Picture credits

The author and publisher would like to thank the following institutions and individuals for providing photographic images for use in this book. In all cases, every effort had been made to credit the copyright holders, but should there be any omissions or errors the publisher would be pleased to insert the appropriate acknowledgement in any subsequent edition of this book:

p4: Tahon & Bouroullec; p7, top left: Norsk Form and Thomas Ekström; p7, top middle: Courtesy of IDEO; p7, top right: © Apple Inc. Courtesy of Apple Inc.; p7, middle left: Fiat Group Automobiles UK Ltd; p7, middle right: Per Finne; p7, bottom left: Industrial Facility, London, Epson Design, Japan; p7, bottom right: Moroso SpA, Alessandro Paderni-Eye Studio; p9: Courtesy of DuPont ^TM Corian ^® Photographer: Leo Torri; p10, top: © Min-Kyu Choi (www.minkyu.co.uk/www.madeinmind.co.uk) Supported by Royal College of Art, BASF, Korean Institute of Design Promotion (KIDP); p10, bottom: The Perrier brand and image is reproduced with the kind permission of Société des Produits Nestlé S.A.; p11, top left: Photonica/Getty Images; p11, top right: AIRBUS SAS, France; p11, bottom left: Imagebank/Getty Images; p11, bottom right: Kuka Automation + Robotics; p12: Dyson Ltd; p13: Susan Smart Photography; p17: © Julia Lohmann (www.julialohmann.co.uk); p20: Hulton Archive/Getty Images; p22: © Thonet GmbH; p23, top: © V&A Images, Victoria and Albert Museum; p23, bottom: Photo: Hans-Joachim Bartsch.© 2010. Photo Scala, K, Bildagentur fuer Kunst, Kultur und Geschichte, Berlin; p24: © V&A Images, Victoria and Albert Museum; p25, top: © Wenger Swiss Army Knife, Wenger SA; p25, bottom: Melva Bucksbaum Purchase Fund. Acc. n.: 24.2000.© 2010. Digital image, The Museum of Modern Art, New York/Scala, Florence; p26, top: Copyright: Iittala, Finland; p26, bottom: Gift of Herbert Bayer. Acc. n.: 229.1934 © 2010. Digital image, The Museum of Modern Art, New York/Scala, Florence; p27: © 2010. Digital image, The Museum of Modern Art, New York/Scala, Florence; p29: © V&A Images, Victoria and Albert Museum; p30: Raymond Loewy TM by CMG Worldwide, Inc. /www.raymondloewy.com; p31: © V&A Images, Victoria and Albert Museum; p32, top: © V&A Images, Victoria and Albert Museum; p32, bottom: © V&A Images, Victoria and Albert Museum; p33: Courtesy of Cassina; p34, top: Kartell Museum; p34, bottom: Zanotta SpA-Italy; p35, top: Bang & Olufsen; p35, bottom: Peter Strobel Photodesign/cologne-Germany; p36: Gift of the manufacturer. Acc. n.: 198.1973.© 2010. Digital image, The Museum of Modern Art, New York/Scala, Florence; p37, top: Sony Corporation; p37, bottom: Casio Electronics Co. Ltd.; p38: Alessi SpA, Italy; p39, top: Venini SpA; p39, bottom: © V&A Images, Victoria and Albert Museum; p40, top: Skidmore, Owings & Merrill Design Collection Purchase Fund. Acc.n.: SC20.1983© 2010. Digital image, The Museum of Modern Art, New York/Scala, Florence; p40, bottom: Kartell; p41: Starck Network; p42: Photography: Cappellini, Robbie Kavanagh (story board); p43, top: Courtesy Droog; p43 bottom: Photography by Tord Boontje; p44, top: © Apple Inc. Courtesy of Apple Inc.; p44, bottom: Estudio Camapana, Edra; p45: Nienke Klunder; p47, top: Haier Europe Trading Srl; p47, bottom: Copyright 2010 Samsung Electronics America; p49: Atelier Satyendra Pakhalé; p50, top: Commissioned by Jan Bolen z33, photo by Per Tingleff; p50, bottom: Courtesy Lovegrove Studio; p51: Kundalini srl; p54: Photographer: John Britton Courtesy Lionel T. Dean. with project assistance of RP bureau 3T; p57: School of Design, University of Northumbria; p59: Jenny Kelloe, University of Dundee; p60: Andy Murray Design; pp61–62: School of Design, University of Northumbria; p63: Tom Harper, Edinburgh College of Art; p66: © Citroen Communication (S.A. Automobiles Citroen); p71: Stuart Haygarth; p79: Propeller Design Team and Kapsel Multimedia AB; p80: Friedman Benda Gallery, Joris Laarman Lab; p82: Angela Gray; p83: © BMW AG; p85, top: Image provided by Gehry Partners, LLP; p85, bottom: Alessi SpA, Italy; p86: pilipili productdesign NV; p87, top: Jonas Hultqvist- Jonas Hultqvist Design; p87, bottom: Ford Motor Company; p89, top: Dyson Ltd; p89, bottom: Marc Newson Ltd; p91: © Alan (Fred) Pipes; p92, top: Drawing by George Sowden for Memphis 1981 First Exhibition. “Acapulco” Clock in wood with silk screen printed decoration.; p92, bottom: Studio Ettore Sottsass s.r.l. and Erik and Petra Hesmerg; p93: © Alan (Fred) Pipes; p97: Nendo; p99: Barber Osgerby, Established & Sons; p100: Courtesy of Fuseproject; p103: Martí Guixé, Galeria H2O; p104: Nendo; p110: PearsonLloyd in conjunction with Steelcase Design Studio; p113, top: