- Front Cover
- Half Title
- Title Page
- Copyright
- Contents
- Preface to the fifth edition
- 1 Characteristics of the medium
- Radio makes pictures
- Radio speaks to millions
- Radio speaks to the individual
- The speed of radio
- Radio has no boundaries
- The transient nature of radio
- Radio on demand
- Radio as background
- Radio is selective
- Radio lacks space
- The personality of radio
- The simplicity of radio
- Radio is low cost
- Radio for the disadvantaged
- Radio teaches
- Radio has music
- Radio can surprise
- Radio can suffer from interference
- Radio for the individual
- Radio for society
- The public servant
- Types of radio station
- ‘Outside’ pressures
- Personal motivations
- 2 The radio studio
- 3 Ethics
- 4 Writing for the ear
- 5 News – policy and practice
- Codes of Practice
- Objectivity
- Legality
- News values
- Investigative reporting
- Campaigning journalism
- The news reporting function
- Accuracy
- Intelligibility in the writing
- Being fair
- Giving offence
- Causing distress
- Civil disturbance and war reporting
- A summary
- The newsroom operation
- Style book
- Radio car, mobile phone
- Equipment in the field
- The news conference and press release
- 6 Interviewing
- The basic approach
- Types of interview
- Securing the interviewee
- What the interviewee should know
- Preparation before the interview
- The pre-interview discussion
- Question technique
- Question ‘width’
- Devil’s advocate
- Multiple questions
- Leading questions
- Non-questions
- Non-answers
- Non-verbal communication
- During the interview
- Winding up
- After the interview
- Style
- Interviewing ‘cold’
- Interviewing through a translator
- Location interviews
- The triangle of trust
- 7 Vox pop
- 8 Cues and links
- 9 Newsreading and presentation
- 10 The discussion
- 11 Phone-ins
- Technical facilities
- Programme classification
- The open line
- Support staff
- Choosing the calls
- The role of the presenter
- Presenter style
- Reference material
- Studio operation
- Additional telephone facilities
- Use of ‘delay’
- The specific subject
- ‘Early lines’
- Consumer affairs
- The need to be fair
- Linking programmes together
- Personal counselling
- The presenter as listener
- Non-broadcasting effort
- Anonymity
- Phone-in checklist
- 12 Listener participation
- 13 Music programming
- 14 Sequences and magazines
- 15 Making commercials
- 16 Outside broadcasts (remotes)
- 17 Commentary
- 18 Music recording
- 19 Drama — principles
- 20 Documentary and feature programmes
- 21 The work of the producer
- 22 The executive producer
- 23 Programme evaluation
- 24 Training
- 25 Back-announcement
- CD-ROM
- Websites
- Glossary
- Further Reading – a selection
- Index
-
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