Index

A

abstracts

definition of, 177

elements, 177

examples, 179–183

moves, 178

active constructions, 164–165

actively seeking information, 176–177

advisors

choosing, 142–143

collaborative partnerships with, 145–148

graduate student logs, 148

overview, 140–141

political factors, 143–145

replacing, 148–149

analyzing other theses/dissertations, 16

Andersson, Gunnar, 182

arguments, 12

articles

“Desegregation Lawsuits and Public Housing Dispersal,” 81–82

“Ethnic Preferences and Ethic Perceptions in Multi-Ethnic Settings,” 113–115

“Lying in Writing or the Vicissitudes of Testimony,” 80–81

“Teaching Genre to English First-Language Adults: A Study of the Laboratory Report,” 106–109

“The Prickly Politics of School Starting Time,” 70–76

audience

considering during revision process, 98–99

for thesis/dissertation proposals, 47–48

awareness of writing process, developing, 9–10

B

bar graphs, 132–135

Bartholomae, David, 18, 29

Bazerman, Charles, 68, 82

Bhatia, Vijay K., 82, 178, 192

Birch, W., 62

Bloom, Lynn Z., 40, 62

brainstorming, 19–20

Butler, Paul, 173

C

CARS (Create a Research Space) model, 66

Carter, Michael, 109

Casanave, Christine P., 62

chapters, revising structure of, 94–95

charts (pie), 135

choosing

advisors, 142–143

thesis/dissertation committees, 149

Clark, William A.V., 115

coherence

definition of, 157

topic sentences, 161–162

cohesion

definition of, 157

discourse signals, 160

meeting reader expectations, 158–160

parallel structure, 160

collaborative partnerships with advisors, 145–148

collaborative writing, distrust of, 4–5

collecting ideas, 9

committees

choosing, 149

working with, 150–153

comparing texts, 68

composition

abstracts

definition of, 177

elements, 177

examples, 179–183

moves, 178

coherence

definition of, 157

topic sentences, 161–162

cohesion

definition of, 157

discourse signals, 160

meeting reader expectations, 158–160

parallel structure, 160

collaborative writing, distrust of, 4–5

difficulties associated with

distrust of collaborative writing, 4–5

graduate student preparation, 3–4

misconceptions of “originality,” 5–6

emphasis

active and passive constructions, 164–165

Emphasis Principle, 162–163

punctuation marks, 166–168

short sentences, 165–166

finding topics

connecting with your topic, 39–41

ideas from other theses/dissertations, 37–38

practical considerations, 39

replication, imitation, and originality, 38–39

tracking potential ideas, 36–37

genre expectations, 84–85

grammar, 155

imitation, 171–173

importance of beginning early, 7–8, 28

literature reviews

argumentative purpose of, 105–106, 109–110

definition of, 104–105

“Ethnic Preferences and Ethic Perceptions in Multi-Ethnic Settings,” 113–115

example, 113–115

key terms, 111

minimizing source loss, 115–116

overview, 103–104

questions associated with, 110–111

source lists, 118–119

structure of, 112–113

taking notes, 119–124

“Teaching Genre to English First-Language Adults: A Study of the Laboratory Report,” 106–109

