In this lesson, you’ll learn how to do the following:
Colorize an imported grayscale image.
Change the opacity of objects drawn in InDesign.
Apply transparency settings to imported graphics.
Apply transparency settings to text.
Apply blending modes to overlapping objects.
Apply feathering effects to objects.
Add a drop shadow to text.
Apply multiple effects to an object.
Copy effects between objects.
Apply an effect to one layer of a Photoshop file.
Edit and remove effects.
This lesson will take about 75 minutes to complete. To get the lesson files used in this chapter, download them from the web page for this book at www.adobepress.com/InDesignCIB2020. For more information, see “Accessing the lesson files and Web Edition” in the Getting Started section at the beginning of this book.
The project for this lesson is the cover of a menu for a fictional restaurant, Edible Blossoms Bistro & Bar. By applying transparency effects and using multiple layers, you’ll create a visually rich design.
If you have not already downloaded the project files for this lesson to your computer from your Account page, make sure to do so now. See “Getting Started” at the beginning of the book.
To ensure that the preferences and default settings of your InDesign program match those used in this lesson, move the InDesign Defaults file to a different folder following the procedure in “Saving and restoring the InDesign Defaults file” on pages 4–5.
Start InDesign. Click Open from the Home Screen, or choose File > Open, and open the 12_Start.indd file in the Lesson12 folder, which is located within the Lessons folder in the InDesignCIB folder on your hard drive.
Choose File > Save As, name the file 12_Menu.indd, and save it in the Lesson12 folder.
The menu appears as a blank page because all the layers that contain objects are currently hidden. You’ll reveal these layers one by one as you need them, so it will be easy to focus on the specific objects and tasks in this lesson.
To ensure that the panels and menu commands match those used in this lesson, choose Window > Workspace > [Advanced], and then choose Window > Workspace > Reset Advanced.
The screen captures in this book show the Medium Light interface. Interface elements such as panels and dialog boxes will be darker on your screen if you are using the default interface.
To see what the finished project looks like, open the 12_End.indd file in the Lesson12 folder.
When you are ready to start working, either close the 12_End.indd file or leave it open for your reference. Then return to your lesson document by choosing 12_Menu.indd from the Window menu or by clicking the 12_Menu.indd tab in the upper-left corner of the document window.
By applying transparency effects, you can create see-through objects that reveal any objects underneath. You’ll begin by working with the Background layer for the restaurant menu. This layer serves as a textured background visible through the objects above it that have transparency effects applied.
Because nothing is below this layer in the layer stack, there are no objects that would be revealed by applying transparency, so you won’t apply any transparency effects to objects on this layer. Any objects that are above these objects in the stack will interact with the objects you set up on this layer.
Many of the steps in this lesson refer to the Control panel. You can use the Properties panel if you prefer, but it is not part of the default [Advanced] workspace. To open it, choose Window > Properties. To save screen space, dock it with the rest of panel dock, drag the tab to the bottom of the panel dock, and then click to open and close it as needed.
Choose Window > Layers to display the Layers panel, or click the Layers panel icon () from the panel dock.
In the Layers panel, select the layer labeled Background, scrolling as necessary to find it at the bottom of the layer stack. You’ll place the image you import on this layer.
Make sure that the two boxes to the left of the layer name show that the layer is visible (the eye icon  appears) and unlocked (the layer lock icon  does not appear).
The pen icon () to the right of the layer name indicates that this is the layer on which the imported objects will be placed and new frames will be created.
Choose View > Grids & Guides > Show Guides. You’ll use the guides on the page to align the background image that you import.
TIFF stands for Tagged Image File Format, a common bitmap graphic format often used for print publishing.
Choose File > Place, and then open the 12_Background.tif file in your Lesson12 folder. This file is a grayscale TIFF.
Move the loaded raster graphics icon () slightly outside the upper-left corner of the page; then click the corner where the red bleed guides meet so that the placed image fills the entire page, including the margins and bleed area. Keep the graphics frame selected.
Choose Window > Color > Swatches or click the Swatches icon () in the panel dock. You’ll use the colors saved in the Swatches panel to colorize the graphics frame and the image.
InDesign offers many convenient ways to apply colors. You can also double-click the Fill box at the bottom of the Tools panel, and you can choose a fill color from the Fill menu in the Control and Properties panels.
In the Swatches panel, select Fill color (). Scroll down the list of swatches to find the Green-Bright-Medium swatch and select it. Click the arrow to the right of the Tint box, and drag the slider to 80%.
