68 Ultra-Realistic Imaging
73. H. I. Bjelkhagen, “Lippmann photographs recorded in DuPont color photopolymer material,” in Practical
Holography XI and Holographic Materials III, S. A. Benton and T. J. Trout ed., Proc. SPIE 3011, 358–
366 (1997).
74. H. I. Bjelkhagen, T. H. Jeong and R. J. Ro, “Old and modern Lippmann photography,” in Sixth Int’l
Symposium on Display Holography, T. H. Jeong, H. I. Bjelkhagen eds., Proc. SPIE 3358, 72–83 (1998).
75. H. I. Bjelkhagen, “Lippmann photography: reviving an early colour process,” History of Photography 23,
(No. 3), 274–280 (1999).
76. H. I. Bjelkhagen, “A new optical security device based on one-hundred-year-old photographic tech-
nique,” Opt. Eng. 38, 55–61 (1999).
77. H. I. Bjelkhagen and S. De Souza, “Computer simulation of the Lippmann photographic process and
recording experiments using holographic materials,” in Practical Holography XV and Holographic
Materials VII, S. A. Benton, S. H. Stevenson and T. J. Trout eds., Proc. SPIE 4296, 300–311 (2001).
78. H. I. Bjelkhagen, “Lippmann photography: its history and recent development,” The PhotoHistorian,
Journal of the Historical Group of the Royal Photographic Society, APIS 2002 Special double edition,
PH.141–142, (2003) pp. 11–19.
79. A. Labeyrie, J. P. Huignard and B. Loiseaux, “Optical data storage in microbers,” Opt. Lett. 23, 301–303
(1998).
80. P. Hariharan, “Lippmann photography or Lippmann holography?” J. Mod. Optics 45, 1759–1762 (1998).
81. W. R. Alschuler, “On the physical and visual state of 100 year old Lippmann color photographs,” in Sixth
Int’l Symposium on Display Holography, T. H. Jeong and H. I. Bjelkhagen eds., Proc. SPIE 3358, 84–94
(1998).
82. W. R. Alschuler, “Lippmann photography and the glory of frozen light: Eternal photographic color real
and false,” in Proc. IEEE 31st Applied Imagery Pattern Recocnition Workshop AIPR’02 (2002).
83. W. R. Alschuler, “Lippmann color process, the experience of amateurs in England,” The PhotoHistorian,
Journal of the Historical Group of the Royal Photographic Society, APIS 2002 Special double edition,
PH.141–142, (2003) pp. 44–51.
84. R. Jahr, “Über die Herstellung sogenannter “kornloser” Platten für das Interferenz-Farben-Verfahren von
Professor Lippmann nach Dr. Hans Lehmann,” Photographische Industrie 23, 1013–1014 (1925).
85. H. Lehmann, “Practical application of interference colour photography,” Brit. J. Phot. (Col. Suppl.)
(4Nov. 1910) pp. 83–86, Practical application of interference colour photography. II. Brit. J. Phot. (Col.
Suppl.) (2 Dec. 1910) pp. 92–95.
86. H. Lehmann, “Die Praxis der Interferenzfarbenphotographie, unter besonderer Berücksichtigung der in
den Optischen Werkstätten von C. Zeiss in Jena konstruierten Specialapparaten,” Phot. Rundschau 23,
125–134 (1909) [English translation: “Practical application of interference colour photography,” Brit. J. Phot.
(Col. Suppl.) (4 Nov. 1910) pp. 83–86, “Practical application of interference colour photography II,”Brit. J.
Phot. (Col. Suppl.) (2 Dec. 1910) pp. 92–95.
87. E. Rothé, “Photographies en couleurs obtenues par la méthode interférentielle sans miroir de mercure,”
C. R. Acad. Sci. 139, 565–567 (1904).
88. E. Rothé, “Photographies en couleurs obtenues par la méthode interférentielle sans miroir de mercure,”
Bull. Soc. Franç. Phot. (2 série) 20, 548–549 (1904).
89. E. Rothé, “Sur la photographie interférentielle,” La Photographie des Couleurs 1, (No.2), 97–108 (1906).
90. E. Rothé, “Franges d’interférences produites par les photographies en couleurs,” C. R. Acad. Sci. 147,
43–45 (1908).
91. E. Rothé, “Variations des franges des photochromies du spectre,” C. R. Acad. Sci. 147, 190–192 (1908).
92. R. Neuhauss, “Nachweis der dünnen Zenkerschen Blättchen in den nach Lippmann’s Verfahren auf-
genommenen Farbildern,” Ann. d. Physik Chemie 65, 164–172 (1898).
93. S.R. y Cajal, “Chromomicrophotographie par la méthode interférentielle,” La Photographie des Couleurs
2, (No.7), 97–101 (1907).
94. A. Lumière and L. Lumière, “Sur une nouvelle méthode d’obtention de photographies en couleur,” C. R.
Acad. Sci. 138, 1337–1338 (1904).
95. Musée de l’Elysée Lausanne, 18, avenue de l’Elysée, CH-1014 Lausanne, Switzerland.
96. Université Pierre et Marie Curie, L.D.M.C., Tour 22, 4 place Jussieu, F-75252 Paris, France.
97. Musée français de la Photographie, 78, rue de Paris, F-91570 Bièvres, France.
98. Société française de Photographie, 71, rue de Richelieu, F-75002 Paris, France.
99. Musée Nicéphore Niépce, 28, quai des Messageries, F-71100 Chalon-sur-Saône, France.