Appendix A: Filters for Light Balancing and Color Compensating
by Richard Ferncase
Basic Lighting Worktext for Film and Video
- Cover
- Half Title
- Title Page
- Copyright Page
- Dedication
- CONTENTS
- Preface and Acknowledgments
- CHAPTER ONE THE VISIBLE SPECTRUM
- CHAPTER TWO FILM AND EXPOSURE
- CHAPTER THREE USING ELECTRICITY
- CHAPTER FOUR VIDEO, THE ELECTRONIC MEDIUM
- CHAPTER FIVE CONTROLLING COLOR TEMPERATURE: LIGHT SOURCES AND FILTERS
- Introduction
- Color Temperature
- Photographic Daylight
- Tungsten Illumination
- Fluorescent Lamps
- Carbon Arc Lamps
- Enclosed Arc Lamps
- Filters
- Filtering Fluorescent Lamps
- Filtering Arc-Type Lamps
- Self-Study
- Project 5.1: Identifying Artificial Sources
- Project 5.2: Using Color-Balancing and Color-Compensating Filters
- CHAPTER SIX CONTROLLING LIGHT QUALITY: LIGHTING EQUIPMENT
- CHAPTER SEVEN MEASURING LIGHT INTENSITY
- CHAPTER EIGHT MANIPULATING LIGHT: DIRECTION AND BALANCE
- CHAPTER NINE LIGHTING CONCEPTS IN PRACTICE
- CHAPTER TEN LIGHTING IN THE STUDIO
- Introduction
- The Production Crew
- The Studio
- The Television Studio vs. The Motion Picture Soundstage
- The Cyclorama
- Project 10.1: The Limbo Effect
- Day Interiors
- Lighting Designs
- Project 10.2: High-Key Living Room—Afternoon
- Project 10.3: Bedroom Side Lighting—Early Morning
- Night Interiors
- Project 10.4: The Night Office
- Project 10.5: Living Room Cross-Key Lighting—Evening
- Night Exteriors
- Project 10.6: Moonlit Night by a Campfire
- CHAPTER ELEVEN LIGHTING ON LOCATION
- Introduction
- Location Scouting and Planning
- Day Exteriors
- Project 11.1: Lighting a Daylight Exterior
- Night Exteriors
- Project 11.2: Night Exterior—Sidewalk on a Residential Street
- Day Interiors
- Project 11.3: Balancing Sources in a Daytime Office
- Pre-Rigging
- Project 11.4: Lighting a Controlled Croup (Table)
- Lighting in the Real World
- Appendix A: Filters for Light Balancing and Color Compensating
- Appendix B: Some Additional Rosco Filters for Special Applications
- Glossary
- Bibliography
-
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