STEP 5

Avoid Common Presentation Pitfalls

Overview

• Overcome venue malfunctions.

• Monitor your body language.

• Hit the mark of your speech.

• Allow your visual aids to shine.

Imagine that your presentation is going perfectly. You have the rapt attention of every audience member. Your voice is clear, you’re nailing your main points, and your jokes have all hit their target. Then your laptop, on which you’re depending to project your visual aids, dies.

This is where experienced presenters differentiate themselves from the rookies.

Every presentation planner has horror stories they would rather forget. Everyone who conducts meetings, conferences, or training programs is going to make a few mistakes, but the goal is to get tripped up as little as possible. Almost all pitfalls can fall under the headline “Failing to Prepare.” Seriously, if you want to suffer all possible calamities (outside forces of nature), just show up the day of your presentation and wing it.

Research conducted by Meeting Planners International indicates that there are 12 presenting “sins” that prompt attendees to walk out, criticize programs harshly, send letters of complaint, or ask for their money back. All of these are within your control and can be avoided:

• appearing unprepared

• not starting off quickly with impact

• not establishing personal rapport

• appearing disorganized

• not involving attendees

• apologizing for self or organization

• being unaware of current public information in your field

• using unprofessional audiovisual aids

• using sexist or racist comments, ethnic slurs, or inappropriate humor

• seeming to be off-schedule—especially failing to end on time

• handling questions inappropriately

• selling from the professional platform.

POINTER

Most of the same mistakes that can happen with in-person presentations can also go wrong with virtual presentations, with the added complication of more technology. The best way to avoid these pitfalls is, again, to plan, prepare for mishaps, and practice using the technology. In addition, avoid these pitfalls that are within your control:

Unprofessional background. Depending on your audience, this can range from hosting a presentation in a noisy restaurant, or a messy office with books and papers piled around you, or your own home with barking dogs or raucous children. (Note: Kids will always be kids; never expect them to be quiet on their own. They will not.) If you’re certain you will not be using your webcam, tape an index card over the camera so that if it accidentally switches on, you and your audience won’t be in for an unpleasant surprise.

Spotty Wi-Fi. Your audience can’t focus on your message if your presentation freezes every 30 seconds. Find a reliable wireless Internet connection or hardwire your computer for the presentation.

Poor lighting or webcam angle. If your back is to a window or a bright lamp, you will appear as a shadow figure. Also, make sure the camera is at a flattering angle, rather than making your head bend down too low (creating extra chins) or point up too high (giving everyone a view of your nose).

The secret to avoiding all of these pitfalls—and more—is to be prepared. First and foremost, follow the steps outlined in this book. When you understand your role and your audience, plan for the venue, conduct your research, and carefully compose your presentation, you automatically eliminate many potential setbacks. But you can’t think of every eventuality, so this chapter covers the big ones. And, if something does go wrong, consider it a great lesson for the future.

Pitfall 1: Venue Mishaps

Have you ever been to a presentation and heard the words “bear with me here” as the presenter fumbles with cords, the microphone, the projector, the lights, or any number of other equipment? It’s not a great start.

Even with all the room logistics planned, scheduled, and double checked, some venue emergencies can still arise. One way to head off these emergencies is to check to make sure your equipment can be used in the room. If you’re projecting images from your laptop, see if all the necessary cords and adaptors are available whether you need to download any software. Also make sure all your software is up to date. More than one presenter has found themselves panicking as their computer restarted and began automatically updating the operating system (which can sometimes take hours).

In addition, if it’s within your control:

• Avoid meeting rooms that are ornately decorated. Sometimes hotels offer rooms with busy, flocked wallpaper, or mirrors and large pictures covering the walls. These can distract participants from the presentation content.

• Beware of beautiful views. When difficult subject matter requires concentration, using a room with a panoramic view can be quite counterproductive. It is a lot more fun to stare out the window than to focus on charts and graphs.

• Avoid holding presentations in basement rooms where participants might feel trapped.

• Do not conduct a presentation in a long, narrow room if a lot of participant movement is required.

• If you are presenting to C-level executives, choose upscale facilities. In general, hold sessions in rooms that have an environment similar to the workplace.

Pitfall 2: Bad Body Language

Master presenters know that the audience responds not just to their words but also to their nonverbal actions throughout the presentation. They also know that while most verbal communication is conscious, nonverbal communication tends to be unconscious, with presenters falling back into bad habits. Good body language will help you appear confident and knowledgeable. Poor body language can ruin all your presentation planning and rehearsing in one fell swoop.

