SECTION VII
SUGGESTED GENERAL READING

c07uf001

GENERAL SURVEYS

  1. Gombrich, E. H. Various editions. The Story of Art (London: Phaidon).
  2. Gorsline, Douglas W. 1993. A History of Fashion: A Visual Survey of Costume from Ancient Times to the Present Day (London: Batsford).
  3. Honour, Hugh and J. Fleming. Various editions. A World History of Art (London: Laurence King).
  4. Meggs, Philip B. 1998 A History of Graphic Design (London: John Wiley & Sons).

KEY TEXTS

  1. Baxandall, Michael. 1987. Patterns of Intention: On the Historical Explanation of Pictures (Cambridge, MA and London: Yale University Press).
  2. Berger, John. 1972. Ways of Seeing (London: Penguin).
  3. Bryson, Norman. 1983. Vision and Painting: The Logic of the Gaze (Cambridge: Cambridge University Press).
  4. Clark, T. J. 1999. Farewell to an Idea: Episodes from a History of Modernism (Cambridge, MA and London: Yale University Press).
  5. Elkins, James. 1997. The Object Stares Back: On the Nature of Seeing (New York: Harvest Books).
  6. Elkins, James. 1998. On Pictures and the Words that Fail Them (Cambridge: Cambridge University Press).
  7. Elkins, James. 1999. The Domain of Images (Ithaca: Cornell University Press).
  8. Elkins, James. 2000. How to Use Your Eyes (London and New York: Routledge).
  9. Freedberg, David. 1989. The Power of Images: Studies in the History and Theory of Response (Chicago: University of Chicago Press).
  10. Gombrich, Ernst. 1960. Art and Illusion: A Study in the Psychology of Pictorial Representation (London: Phaidon).
  11. Greenberg, Clement. 1986. The Collected Essays and Criticism, ed. John O’Brian (Chicago: University of Chicago Press).
  12. Livingstone, Margaret. 2002. Vision and Art: The Biology of Seeing (New York: Harry N. Abrams).
  13. Pollock, Griselda. 2003. Vision and Difference: Feminism, Femininity and Histories of Art (London: Taylor & Francis).
  14. Stafford, Barbara Maria. 2007. Echo Objects: The Cognitive Work of Images (Chicago and London: University of Chicago Press).
  15. Wollheim, Richard. 1989. Painting as an Art (London and New York: Thames & Hudson).
  16. Zeki, Semir. 1999. Inner Vision: An Exploration of Art and the Brain (Oxford: Oxford University Press).