The white background of the graphics frame is now a 80% tint of the green color, but the gray areas of the graphic remain unchanged.
You can also use the Direct Selection tool to select the graphic: move the pointer within the frame and click when the hand pointer appears.
Using the Selection tool (), double-click the image or move the pointer within the frame and click the content grabber to select the graphic instead of the frame. Select Green-Medium in the Swatches panel. Green-Medium replaces gray in the image, leaving the fill color for the frame unchanged. Set the tint of the image color to 73%.
InDesign can apply color to grayscale or bitmap images saved in PSD, TIFF, BMP, or JPEG format. When you select the graphic within a graphics frame and then apply a fill color, the color is applied to the gray portions of the image rather than to the background of the frame.
In the Layers panel, click the empty box to the left of the Background layer name to lock the layer. Leave the Background layer visible so that you can see the results of the transparent objects you will be placing above this layer.
Choose File > Save to save your work.
You’ve just learned a quick method for colorizing a grayscale image. While this method works well for some purposes, you may find the color controls available in Adobe Photoshop more effective for creating your final artwork.
InDesign has extensive transparency controls that, when applied to an object, enable you to reveal underlying objects and control how those objects interact with objects below them. Additional transparency features, such as drop shadows and other effects, provide a wide range of possibilities for creating visual effects. You’ll learn about these additional features later in the lesson.
Applying a blending mode lets you change the ways in which the colors of overlapping objects blend with each other.
In this part of the project, you’ll practice using a variety of transparency features on several objects placed on the various layers in the menu file.
You use the Effects panel () (Window > Effects) to specify the opacity and blending mode of objects and groups, apply a transparency effect, isolate blending to a particular group, and knock out objects in a group.
The Effects panel is also available in the panel dock as part of the default [Advanced] workspace.
With the background graphic complete, you can start applying transparency effects to objects on layers stacked above it. You’ll start with a series of simple shapes that were drawn using InDesign.
In the Layers panel, select the Art1 layer so that it becomes the active layer, and click the lock icon () to the left of the layer name to unlock the layer. Click the empty box on the far left of the Art1 layer name so that the eye icon () appears, indicating that the layer is now visible.
The shapes mentioned are named by the color swatch applied to the fill of the object. If the Swatches panel is not open, choose Window > Color > Swatches to open it.
Using the Selection tool (), click the circle filled with the Red-Dark swatch in the center of the page. This ellipse frame was drawn in InDesign and filled with 100% of the Red-Dark color.
Choose Window > Effects to display the panel or click the Effects icon () in the panel dock to the right of the document.
In the Effects panel, click the arrow on the right side of the Opacity percentage. An Opacity slider adjustment appears. Drag the slider to 70%. Alternatively, enter 70% in the Opacity box and press Enter or Return.
After you change the opacity of the Red-Dark circle, it becomes translucent, and the resulting color is a combination of the Red-Dark fill of the circle and the rectangle below it that covers the right half of the page, as well as the background image that shows through on the left.
Select the semicircle in the upper-left area of the page filled with the Green-Brightest swatch, and in the Effects panel set the Opacity value to 50%. The semicircle now appears as a more subtle variation in color against the background because it’s now partially transparent.
Select the full circle at the lower left filled with the Green-Medium swatch, and in the Effects panel set the Opacity value to 60%.
Choose File > Save to save your work.
Changing an object’s opacity creates a color that combines the color applied to an object with the colors applied to objects below it. Different blending modes change how the colors in stacked objects interact.
In this exercise, you’ll apply a blending mode to objects on the page.
Using the Selection tool (), select the circle filled with the Red-Dark swatch in the center of the page.
In the Effects panel, choose Overlay from the Blending Mode menu. Notice how the appearance of the colors changes.
Select the Green-Brightest–filled semicircle in the upper-left corner of the page (the same object you set to 50% opacity in the last exercise). In the Effects panel, choose Multiply from the Blending Mode menu.
Choose File > Save.
For more information on the different blending modes, see “Specify how colors blend” in InDesign Help.
So far in this lesson, you have applied various transparency settings to objects drawn using InDesign. You can also apply opacity values and blending modes to imported graphics created with other applications, such as Adobe Illustrator and Adobe Photoshop.
In the Layers panel, select the Art2 layer. Unlock this layer and make it visible.