The right body language can keep the audience engaged. Appropriate movement can help keep your voice natural and help the audience feel your excitement for the topic. Chances are it will keep their interest, too.

Eye contact is also important. Don’t pick out one audience member and stare, but let your eyes move around the room, and try to make eye contact with as many people as you can, if only for a few seconds at a time. Eye contact creates a personal connection and keeps the audience engaged. If eye contact is too intimidating for you, look at people’s foreheads or shoulders instead. The point is to make sure you’re not staring at your feet, your notes, or—worse—the slides you are projecting, turning your back to the audience.

The best way to avoid bad body language is to try to act as naturally as possible. Watch videos of other people delivering presentations and pay attention to how they move their bodies. Most likely they move, but not too wildly. They’re not frozen to one spot, nor are they pacing like a caged animal across the stage, staring hungrily at the audience. As with everything else, practice speaking while standing and moving across the room as if you were in front of an audience.

While rehearsing, consider these body language don’ts:

• Don’t stand in place the whole time, with a poker-straight or immobile posture. This means avoiding leaning on or gripping the lectern if the venue has one. You want to avoid leaning into the microphone too. On the other hand, don’t rock or sway back and forth.

• Don’t use obviously practiced, stilted, or exaggerated gestures. But don’t overcompensate by using a single gesture repeatedly or crossing your arms in front of your chest.

• Don’t distract or fidget. That includes clicking or tapping a pen, pencil, or pointer profusely; jangling change or keys; shuffling notes unnecessarily; or playing with your clothing.

• Don’t ignore your audience. This includes turning your back on them for extended periods of time and forgetting to smile when the moment is right.

• Don’t show up underdressed or act too casual. This includes not dressing inappropriately for your audience, chewing gum or eating candy, examining or biting your fingernails, and cracking your knuckles.

Your nonverbal communication can make or break your presentation just as much as stumbling over your words or presenting a point out of order.

Pitfall 3: Missing the Mark of Your Speech

Ultimately, your job is to deliver a message to a specific audience. Failure to do this will be remembered as a misstep. While your credentials on this topic can be stellar and the content of your speech really exciting, you have to help your audience follow along and stay focused.

First and foremost, at the beginning of your presentation, explain its structure. For example:

“Today I’m going to talk about how to hire the right people for your organization. There are three key factors. Number 1, have a careful, slow hiring process. Number 2, have a clear idea of the role and a job description that has been approved by everyone on the team. And number 3, use an online hiring assessment. I’m going to go into more detail about each of these factors. I’m also going to give you examples for each factor, as well as some supporting data. By the end of the presentation, I’d like for you to make a note to send me your new hiring plan within two weeks.”

As you go through each portion of your presentation, summarize each point before moving to the next. And then announce that you’re moving to the next point. This helps the audience to understand where they’ve been, where they are, and where they’re going—in other words, how much information is left before the presentation is over. It helps orient the audience, provide context, and keep them tuned in. Announcing each new subtopic, too, is a transition point—an opportunity for the audience to take a quick mental refresh or tune back in if their minds have accidentally wandered.

You can miss the mark of your presentation by doing the following:

Trying to cover too much. When crafting your presentation, sometimes less is more. Remember that adults can only retain three to five points in any one chunk of time. Some presenters believe they have to offer their audience the complete works on their given topic or else they will feel cheated. But that’s just not the case. Audiences are more likely to understand and retain your message if you stick to several key points. Explain why you have selected these key points to cover in your presentation. Then, you can direct them to additional resources or state clearly the additional points you did not have time to cover. Leave them wanting more, not less.

Going beyond your allotted time. Everyone has somewhere to be after your presentation, whether you’re delivering at a conference, during a meeting, or to your class. As fascinating as it may be, your audience will be grateful if you respect their time. If you’ve been scheduled to present for an hour, allow for several minutes to get started and 10–15 minutes for questions at the end.

Failing to give examples. People can only process so much information before they need a “For instance …” to bring it to life. Use illustrations as visual aids where possible. And when a picture just isn’t enough, tell a story. (By the way, many presenters include “give example” in their notes, hoping a perfect anecdote will spontaneously come to them during the presentation. Unless you’re a gifted storyteller, plan and rehearse examples just like every other part of your presentation.)

