Contents

Preface

Special Thanks

About the Author

PART I. ROCK AND ROOTS

1. The L.A. Goldrush—Thirty Years of Studio Excellence

2. Yesterday, Today, and Tomorrow—Where We've Been and Where We're Going

PART II. GOING GLOBAL — THE NEW REALITIES

3. The Global Recording Village Is Now

4. What Is World Class?

5. Motherships and Satellites: The New Generation

6. So You Want to Build a Recording Studio?

7. Tips for the Smaller Studio

PART III. CREATING AND MAINTAINING SUCCESS

8. Twelve Steps Toward Better Management

9. YOUR Studio Time

10. Management by Exception

11. Covet Your Second Thoughts

12. Praise and Productivity

PART IV. DIVERSIFY OR DIE

13. Audio Recording in the 21st Century

14. Diversification: Providing New Services to Different Clients

15. Secrets of Success on the New Recording Frontier

PART V. CREATIVE MARKETING AND PROMOTION

16. Pro-Audio Pro-Motion

17. Attracting the Client: Record, Film, and Television Companies

18. Attracting the Mix: Music Producers and Audio Engineers

19. Working (with) the Press

20. Market-Driven Profit Centers—Finding Your Niche

PART VI. FINANCIAL CONCERNS

21. Protect Your Success

22. Profit Today, Prepare for Tomorrow

23. Profit from Your Financial Statements

24. The Art of Credit and Collection

25. Equipment Leasing—Is It for You?

PART VII. SOUND ECONOMICS

26. Smart Studio Pricing

27. Examining Your Profit Centers

28. A Few Good Chess Moves Can Boost Your Profitability

29. Learn from Outsiders What Is Best for Your Business

PART VIII. THE IMPORTANCE OF CONVENTIONS

30. AES the Smart Way

31. AES Europe—A Different Perspective

32. NAB Means New Audio Business

PART IX. EFFICIENT FACILITY MANAGEMENT

33. Communication Then and Now

34. Good Insurance Is the Best Policy

35. Projecting Future Business—While You Enjoy It!

36. The Paper Tiger Can Destroy You—Training Is the Answer

PART X. THE SOUND OF MONEY

37. Absolute Symbiosis—Suppliers and Providers

38. The Changing Roles of Music Producer and Audio Engineer

39. Console Obsolescence—What Do I Do Now?

40. Acoustics for the 21st Century

41. The Second Digital Revolution

42. Recording for Profit—The Sound of Money

Epilogue: Woodstock ‘94—A Major Pro Audio Case History

Appendix I. The Record Plant—A Legacy of Hits by David Goggin

Appendix II. Financial Statements

Appendix III. Studio Business Forms

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