MODERN ART

  1. Altshuler, Bruce. 1994. The Avant-Garde in Exhibition: New Art in the Twentieth Century (New York: Harry N. Abrams).
  2. Bois, Yve-Alain. 1993. Painting as Model (Cambridge, MA: MIT Press).
  3. Crow, Thomas. 1996. Modern Art in the Common Culture (New Haven and London: Yale University Press).
  4. Dawtrey, Liz, Toby Jackson and Mary Masterton. 1996. Investigating Modern Art (New Haven and New York: Yale University Press).
  5. De Duve, Thierry. 1998. Kant after Duchamp (Cambridge, MA: MIT Press).
  6. De Duve, Thierry. 2001. Look, 100 Years of Contemporary Art, trans. Simon Pleasance and Fronza Woods (Ghent, Amsterdam: Ludion).
  7. Deepwell, Katy. 1998. Women Artists and Modernism (Manchester: Manchester University Press).
  8. Drucker, Johanna. 1996. Theorizing Modernism: Visual Art and the Critical Tradition (New York: Columbia University Press).
  9. Edwards, Steve and Paul Woods, eds. 2004. Art of the Avant-Gardes (Art of the Twentieth Century) (New Haven and London: Yale University Press).
  10. Eisenman, Stephen F. 1994. Nineteenth Century Art: A Critical Introduction (London and New York: Thames & Hudson).
  11. Fer, Briony. 2000. On Abstract Art (New Haven and London: Yale University Press).
  12. Fer, Briony, David Batchelor and Paul Wood. 1993. Realism, Rationalism, Surrealism: Art between the Wars (New Haven and New York: Yale University Press).
  13. Flam, Jack. 2003. Primitivism and Twentieth-Century Art: A Documentary History (Berkeley and Los Angeles: University of California Press).
  14. Foster, Hal, Rosalind Krauss, Yve-Alain Bois and Benjamin H. D. Buchloh, eds. 2005. Art since 1900: Modernism, Antimodernism, and Postmodernism (London and New York: Thames & Hudson).
  15. Foster, Hal. 1995. Compulsive Beauty (Boston: MIT Press).
  16. Frascina, Francis. 1993. Modernity and Modernism: French Painting in the Nineteenth Century (New Haven and New York: Yale University Press).
  17. Frascina, Francis, ed. 2000. Pollock and After: The Critical Debate (London and New York: Routledge, 2nd edn).
  18. Frascina, Francis and Charles Harrison, eds. 1982. Modern Art and Modernism: A Critical Anthology (London: Paul Chapman).
  19. Fried, Michael. 1998. Art and Objecthood: Essays and Reviews (Chicago: University of Chicago Press).
  20. Gaiger, Jason. 2003. Frameworks for Modern Art (New Haven and New York: Yale University Press).
  21. Gaiger, Jason and Paul Wood, eds. 2003. Art of the Twentieth Century: A Reader (New Haven and New York: Yale University Press).
  22. Guilbaut, Serge. 1983. How New York Stole the Idea of Modern Art: Abstract Expressionism, Freedom and the Cold War (Chicago: University of Chicago Press).
  23. Hughes, Robert. 1991. The Shock of the New (London and New York: Thames & Hudson).
  24. Meecham, Pam and Julie Sheldon. 2000. Modern Art: A Critical Introduction (London: Routledge).
  25. Morley, Simon. 2003. Writing on the Wall: Word and Image in Modern Art (London and New York: Thames & Hudson).
  26. Murray, Chris. 2003. Key Writers on Art: The Twentieth Century (London and New York: Routledge).
  27. Orton, Fred and Griselda Pollock. 1996. Avant-Gardes and Partisans Reviewed (Manchester: Manchester University Press).
  28. Rodman, Selden. 1961. Conversations with Artists (New York: Capricorn Books).
  29. Rosenberg, Harold. 1994. The Tradition of the New (New York: da Capo).
  30. Rosenblum, Robert. 1977. Modern Painting and the Northern Romantic Tradition: Friedrich to Rothko (New York: Icon).
  31. Steinberg, Leo. 1972. Other Criteria: Confrontations with Twentieth-Century Art (Oxford: Oxford University Press).
  32. Tuchman, Maurice et al. 1986. The Spiritual in Art: Abstract Painting 1890–1985 (New York: Abbeville Press).
  33. Wood, Paul. 1999. The Challenge of the Avant-Garde (New Haven and London: Yale University Press and the Open University).
  34. Wood, Paul, ed. 2004. Varieties of Modernism (New Haven and London: Yale University Press).