In the Tools panel, choose the Selection tool (). On the left side of the page, select the graphics frame that contains the black spiral image by clicking within the frame. This frame is in front of a Green-Medium–colored circle.
With the black spiral frame still selected, hold down the Shift key and click to select the graphics frame that contains a black spiral on the right side of the page. This frame is in front of a Purple-Cool–colored circle. Both of the graphics frames with spirals should now be selected.
In the Effects panel, choose Color Dodge from the Blending Mode menu and set the Opacity value to 30%.
The effects display more clearly when you use High Quality Display. However, this may slow down your computer. To set the whole document to High Quality Display, choose View > Display Performance > High Quality Display. To set High Quality Display on individual objects, choose Object > Display Performance > High Quality Display while an object is selected.
Next you will apply a blending mode to a stroke, separately from the rest of the object.
With the Selection tool (), select the circular graphics frame with the salad image in the center of the page.
In the Effects panel, click Stroke (beneath Object) to select it. Selecting the Stroke level applies any blending mode or opacity changes you make only to the stroke of the selected object.
A level indicates which part of an item has opacity settings or a blending mode, as well as whether transparency effects have been applied. It can be the item as a whole (Object) or it can be only parts of the item (Stroke, Fill, or Text). Levels enable you to apply different transparency settings or effects to different parts of the same object.
You can hide or display level settings in the Effects panel by clicking the triangle to the left of the word Object (or Group or Graphic, depending on the selection).
From the Blending Mode drop-down menu, choose Hard Light. Notice how the result is different when the stroke is over different backgrounds. Compare the left side to the right side of the circle, and compare to the inside of the stroke which is over the image that’s the content of this frame. Each area interacts with what’s behind it. Different blending modes produce different interactions.
Choose Edit > Deselect All, and then choose File > Save to save your work.
Next you’ll apply transparency effects to an imported bitmap graphic. Although this example uses a monochromatic image, you can also apply transparency settings to multicolor photographs. The process is the same as applying transparency effects to any other InDesign object.
In the Layers panel, select the Art3 layer. Unlock this layer and make it visible. You can lock either the Art1 layer or the Art2 layer to make it easier to work.
Using the Selection tool (), select the graphics frame with the black starburst image in the center of the page. Because it’s on the Art3 layer, the frame edge is displayed in blue, the color of the layer.
In the Effects panel, enter 70% as the Opacity value and press Enter or Return.
Double-click within the black starburst image to select the content rather than the frame, or click the content grabber. When the content is selected rather than the frame, the handles show the size of the content and change to a color opposite of the layer color.
In the Swatches panel, select Fill color (), and then select the Red-Bright color swatch so that red replaces the black areas of the image.
In the Effects panel, choose Screen from the Blending Mode menu and leave the Opacity value at 100%. The starburst changes colors based on the layers visible beneath it.
Choose Edit > Deselect All, and then choose File > Save to save your work.
When you import Adobe Illustrator (.ai) files into an InDesign layout, InDesign recognizes and preserves any transparency settings that were applied in Illustrator. You can also adjust opacity, add a blending mode, and apply additional transparency effects in InDesign.
Now you will place a vector image of some drinking glasses that have transparency set in Illustrator, and then adjust its transparency in InDesign.
Choose View > Fit Page In Window, if necessary.
In the Layers panel, make sure that the Art3 layer is the active layer and that the Art3, Art2, Art1, and Background layers are visible ().
Lock the Art2, Art1, and Background layers if not yet locked, to prevent them from being modified.
Choose the Selection tool () in the Tools panel, and then choose File > Place. Locate the 12_Glasses.ai file in your Lesson12 folder, press the Shift key, and then double-click or click Open. Adding the Shift key opens the Import Options dialog box without the need to select Show Import Options in the Place dialog box first.
In the Place PDF dialog box, choose Bounding Box (All Layers) from the Crop To menu, and make sure that Transparent Background is selected.
Click OK. The dialog box closes, and the pointer becomes a loaded vector graphics icon () with a preview of the file.
Position the loaded vector graphics icon () within the Purple-Cool–colored circle on the right side of the page, and then click to place the graphic at full size. Drag the graphics frame to center it within the purple circle. Smart Guides are displayed when the frame is centered.
When repositioning the image, Smart Guides can help you center the image perfectly within the purple circle.
In the Layers panel, click to hide the Art2, Art1, and Background layers so that only the Art3 layer is visible, and you can view the placed image on its own and see the transparent color interactions within the Illustrator image itself (with no effects applied in InDesign).
