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by Jim Stone
Darkroom Dynamics, 2nd Edition
Cover
Half Title
Title
Copyright
CONTENTS
INTRODUCTION
THE SABATTIER EFFECT
The Nature of the Sabattier Effect
How to Produce a Sabattier Print
The Test Strip Procedure
Methods of Control during Exposure
Methods of Control in Processing
Tone Control With Bleach
Bas Relief and Troubleshooting
BLACK-AND-WHITE INFRARED FILM
Using the Film
Using Filters
Controlling the Film
Processing the Film
Infrared Flash
Using 70mm Infrared Film
PHOTOGRAMS
Light Sources
Photogram Materials
Making the Photogram
Abstraction vs. Representationalism
SPLIT-TONING
Split-Toning
Controlling the Split
POLAROID PEEL-APART FILM
Instant Photography
The Transfer
The Rollers
Gilding
MULTIPLE PRINTING
Blending in the Camera
Sandwiching Negatives
Setting up an Enlarger Blend
Printing the Blend
Complex Printing
ENLARGED PHOTOGRAMS
The Process
The Materials
Negative Making
Making Negatives Permanent
POLAROID SX-70
Manipulating the Reagent
Altering the Surface
Transparency Making
HAND COLORING
The Materials
Making an Enameled Print
Alternative Methods
TONING
Print Color With Toning
Toner Chart
Preparing Your Prints
Toning Your Prints
Finishing Up
HIGH CONTRAST
How to Make a High-Contrast Print
Making a Film Positive and Negative
Selecting a Working Film Size
Basic Darkroom Controls
Retouching Litho Film
Photomontage
Photomontage Examples
Masking
Tone Separation and Tone-Line
Screens and Backgrounds
Other Applications
Combining Techniques
Considerations When Photographing
Development for Detail
Simplicity vs. Detail
LIQUID EMULSION
Liquid Light
Preparing the Piece
Applying the Emulsion
Processing
Finishing
RETICULATION
What Is Reticulation?
Simple Reticulation
Radical Reticulation
Veiling
Differential Reticulation
PHOTOMONTAGE
Setting Up
Assembling the Montage
Mounting and Copying
Gallery
COMBINATION COLORING
Setting Up
Coloring the Print
DYE TRANSFER
Setting Up
The Wash-Off Relief Process
Dyeing the Matrix
Printing the Matrix
Formulas
ABOUT THE AUTHORS
INDEX
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