CONTEMPORARY ART

  1. Archer, Michael. 2002. Art since 1960 (London and New York: Thames & Hudson).
  2. Barker, Emma, ed. 1999. Contemporary Cultures of Display (London: Yale University Press).
  3. Belting, Hans. 2003. Art History after Modernism (Chicago: University of Chicago Press).
  4. Bishop, Claire. 2005. Installation Art: A Critical History (London: Tate Publishing).
  5. Bishop, Claire. 2012. Artificial Hells: Participatory Art and the Politics of Spectatorship (London: Verso).
  6. Bourriaud, Nicolas. 2002. Postproduction (New York: Lukas & Sternberg).
  7. Bourriaud, Nicolas. 2002. Relational Aesthetics, trans. Simon Pleasance and Fronza Wood (Dijon: Les Presses du reel).
  8. Buchloh, Benjamin. 2003. Neo-Avantgarde and Culture Industry: Essays on European and American Art from 1955 to 1975 (Boston: MIT Press).
  9. Buskirk, Martha. 2005. The Contingent Object of Contemporary Art (Cambridge, MA: MIT Press).
  10. Campany, David, ed. 2003. Art and Photography (London and New York: Phaidon).
  11. Carlson, Marvin. 2004. Performance: A Critical Introduction (New York: Routledge, 2nd edn).
  12. Cashell, Kieran. 2009. Aftershock: The Ethics of Contemporary Transgressive Art (London: I. B. Tauris).
  13. Colpitt, Frances, ed. 2002. Abstract Art in the Late Twentieth Century (Cambridge: Cambridge University Press).
  14. Crimp, Douglas. 1995. On the Museum’s Ruins (Cambridge, MA and London: MIT Press).
  15. Danto, Arthur C. 1997. After the End of Art: Contemporary Art and the Pale of History (Princeton: Princeton University Press).
  16. Documents in Contemporary Art [series]. (London: Whitechapel Art Gallery/Cambridge, MA: MIT Press).
  17. Doherty, Claire. 2004. Contemporary Art: From Studio to Situation (London: Black Dog Publishing).
  18. Drucker, Johanna. 2005. Sweet Dreams: Contemporary Art and Complicity (Chicago: University of Chicago Press).
  19. Elkins, James. 2004. On the Strange Place of Religion in Contemporary Art (London and New York: Routledge).
  20. Fer, Briony. 2004. The Infinite Line: Re-making Art after Modernism (New Haven and London: Yale University Press).
  21. Fineberg, Jonathan David. 2000. Art since 1940: Strategies of Being (London: Laurence King).
  22. Foster, Hal. 1996. The Return of the Real: The Avant-Garde at the End of the Century (Cambridge, MA: MIT Press).
  23. Foster, Hal, ed. 1998. Visions and Visuality: Discussions in Contemporary Culture (New York: New Press).
  24. Foster, Hal, ed. 2002. The Anti-aesthetic: Essays on Postmodern Culture (New York: New Press).
  25. Fried, Michael. 2008. Why Photography Matters as Art as Never Before (New Haven: Yale University Press).
  26. Gablik, Suzi. 1992. The Reenchantment of Art (London and New York: Thames & Hudson).
  27. Gablik, Suzi. 2004. Has Modernism Failed? (London and New York: Thames & Hudson, 2nd edn).
  28. Godfrey, Tony and Octavio Zaya. 2013. Vitamin D2: New Perspectives (London and New York: Phaidon).
  29. Goldie, Peter and Elisabeth Schellekens, eds. 2007. Philosophy and Conceptual Art (Oxford: Oxford University Press).
  30. Goldie, Peter and Elisabeth Schellekens, eds. 2010. Who’s Afraid of Conceptual Art? (London and New York: Routledge).
  31. Harris, Jonathan, ed. 2003. Critical Perspectives on Contemporary Painting: Hybridity, Hegemony, Historicism (Liverpool: Liverpool University Press).
  32. Hickey, Dave. 1997. Air Guitar: Essays on Art & Democracy (New York: Art Issues Press).
  33. Hopkins, David. 2000. After Modern Art 1945–2000 (Oxford: Oxford University Press).
  34. Jones, Amelia, ed. 2006. A Companion to Contemporary Art since 1945 (Oxford: Blackwell).
  35. Krauss, Rosalind. 1986. The Originality of the Avant-Garde and Other Modernist Myths (Cambridge, MA: MIT Press).
  36. Krauss, Rosalind. 1994. The Optical Unconscious (Cambridge, MA: MIT Press).
  37. Krauss, Rosalind. 2000. A Voyage on the North Sea: Art in the Age of the Post-Medium Condition (London and New York: Thames & Hudson).
  38. Kuspit, Donald. 1994. The Cult of the Avant-Garde Artist (Cambridge: Cambridge University Press).
  39. Kuspit, Donald. 2005. The End of Art (Cambridge: Cambridge University Press).
  40. Kwon, Miwon. 2004. One Place after Another: Site-Specific Art and Locational Identity (Cambridge, MA: MIT Press).
  41. Lippard, Lucy. 1997. Six Years: The Dematerialisation of the Art Object from 1966 to 1972 (Berkeley: University of California Press).
  42. McEvilley, Thomas. 1996. Capacity: History, the World and the Self in Contemporary Art and Criticism (Amsterdam: OPA).
  43. McEvilley, Thomas. 1999. Sculpture in the Age of Doubt (New York: Allworth Press).
  44. O’Doherty, Brian. 2000. Inside the White Cube: The Ideology of the Gallery Space (Berkeley and Los Angeles: University of California Press).
  45. O’Reilly, Sally. 2009. The Body in Contemporary Art (London and New York: Thames & Hudson).
  46. Owens, Craig. 1994. Beyond Recognition: Representation, Power, and Culture (Berkeley and Los Angeles: University of California Press).
  47. Perry, Gill and Paul Wood, eds. 2004. Themes in Contemporary Art (New Haven and London: Yale University Press).
  48. Reiss, Julie H. 2001. From Margin to Center: The Spaces of Installation Art (Cambridge, MA: MIT Press).
  49. Robertson, Jean and Craig McDaniel. 2005. Themes of Contemporary Art: Visual Art after 1980 (Oxford: Oxford University Press).
  50. Silverman, Kaja. 1996. The Threshold of the Visible World (London and New York: Routledge).
  51. Silverman, Kaja. 2009. Flesh of My Flesh (Stanford: Stanford University Press).
  52. Stallabrass, Julian. 2004. Art Incorporated (Oxford: Oxford University Press).
  53. Stallabrass, Julian. 2006. Contemporary Art (Oxford: Oxford University Press).
  54. Taylor, Brandon. 2004. Contemporary Art: Art since 1970 (New Jersey: Prentice Hall).
  55. Thompson, Nato. 2012. Living as Form: Socially Engaged Art from 1991–2011 (Cambridge, MA: MIT Press).
  56. Wallis, Brian and Marcia Tucker. 1992. Art after Modernism: Rethinking Representation (New York: David R. Godine).
  57. Weintraub, Linda. 1997. Art on the Edge and Over: Searching for Art’s Meaning in Contemporary Society, 1970s–1990s (Litchfield, CT: Art Insights).
  58. Weintraub, Linda. 2003. Making Contemporary Art: How Today’s Artists Think and Work (London and New York: Thames & Hudson).
  59. Welchman, John. 2001. Art after Appropriation: Essays on Art in the 1990s (London and New York: Routledge).
  60. Wiseman, Caroline. 2006. Modern Art Now: From Conception to Consumption (Ipswich: Strawberry Art Press).
  61. Wood, Paul, Francis Frascina, Jonathan Harris and Charles Harrison, eds. 1994. Modernism in Dispute: Art since the Forties (New Haven and London: Yale University Press)