To show only the Art3 layer and hide all other layers, Alt-click (Windows) or Option-click (macOS) the Toggle Visibility icon for the Art3 layer in the Layers panel.
Click to redisplay the Art2, Art1, and Background layers. Notice that the white “olive” shape is completely opaque, whereas the other shapes of the drinking glasses are partly transparent.
With the glasses image still selected, change the Opacity setting in the Effects panel to 60%. Choose Color Burn from the Blending Mode menu. Now the colors and interactions of the image take on a completely different appearance, and the olive shape has become transparent as well.
Choose Edit > Deselect All, and then choose File > Save.
Changing the opacity of text is as easy as applying transparency settings to graphic objects in your layout. You’ll try the technique now as you change the color of text.
In the Layers panel, lock the Art3 layer, and then unlock the Type layer and make it visible. Click the Type layer to make it the active layer ().
In the Tools panel, select the Selection tool () and then click the text frame “URBAN OASIS GARDENS” in the lower left. If necessary, zoom in so that you can read the text easily.
To apply transparency settings to text or to a text frame and its contents, you must select the frame with the Selection tool. You cannot specify transparency settings when text is selected with the Type tool.
In the Effects panel, select the Text level so that any opacity and blending mode changes you make will apply to the text only.
Choose Overlay from the Blending Mode menu and change Opacity to 70%.
Double-click the Hand tool () to fit the page in the window, and then choose Edit > Deselect All.
Now you’ll change the opacity of a text frame’s fill, separately from the text.
Using the Selection tool (), click the text frame at the bottom of the page that contains “Breakfast | Lunch | Dinner | Events | Catering.” If necessary, zoom in so that you can read the text easily.
Select the Fill level in the Effects panel and change Opacity to 70%. Notice that this changes the white background while the text remains black.
Try the same effect with the Object level selected, and notice how this time the text turns gray, which is not what we want.
You’ve now seen the advantage of the ability to apply effects to different parts of the same object. Choose Edit > Undo Set Transparency Parameters.
Choose Edit > Deselect All, and then choose File > Save.
So far in this lesson, you’ve learned how to apply transparency by changing the blending mode and the opacity of objects drawn in InDesign, imported graphics, and text. Another way to apply transparency is by using the nine transparency effects in InDesign.
You’ll try some of these effects now as you fine-tune the menu’s artwork.
Feathering is another way to apply transparency to an object. Feathering creates a subtle transition from opaque to transparent around the edge of an object so that any underlying object or the page background is visible through the feathered area. InDesign features three types of feathering:
Basic Feather softens or fades the edges of an object over a distance that you specify.
Directional Feather softens the edges of an object by fading the edges to transparent from directions that you specify.
Gradient Feather softens the areas of an object by fading them to transparent.
First, you’ll apply Basic Feather, and then you’ll move on to Gradient Feather.
In the Layers panel, unlock the Art1 layer if it’s locked, and ensure it’s the active layer.
If necessary, choose View > Fit Page In Window to see the entire page.
With the Selection tool (), select the Purple-Warm–filled circle on the upper-right side of the page.
You can also open each of the effects dialog boxes from the Effects panel menu.
Choose Object > Effects > Basic Feather. The Effects dialog box appears, displaying a list of the transparency effects on the left and an accompanying set of controls on the right.
In the Options section of the Effects dialog box, set these options:
In the Feather Width box, type 0.375 in.
Change both the Choke value and Noise value to 10%.
Leave the Corners option set to Diffused.
Make sure that Preview is selected and, if necessary, move the dialog box to view the effects of your changes. Notice how the edges of the purple circle are now shaded and look more dimensional.
In addition to applying transparency effects by choosing Object > Effects and then choosing an option from the submenu, you can add effects from the Effects panel menu, or you can click the FX button at the bottom of the Effects panel and then choose an option from the submenu.
Click OK to apply the settings, and close the Effects dialog box.
Choose File > Save.
You can use the Gradient Feather effect to fade an object from opaque to transparent.
Using the Selection tool (), click the Purple-Warm–filled vertical rectangle that covers the right half of the page.
At the bottom of the Effects panel, click the FX button () and choose Gradient Feather from the menu.
The Effects dialog box appears, displaying the Gradient Feather options. In the Gradient Stops section of the Effects dialog box, click the Reverse Gradient button () to reverse the solid and transparent colors.