two-pass approach to examining sources, 116–117

when to start, 112

writer/reader/text relationship, 104–105

materials, tracking, 28–29

plagiarism, 190–192

preliminary templates, 85

example, 89–90

overall purpose, 88–91

preliminary template form, 90

provisional models, 86

tentative table of contents, 86–87

proposals

audience, 47–48

comprehensive proposals, 48

elements of, 52–53

evidence in, 53

example, 53, 56, 59–60

function/purpose of, 43–47

non-native speakers of English, 61–62

overview, 33–34, 51

PQP (problem, question, purpose), 45–46

preparation, 41–42

role of proposal writer, 48–51

working proposals, 48

revision process, 91

chapter structure, 94–95

function outlines, 95–96

global revision, 92–94

purpose and audience considerations, 98–99

signposts/cueing devices, 97–98

surface editing, 92

tips and suggestions, 99–102

rhetoric, 156

sentence structure

expanding sentences, 170–171

independent clauses, 168

noun phrases, 168

predicates, 168

sentence openers, 169–170

subjects, 168

verb phrases, 168

style, 155

writing process, 35–36

comprehensive proposals, 48

confidentiality, 185

connecting with your topic, 39–41

Connell, R. W., 140, 153

Create a Research Space (CARS) model, 66

cueing devices, 97–98

D

dashes, 167–168

data tables, 131

“Desegregation Lawsuits and Public Housing Dispersal” (article), 81–82

Devitt, Amy, 11, 16

Diessner, Sally, 179

difficulties associated with writing

distrust of collaborative writing, 4–5

graduate student preparation, 3–4

misconceptions of “originality,” 5–6

discourse community, 18, 191

discourse signals, 160

dissertations

abstracts

definition of, 177

elements, 177

examples, 179–183

moves, 178

advisors/mentors

choosing, 142–143

collaborative partnerships with, 145–148

graduate student logs, 148

overview, 140–141

political factors, 143–145

replacing, 148–149

coherence

definition of, 157

topic sentences, 161–162

cohesion

definition of, 157

discourse signals, 160

meeting reader expectations, 158–160

parallel structure, 160

compared to seminar papers, 6–7

difficulties associated with writing

distrust of collaborative writing, 4–5

graduate student preparation, 3–4

misconceptions of “originality,” 5–6

Electronic Theses and Dissertations (ETDS), 187

advantages, 188–189

disadvantages, 189–190

emphasis

active and passive constructions, 164–165

Emphasis Principle, 162–163

punctuation marks, 166–168

short sentences, 165–166

finding topics

connecting with your topic, 39–41

ideas from other theses/dissertations, 37–38

practical considerations, 39

replication, imitation, and originality, 38–39

tracking potential ideas, 36–37

genre expectations, 84–85

getting started

analyzing other theses/disseratations, 16

becoming aware of writing process, 9–10

beginning early, 9

collecting ideas, 9

creating timetable for completion, 10

finding thesis/dissertation examples, 13–14

forming writing group, 11

step-by-step sequence, 14–15

understanding thesis/dissertation as genre, 11–13

imitation, 171–173

importance of beginning early, 7–8, 28

literature reviews

argumentative purpose of, 105–106, 109–110

definition of, 104–105

“Ethnic Preferences and Ethic Perceptions in Multi-Ethnic Settings,” 113–115

example, 113–115

key terms, 111

minimizing source loss, 115–116

overview, 103–104

questions associated with, 110–111

source lists, 118–119

structure of, 112–113

taking notes, 119–124

“Teaching Genre to English First-Language Adults: A Study of the Laboratory Report,” 106–109

two-pass approach to examining sources, 116–117

when to start, 112

writer/reader/text relationship, 104–105

materials, tracking, 28–29

plagiarism, 190–192

preliminary templates, 85

example, 89–90

overall purpose, 88–91

preliminary template form, 90

provisional models, 86

tentative table of contents, 86–87

proposal logs

creating, 20–23, 30–31

definition of, 30

proposal log form, 30–31

proposals

audience, 47–48

comprehensive proposals, 48

elements of, 52–53

evidence in, 53

example, 53, 56, 59–60

function/purpose of, 43–47

non-native speakers of English, 61–62

overview, 33–34, 51

PQP (problem, question, purpose), 45–46

preparation, 41–42

role of proposal writer, 48–51

working proposals, 48

revision process, 91

chapter structure, 94–95

function outlines, 95–96

global revision, 92–94

purpose and audience considerations, 98–99

signposts/cueing devices, 97–98

surface editing, 92

tips and suggestions, 99–102

sentence structure

expanding sentences, 170–171

independent clauses, 168

noun phrases, 168

predicates, 168

sentence openers, 169–170

subjects, 168

verb phrases, 168

thesis/dissertation committees

choosing, 149

working with, 150–153

topic selection

brainstorming, 19–20

challenges, 18–19

identifying problems, 26–27

proposal logs, 20–23, 30–31

text-partners, 23–26

visual materials

bar graphs, 132–135

focal points, 125, 128–131

function of, 127–128

line graphs, 136–137

overview, 125–126

pie charts, 135

presence, 127

tables, 130

visual rhetoric, 126–127

Dunleavy, Patrick, 40, 62

Dysthe, Olga, 145, 153

E

editing. See revision process

effective reading, 64–65

emphasis

active and passive constructions, 164–165

Emphasis Principle, 162–163

punctuation marks

dashes, 167–168

parentheses, 167–168

semicolons, 166–167

short sentences, 165–166

Emphasis Principle, 162–163

ETDs (Electronic Theses and Dissertations), 187

advantages, 188–189

disadvantages, 189–190

“Ethnic Preferences and Ethic Perceptions in Multi-Ethnic Settings (literature review),” 113–115