Qubus Design/Maxim Velcovsky; p113, bottom: Moooi; p114: A. Ford and Bugatti Owners’ Club; p116: Gaia & Gino, photographer: Serdar Samli; p117: Studio Van Eijk & Van der Lubbe, photography: Studio 4/A; p118: Jean-Marie Massaud, Viccarbe; p119: PlantLocks ^® Front Yard Company Ltd; p121: Nendo; p122: Ralph Nauta and Lonneke Gordijn, Drift; p123: Royal VKB; p124: Driade; p125, top: Pelle Wahlgren; p125, bottom: © Singgih S. Kartono; p126: Demakersvan; p127: Carl Hansen & Søn A/S; p130: Moroso SpA, Alessandro Paderni-Eye Studio; p131, left: Courtesy Studio Tord Boontje; p131, right: www.mikroworld.com/Sam Buxton; p133: Marc Newson Ltd; p134: Driade; p135, top: Ligne Roset, www.ligne-roset.co.uk; p135, bottom: Patrick Gries; p137: © Vitra, photographer: Paul Tahon; p138: John McGregor, Edinburgh College of Art; p139, top: Alex Milton and Will Titley; p139, bottom: Marloes ten Bhömer; p140: © Magis, photo by Tom Vack; p142: Polycast and Rolls-Royce Motor Cars Limited; p143: Photography by Max Lamb and Jane Lamb; p144: Courtesy of Fuseproject; p145: Max Lamb; p146: Ed Carpenter (www.edcarpenter.co.uk) for Thorsten Van Elten (www.thorstenvanelten.com); p147: Fabiane Möller, Thomas Ibsen, Stuart McIntyre Boris Berlin & Poul Christiansen of Komplot Design Gubi A/S Inventor of 3D veneer: Dr. Achim Möller Manufacturer of 3D veneer: Reholz GmbH; p148: Biomega; p149 Tokujin Yoshioka Design (www.tokujin.com), 21_21 Design Sight (www.2121designsight.jp); p151: Thomas Duval; p153: Dominic Wilcox, www.dominicwilcox.com; p155, top left: Yael Mer & Shay Alkalay, Raw-Edges Design Studio, Arts & Co, www.arts-co.com; p155, top right and bottom: Yael Mer & Shay Alkalay, Raw-Edges Design Studio; p156: Ding3000; p157, left: © Tjep; p157, right: Hulton Archive/Getty Images; p158: © Porsche AG; p159: Roman Leo; p160: Raymond Loewy TM by CMG Worldwide, Inc. /www.raymondloewy.com; p161: Daniel Jouanneau; p162, and 163 top left and bottom: © Apple Inc. Courtesy of Apple Inc.; p163, top, right: Gift of the manufacturer. Acc. num. 595.1965.© 2010. Digital image, The Museum of Modern Art, New York/Scala, Florence; p169: Nucleo; p170: © Artecnica (www.artecnica.com); p171: Jon Bohmer, Kyoto Energy Ltd.; p172, left: Alberto Lievore, Indartu (Simeyco, S.A.L.); p172, right: bambu LLC; p173, top: Courtesy Droog; p173, bottom: Stokke ^® Tripp Trapp ^® www.stokke.com; p174, top: Herman Miller Inc.; p174, bottom left: Photo by Inga Knölke; p174, bottom right: Martí Guixé, Galeria H2O; p175: Yael Mer & Shay Alkalay, Raw-Edges Design Studio, Platform 10, Design Products, Royal College of Art London; p176: Alex Milton, Edinburgh College of Art; p177: Biomega; p178, left: © Vitra AG (www.vitra.com), photographer Marc Eggiman; p178, right: Nob Ruijgrok; p179: Stuart Haygarth; p180: Muji, www.muji.eu; p181: © Vitra AG (www.vitra.com), Photography Hans Hansen; p183, top: Max Lamb; p183, bottom: Photography by Max Lamb and Jane Lamb; p185, top: Dominic Wilcox (www.dominicwilcox.com); p185, bottom: Boym Partners Inc; p186, top: Studio Oooms (www.oooms.nl); p186, bottom: Wokmedia; p187: Starck Network; p188, top and 189: Front; p188, bottom: Dominik Butzmann; p193: Niels Diffrient, Alvin R. Tilley, and Joan Bardagjy, Humanscale 1/2/3, figure:Female selector,© 1974 Massachusetts Institute of Technology and Henry Dreyfus Associates by permission of The MIT Press.; p195: OXO Good Grips; p198, top left: Ty Nant, Courtesy Lovegrove Studio ; p198, top middle: Muji, www.muji.eu; p198, top right: Starck Network; p198, bottom: © Tjep; p199: Picture courtesy of Toyota (GB) PLC; pp202–03: John McGregor, Edinburgh College of Art; pp205–07: School of Design, University of Northumbria; p208: School of Design, University of Northumbria, photographer: James Cunnings; p213: Courtesy of IDEO; p223: Tom Harper, Edinburgh College of Art.

Acknowledgements

Paul Rodgers and Alex Milton would like to thank all the contributing designers for their time, effort and generosity. We would also like to thank the School of Design at the University of Northumbria and Edinburgh College of Art for their support in making this book happen, our past and present colleagues for their critical advice and input, and all our design students over the years. Special mention is due to Ed Hollis, Euan Winton, Matthew Turner, and Douglas Bryden. There are, of course, many others and you know who you are!

A really big thanks to everybody at Laurence King Publishing including Jo Lightfoot, Zoe Antoniou, Melanie Walker, and Fredrika Lökholm for all their hard work.

Last but by no means least, a special thanks is due to Alison and Fiona for providing invaluable support and inspiration.