Click OK. The purple rectangle will fade to transparent from right to left.
Now you will use the Gradient Feather tool to adjust the direction of the fade.
In the Tools panel, select the Gradient Feather tool (). (Be careful not to choose the Gradient Swatch tool.) Hold down the Shift key, and drag the pointer from the bottom to about two-thirds up to the top of the rectangle to change the gradient direction. The Shift key constrains the direction to exactly vertical.
Choose Edit > Deselect All, and then choose File > Save.
Next, you will apply multiple effects to a single object and then edit them.
When you add a drop shadow to an object, the result is a 3D effect that makes the object appear to float above the page and cast a shadow on the page and objects below. You can add a drop shadow to any object, and you have the option to assign a shadow independently to an object’s stroke or fill or to the text within a text frame.
The Effects dialog box allows you to apply multiple effects to a single object and shows you which effects are applied to a selected object (indicated by a check mark on the left side of the dialog box).
Now you’ll try this technique by adding a drop shadow to the “edible blossoms” text. It’s important to note that effects can be applied only to a whole text frame, not to some of the words within a frame.
Using the Selection tool (), select the text frame that contains the words “edible blossoms.” Hold down the Z key to temporarily access the Zoom tool, or select the Zoom tool () and magnify the frame so that you can see the text clearly.
At the bottom of the Effects panel, click the FX button (), and choose Drop Shadow from the menu.
In the Blending section of the Effects dialog box, enter 55% for Opacity. In the Options section, enter 0.125 in for Size and 20% for Spread. Make sure that Preview is selected so that you can see the effects on your page.
You can also adjust the size and angle of a drop shadow with the settings in the Position area, either by typing numbers in the settings or by dragging the line in the angle circle to a new position.
Click OK to apply the drop shadow to the text.
Choose File > Save to save your work.
You can apply more than one transparency effect to an object. For example, you can create the impression that an object is embossed and that it has a glow around it by applying two transparency effects.
In this exercise, you’ll apply an embossed effect and an outer glow effect to two vector objects on the page.
Choose View > Fit Page In Window. In the Layers panel, turn off the visibility of the Art3 layer.
Using the Selection tool (), select the Green-Brightest–filled semicircle in the upper-left corner of the page.
At the bottom of the Effects panel, click the FX button (), and choose Bevel And Emboss from the menu.
In the Effects dialog box, make sure that Preview is selected so that you can view the effects on the page. Then specify the following settings in the Structure section:
Size: 0.3125 in
Soften: 0.3125 in
Leave the rest of the settings as they are, and keep the Effects dialog box open.
On the left side of the dialog box, click Outer Glow to add another effect to the semicircle. The settings panel for this effect will be displayed. Specify these settings:
Size: 0.25 in
Click the Set Glow Color box to the right of the Mode menu. In the Effect Color dialog box, make sure that Swatches is selected in the Color menu, choose Black from the list of colors, and then click OK.
Click OK. This object now has multiple effects applied.
Next, you will apply the same effects to another object on the page, simply by dragging the FX icon from the Effects panel to the semicircle.
Double-click the Hand tool () to fit the page in the window, if needed.
Using the Selection tool (), select the green semicircle in the upper-left corner of the page, if necessary.
With the Effects panel open, drag the FX icon () on the right side of the Object level in the panel directly on top of the small green circle on the page to the left of the semicircle with the multiple effects. A gripping hand icon with a plus sign will appear. Release the mouse button.
Choose Edit > Deselect All, and then choose the Preview screen mode from the menu at the bottom of the Tools panel to see the results without guides and frame edges. Return to Normal mode.
When nothing is selected (Edit > Deselect All), you can press the W key to toggle between Preview and previous screen modes.
Choose File > Save.
You can also use the same technique to apply effects to objects in other documents.
Choose File > Open and open the file 12_Start.indd again. If you left the 12_End.indd file open for reference, close it now.
Choose Window > Arrange > 2-Up Vertical so that you can see the 12_Menu.indd and 12_Start.indd files side by side.
In the file 12_Start.indd, make sure that the Background layer is active (since it is already unlocked).
Draw a shape, such as a rectangle or ellipse frame, with one of the drawing tools, and choose any color for the fill from the Swatches panel.
Switch back to the 12_Menu.indd file and select the Green-Brightest–filled semicircle in the upper-left corner of the page, which now has multiple effects applied.