evaluting value of texts, 69

exempt review, 186

expanding sentences, 170–171

expedited review, 186

F

Ferzli, Miriam, 109

Fitzpatrick, Jacqueline, 153

focal points, 125, 128–131

forms

function outline worksheet, 96

proposal log form, 30–31

function of writing, 11

function outlines, 95–96

G

Genre Analysis, 66

genres, 11–13, 84–85. See also literature reviews; proposals

Glatthorn, Allan A., 62

global revision, 92–94

Goetz, Edward G., 81–82

Goggin, Maureen Daly, 125, 138

graduate student logs, 148

grammar, 155

graphs

bar graphs, 132–135

line graphs, 136–137

Greene, Stuart, 63, 82

groups (writing), forming, 11

H

Hank, Karsten, 182

highlighting text, 69

Hill, Charles A., 127, 138

Hood, Carra Leah, 80–81

Howard, Rebecca Moore, 16

Hubbard, Philip, 62

human subjects, 183

confidentiality, 185

exempt review, 186

expedited review, 186

informed consent, 185

minimal risk, 185

regular review, 186–187

research, 184

I

ideas, collecting, 9

imitation, 38–39, 171–173

independent clauses, 168

informed consent, 185

interacting with text partners, 25–26

Inventing the University (essay), 18

IRB (Institutional Review Board), 183

confidentiality, 185

exempt review, 186

expedited review, 186

informed consent, 185

minimal risk, 185

regular review, 186–187

research, 184

J - K

Johnson, Jennifer, 180

joining the conversation, 41–42

journals, 148

Joyner, Randy L., 62

Kaufman, Jason, 181

Kolln, Martha, 156, 159, 173

L

Latterell, Catherine G., 62

Leslie, Kathy, 83, 142, 180

line graphs, 136–137

listing sources, 118–119

literature reviews

argumentative purpose of, 105–106, 109–110

definition of, 104–105

“Ethnic Preferences and Ethic Perceptions in Multi-Ethnic Settings,” 113–115

example, 113–115

key terms, 111

minimizing source loss, 115–116

overview, 103–104

questions associated with, 110–111

source lists, 118–119

structure of, 112–113

taking notes, 119

Note Synthesis Sheets, 122–124

Source Sheets, 120–122

“Teaching Genre to English First-Language Adults: A Study of the Laboratory Report,” 106–109