Using too much jargon. Even if your audience consists of people in the same industry, try to speak straightforwardly, without too many terms of art. And, if you suspect that even one or two people might not know the acronyms and industry terms you’re using, stick with “civilian” language.

Apologizing for yourself. If you’re standing in front of an audience about to deliver a presentation, they assume you’re qualified to do it. Don’t begin your presentation with a meek, “I’m sorry, I’m sure most of you know more about this than I do. … I’m not sure why I was asked to deliver. … This is the first time I’ve given a presentation like this.” If you need a confidence boost, ask a friend. But don’t begin your presentation by lowering the expectations of your audience. It’s not fair to them or to you.

Panicking during the Q&A. It’s always possible an audience member will throw you a curveball question that you’re unable to answer. It’s OK to say, “That’s a great question. Let me find out the answer and get back to you.” It’s much better than trying to dance around it, or worse, lie.

Not articulating. Speak clearly. Don’t shout at your audience, don’t talk too fast, and don’t mumble. Don’t drone on in a monotonous tone. Pretend your mother is in the audience and do what she says. And stand up straight.

Forgoing the audience analysis. Even if you’ve given the speech before, respect the audience in front of you enough to do a bit of a background check—in advance if possible. Most likely you will learn something that will make your presentation better or avoid a major pitfall.

Pausing the presentation to look for a bottle of water. Or a cord, your notes, the remote to change the slides, or any number of other things you will need to get through your presentation. Arrive early, stand at the podium, and imagine going through your presentation. What will you need? Put it in place before you begin.

POINTER

These opening statements usually cause audiences to groan:

• “Well, they put this platform on the stage for me, but I feel much more natural and comfortable down on the floor, so I think I’ll just speak from here.” (The people in the back can’t see the speaker.)

• “These microphones always feel so awkward. I’ll bet you can all hear me if I talk real loud. Raise your hand if you can’t hear me.” (This speaker will likely drop their voice volume after six seconds and many won’t be able hear.)

• “Let’s get into groups of eight or 10 and spend 15 minutes on what you want to get out of our time here today.” (Interaction in groups requires a totally different structure than is appropriate for a large presentation.)

• “I don’t have any handouts for you today, but if you leave me your business card, I’ll get something for you.” (Many will see this as a way to build the presenter’s mailing list for potential sales calls and wonder why they didn’t prepare ahead of time.)

• “In our short time here today, I don’t have time to take you through our whole process, so I’ll just show you the first three steps and you can follow up later if you want more information.” (Why didn’t the presenter select a topic they could cover fully in the time allowed?)

• “I know it says in the program I’m here to talk about _______, but I submitted that topic eight months ago and now I need to change to another focus.” (Attendees recognize this as a “bait and switch.”)

• “They just called me yesterday to ask if I could fill in for the regional director, who got a last-minute contract with a client . . . Now, let’s see, what’s the topic?”

Here are some quick tips and tricks for what to do if:

You perspire profusely—wipe your face with a handkerchief. Do it firmly, do not dab. Avoid using a tissue because it may shred and stick to your face.

Your hands shake—rest them on the lectern, but don’t put a death grip on it!

Your knees wobble—do nothing. If you’re behind a lectern, no one can see. If you’re at the head of a runway, walk around a bit; the shaking will stop.

You need to cough, sneeze, or clear your throat—turn away from the mike; go ahead and cough. If necessary, take a sip of water before you begin again. Say “Excuse me. As I was saying …”

Your nose starts to run—Say “Excuse me,” turn from the mike, and blow your nose. Don’t be dainty or you’ll just have to do it again, and soon. Turn back to the mike and continue your speech. Bring tissues with you, just in case.

You notice the audience’s chairs aren’t facing the lectern—if the chairs aren’t bolted down, start by saying, “I think you’ll be more comfortable if your chairs are facing the speaker’s stand. So, before I get started, why don’t you turn them around?” Wait until the hubbub dies down, then start as you planned.

Members of the audience know more than you—knowing how much experience or expertise your audience has regarding the subject of your presentation will affect its breadth and depth. At times, you might not have a good feel for this until you are meeting and greeting some of the audience members. You will have to determine if the audience needs to hear everything you are prepared to present or if you should keep it simple. If the audience expertise varies widely, try to approach the topic from a middle-ground perspective so that you provide vital information to novices and sprinkle in more advanced information to offer something new to those who already have baseline knowledge of the topic. You can always adjust the pace and depth of the presentation downward, to ensure you are reaching as many people as possible. If several audience members possess PhDs and they have garnered accolades from peers or the industry on the topic, don’t panic. When appropriate, solicit opinions and try to draw some of these experts into the discussion. Don’t give control over to them—but by recognizing their expertise and opinions, you can build potential allies.