NEW MEDIA

  1. Bice, Curiger. 2006. The Expanded Eye: Stalking the Unseen (Ostfildern: Hatje Cantz Verlag).
  2. Comer, Stuart, ed. 2009. Film and Video Art (London: Tate).
  3. Cubbitt, Sean. 1991. Timeshift: On Video Culture (London and New York: Routledge).
  4. Cubbitt, Sean. 1993. Videography: Video Media as Art and Culture (London: Palgrave Macmillan).
  5. Gere, Charlie. 2003. Digital Culture (London: Reaktion Books).
  6. Grau, Oliver. 2003. Virtual Art: From Illusion to Immersion (Cambridge, MA: MIT Press).
  7. Grau, Oliver, ed. 2007. MediaArtHistories (Cambridge, MA: MIT Press).
  8. Leighton, Tanya, ed. 2008. Art and the Moving Image: A Critical Reader (London: Tate).
  9. Lopes, Dominic McIver. 2009. A Philosophy of Computer Art (London and New York: Routledge).
  10. Manovich, Lev. 2002. The Language of New Media (Cambridge, MA: MIT Press).
  11. Miller, Paul D. (DJ Spooky). 2004. Rhythm Science (Cambridge, MA: Mediawork/MIT Press).
  12. Rush, Michael. 2005. New Media in Art (London and New York: Thames & Hudson).
  13. Rush, Michael. 2007. Video Art (London and New York: Thames & Hudson).
  14. Taylor, Mark. 2001. The Moment of Complexity: Emerging Network Culture (Chicago: University of Chicago Press).