two-pass approach to examining sources, 116–117

when to start, 112

writer/reader/text relationship, 104–105

Locke, Lawrence F., 16

logs

graduate student logs, 148

proposal logs

creating, 20–23, 30–31

definition of, 30

proposal log form, 30–31

“Lying in Writing or the Vicissitudes of Testimony” (article), 80–81

M

mapping texts

applying strategies, 79

challenges of reading unfamiliar/densely populated texts, 64

comparing text to others, 68

considerations

impact of text, 69

text in rhetorical context, 67

why you are reading this text, 68

effective reading, 64–65

evaluating value of text, 69

examining text for central moves, 66–67

getting overview, 65

locating areas of intertextuality, 68

marking/highlighting text, 69

overview, 63, 69–70

sample text passages, 70–82

situating text within your discipline, 67

marking/highlighting text, 69

materials, tracking, 28–29

Mauch, J. E., 62

mentors

choosing, 142–143

collaborative partnerships with, 145–148

graduate student logs, 148

overview, 140–141

political factors, 143–145

replacing, 148–149

minimal risk, 185

minimizing source loss, 115–116

misconceptions of “originality,” 5–6

Moore, Cindy, 62

moves

examining text for, 66–67

of abstracts, 178

N

NDLTD (Networked Digital Library of Theses and Dissertations), 13

negotiating revisions, 152

Noguchi, Rei, 162, 173

non-native speakers of English, proposal writing, 61–62

Note Synthesis Sheets, 122–124

notes

taking notes, 119

Note Synthesis Sheets, 122–124

Source Sheets, 120–122

noun phrases, 168

O

Ogden, Evelyn Hunt, 40, 62

Olson, Gary O., 41, 62

originality, 5–6, 38–39

outlines (function), 95–96

P

parallel structure, 160

parentheses, 167–168

partners. See text-partners

partnerships with advisors, 145–148

passive constructions, 164–165

plagiarism, 190–192

predicates, 168

preliminary templates, 85

example, 89–90

overall purpose, 88–91

preliminary template form, 90

provisional models, 86

tentative table of contents, 86–87

presence, 127

previewing text, 116

proactiveness, 176–177

problems, identifying, 26–27

proposal logs

creating, 20–23, 30–31

definition of, 30

proposal log form, 30–31

proposals

audience, 47–48

comprehensive proposals, 48

elements of, 52–53

evidence in, 53

example, 53, 56, 59–60

finding topics

connecting with your topic, 39–41

ideas from other theses/dissertations, 37–38

practical considerations, 39

replication, imitation, and originality, 38–39

tracking potential ideas, 36–37

function/purpose of, 43–47

non-native speakers of English, 61–62

overview, 33–34, 51

PQP (problem, question, purpose), 45–46

preparation, 41–42

role of proposal writer, 48–51

working proposals, 48

provisional models, 86

punctuation marks

dashes, 167–168

parentheses, 167–168

semicolons, 166–167

Purdue OWL, 191

purpose, considering during revision process, 98–99

Q - R

reading strategies

challenges of reading unfamiliar/densely populated texts, 64

effective reading, 64–65

mapping texts

applying strategies, 79

comparing text to others, 68

considering impact of text, 69

considering text in rhetorical context, 67

considering why you are reading this text, 68

evaluating value of text, 69

examining text for central moves, 66–67

getting overview, 65

locating areas of intertextuality, 68

marking/highlighting text, 69

overview, 63, 69–70

sample text passages, 70–82

situating text within your discipline, 67

regular review, 186–187

replacing advisors, 148–149

replication, 38–39

reviews

IRB (Institutional Review Board)

exempt review, 186

expedited review, 186

regular review, 186–187

literature reviews

argumentative purpose of, 105–106, 109–110

definition of, 104–105

“Ethnic Preferences and Ethic Perceptions in Multi-Ethnic Settings,” 113–115

example, 113–115

key terms, 111

minimizing source loss, 115–116

overview, 103–104

questions associated with, 110–111

source lists, 118–119

structure of, 112–113

taking notes, 119–124

“Teaching Genre to English First-Language Adults: A Study of the Laboratory Report,” 106–109

two-pass approach to examining sources, 116–117

when to start, 112

writer/reader/text relationship, 104–105

revision process, 91

chapter structure, 94–95

function outlines, 95–96

global revision, 92–94

purpose and audience considerations, 98–99

signposts/cueing devices, 97–98

surface editing, 92

tips and suggestions, 99–102

revisions, negotiating, 152

rhetoric, 156

rhetorical context, considering text in, 67

visual rhetoric, 126–127

role of proposal writer, 48–51

Rønsen, Marit, 182

S

search, IRB definition of, 184

Secrist, Jan, 153

selecting topics

brainstorming, 19–20

challenges, 18–19

identifying problems, 26–27

proposal logs

creating, 20–23, 30–31

definition of, 30

proposal log form, 30–31

text-partners, 23–26

semicolons, 166–167

seminar papers, compared to thesis/dissertation, 6–7

sentences

openers, 169–170

short sentences, 165–166

structure

expanding sentences, 170–171

independent clauses, 168

noun phrases, 168

predicates, 168

sentence openers, 169–170

subjects, 168

verb phrases, 168

signposts (cueing devices), 97–98

Silverman, Stephen J., 16

source loss, minimizing, 115–116

Source Sheets, 120–122

sources

examining, 116–117

source lists, 118–119

source loss, minimizing, 115–116

Source Sheets, 120–122

Spirduso, Waneen W., 16

starting thesis/dissertation

analyzing other theses/disseratations, 16

becoming aware of writing process, 9–10

beginning early, 9

collecting ideas, 9

creating timetable for completion, 10

finding thesis/dissertation examples, 13–14

forming writing group, 11

step-by-step sequence, 14–15

understanding thesis/dissertation as genre, 11–13

Sternberg, David, 150, 153

structure of thesis/dissertation, revising, 94–95

style, 155. See also emphasis

coherence

definition of, 157

topic sentences, 161–162

cohesion

definition of, 157

discourse signals, 160

meeting reader expectations, 158–160

parallel structure, 160

imitation, 171–173

subjects, 168

surface editing, 92

Swales, John, 66, 82

T

tables (text), 130

tables of contents, creating tentative table of contents, 86–87

taking notes, 119

Note Synthesis Sheets, 122–124

Source Sheets, 120–122

“Teaching Genre to English First-Language Adults: A Study of the Laboratory Report (literature review),” 106–109