Use the same technique as in step 3 of the previous exercise: with the Effects panel open, drag the FX icon () on the right side of the Object level, and drop it directly on top of the shape you just drew. Release the mouse button when you see the gripping hand with a plus sign. The effect settings are applied to the object in the other document.
Close the 12_Start.indd file without saving.
Another way to apply effects to other objects is to create an object style, as you learned in Lesson 9. You can then import that object style into other documents by using Load Object Styles in the Object Styles menu.
In Lesson 10 you learned how to turn layers in an imported Photoshop file off and on. We’ll use that technique but also apply an InDesign effect to one of the layers.
In the Layers panel, make sure the Art3 layer is visible and unlocked.
Using the Selection tool (), click the squash blossom image above the words “edible blossom.” Press Ctrl+= (Windows) or Command+= (macOS) a few times to zoom in on the image.
Notice that the shadow on this image doesn’t look right. The grays are on top of the background colors without interacting with them. The technique to correct this requires two copies of the image placed exactly on top of each other. You’ll do that first.
Ensure that the frame with the squash blossom image (Squash-Blossom.psd) is selected. Choose Edit > Copy, then choose Edit > Paste In Place. There are now two copies of this image exactly on top of each other.
Choose Object > Hide. The topmost copy of the image is now hidden.
Click to select the remaining copy of the image. Choose Object > Object Layer Options. Turn off the Foreground layer so that only the Shadow layer is visible and click OK.
To see the results most clearly, switch to the Preview screen mode by pressing the W key. Then press the W key again to switch back to Normal screen mode so that you can see the frame edges.
Open the Effects panel and change the Blending Mode to Multiply. Notice the dramatic difference in how the grays of the shadow layer now interact with the colors below.
Choose Object > Show All On Spread. The second copy of the squash blossom image is visible again. Now you need to make sure you are selecting the topmost copy of the image. One easy way to be sure which one you are selecting is to click a different object and then click back on the squash blossom. The second copy will be selected because it’s on top.
Choose Object > Object Layer Options. This time, turn the Shadow layer off and click OK. Now the shadow to which you applied the Multiply effect is the only one that’s visible. The result is much more visually pleasing.
The Object Layer Options visibility settings work like they do in the Layers panel. You make a layer visible by turning on the eye icon and invisible by turning off the eye icon.
Lock all of the layers below Art3. Then drag across an edge of the squash blossom image. Because the two images are exactly on top of each other, you’ll select both instances of the image. Choose Object > Group. Grouping both instances makes it easy for you to reposition this image while keeping them aligned exactly on top of each other.
The shadow on this image is created using only the black channel in Photoshop so that it will stay a neutral gray when printed. By using this technique, you can blend the shadow with background colors, while at the same time ensuring that the shadow will print with black ink only when it’s over white (the paper).
Experiment with moving this object above different backgrounds. For example, while the group is selected, open the Layers panel and move the solid blue square from the Art3 layer to the Type layer. Then drag the squash blossom down so that part of the shadow crosses the white letters of “edible blossoms.” Notice that the shadow looks black only where it crosses the white areas, while blending with the green colors when over those areas. This is the reason to use shadows that are on the black channel only.
Move the image back to the Art3 layer and position it above the “edible blossoms” type.
Choose File > Save.
Applied effects can easily be edited or removed. You can also quickly check whether any effects have been applied to an object.
First you’ll edit the gradient fill behind the restaurant title, and then you’ll remove the effects applied to one of the circles.
To quickly see which pages in your document contain transparency, choose Panel Options from the Pages panel menu, and then select Transparency. A small icon () is displayed next to any pages containing transparency.
In the Layers panel, make sure that the Art1 layer is unlocked and that it is visible and active. If you switched to Preview screen mode in the last exercise, switch back to Normal mode. Choose View > Fit Page In Window.
Using the Selection tool (), click the frame with the gray gradient fill that’s behind the text “edible blossoms.”
Choose Window > Properties to display the Properties panel. One of the properties available is Effects. In this case, the effect is Gradient Feather, which is displayed with an underline to the right of the FX button (). Click it, and the Effects panel opens. In the menu that appears, the Gradient Feather effect has a check mark next to it, which indicates that it is already applied to the selected object.
In the Effects dialog box, turn on Preview and move the dialog box so that you can see this object (if necessary). Under Options, change Type to Radial. Under Gradient Stops, click the mid point (the small diamond shape above the ramp) in the middle of the gradient ramp. Slide it left and right and watch how it changes the look. The black color radiating from the center spreads farther across the page or becomes much smaller. The setting is shown as a percentage in the Location box. Set the mid point to about 35%.