You are presenting to organizational superiors—if the audience includes your superiors or C-level executives, involve them by asking them to share personal experiences about the topic—for example, which qualities they look for when hiring someone new. By including these senior audience members, you build credibility, show off your skills, and take the pressure off yourself for being the sole source of content and ideas.

Pitfall 4: Visual Aids That Flop

Visual aids can offer huge support throughout your presentation. They give the audience something to focus on other than you, and they help to clarify your points. But they can also go wrong. Most people use presentation software slides; but many don’t design them properly. When designing slides, avoid having:

Too many slides. Allow your audience time to absorb one slide before you move on to the next.

Crowded text. Don’t try to cram 100 pages of information onto 15 slides. You want the audience to listen to you and look to your slides for clarity. Aim for several words per bullet point, and three or four bullets per slide.

Loud colors, too many fonts, or unusual or difficult-to-read typography. If the slide is too busy your audience won’t be able to understand your points. Keep it simple. Call out verbally what you want to emphasize, rather than using competing graphics.

Too many visual aids. The use of visual aids should support your presentation but not be your presentation. Avoid overdoing the visuals at the expense of the message.

Unrelated visual aids. Don’t feel the need to include visual aids for the sake of including visual aids. Visuals should reinforce and support the message and be of high enough quality to be clearly seen and understood.

The Contingency Toolkit

Every presenter will face at least one day when disaster strikes. Nobody can anticipate everything that might go wrong, but having a contingency plan in place is the first step to managing and mitigating this risk.

So what should you consider when developing your contingency plan and risk-management toolkit? Tool 5-1 offers pitfall scenarios and solutions. Read it carefully, and consider how you might handle each situation in case things do not go as expected. Taking the time to develop this contingency plan can make the difference between calmly and systematically addressing the issue in front of an audience and utter embarrassment.

POINTER

Take the time to develop a contingency plan; it can make the difference between calmly addressing an issue or utter embarrassment. Sometimes the difference between an excellent presentation and a flop can be the small details. Prepare, practice, and plan for emergencies!

The Next Step

Even the best presenter runs into the occasional mishap, whether with the venue, their body language, their presentation, or a wonky visual aid. Luckily, because you’ve prepared so well, you will be ready to respond to anythink that happens to you during your presentation. Just to be sure, however, it’s necessary to devote some time to practicing. No matter how much you’ve planned or prepared, practice will help you iron out any kinks in your presentation. It’s also a great opportunity to get feedback during a trial run to adjust for the pitfalls covered in this chapter.

TOOL 5-1

PRESENTER’S CONTINGENCY TOOLKIT

Even with careful planning and attention to detail, everyone—including the most seasoned presenters—can meet tough challenges. Study this tool to learn about some common presentation problems and how to handle them like a pro.

Resolving Room Set Up Issues

Problem

How to Handle Like a Pro

Wrong room setup

The day before your presentation, double-check that the site personnel understood the setup. The day of the presentation, arrive early enough to make adjustments if necessary. If you’re unable to change an incorrect setup, stay calm and assess the situation:

• If the audience will be able to see and hear you, leave it alone and don’t sweat it.

• If the setup is a big issue, contact the appropriate person at the presentation site and explain what you need. Don’t get upset or place blame. You’re trying to enlist allies to help you solve the situation quickly. Explain exactly what you need for the room setup to work.

In any case, do not settle for a room setup that prevents you from successfully delivering your presentation or is a barrier to the audience being able to easily see and hear your message.

External noise

Neither you nor your audience should have to endure construction noise or clanging from a nearby kitchen. If closing the door does not resolve the situation, ask the site authority if another room is available or if the noise could be stopped until the end of your presentation.

As the speaker, you are responsible for addressing these situations quickly when they come up. Do not just throw up your hands and apologize to your audience.

Large room with few participants

If only a few people show up for your speech, don’t take it personally. Try to coax the participants to the front of the room with something like, “You look a little lonely out there, would you mind sitting a little closer to the front? I promise not to embarrass you if you sit in the front row.”

Humor can build rapport with the audience and make them feel comfortable and accepting of what you have to say. Taking a schoolmarm-ish approach by asking the attendees to “move to the head of the class” will not help you.