templates (preliminary), 85

example, 89–90

overall purpose, 88–91

preliminary template form, 90

provisional models, 86

tentative table of contents, 86–87

text-partners, 23–26

text tables, 130

texts, mapping

applying strategies, 79

challenges of reading unfamiliar/densely populated texts, 64

comparing text to others, 68

considerations

impact of text, 69

text in rhetorical context, 67

why you are reading this text, 68

effective reading, 64–65

evaluating value of text, 69

examining text for central moves, 66–67

getting overview, 65

locating areas of intertextuality, 68

marking/highlighting text, 69

overview, 63, 69–70

sample text passages, 70–82

situating text within your discipline, 67

“The Prickly Politics of School Starting Time” (article), 70–76

thesis

abstracts

definition of, 177

elements, 177

examples, 179–183

moves, 178

advisors/mentors

choosing, 142–143

collaborative partnerships with, 145–148

graduate student logs, 148

overview, 140–141

political factors, 143–145

replacing, 148–149

coherence

definition of, 157

topic sentences, 161–162

cohesion

definition of, 157

discourse signals, 160

meeting reader expectations, 158–160

parallel structure, 160

compared to seminar papers, 6–7

difficulties associated with writing

distrust of collaborative writing, 4–5

graduate student preparation, 3–4

misconceptions of “originality,” 5–6

ETDS (Electronic Theses and Dissertations), 187

advantages, 188–189

disadvantages, 189–190

emphasis

active and passive constructions, 164–165

Emphasis Principle, 162–163

punctuation marks, 166–168

short sentences, 165–166

finding topics

connecting with your topic, 39–41

ideas from other theses/dissertations, 37–38

practical considerations, 39

replication, imitation, and originality, 38–39

tracking potential ideas, 36–37

genre expectations, 84–85

getting started

analyzing other theses/disseratations, 16

becoming aware of writing process, 9–10

beginning early, 9

collecting ideas, 9

creating timetable for completion, 10

finding thesis/dissertation examples, 13–14

forming writing group, 11

step-by-step sequence, 14–15

understanding thesis/dissertation as genre, 11–13

imitation, 171–173

importance of beginning early, 7–8, 28

literature reviews

argumentative purpose of, 105–106, 109–110

definition of, 104–105

“Ethnic Preferences and Ethic Perceptions in Multi-Ethnic Settings,” 113–115

example, 113–115

key terms, 111

minimizing source loss, 115–116

overview, 103–104

questions associated with, 110–111

source lists, 118–119

structure of, 112–113

taking notes, 119–124

“Teaching Genre to English First-Language Adults: A Study of the Laboratory Report,” 106–109

