. History of Color Photography. Boston: American Photographic, 1944. Reprint. London and New York: Focal Press, 1968.

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Fulton, Marianne. Eyes of Time: Photo-journalism in America. Boston: Little, Brown and Company, 1988.

Fulton, Marianne, Kathleen A. Erwin, and Bonnie Yochelson. Pictorialism into Modernism: The Clarence H. White School of Photography. New York: Rizzoli, in association with George Eastman House and the Detroit Institute of Arts, 1996.

Galassi, Peter. Before Photography: Painting and the Invention of Photography. New York: Museum of Modern Art, 1981.

Galassi, Peter. American Photography, 1890–1965. New York: Harry N. Abrams, Inc., Museum of Modern Art, 1995.

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Gernsheim, Helmut, and Alison Gernsheim. The Rise of Photography, 1850–1880: The Age of Collodion. Vol. 2 of The History of Photography. New York: Thames and Hudson, 1988.

Gernsheim, Helmut, and Alison Gernsheim. The History of Photography: From the Camera Obscura to the Beginning of the Modern Era. 3rd edition. London: Thames and Hudson, 1988.

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Goldberg, Vicki. Photography in Print: Writings from 1816 to the Present. New York: Simon and Schuster, 1981. Reprint. Albuquerque: University of New Mexico Press, 2000.

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Hershberger, Andrew E., ed. Photographic Theory: An Historical Anthology. Maiden, MA and Oxford: Wiley-Blackwell, 2014.

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Camera Comics No. 3. 1944.

From 1944 to 1946, the U.S. Camera Publishing Company produced a comic book series titled Camera Comics to get youngsters interested in photography. Covers featured pilots pointing huge cameras out of planes and Nazis getting whacked with cameras. In addition to action packed World War II stories that involved characters, such as Linda Lens, Kid Click, and Art Fenton, each issue included brief biographies of famous photographers, how-to articles technical articles, and product ads. The disjointed juxtaposition between the graphics and photographic history can be comical in itself.

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