The hand press3 was used till the end of the 18th century.
1486, Bernhard von Breydenbach, Peregrinatio in Terram Sanctam.
1493, Schedel, H., Liber Chronicarum, Anton Koberger, Nuremberg. Famous edition, known as the “Nuremberg chronicle”, combining text and image, lavishly illustrated with woodblocks by M. Wolgemut and W. Pleynderwurff.
Aldus Manutius (1449–1515), publishing activity in Renaissance Venice: Introduction and establishment of libelli (libri) portatiles (portable books, pocket-sized books), and of italics. Collaboration with scholars. Aldus Manutius created not only a typographic culture but an everyday culture as well.
Last decade, Florence, publishing activity of the Greek scholar Janus Lascaris and Italian printer Lorenzo de Alopa.
16th Century, Renaissance-Manierism
Venice as a typographic capital.
Illustration and decoration of the printed book developed.
1543, N. Copernicus, De revolutionibus orbium caelestium libri sex, Nurember, Ioannis Petrius (beginning of Scientific Revolution).
1545, Conrad Gesner, Bibliotheca Universalis, Christopher Froschauer, Zurich (first bibliography—reference work).
1550, Florence (Torrentino), first edition of the Vite by Giorgio Vasari.
1568, Florence (Giunti), second edition of the Vite by Giorgio Vasari.
In the first half of the century, Pietro Aretino published his works in collaboration with the publisher Francesco Marcolini, Venice.
Christoph Plantin, Antwerp, systemization of the publishing process, production of polyglot Bible in eight folio volumes, 1568–1572.
17th Century, Baroque
1641, Torquato Accetto, Della dissimulazione onesta, nella stampa di Egizio Longo, Naples.
From 1650, emergence and development of subscriptions, preorders in Britain.