Audiovisual equipment failure

You’ve tested the audiovisual equipment and all is going well. Then, in the middle of your presentation, the projection screen goes dark. If needed, take a 5- or 10-minute break and contact the audiovisual expert to see how quickly the situation can be resolved.

If the equipment can’t be fixed in the time you have for your presentation, use a flipchart or ask the audience to refer to your handouts:

• Consider bringing a flipchart and setting it up even if you don’t plan to use it. Write cheat-sheet notes in pencil in the corners of the flipcharts (which will be “invisible” to the audience) so you can pick up where you left off.

• Also consider making copies of the slides you are going to discuss and having them available as handouts, just in case. If something happens to the projector, direct everyone’s attention to the appropriate pages and smoothly continue with the presentation.

As a best practice, keep your cool and use humor to explain the situation. Most audiences will understand and may even be impressed by your professionalism.

Wrong flipchart holder/easel

Not all flipchart paper and easels go together. If you find that the flipchart paper holes are positioned differently from the easel—or if the easel only has a flimsy bar at the bottom that won’t hold your charts in place—try to jury-rig a solution. For example, can you punch the holes in a different location on your pages, or use a coat hanger to come up with a solution?

As a worst-case scenario, if you have masking tape in your contingency kit, you can tape the individual flipchart pages to the stand.

Dropping notes or other materials

Gracefully pick up the materials and perhaps say to the audience something like, “I always wondered what would happen if I dropped all of my __________ … and now I know. If you’ll bear with me a moment, I’ll put these back in order and we’ll be ready to go.”

Resolving Audience Issues

Problem

How to Handle Like a Pro

Disruptive audience members

In most instances, realize that most of the audience is on your side and would like for the disruption to stop. On the other hand, the audience is clearly waiting to see how you handle the situation. If you get angry, you have lost control—and your credibility.

The most unobtrusive way of handling inappropriate behavior is to look at the misbehaving audience member for three to five seconds as if to say, “Stop it!”

If this approach doesn’t work, ask if the participant has a specific question or comment. Third-grade teachers handle disruptive children this way, and it usually works for adults, too. If the disruption continues, take a break and speak to the disruptive individual directly and privately.

Eager-beaver questioner

Questions are good because they show interest if not always agreement. There are times, however, when one participant may try to dominate the session by asking repeated questions.

When dealing with incessant question-askers, acknowledge their interest but explain that due to the time constraints of the session you do not have time to answer all questions, and then move on.

You could also explain that you will field all questions at the end of the session or that you are willing to stay after the session to answer all questions in case time does not permit during the allotted time for the presentation.

Dead silence

What if no one has any questions? It can definitely be an awkward moment if you invite questions and then the room becomes so quiet that you could hear a pin drop. This situation is especially challenging if you have set aside a specific amount of time for Q&A at the end of the session.

The reason for the silence could be two-fold. For example, perhaps the audience members are just trying to process all the information and are thinking it through to develop some questions. If this is the case, then perhaps a short break will give them time to formulate some questions.

Or, if the audience truly does not have any questions—there is no reason that you couldn’t pose questions to them about the subject. You’ll usually get a response or two that leads into questions or a healthy discussion that is of value to the audience members and helps fill your allotted Q&A time.

Waiting for late arrivals

What if it’s time to start, but the room is half empty? Should you wait a few more minutes for latecomers or just dive into the content for the participants who arrived on time?

When making the decision of whether to wait or forge ahead, consult the sponsor. Let the audience know that you are going to wait another five or 10 minutes and that you will then move ahead and do your best to get any latecomers caught up on what you are presenting. Either way, be sure to stick to what you’ve promised.

When a participant strongly disagrees with your point of view

If an audience member strongly disagrees with your point of view, consider these tips as a way to help diffuse the situation:

• Remember that everyone is entitled to an opinion, so don’t take it personally and feel hurt or angry.

• If you think the disagreement is becoming personal, direct the conversation back to the subject of the presentation. Remember, the presentation is about your subject, not about you. Don’t fall into the trap of trying to defend yourself. This is a no-win situation and usually results in a loss of credibility for the speaker.

• Acknowledge the other point of view and be respectful of audience-member opinions. Don’t agree to something that you disagree with. Instead, use your facilitation techniques to solicit opinions from other audience members and to draw them into the conversation.

• Ultimately, as the presenter, you need to control the presentation. This means using your authority at times to politely direct the conversation elsewhere and move on.

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