GLOBAL ART

  1. Carrier, David. 2008. A World Art History and Its Objects (University Park: Pennsylvania State University Press).
  2. Elkins, James, ed. 2007. Is Art History Global? (London and New York: Routledge).
  3. Harris, Jonathan, ed. 2011. Globalization and Contemporary Art (Chichester: Wiley Blackwell).
  4. Kester, Grant H. 2011. The One and the Many: Contemporary Collaborative Art in a Global Context (Durham, NC: Duke University Press).
  5. Onians, John, ed. 2008. The Art Atlas (New York: Abbeville).
  6. Venbrux, Eric, Pamela Sheffield Rosi and Robert L. Welsch, eds. 2006. Exploring World Art (Long Grove: Waveland).
  7. Zijlmans, Kitty and Wilfried van Damme, eds. 2008. World Art Studies: Exploring Concepts and Approaches (Amsterdam: Valiz).

DESIGN

  1. Aldersey-Williams, Hugh. 1990. Cranbrook Design: The New Discourse (New York: Rizzoli).
  2. Appadurai, Arjun, ed. 1986. The Social Life of Things: Commodities in Cultural Perspective (Cambridge: Cambridge University Press).
  3. Davis, Meredith. 2012. Graphic Design Theory (Graphic Design in Context) (London and New York: Thames & Hudson).
  4. Drucker, Johanna and Emily McVarish. 2008. Graphic Design History: A Critical Guide (London: Pearson).
  5. English, Bonnie. 2007. A Cultural History of Fashion in the Twentieth Century from the Catwalk to the Sidewalk (Oxford and New York: Berg).
  6. Eskilson, Stephen J. 2007. Graphic Design: A New History (Cambridge, MA: Yale).
  7. Fletcher, Alan. 2001. The Art of Looking Sideways (London: Phaidon).
  8. Frank, Isabelle, ed. 2000. The Theory of Decorative Art: An Anthology of European and American Writings, 1750–1940 (New Haven and London: Yale University Press).
  9. Fuad-Luke, Alastair. 2010. Ecodesign: The Sourcebook (London: Chronicle, 3rd edn).
  10. Hara, Kenya. 2007. Designing Design (Baden: Lars Müller Publishers).
  11. Hara, Kenya. 2009. White (Baden: Lars Müller Publishers).
  12. Helfand, Jessica. 2007. Reinventing the Wheel (Princeton: Princeton Architectural Press).
  13. Kwint, Marius, Christopher Breward and Jeremy Aynsley, eds. 1999. Material Memories: Design and Evocation (Oxford and New York: Berg).
  14. Leborg, Christian. 2006. Visual Grammar (Design Briefs) (Princeton: Princeton Architectural Press).
  15. Maeda, John. 2006. The Laws of Simplicity (Simplicity: Design, Technology, Business, Life) (Boston: MIT Press).
  16. Tilley, Christopher, Webb Keane, Susanne Küchler et al., eds. 2006. Handbook of Material Culture (London: Sage).
  17. Van Toom, Jan. 2006. Jan van Toom: Design’s Delight (Rotterdam: 010 Publishers).
  18. Walker, John A. 1989. Design History and the History of Design (London: Pluto).
  19. Wong, Wucius. 1993. Principles of Form and Design (London: John Wiley & Sons).
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