Click OK to update the Gradient Feather effect.
Click the Fill button in the Appearance area of the Properties panel. Change the fill color to Blue-Dark. Choose Edit > Deselect All.
Now you will remove the effects applied to an object.
When you hold down the Ctrl key (Windows) or Command key (macOS) and click overlapping objects, the first click selects the topmost object, and each successive click selects the next object below in the stacking order.
In the Layers panel, turn on visibility for all layers and unlock all layers.
Select the Selection tool (). While holding down the Ctrl key (Windows) or Command key (macOS), click the small Purple-Warm circle to the right and below the salad image in the center of the page. Your first click may select the rectangular frame above the circle. Click again a bit farther to the right within the small circle to select it. Or, lock the Art3 layer (the larger rectangle is on this layer) to more easily work with objects on the Art2 layer below.
In the Effects panel menu, choose Clear Effects. This will remove the Drop Shadow effect applied to the circle while leaving the Opacity setting applied.
The Clear Effects button () at the bottom of the Effects panel also removes blending mode and opacity settings from the object in addition to clearing effects.
Choose File > Save.
Double-click the Hand tool () to fit the page in the window, and change to the Preview screen mode to admire your work.
Congratulations! You have completed the lesson.
Try some of the following ways of working with InDesign transparency options:
Navigate to page 2. Experiment with changing the blending modes and effects applied to the text frame and objects at the bottom. The text frame is filled with a gradient but the text is live, so you can select the text and type whatever you’d like.
Now create some shapes yourself (by using the drawing tools, by copying objects from page 1, or by importing new copies of some of the image files used in this lesson) on a new layer. Apply fill colors to any shapes that don’t have content, and position your shapes so that they overlap each other, at least partially. Then:
Select the uppermost object in your arrangement of shapes. Using the controls in the Effects panel, experiment with other blending modes, such as Luminosity, Hard Light, and Difference. Then select a different object and choose the same blending modes in the Effects panel to compare the results.
In the Effects panel, change the Opacity value of some of the objects but not others. Then select different objects in your arrangement and use the Object > Arrange > Send Backward and Object > Arrange > Bring Forward commands to observe different results.
Experiment with combinations of different opacities and different blending modes applied to an object. Do the same with other objects that partially overlap the first object to explore the variety of effects you can create.
In the Pages panel, double-click page 1 to center it in the document window. Open the Layers panel and then click the eye icon for the different Art layers one at a time to see the differences in the transparency effects when they interact with different objects below or no objects below.
In the Layers panel, make sure that all the layers are unlocked. In the layout, click the image of the glasses to select it. Use the Effects panel to apply a drop shadow.
Select the red flower on the lower-left side of the page. This shows another use of the Bevel and Emboss effect. Open the Effects panel and experiment with different settings.
1. How do you apply a transparency setting or effect to different parts of an object?
2. If you’ve applied transparency effects to an object, what is the easiest way to apply the same effects to a different object?
3. What is the importance of the stacking order of layers and of objects within layers when you work with transparency?
4. What’s the quickest and easiest way to remove transparency effects from an object to which multiple effects are applied?
5. What is a limitation of applying effects to text?
6. When is it better to use a tint instead of an opacity setting?
1. Choose one of the levels in the Effects panel: Object applies to the object as whole, but you can also choose Stroke, Fill, or Text and apply separate settings to each.
2. Select the object to which you’ve applied transparency effects, and then drag the FX icon displayed on the right side of the Effects panel to another object.
3. The transparency of an object affects the view of objects below (behind) it in the stacking order. For example, objects below a semitransparent object can be seen behind it—like objects behind a colored plastic film. An opaque object blocks the view of the area behind it in the stacking order, regardless of whether the objects behind it have reduced opacity values, feathering, blending modes, or other effects.
4. Select the object, and then click the Clear Effects button at the bottom of the Effects panel. This clears effects, blending modes, and opacity settings. The trash can button clears only effects. You can also choose Clear All Transparency from the Effects panel menu.
5. Effects can be applied to the entire text frame only. They cannot be applied to separate words within a text frame.
6. It’s better to use a tint when the object has nothing below it with which a transparency effect will interact, such as when it’s on top of a white background. In other words, if you simply want to make the object lighter and not have anything behind show through, use a tint.