two-pass approach to examining sources, 116–117

when to start, 112

writer/reader/text relationship, 104–105

materials, tracking, 28–29

plagiarism, 190–192

preliminary templates, 85

example, 89–90

overall purpose, 88–91

preliminary template form, 90

provisional models, 86

tentative table of contents, 86–87

proposal logs

creating, 20–23, 30–31

definition of, 30

proposal log form, 30–31

proposals

audience, 47–48

comprehensive proposals, 48

elements of, 52–53

evidence in, 53

example, 53, 56, 59–60

function/purpose of, 43–47

non-native speakers of English, 61–62

overview, 33–34, 51

PQP (problem, question, purpose), 45–46

preparation, 41–42

role of proposal writer, 48–51

working proposals, 48

revision process, 91

chapter structure, 94–95

function outlines, 95–96

global revision, 92–94

purpose and audience considerations, 98–99

signposts/cueing devices, 97–98

surface editing, 92

tips and suggestions, 99–102

sentence structure

expanding sentences, 170–171

independent clauses, 168

noun phrases, 168

predicates, 168

sentence openers, 169–170

subjects, 168

verb phrases, 168

thesis/dissertation committees

choosing, 149

working with, 150–153

topic selection

brainstorming, 19–20

challenges, 18–19

identifying problems, 26–27

proposal logs, 20–23, 30–31

text-partners, 23–26

visual materials

bar graphs, 132–135

focal points, 125, 128–131

function of, 127–128

line graphs, 136–137

overview, 125–126

pie charts, 135

presence, 127

tables, 130

visual rhetoric, 126–127

timetables, developing, 10

Tod, Sheila Carter, 62

topic sentences, 161–162

topics

finding, tracking potential ideas, 36–37

selecting

brainstorming, 19–20

challenges, 18–19

identifying problems, 26–27

proposal logs, 20–23, 30–31

text-partners, 23–26

tracking

materials, 28–29

potential ideas (finding topics), 36–37

sources, source lists, 118–119

traditional grammar, 159

U - V

UMI (University Microfilms International), 189

verb phrases, 168

Vikat, Andres, 182

visual materials

bar graphs, 132–135

focal points, 125, 128–131

function of, 127–128

line graphs, 136–137

overview, 125–126

pie charts, 135

presence, 127

tables, 130

visual rhetoric, 126–127

W

Wahlstrom, Kyla L., 70–76

Walker, Janice, 188

Weber, Max, 153

Weisser, Christian R., 188

Welch, Nancy M., 62

Wiebe, Eric, 109

Williams, James, 159

Williams, Joseph M., 155, 173

working proposals, 48

working with thesis/dissertation committees, 150–153

worksheets

function outline worksheet, 96

joining the conversation, 42

Wright, Debra J., 153

writer/reader/text relationship, 104–105

writing

abstracts

definition of, 177

elements, 177

examples, 179–183

moves, 178

coherence

definition of, 157

topic sentences, 161–162

cohesion

definition of, 157

discourse signals, 160

meeting reader expectations, 158–160

parallel structure, 160

collaborative writing, distrust of, 4–5

difficulties associated with

distrust of collaborative writing, 4–5

graduate student preparation, 3–4

misconceptions of “originality,” 5–6

emphasis

active and passive constructions, 164–165

Emphasis Principle, 162–163

punctuation marks, 166–168

short sentences, 165–166

finding topics

connecting with your topic, 39–41

ideas from other theses/dissertations, 37–38

practical considerations, 39

replication, imitation, and originality, 38–39

tracking potential ideas, 36–37

genre expectations, 84–85

grammar, 155

imitation, 171–173

importance of beginning early, 7–8, 28

literature reviews

argumentative purpose of, 105–106, 109–110

definition of, 104–105

“Ethnic Preferences and Ethic Perceptions in Multi-Ethnic Settings,” 113–115

example, 113–115

key terms, 111

minimizing source loss, 115–116

overview, 103–104

questions associated with, 110–111

source lists, 118–119

structure of, 112–113

taking notes, 119–124

“Teaching Genre to English First-Language Adults: A Study of the Laboratory Report,” 106–109

two-pass approach to examining sources, 116–117

when to start, 112

writer/reader/text relationship, 104–105

materials, tracking, 28–29

plagiarism, 190–192

preliminary templates, 85

example, 89–90

overall purpose, 88–89

preliminary template form, 90

provisional models, 86

tentative table of contents, 86–87

proposals

audience, 47–48

comprehensive proposals, 48

elements of, 52–53

evidence in, 53

example, 53, 56, 59–60

function/purpose of, 43–47

non-native speakers of English, 61–62

overview, 33–34, 51

PQP (problem, question, purpose), 45–46

preparation, 41–42

role of proposal writer, 48–51

working proposals, 48

revision process, 91

chapter structure, 94–95

function outlines, 95–96

global revision, 92–94

purpose and audience considerations, 98–99

signposts/cueing devices, 97–98

surface editing, 92

tips and suggestions, 99–102

rhetoric, 156

sentence structure

expanding sentences, 170–171

independent clauses, 168

noun phrases, 168

predicates, 168

sentence openers, 169–170

subjects, 168

verb phrases, 168

style, 155

writing process, 35–36

writing groups, forming, 11

X - Y - Z

Yeatman, Anna, 153

..................Content has been hidden....................

You can't read the all page of ebook, please click here login for view all page.
Reset
3.144.33.41